Stussy Fall 2019 Ad Campaign by Edward Quarmby & Colin Dodgson. Stussy gets Jurassic this season featuring perhaps the best campaign prop of the season, a mini rex.
A Vogue Magazine Cover Of Lisa Fonssagrives art print by Horst P Horst. Our art prints are produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of color. All art prints include a 1" white border around the image to allow for future framing and matting, if desired.
Acrylic paint and ink on canvas Signed Unique work
The Hippocratic oath beings with the words: “I swear by Apollo, the healer, Asclepius, Hygieia, and Panacea, and I take to witness all the gods, all the goddesses….” In the mythology of Ancient Greece, Hygieia was known as the daughter of Asclepius, granddaughter of Apollo and the goddess of health, cleanliness and sanitary facilities. Furthermore she is also the patron goddess of pharmacists, presumably because of the cornucopia that is said to be filled with medicines, crowns and ducats, which is visible on many statues portraying her. Panacea was her sister who was worshipped as the goddess of medicine and magic, two disciplines that sometimes seem quite indistinguishable from each other. In Klimt’s works she can be seen on the panel Medicine (1901) where she is one of the clearly recognizable figures at the bottom of a pillar of human bodies. She is carrying her head held high, her thick auburn hair is adorned with stylized flowers, and her eyes are half-closed. Yet she seems to be looking down on the viewer. Her head is turned towards the light. She is wearing a red garment that is patterned with golden ornaments. A snake is coiling itself around her right forearm and lowering its head into a bowl that Hygieia is carrying in her left hand. The image of the snake and the bowl, usually referred to as “Bowl of Hygieia”, is one of the many symbols associated with the practice of pharmacy.
Admiring the view
This guy is pretty cool. His name is Art Hansen and I found him in a book of contemporary printmakers from the Northwest. He was in his 80's at the time this book was published, and had been making prints for most of his life. He lived on this isolated island and had 20 acres of woodland which was the inspiration for pretty much all of his work throughout his life. He was from the Northwest and eventually returned there, but only after traveling across the world. He spent some time in the military and lived in Europe for a while, realizing while he was abroad that the artworks that he admired most were images of nature. He occasionally did paintings and lithographs but mostly he works with an etching needle due to his love for drawing. I think what drew me (ha) to this artist was the clear love he had for his subject. I think that his dedication to the natural world, having isolated himself with his subject, really shows through into his work. Source: Allan, Lois. Contemporary Printmaking int he Northwest. Sydney: Craftsman House, 1997. 66-67.
A Tender Sadness
