Some images I have found on my laptop that I have collected over the years, for inspiration. Here are a few of them :) I love natural science illustrations.
Clay surfaces become so much more interesting when they are enhanced with rich textures! Try your hand at making simple but useful texture tools. Clay roller wheels, texture stamps, and clay roller…
モノつくり+色々
インスタにメッセージいただき 本日はトクサ達のご案内です☆ポット 400㏄～ 10,800円デザートカップや小鉢としてもgood！だと湯呑 径：8.5㎝ ...
More here: http://www.musee-orsay.fr/en/collections/index-of-works/resultat-collection.html?no_cache=1zsz=1zs_r_2_z=3zs_r_2_w=Lambert%2C%20Henrizs_ah=oeuvrezs_rf=mos_azs_mf=21zs_send_x=1zs_liste_only=1 C.f. …
「Iria Ashimine」のアクセサリーには、つねに変化しつづける自然界のみずみずしい姿が、繊細に表現されています。
Okay, I know my installation "Harvest" will be featured in three magazines the month of December...FeltMatters (the journal of the International Feltmakers Association), the Dutch felt magazine and the German Felt Magazine (pictured above). I was so excited to find the envelope in my mail box, not sure what I would find. I opened page 14/15 and "Whoa, that's a big picture!". I did not expect the images (taken by photographer Tracy Olan) to be printed so large, but I am obviously very happy as they look amazing on the page of this fine magazine. I just love this magazine (they sell it at New England Felting Supply if you are looking for it). I have just glanced through it and cannot wait to sit down and slowly pour over it. Too bad I do not speak German! I do, however, love a good schnitzel. One thing I did notice is a new book by Annette Quentin-Stoll that I must, and I mean must, add to my library. I am going to seek it out now! On another note, our family is having a very tough time and more tough times to follow as we see the heartbreaking decline and imminent passing of a very, very dear member of our family. Please keep us in your thoughts and hold your loved ones close. Peace. Visit my site www.andrea-graham.com
アクセサリー作りといえば金属か、樹脂…？え！？？色鉛筆！？？そ、それ画材ですよ…って、もうアクセサリーになっちゃってる(*_*)！！…あれ、でも、カラフルで予想以上にかわいいゾ♡
Beauty in the design of the clayarts can purely be the consequence of merging form with function in the most pragmatic way. The method ( pottery wheel ) also has a strong influence on dictating the outcome through the resultant curves and the balance inherent in the symmetry. Graceful lines that flow seamlessly in defining the object can lead to a form that becomes a vision of calm and subtly. Then there are the gifted clay artisans blessed with an innate ability to consistently infuse their forms with beauty and sophistication. This can be further enhanced by their love of creativity and the
