#TD_композиция@tutorials_drawing
Любой рисунок начинается с композиционного размещения изображений на листе бумаги. От того, как скомпоновано то или иное изображение, во многом зависит общее впечатление от рисунка. Одним из главных требований в учебном рисунке является умение правильно размещать изображения предметов на листе бум
Have you ever been caught off-guard by a visual tangent in your art? When creating a composition there are so many different things to juggle that it's easy to miss even the obvious flaws - and that’s when tangents sneak in.
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What is a Stylescape? A Stylescape is a collection of brand assets such as colors, typography, photography, patterns, etc. that are combined together by a designer to build a visual aesthetic of a brand. It’s a more elevated execution than a moodboard but isn’t quite to the level of detail as a brand guide. The purpose of …
Students learn how to practice drawing quick rectangular shapes and paint warm and cool colors into those shapes using Paul Klee art inspiration and
This year my 5th and 6th grades students learned about monochromatic painting. They learned the words hue, tint, and shade and painted th...
Стендовая композиция Области Беларуси с городами отдельными частями без стыковки. Размер областей: Витебская - 870*600 мм, Брестская - 810*560 мм, Гродненская 570*710 мм, Минская 820*610 мм, Могилевская - 860*600 мм, Гомельская - 830*640 мм. Возможно изменение размеров по вашему желпнию.
Любой рисунок начинается с композиционного размещения изображений на листе бумаги. От того, как скомпоновано то или иное изображение, во многом зависит общее впечатление от рисунка. Одним из главных требований в учебном рисунке является умение правильно размещать изображения предметов на листе бум
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Check out this easy-to-use and fully customizable Adobe InDesign magazine template. @Refresh is a graphic designer and a specialist for business
Hello Students, To further our understanding of composition we will strive to develop an understanding of composition through the use of static and dynamic compositions with attention paid to creating a center of interest. To summarize, static composition means that the majority of he lines and elements in the frame are horizontal or vertical. Theory dictates that the horizontal and vertical lines have a calming and soothing effect on the observer. Static compositions can be symmetrical or asymmetrical. Conversely dynamic compositions occur when the elements in the frame are arranged in diagonal lines, which can have the effect of being somewhat unsettling on the observer. Dynamic compositions can denote movement, energy, excitement, vibrance. To paraphrase: when the primary line of movement is horizontal or vertical the composition is static. When the primary movement is diagonal the composition is dynamic. When it comes to composition each photo should have only on principal idea, topic or center of interest to which the viewers eyes are attracted. Subordinate elements within the picture must support and focus attention on the principle feature so it alone is emphasized. A photo without a dominant center of interest or one with more than one dominant center of interest is puzzling to the observer. Strive to frame your composition with a dominant "point of interest". Key Assignment 3 - Static and Dynamic Composition: Part 1: Create a series of static compositions that emphasize a point of interest, with other elements maintaining a supporting or subordinate roll Create 2 static photo compositions: Still life and portrait Create a still life of objects found in your home and arrange them into a static composition. Focus on creating parallel planes through the use of space between your objects while maintaining emphasis on a dominant subject Create a portrait of 2 people and pose them into a static composition. Pay attention to light, background, foreground and strive to emphasize vertical and horizontal alignments while maintaining emphasis on a dominant subject Create 2 static photo compositions: Landscape and architecture Create a landscape photo showing natural features in your local area framed as a static composition. Strive for horizontal and vertical lines and elements while maintaining emphasis on a dominant subject Create a static photo composition using local architecture. Strive for horizontal and vertical elements while maintaining emphasis on a dominant subject Part 2: Create a series of dynamic compositions that emphasize a point of interest, with other elements maintaining a supporting or subordinate roll. Create 2 dynamic photo compositions: Still life and portrait Create a still life of objects found in your home and arrange them into a dynamic composition. Focus on creating parallel planes through the use of space between your objects Create a portrait of 2 people and pose them into a dynamic composition. Pay attention to light, background, foreground and strive to emphasize vertical and horizontal alignments Create 2 dynamic photo compositions: Landscape and architecture Create a landscape photo showing natural features in your local area framed as a dynamic composition. Strive for diagonal lines and elements, or elements to recede or advance to create a diagonal compositionwhile maintaining emphasis on a dominant subject Create a dynamic photo composition using local architecture. Strive for dynamic angles while maintaining emphasis on a dominant subject Part 3: Written Essay Write 3-4 Paragraphs about your images and attempt to cover these topics in your essay: Explain how your static images achieve composition Explain how your dynamic images achieve composition For each image describe the dominant element or point of interest Describe how the subordinate elements support the dominant elements in each image For each image describe at least 2 elements or principles of art that or being utilized, or any other compositional concept Post this essay in the discussion area in the class flickr group Due by next Thursday...
This was by far the toughest exploration of the semester, but also the most fulfilling. I improved and learned so much just through this "seemingly" simple exercise. I found that I struggled with the more simple principles, like repetition; I struggled to find solutions to make the compositions make sense, but still graphically interesting. Another principle I really struggled with was rhythm - how does one show rhythm without sound? I think my favorite principle to play with is positive negative space. I love layering and splicing simple shapes to create interesting relationships. Points were my favorite element to work with. Planes were especially difficult for me; I had gotten used to working within the limitation of just using one shape! But like I said, this was definitely the most rewarding assignment to complete. Points: symmetry, asymmetry, emphasis Points: rhythm, positive/negative space, unity Points: scale, repetition, chaos Points: order, tension, space Lines: symmetry, asymmetry, emphasis Lines: rhythm, positive/negative space, unity Lines: scale, repetition, chaos Lines: order, tension, space Planes: symmetry, asymmetry, emphasis Planes: rhythm, positive/negative space, unity Planes: scale, repetition, chaos Planes, order, tension, space SKETCHES Sketches before I began producing the compositions digitally.
