Декоративный плетеный забор из веток и лозы своими руками

Как плести мебель из искусственного ротанга своими руками: последовательность работ, полезные советы. Что такое искусственный ротанг.

mug rug

My daughter brought me back a beautiful grey and white striped pebble from her holiday. It has become the inspiration for a larger wool bag that I intend to felt. I gathered up the materials and did a little sample to start with. Now I am in the process of warping. The sides are done ... ...and I'm warping the ends and weaving the bottom at the same time. The oval shape is a bit tricky at this stage, but once the bottom is complete, it should be straightforward from there.

Архаичный способ создания текстиля - sprang, бытовавший на обширных территориях в древности, в настоящее время мало известен специалистам в области истории текстиля и костюма. Архаичный способ создания текстиля - sprang, бытовавший на обширных территориях в древности, в настоящее время мало... 6 фото

Коврик под горячие чашки

Модная одежда и дизайн интерьера своими руками

Imádom a levendulát. A színét, az illatát, a hatását. Pár szálat, hatalmas csokrot, szárítva, fr...

I have been admiring stick weaves for a while now and I finally decided to try it out. This is also really great for those who want to get into weaving, but don't own a loom just yet. It's a perfect free loom to play around on. I really like the rough texture of the

Thanks to Jeen on Ravelry, I found a "recipe" for 8-shaft weaving on a rigid heddle loom. This is Pinwheel Weave. Yes, it is very cool. It is also somewhat time consuming (with 6 pick-up rows out of every 8 weft throws), so if you like rigid heddle to be a quick weave, this is not the draft for you! It is possible to get a nice rhythm going with it though, and the pick-up pattern is not hard to memorize, so if you do not have access to an 8-shaft loom, give this a try! I used a merino sock yarn and a 12 dent reed (wanted more wheels across the width) but I think I should have followed Jeen's advice and started out with chunky on a 5 dent, or maybe worsted on an 8 dent. This would give fewer pinwheels in a row, but also fewer threads to pick up, which would make a significant difference in the time and difficulty of the pattern. So here's how it goes (though I do recommend going to Ravelry for Jeen's step-by-step instructions and many examples of this pattern in different color combinations plus other variations and other weaving patterns). (OK, I like Jeen - she's bold and experimental and likes to try out lots of crazy ideas.) Directions: A. Warp your loom with 8 threads of each color, alternating 8 thread colors blocks all the way across. B. With your darker color, weave a plain border of some kind, at least 2 rows (more, if you like). C. Starting with your darker color, begin the pattern. You'll do all 8 rows of the pattern with this color. Pattern: row 1 - Heddle in neutral. In each 8 thread color section all the way across the row, from right to left, go over 4 threads and pick up 4 threads. Turn the pick up stick on its side to create a shed and weave your color through. row 2 - Heddle in neutral. In each 8 thread color section all the way across the row, go over 3 threads, pick up 1, over 1, pick up 3 threads. Turn the pick up stick on its side to create a shed and weave your color through. row 3 - Heddle in neutral. In each 8 thread color section all the way across the row, from right to left, go over 2 threads, pick up 1, over 1, pick up 1, over 1, and pick up 2 threads. Turn the pick up stick on its side to create a shed and weave your color through. row 4 - no pick-up (take a breath) Heddle down, plain weave shot. row 5 - no pick-up (take a breath) Heddle up, plain weave shot. row 6 - Heddle in neutral. In each 8 thread color section all the way across the row, from right to left, pick up 2 threads, over 1, pick up 1, over 1, pick up 1, and go over 2 threads. (for those who think analytically, this is the opposite of row 3) Turn the pick up stick on its side to create a shed and weave your color through. (this shows the pick up stick making the shed) row 7 - Heddle in neutral. In each 8 thread color section all the way across the row, from right to left, pick up 3 threads, over 1, pick up 1, and go over 3 threads. (opposite of row 2) (sorry, apparently I neglected to take a picture of this one) Turn the pick up stick on its side to create a shed and weave your color through. row 8 - Heddle in neutral. In each 8 thread color section all the way across the row, from right to left, pick up 4 threads and go over 4 threads. Turn the pick up stick on its side to create a shed and weave your color through. Repeat this pattern (rows 1 through 8) with your second color. And that's it, alternating colors to the end of your project. D. End with the 8 row pattern in your darker color. E. Put in your plain weave border. F. Finish fringes as desired (I twisted mine in solid color 8 thread units) And voila, a pinwheel scarf (or dishtowel, or whatever project you choose) So even though it's pretty slow going, it's actually fun! Really! And it's pretty flash, oh yes it is! (edited post on March 19 - so sorry, I was in a hurry when I first did this, and put all the process photos in upside down! All better now.)

Textured wall weaving create a lovely effect. In this tutorial, you will learn 5 simple and easy ways to add texture to your DIY wall weaving.

Переделка старой мебели – особое искусство, требующее не только хорошего вкуса, но и реставрационных навыков! Возьмите на вооружение идею для сиденья табурета любого вида и формы.

Красивейшие гобелены, сотканные разными мастерами | Рукоделие

We've collated our 21 favourite '70s interior design trends that are unquestionably of the moment.

Front and back joined at shoulder Building the weaving form for the body of the jacket was a bit tricky because I didn't do it all in the right order. But I got there with a bit of figuring out. Front The warp is mostly applied. There are two sections left to warp: the sides where the sleeve warps will be inserted; and the top of the front panels which will be warped after the "under pocket" is woven. Shoulder section warped Back section warped

-- Anzeige -- In diesem Beitrag möchte ich euch meinen selbst gebauten Webrahmen vorstellen. Ich habe ihn nach ein wenig Recherche ohne konkrete Anleitung gebaut. Und es war ein Projekt, bei dem einiges schief ging. Aber dazu mehr in dem Video. Video https://www.youtube.com/watch?v=C_kNtm

Weaving colorful weft threads through plain warp threads, Smith suspends web-like miniature tapestries in natural frames.

Our step-by-step video shows you how to make a loom, string the warp, and create the shed customized to fit your weaving project.

Blogged about here File: DSC_3324

Sydney-based artist Michelle Robinson weaves textured fibers in vibrant hues into playful, bright wall-hangings and accessories.

Sydney-based artist Michelle Robinson weaves textured fibers in vibrant hues into playful, bright wall-hangings and accessories.

Tapestry weaving is one of the oldest practices of woven textile and it is a favourite craft among both experts and novice weavers today. Tapestry can be woven with simple looms and simple tools, yet we can create intricate DIY crafts for home décor like DIY wall hangings, handmade bracelets, hand woven table runners and so on. When I started Tapestry weaving, I used to look at other people’s artwork and thought that their method was very confusing and difficult to follow. I did not know where to start and what are few easy techniques that I could pick up faster as a beginner. As I got involved more into it, I discovered few Tapestry weaving techniques that a beginner can learn in 5 minutes. Here are 5 easy tapestry weaving patterns and techniques every beginner needs to know: 1. Plain weave (also known as Tabby weave): Plain weave is a commonly used basic form of weaving. Each weft yarn simply goes over and under each warp thread which is called the under-over pattern. Most novice weavers start by learning the plain weave before going to any complex patterns. This pattern is made by creating a checkerboard like pattern therefore making your weave very tight. Watch the video on how to Tabby weave to understand. 2. RYA Knots: RYA knots can be added at the bottom of your weave before you start weaving the whole frame. Rya knots create a very good-looking tasseled fringes at the bottom of your weave or can also be used throughout the weave, if you want to add a carpet effect. To create RYA knots, you need to take a bunch of weft yarn of desired length, create a loop around the first 2 warp threads and pull the ends in between the 2 warp threads. See the image below. Rya knots often look great when you use thicker yarns. Watch this Video on how to create RYA Knots Another variation of RYA loop or knots is called continuous RYA knots which most weavers use to add a nice texture to their Tapestry DIY wall hanging. A continuous RYA knot is a continuous weft pattern where you can create Rya loops from one side to the other side of your weave. To create a continuous RYA knot, you need a bunch of long weft yarn of your desired length which depends on how many rows you want to create. With this technique, you have to create a loop around two warp threads at a time. The only difference between a RYA knot and a continuous RYA knot is that the RYA knots are a bunch of yarns that are cut at a shorter length to create tasseled fringes, whereas the continuous RYA knots are a bunch of long yarns that can be woven continuously on many rows. This may seem confusing but not to worry. Watch this video on how to create continuous Rya knot and it will become clear. 3.Soumak: (for this too please add a drawing so it is easy to understand) A Soumak knot is an old, well-known technique among weavers. It is a great way to add a bumpy texture to your weave and it is mostly done on two rows in opposite directions to create a fishtail effect. A soumak row almost looks like an embroidered chain stitch. Most weavers love weaving a Ssoumak on their Tapestry DIY wall hanging as it is a great for dividing a weave into two different sections. You can add different effects and textures depending on the thickness of yarn or fiber you use. A thick bulky yarn or fiber is mostly used for decorating DIY crafts for home décor such as DIY wall hangings whereas a thin and strong yarn is mostly used for carpet and rug weaving. To weave a soumak, you have to wrap your weft around over a certain number of  warp threads (usually 4) before drawing them back under the last two warp threads and the process continues repeatedly. For the next row, the soumak weave is usually done in the opposite direction to create a fishtail effect. Watch this video on how to create a Soumak knot However, there’s a technique to make your Ssoumak weave faster. Instead of taking one row at a time and wrapping your weft on each warp threads, you can do two rows of Ssoumak at the same time where you can just create a loop at the start of your weft and drawing back the ends of your yarn or fiber in between the loop and creating a knot. The process continues repeatedly till end of your weft. Watch the video below to see how to create a Soumak knot using a special technique. 4. Sinna knot: (for this too please add a drawing so it is easy to understand) Sinna knot is not a widely known technique, but it is simple continuous knot that has a draping effect which looks great on a Tapestry DIY wall hanging. To create a Sinna knot, you need to start by tying a knot on your first warp thread, create a drape with your yarn and wrap the yarn around the third warp thread where you can create a loop to create a knot and continue the same process throughout the weft. Different effects can be created depending on the type of yarn you use. I recommend you use a thicker yarn so that the texture can be seen. If you use a twisted ply yarn, you will get a different effect. Watch the videos below to see how to create a Sinna knot. 5. Twill weave: Twill weave is a weave pattern that is done by passing the weft yarn over and under two or four warp threads with a “step” between rows to create a diagonal pattern. It is not a basic technique like a plain weave where you can simply go over and under each warp thread. Twill weave is a great technique to add to your Tapestry weaving. You can create nice textures like diamond or chevron that looks great when you weave a tea mug coaster, a bookmark or a DIY wall hanging. The appearance of the diagonal pattern lines when you twill weave can be different depending on the yarn count, the yarn weight or thickness, and the interlacing pattern. Here is a Video on how you can create a Twill weave

Meet my family of inkle looms! Ashford Inklette- The cutest of inkle looms. I like this one because it is small enough to fit easily on my lap and can be held between my knees. I can even weave while riding in a car. Because of it's petite size, there is not a lot of clearance and it feels awkward for my hands to work within such a small space and narrow shed opening. Also, I am used to using a lot of tension and am always careful not to use too much tension on this one because it is more petite. But I find it nice for weaving really narrow things like the silk ribbon and stampede straps that I have been making. I have a small child's suitcase on wheels which just fits this and makes it a dream for traveling. Schacht- I have 3 of these. This loom is perfectly configured for ease of weaving, in my opinion. I much prefer the slide type tensioner of this loom to the paddle type of the Inklette. I also prefer the tensioner to be in front as this allows for the easiest of adjustments. The spacing of the uprights suits me; it has just the right length between me and the heddles for weaving. (Too long and my back gets tired of reaching, too short and I have to advance the warp too often.) Northwest- Beautifully crafted of walnut. This one is constructed much like the Schacht, with a couple of differences. It has a second side to the frame, which is removable. This makes it so convenient for taking to shows and demonstrations. The second side keeps warps from slipping off the ends of the pegs while I am toting it around. It also allows me to work wider without constantly herding the warps away from the edge and it provides that extra support and stability for those who use a lot of tension, like me. The front upright angles forward a little more than the Schacht, which creates a shorter weaving distance and it is necessary to advance the warp more often. Homemade- (Shown here with the Schacht for size comparison.) You could weave all week on this baby. I once made a sash 14' long on it, and I don't think that I used it's full capacity. If you are going for yardage, this would be the best choice. It stands on the floor and I find that I am most comfortable tipping it forward onto my lap to work. When I get a really long warp on it, the process of advancing the warp is a challenge. Makes me wish I had more arms. My brilliant husband pointed out that it would have been nice to have something for scale in each photo. I wish I would have thought of that. Other looms have come and gone from my life. This is the current collection and as you can see, each serves a purpose. There are a couple more that I have a hankering to own, though. There are so many varieties of inkle looms available; a recent brief search of the web turned up many small manufacturers. It would be fun to test them all! The beauty of the inkle loom above all others, I think is the ease of setup. A continuous warp wound directly onto the loom eliminates the step of preparing the warp. (If an inkle loom has two sides, one of them needs to be removable to accomplish this.) I have tried a little tapestry weaving. I also own a perfectly beautiful Kromski Harp rigid heddle loom. But the truth is, I love inkle weaving and will always come back to it.

Images via Koron007 Centuries ago, fabric was a rare and precious commodity only the wealthy could afford. So people treasured old and worn-out pieces of clothing to recycle and reuse in order to make new clothes. Thus the sakiori was born. Sakiori comes from the word "saki" which means to tear up or rip and "ori" which means weave. Recycling old fabric remnants into sakiori weavings follows the Japanese indispensable concept of “mottainai” or not wasting precious cloth that can prolong the fabric’s useful life through recycling and reuse. Weaving all these remnants of fabric was immensely hard work back then, however very rewarding and worth the effort as clothing made from repurposed cotton was vastly warmer, softer, and more durable than the rough linens that could be made from Japan’s natural fibers. Sakiori was mostly used to make rugs and covers, but also clothes - mostly jackets and vests. Today, the technique is experiencing a resurgence as a "green", ethical and economical art form. Image via Sources I used to write this post: Sakiori History, Sakiori Weaving, Sakiori Bag.

Оригинал взят у savabooms в хочу, хочу уметь такое делать!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Оригинал взят у ladoga999 в Ковры и коврики ВОТ КАК ЭТО СДЕЛАНО? Это так красиво, так...упорядоченно-хаотично... ВОТ ЭТО ВОТ ТОЖЕ ООООЧЕНЬ ИНТЕРЕСНО я бы такое с мехом сделала в общем - полный простор…

Pirtanauha - julkaisu pdf-muodossa Nauhapirralla kutomista pidetään kangaspuiden kehityksen esiasteena. Yksinkertaisella pirralla kutoen valmistettiin kapeita nauhoja, jotka ommeltiin yhteen suureksi kankaaksi. Pirtanauhoja käytettiin päänauhoina, sukkanauhoina, vöinä ja jalkineiden siteinä. Pirtanauhojen […]

Isn't it funny how a simple or easy technique can have such a large visual impact on your design? Well today's technique is one of those. I recently received a question on how to make a slight angle in a weave, and it's actually really easy to do (and fun if you ask me). And

Crafts are always a big part of island life. I bring lots of materials and then sit back and see where things go. The last time we went out ...

Модная одежда и дизайн интерьера своими руками

Ally is a Fibre Artist and Designer based out of Montréal, Québec. She is a tapestry weaver who has created close to 200 custom pieces for people all over the world, using her signature style of bold blocks and squares of colors.

One of our favorite ways to finish hand woven fabric is with a hemstitch. It’s…