Dreaming Tuscany in May (detail) by Jane LaFazio Dreaming Tuscany in May (detail) by Jane LaFazio Dreaming Tuscany in May (det...

Handgewebte Webrahmen und sommerlichen Webteppich - beides leicht mit Naturmaterialien selber zu weben. Eine DIY-Anleitung findest du hier.

I have been doing some finishing on the Riverside tapestry this week. It is about postcard size at 5 inches by 7.75 inches and I enjoyed weaving it. There is an idea cooking, not fully baked yet that it might be fun to create a collage of small tapestries based on the theme " postcards from home". In the interim it would be nice to be able to display it individually. Of course there are many ways to finish tapestries but I will take you through my process for this one. Starting from the beginning I loosen the warp before cutting it from the loom. Notice the bright yellow orange thread, this will not be part of the finished piece. I like to use a guide thread to help keep the edges even and parallel as I climb up the warp. This is nothing new but most of the time the guide threads are an extra warp thread placed next to the actual edges of the piece. I have been frustrated with this in the past because of my tendency to weave the guide threads into the actual tapestry. My solution is to use a very contrasting color of cotton rug warp and place the guide threads on separately next to the doubled warp ends that will be the actual edge of the tapestry. Then I weave a waste header in the same color catching in the guide threads to make them stable. They are not attached to a heddle either. Once the tapestry is off the loom i can remove the guide strings and the waste header in one piece and it is even possible to reuse it. Then I trim the ends to make it easier to handle and let it rest for a couple of days before I proceed. As you can see the back is a jumble of ends and I was really working on reducing weft ends? I also try to keep the ends away from the edges but if I have missed a couple they get needle woven away. This is a good time to mention that it is important not to split or needle into the warp threads themselves but to carefully weave under the wefts to hold the threads in place. Next, trim the ends to a reasonable length. Here, a half inch or so. I like to use appliqué scissors for this. For an all wool tapestry trimming is all you usually need but this tapestry has many slick threads like cotton, silk and rayon. These threads work themselves out of the weaving much easier and so I tie them loosely into a small knot before trimming. Then I will give my warp threads a neater trim. If the piece needs blocking I would do it now. Also should mention that I had only one small slit that I needed to sew in this piece and it is done by now. This tapestry is responding well to a light steaming on the back so I will leave it at that. Here are the ends trimmed, knotted and worked toward the center away from the edges. This piece has hems on two ends so I will reinforce only two edges with twill tape, if I had no hems I would do all four edges taking the warp ends in as I go. I press the hems under along my Soumak edge using a metal guide and steam, for picture purposes there is no press cloth in this picture . Then strong thread is used to whip the edges of the hems and the twill tape in place, whipping the warp threads under as I go. The back is a little neater now. Then I like to take a piece of cotton fabric and make a backing for the whole tapestry. I often use this backing to add more documentation as I usually just put initials on the front. Here is a picture of another small tapestry with the backing stitched in place with matching thread. On Riverside I also attached a small hanging sleeve to the back which can be used to display it right away. If I decide later to make it part of a larger piece it will be simple to remove the cotton backing with the hanging sleeve without damaging the finishing underneath.

Today is the third anniversary of my signature online tapestry course, Warp and Weft: Learning the Structure of Tapestry . The launching of this course was my first step away from my career as a healthcare provider. Sure I had been working as a tapestry teacher and artist for many years prior, but

FRIENDS OF THE HOUSE · Knitting the Ocean - “It’s so hard to explain because on land…there’s nothing that is like it. Because you feel weightless… you can’t hear anything besides your own breathing,” says Erik Speer when describing scuba diving. “So many senses are taken away from you, but then you are just inundated with...new experiences and visions.”

Peruvian artist Ana Teresa Barboza has previously been drawn to recreating full landscapes with yarn and thread, embroidering large tapestries with rivers, valleys, and waves that spill out from the wall and rest on the floor. Barboza continues her exploration of installation-based tapestry with a new body of work that charts the growth of individual plants, while also expanding her practice into weaving with a new work of interconnected baskets. Her series Increase charts a plant’s shadow for 15 days, steadily tracing its growth and movement over the two week time space. More

様々な太さや種類の毛糸、小石やビーズ、木の枝などを個性豊かに織り上げてみませんか？新しい手芸のかたち《weaving/手織物》。個性的で素敵なインテリアを手作りしましょう。

in the make ~ studio interview

Jazz for SquaresAge of SteamHiddenTipping PointNebulaWatcha Lookin’ At ?Adoration of the Departures BoardSilver DarlingsCold FeetRain on ConistonMy Bleeding HeartLabyrinthineDunesContinuumHid…

Here are some images of what I was working on in November. I finished the piece this week so I'll be back soon with finished images and details.

I appear to be on a weaving kick at the moment. For whatever reason it's working with my current sketches and ideas. The day after I cut down "bright and blustery" I warped up my next piece which is based on an oil pastel sketch of a horizon. It'll be approximately 70cm x 23cm (27.5" x 9") when completed. I have a much bigger piece planned after this one which I'm even more excited about. Although it feels incredibly strange to be closed and so quiet at this time of year I am making the most of the COVID-19 lockdown peace and cracking on with work in my studio. I'll be updating the gallery's Facebook, Twitter and Instagram accounts at least once a week with my work as it progresses as well as more frequent posts here (hopefully!) Hope everybody is staying as safe as possible during these strange, worrying times. The oil pastel drawing the tapestry is based on. Although I have an enlarged linear sketch of it tied behind my warps to work directly from (seen in the photo below) I like to keep the original drawing nearby for colour reference and to ensure I don't lose any subtle nuances in my translation. Half way mess, time for a tidy up. Over the horizon.