Все о историческом костюме: история, пошив, мода, форма, крой, события, книги

Все о историческом костюме: история, пошив, мода, форма, крой, события, книги

Continuing a major series on American Folk Art featuring 21 postings. Folk Art encompasses art produced by artists and ordinary folk with little or no training in the arts, and is traditionally utilitarian and decorative rather than purely aesthetic. The period I’m covering is the C18th and C19th. See parts 1-11 also for earlier works. Note: Follow me on Twitter for notice of updates @poulwebb This is part 12 of a 21-part post on American Folk Art: Deacon Robert Peckham (1785-1877) Deacon Robert Peckham Peckham began his artistic career as an ornamental and sign painter. With only a few months training in portraiture, he carved out a long and successful career as a portrait artist. He lived and worked in Westminster, Massachusetts, and produced numerous vivid likenesses - more than 50 are attributed to him - of people from the town and nearby centres. 1817c The Peckham-Sawyer Family oil on canvas 67.6 x 82.5 cm Museum of Fine Arts, Boston, MA 1819 Portrait of Betsey Baker Thurston Davis oil on panel 67.9 x 57.1 cm 1830c Portrait of a Young Child in a White Dress and Red Shoes with Peach and Dog pastel on paper 63.5 x 52.1 cm 1838c The Raymond Children oil on canvas 140.3 x 99 cm Metropolitan Museum of Art, New York City 1839 Portrait of Phebe Brown inscribed "Mrs. Phebe Brown Age 44 years 1839 Now the wife of Prescott Esq. R. Peckam" oil on canvas 76.2 x 62.9 cm 1840c ( attributed to ) Portrait of Rosa Heywood oil on canvas 113 x 74.3 cm 1840c The Hobby Horse oil on canvas 103.5 x 101.6 cm National Gallery of Art, Washington, DC 1841 ( attributed to ) The Farwell Children oil on canvas 133.4 x 100.4 cm n.d. ( attributed to ) Portrait of a Boy oil on canvas 59.7 x 55.9 cm n.d. Portrait of Charles A. Norton oil on canvas 59 x 48.9 cm n.d. Portrait of Sally Puffer Sanderson Sheldon Peck (1797-1868) Sheldon Peck Sheldon Peck (August 26, 1797 - March 19, 1869) was a folk artist, abolitonist, and social activist as well as an advocate for temperance, women’s rights, racial equality, public education, and pacifism. Peck’s portraiture – with its distinctive style - is a prime example of 19th century American folk art. While working as an artist, Peck was a conductor on the underground railway. Peck was born in Cornwall, Vermont, the ninth son of Jacob and Elizabeth Peck. Peck's ancestors were among the founders of New Haven Colony; his father worked as a blacksmith and served as a private in the Revolutionary War. No records exist to indicate that Peck received any formal art education. His work may have been influenced by William Jennys, a primitive portrait painter who was active in Vermont around the time Peck lived there. Peck also would have had access to art instruction texts that were housed in the library of the Cornwall Young Gentleman’s Society. 1820-25 Mrs. Murry oil on panel 70.5 x 57.5 cm Flint Institute of Arts, MI 1820-25c Mr. Murry oil on panel 69.2 x 55.6 cm Flint Institute of Arts, MI 1820-28c ( attributed to ) Portrait of a Man ( Possibly Member of the Van Vechten Family ) oil on wood panel 32.1 x 26.3 cm Folk Art Museum, New York City 1820-28c ( attributed to ) Portrait of a Woman ( Possibly Member of the Van Vechten Family ) oil on wood panel 32.1 x 26.3 cm Folk Art Museum, New York City 1820c ( attributed to ) John Jackson oil on wood panel 54.6 x 38.7 cm Folk Art Museum, New York City 1820c ( attributed to ) Nancy G. Jackson oil on wood panel 54.6 x 38.7 cm Folk Art Museum, New York City 1825 Portrait of a Woman 1825c Elizabeth Ann Ferris Preston 1825c Portrait of a Child in White Dress Holding a Rose oil on panel 61 x 49.5 cm 1825c Young Girl in Blue Dress Holding an Egg 1830c Girl with a Rose 1837c William W. Welch inscribed "Wm. W, Welch Born A.D. 1777" 1845 The John G. Wagner Family oil on canvas 85.1 x 105.4 cm Aurura Historical Museum, IL 1845c Anna Gould Crane and Granddaughter Janette oil on canvas 90.2 x 115.6 cm Folk Art Museum, New York City 1845c David and Catherine Stolp Crane oil on canvas 90.6 x 110.8 cm Folk Art Museum, New York City Ellis J. Pratt "Born Aug the 21 1828" n.d. Phebe Welch inscribed "Phebe Welch Born AD 1793" n.d. Portrait of a Gentleman oil on panel 68.6 x 55.9 cm n.d. Portrait of a Girl n.d. Portrait of a Man oil on canvas 63.5 x 55.9 cm n.d. Portrait of a Woman oil on canvas 63.5 x 55.9 cm n.d. Portrait of Miss Dodge n.d. Samuel and Eunice Judkins of Ulster County, New York oil on panel 56.5 x 76.8 cm n.d. Woman Holding a Book Joseph H. Davis (active 1832–1837) Jospeph H. Davis was an itinerant American portrait painter. Over a period of only five years, from 1832–37, Davis painted about 150 watercolour portraits of residents of Maine and New Hampshire. The body of work he left behind is highly regarded for its calligraphic line, miniaturising delicacy, and decorative stylisation. His pictures are in many important collections, including those of the American Folk Art Museum, New York; The Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; and the National Gallery of Art, Washington, DC. 1822 inscribed "Charles Bartlett, Roberts. Born May 21st 1822. - Painted at the Age of 13 years" pencil and watercolour on paper 19.1 x 15.9 cm Museum of Fine Arts, Boston, MA 1833 inscribed "Achsah Stanton. Aged 18 years 1833" pencil and watercolour on paper 25.1 x 19.7 cm Museum of FIne Arts, Boston, MA 1834 inscribed "Samuel G. Vickery. Age 59 Years. 1834 Mary Vickery. Age 51 Years. 1834" pen and ink and watercolour on paper 1835 inscribed "Elizabeth A. Fall. Aged 21 years. 1835" pencil and watercolour on paper 25.9 x 17.9 cm Museum of Fine Arts, Boston, MA 1835 inscribed "Joseph C. Wentworth. Aged 33 Years. and 10 months 1835 - Tryphena B. Wentworth. Aged 33 and 4 months 1835" watercolour 36.8 x 44.4 cm 1835 inscribed "Susan Elizabeth Wentworth. AGE. 3 Years and 6 months 1835" watercolour 17.1 x 14.6 cm 1836 inscribed " John Montgomery. Aged 36 March 6th Abigail Montgomery Aged 52 Septem' 26th" pen and ink and watercolour on paper 22.2 x 35.3 cm National Gallery of Art, Washington, DC 1836 inscribed "Alfred Tailor. Aged 24 Years. July 5 1836 Sally S. Tailor. Aged 20 Years. June 27 -" pen and ink and watercolour 1836 inscribed "Everett Caverly. Aged 11 Years, Octr 31st 1836. Jhn Hoit Caverly, Aged 8 Years. Octbr 17th 1836" 20.6 x 30.6 cm Museum of Fine Arts, Boston, MA 1836 inscribed "John P. Demeritt. Aged 32 Feby 26, 1836" pen and ink, pencil and watercolour on paper 24.6 x 27.9 cm 1836 inscribed "Sylvanus C. Foss. Painted at the age of 19 Mary Jane Foss. Painted at the age of 25. May 6 1836" watercolour, pencil and ink on paper 27.3 x 38.1 cm American Folk Art Museum, New York City 1837 inscribed "Betsey Dowst. Aged 69 Years. Aug 27th 1837" watercolour, ink and pencil on paper 35.9 x 30.5 cm American Folk Art Museum, New York City 1837 inscrbed "Sewell Marden. Aged 43 Years, Septmbr 18th, 1837. Painted January 1837. Sally Marden. Aged 43 Years, November 12th, 1837." watercolour, pencil and ink on paper 24.1 x 34.3 cm 1837 inscribed " Delia Varney. Aged 35, October 26. 1837. Painted July 8th 1837." pencil and watercolour on paper 25.6 x 19.5 cm Museum of Fine Arts, Boston, MA 1837 inscribed "Andrew J. Wiggins Aged 21 years March 15 1837" watercolour and ink on paper 24.1 x 19 cm 1837 inscribed "Catharine T. Dockum Aged 14 December 18th 1837" watercolour and ink on paper 25.4 x 20.3 cm 1837 inscribed "David S. Glidden. Aged 16 Years December 23 1837" 1837 inscribed "Eunice E.C. Marden. Aged 6, Octbr 11th, 1837. Lurana G. Marden. Aged 2 Years, April 28th, 1837." watercolour, pencil and ink on paper 17.9 x 22.9 cm 1837 inscribed "William Sumner Jordan/ Aged 3 May 26 1837" watercolour and ink on paper 14 x 9.5 cm 1865 inscribed "Mary Antoinette Lorania Pike. Sarah Adeline Pike" watercolour, pencil and ink on paper American Folk Art Museum, New York City n.d Man with a Top Hat watercolour on paper 24.1 x 15.9 cm n.d. ( attributed to ) Parlour Scene watercolour and gouache on paper 24.1 x 51.4 cm n.d. ( attributed to ) Woman and Child watercolour on paper 24.8 x 27.9 cm n.d. Family Group pencil and watercolour on paper 24.8 x 41 cm Museum of Fine Arts, Boston, MA n.d. Family Group with Child, Cat and Vase pencil and watercolour on paper 27.9 x 42.7 cm Museum of Fine Arts, Boston n.d. Man with a Top Hat watercolour on paper 29.4 x 24.1 cm n.d. Portrait of John and Hannah Butler of Berwick, Maine pen and ink, pencil and watercolour on paper 26 x 38.1 cm n.d. Seated Couple pencil and watercolour on paper 25.2 x 34.3 cm Museum of Fine Arts, Boston, MA

all these images are stunning to me grand antlers on this deer trees and birds!!! All images from Kevin Paulsen.

NOTE: watermark “©Teresa Kogut” will not appear on prints. It is shown here only to protect my copyrights on the internet. These are unframed prints, packaged with foam core backing &am…

Continuing a major series on American Folk Art featuring 21 postings. Folk Art encompasses art produced by artists and ordinary folk with little or no training in the arts, and is traditionally utilitarian and decorative rather than purely aesthetic. The period I’m covering is the C18th and C19th. See parts 1-3 also for earlier works. Note: Follow me on Twitter for notice of updates @poulwebb This is part 4 of a 21-part post on American Folk Art: This post looks at Frakturs (see description below) and the work of scrivenors and decorators. Fraktur is both a style of lettering and a highly artistic and elaborate illuminated folk art created by the Pennsylvanian German. Most Fraktur were created between 1740 and 1860. Fraktur drawings were executed in ink and/or watercolors and are found in a wide variety of forms: the Vorschriften (writing samples), the Taufscheine (birth and baptismal certificates), marriage and house blessings, book plates, and floral and figurative scenes. The earlier Fraktur were executed entirely by hand, while printed text became increasingly common in later examples. Common artistic motifs in Fraktur include birds, hearts, and tulips, as well as black-letter and italic calligraphy, Today, many major American museums, including the American Folk Art Museum, the Metropolitan Museum of Art and the Philadelphia Museum of Art have Fraktur in their collection. Important Fraktur have been sold by major American auction houses and antique dealers for prices in excess of $100,000. 1760c Ephrata Frakture ink and watercolour on paper 1770-1800c Fraktur by Johann Heinrich Otto (c1733-c1800) watercolour, pen and ink and graphite on paper 33.5 x 42.1 cm Metropolitan Museum of Art, New York City 1775c Adam and Eve attributed to the Sussel-Washington Artist 1776c Baptismal Certificate for Maria Gertraud by the Sussel-Washington Artist watercolour and ink on paper 16.3 x 20.6 cm 1776c Two Soldiers attributed to the Sussel-Washington Artist 1780c Fraktur attributed to Johann Heinrich Otto watercolour and pen and ink on paper 21 x 33.3 cm Metropolitan Museum of Art, New York City 1780c By the Sussel-Washington Artist watercolour and ink on paper 19.7 x 15.9 cm 1782 Birth and Baptismal Certificate by Johann Heinrich Otto (c1733-c1800) ink and watercolour on paper 32.1 x 40 cm Metropolitan Museum of Art, New York City 1785 Religious Poem, Bucks County, PA 1788 Birth and Baptismal Certificate by Johan Zug ink and watercolour on paper 30.5 x 39.4 cm Metropolitan Museum of Art, New York City 1795 Birth and Baptismal Certificate, Dauphin County, PA watercolour and ink on paper 31.1 x 37.5 cm 1795-1805c Small Fraktur of Man and Woman, attributed to Friedrich Krebs (1749-1815), probably Berks County, Pennsylvania 10.2 x 15.2 cm 1795c Christian Mertel, Berks County, PA 1797c Durs Rudy, Lehigh County, PA 1798 Birth and Baptismal Certificate for Anna Maria Oberle attributed to Johannes Ernst Spangenberg (c1755-1814) 1800 Drawing of the Crucifixion watercolour, gum arabic and ink on paper 34.3 x 26.7 cm Metropolitan Museum of Art, New York City 1800 Love Token watercolour on paper 33 cm diameter Metropolitan Museum of Art, New York City 1800c Durs Rudy, Lehigh County, PA "Adam and Eve" 1801 George Geistweite, Centre County, PA 1801c Birth and Baptismal Certificate attributed to Georg Friederich Speyer (active 1774-1801c) Berks County, PA letterpress hand-coloured in ink and watercolour 33.7 x 40.6 cm Philadelphia Museum of Art, PA 1803 "E.M.M" Bucks County, PA 1806 Flyleaf ink on paper 30.8 x 26.2 cm Metropolitan Museum of Art, New York City Samuel Bentz (1792-1850) Lancaster Pennsylvania: 1807 (attributed to) Birth Certificate for Johannes Giwler 5 January 1807 watercolour and ink on paper 24.1 x 19.1 cm 1811c (attributed to) Birth Record for Lydia Glasz 1828 Bookplate for Elisabeth Niszly 20 February 1828 1830c (attributed to) Presentation Drawing inscribed to Evans Steiner 1835 Birth Certificate for Catherine Styre 18 August 1835 ink and watercolour 1838 Birth Certificate for John Rayer watercolour on paper 23.8 x 18.4 cm * * * * * 1809c Birth Certificate Fraktur by Reverend Henry Young (1791-92-1861), Centre County, Pennsylvania watercolour and ink on paper 24.8 x 19.7 cm 1809c by Martin Brechall (1783-1830) Fraktur Birth-Baptismal Certificate watercolour and ink on paper 33 x 19.4 cm 1810c Presentation Fraktur, probably Lehigh County, PA 1810c Susanna Hübner (1750-1818) Letter "H" watercolour and ink on paper 1813 House Blessing printed by Samuel Baumann (1788-1820) relief print and letterpress with watercolour hand-colouring 31.8 x 39.4 cm Philadelphia Museum of Art, PA 1815 (Unknown artist) Montgomery County, PA ink and watercolour on paper 9.1 x 7.6 cm Philadelphia Museum of Art, PA 1820 Daniel Otto (1770-1822c) Birth and Baptismal Certificate for Katterina Dinges 1820 Johannes Setzer, Bucks County, PA 1821 Jacob Leith Presentation Fraktur 1822 Birth and Baptismal Certificate ink and watercolour on paper 31.4 x 39.7 cm Metropolitan Museum of Art, New York City 1822 Charles E. Munch Birth Certificate 1830 "S.K. - H.K." Bucks County, PA 1830 Durs Rudy "The Prodigal Son" 1830c Johannes Bard, York County, PA "Hunting Scene" 1830c Pennsylvania Fraktur inscribed "Ubraham Weiny" ink and gouache on paper 29.2 x 39.4 cm 1834 Samuel Gottschall, Montgomery County, PA 1834 Samuel Gottschall, Montgomery County, PA 1834 Samuel Gottschall, Montgomery County, PA 1834-35c (attributed to) Samuel Gottschall (1808-1898) Adam and Eve watercolour and ink on paper 20.3 x 31.8 cm 1835 (Unknown) Fraktur 1840-55 Birth and Baptismal Certificate by Francis Portzline (1771-1857) watercolour wash, gum and ink on paper 32.5 x 39.5 cm Philadelphia Museum of Art, PA 1840-55 Birth and Baptismal Certificate by Francis Portzline (1771-1857) ink with gum on paper 37.5 x 28.6 cm Philadephia Museum of Art, PA 1840c Pennsylvania School, Officer on Horseback watercolour on paper 12.7 x 14 cm 1840c Sarah Kriebel "Swenkfelder Building, PA" 1843 Religious Text attributed to Maris Kriebel (1826-) Montgomery County, PA graphite, ink and watercolour on paper 31.8 x 34.5 cm Philadelphia Museum of Art, PA 1850c Henry Young, Centre County, PA 1851 Francis Portzline, Union County, PA 1854 "Valentine" Fraktur dated 22 May 1754 Two identical printed certificates hand-decorated differently: 1857 Birth and baptismal certificate for Amanda Cressman (b. December 12, 1857) Printed by Blumer und Leisenring, Allentown, PA Decoration and infill by Martin Wetzler relief print and letterpress with watercolour, pen and ink by hand 41.9 x 34.3 cm 1859 Birth and baptismal certificate for Mente Agnes Elisabeth Trump (b. June 15, 1859) Printed by Blumer und Leisenring, Allentown, PA relief print and letterpress with watercolur, pan and ink by hand 42.7 x 35.6 cm Philadelphia Museum of Art. PA n.d. "M.R." Montgomery County, PA n.d. Fraktur n.d. Fraktur

Man, O Man (Mensch o Mensch)

Cosa unisce un carattere tipografico gotico tedesco del 1500 ai biglietti di San Valentino? Vieni a scoprire cosa sono i Fraktur