Artist: Richard Samuel Chattock (British, 1825 - 1906) Title: On the Medway Medium: Antique hand pulled copper plate etching on wove paper. Year: 1884 Condition: Excellent Dimensions: Image Size 7 3/8 x 9 inches. Framed Dimensions: Approximately 17 x 18 inches Framing This piece has been professionally matted and framed using all new materials. Accompanied by A Gallery Certificate of Authenticity. Additional Notes: View with the stone bridge on the left, a river flows below in the foreground, two large boats at the bank in the middle distance where some figures stand and others sit, another figure on the bridge in profile, houses in the background, trees behind. Artist Biography: Richard Samuel Chattock was printmaker, painter and etcher born in Solihull (then in Warwickshire, now in the West Midlands), England. His father was a solicitor and after studying at Rugby School he too entered the legal profession. However, in the late 1950s he began following his interest in art, exhibiting his work in the Royal Birmingham Society of Artists. From 1869 to 1891, he exhibited in the Royal Academy of Arts. Chattock often painted rural scenes and architectural subjects. In 1872, he completed his most famous works, sixteen etchings that depict the industrial landscape of the Black Country considered an unusual choice for artists. For each etching, Chattock gave a description of what is being portrayed, and often how the objects in the etchings were used in the industry. While these descriptions tell of the "intense desolation" of the Black Country, due to an industry that "ransacked [its] depths", Chattock is often focused on what he calls "single picturesqueness, if not beauty". In 1876 and 1881 he became a member of the RBSA and Royal Society of Painter-Printmakers respectively and he published a manual for other artists entitled Practical Notes on Etchings in 1883.