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I have been working on a few setting ideas. I think this one is the winner. You can find more setting ideas on my Pinterest Board I will be using 3/4" hexagons in a natural linen. Simple and Classic. My quilt is going to be small about 30" x 42" 1 yard of background fabric will be more than enough. Between Little Gem posts follow us on Facebook and Instagram

There is a new size of Inklingo diamonds to print on fabric available now to increase the possibilities for your Pieced Hexagon designs.

Блог о рукоделии, декоре, кулинарии и путешествиях

Patchwork patterns.

Finally, I got this one finished! You would think I would have gotten more done, since I've been home with this vertigo. For some reas...

WERBUNG Die Anleitung Hexagonquilt "La Passion" findet Ihr in meinem Onlineshop unter Download Link zur Anleitung "La Passion" Pattern "La Passion" is available in my Onlineshop under Download. Link to Pattern "La Passion" Fertige "La Passion" Quilts nach meiner Anleitung Finished "La Passion" quilts from my pattern Beata Mariana Manuela ( Manuela`s Blog ) Anja Diane Marianne ( Marianne`s Blog ) Rosie (Australien) Uta http://utilisblog.blogspot.de Jutta Angeles Jolie aus der Türkei Jan O`Rourke Susann Martina Birgit Mahnke Edith Windisch Anette Hessmann Fiona Brown Martina Maciejasz Joyce Ellis Franziska Marianna (2 x ) Anita Nosthoff Petra Turid Laura R.-W. Ingrid Anita M. Lyn Jocelyn Maren Melissa B. Lyn Carolyn Ginger Petra Bel Christine Lyn Brigitte Schlömer Dearne Fernande Anke M. Fernande

Give curved English Paper Piecing a try.

There is a new size of Inklingo diamonds to print on fabric available now to increase the possibilities for your Pieced Hexagon designs.

Gosh a week has passed already I have been busy cleaning and sorting my studio I will let you see when I am done. It is time for Part 2 of Just like a jigsaw. Have fun with it Till...

I love seeing quilts that I've made or that I'm working on in quilt shows. Here are some that I found in Paducah. Dear Jane by Patricia Niemiec, Indiana I finished my Dear Jane about a year ago - one of my biggest accomplishments! Patricia's looks more modern than mine, mine is pretty traditional (but I love it!). I love the quilting on hers! Lucy Boston's Patchwork of the Crosses! I am working on this one but am stalled out at the moment. I started hand piecing it and have 31 blocks complete. Looks like I have about 25 more to make! I wish I had started English Paper Piecing it and am now wondering if I can EPP the rest and put it together somehow with the hand pieced blocks. I'll have to give this some thought .... This beautiful quilt was made by Laura Wierda from Michigan Ah!! The Millefiori Quilt Along!! This is what I am currently working on using EPP and The New Hexagon book. These colors are so rich! I think mine will be a little lighter color palette. I am having SO much fun working on this! This beautiful "My Thoroughly Modern Millie" was made by Karen Mainar and Jessica Gamez from Missouri. Here are a couple of other spectacular hexagon quilts in the show! Earth and Sky by Sue McDanie (I am not sure of the spelling of the last name....) That is a LOT of hexagons, and so beautifully arranged and put together! I LOVE this Limeberry Tart by Lyn Crump from Australia. Again, a billion hexagons and so artfully assembled. I love the colors - it makes me happy to look at it :) I watched three EPP demonstrations while in Paducah - two at vendor booths and one at The National Quilt Museum - and all three were different. We all have our own way of EPP and once you find the way YOU like doing it, it's a LOT of fun. The vendor at this booth told me she "cheated" when putting together her Patchwork of the Crosses. She EPP the blocks then appliquéd them to a cream background fabric. As you can see from the photo above, it changes the look of the quilt quite a bit, but it's still very beautiful! If you're following the Spring Clean Your Studio Blog Hop, today we're supposed to head over to Carolina Moore's blog: http://alwaysexpectmoore.com I looked earlier and didn't see anything yet about spring cleaning, but I'll check again later. I'm getting motivated to spring clean my studio and collect a box of goodies for our Silent Auction for CWQG! Have a great day!

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Пэчворк на бумажном шаблоне (English Paper Piecing или Бабушкин Сад). Соты. Как сшивать шестиугольники гексагоны. Как начертить шестиугольник гексагон. Блог Наташи Воробей "Глаза страшатся, а руки делают..."

Morris Hexathon 6: South Kensington Star by Becky Brown Morris Hexathon 6: South Kensington Star This week's block is one triangular piece repeated 18 times, a geometrical puzzle found in many cultures. Traditional Asian design South Kensington Star by Bettina Havig Mosaic floor African print I named it South Kensington Star for the location of London's 1862 International Exhibition. The building was on the site of today's Natural History Museum in London. Japanese design was introduced there to the West in an exhibit of articles collected by Britain's Consul-General Rutherford Alcock. The design influence on Morris and his peers was pervasive. One of the Morris firm's willow patterns showing a Japanese aesthetic. But that Japanese influence was after the 1862 Exhibition. In the first years Morris, Marshall, Faulkner & Company focused on the medieval. Rather than rejecting the 1862 world's fair, as he supposedly had done in 1851, Morris and his partners rented two display areas for handmade furniture, embroidery and stained glass windows in the later exhibition. The firm won commendations for their interpretation of : "the style of the Middle Ages. The general forms of the furniture, the arrangement of the tapestry, and the character of the details are satisfactory to the archaeologist from the exactness of the imitation, at the same time that the general effect is excellent." The word tapestry here probably refers to the embroidered panels that Jane Morris stitched. One of the commended pieces, the St. George Cabinet, is in the collection of the Victoria and Albert Museum (first known as the South Kensington museum.) Morris painted scenes from the tale of St. George and the Dragon on a wooden cabinet built by Philip Webb. Detail of the St. George Cabinet. See the St. George Cabinet at the South Kensington Museum---now the Victoria and Albert: http://www.vam.ac.uk/users/node/7355 Pattern for an 8" Hexagon (4" sides) To Print: Create a word file or a new empty JPG file that is 8-1/2" x 11". Click on the image above. Right click on it and save it to your file. Print that file out 8-1/2" x 11". The hexagon should measure 4" along the sides. Adjust the printed page size if necessary. Add seams when you cut the fabric. Mountain Mist published a similar pattern in the mid-20th-century, calling it Twinkling Star. ' The pattern is in BlockBase and my Encyclopedia of Pieced quilt Patterns as 241.1 But something happened to the geometry in BlockBase and its picture got squeezed. So if you want to draw it to a different size try using BlockBase #3716 Fitting hexagons into square blocks meant publishing an alternate structure, BlockBase #3716, which was called Star of the East by another batting company, Lockport. Carrie Hall's Star of the East from her block collection in the Helen F. Spencer Museum of Art at the University of Kansas. Getting 12 seams to meet neatly is always a challenge. You could fussy cut diamonds from stripes to give the effect here. Or if your center doesn't meet your standards plop an appliqued circle over it. Carrie Hall called this appliqued pattern Old Colony Star. One More Inspiration Embroidered wool hexagons, about 1900

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http://www.womenfolk.com/historyofquilts/ http://jomortonquilts.com/2014/07/02/more-on-hexagons-2/ http://www.quiltingboard.com http://gipsyquilt.blogspot.com/

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Soupçon Quilt Faeries and Fibres 2014 QAL Part 1 of 6 Welcome to my Soupçon Hexagon Quilt Along (QAL)! Soupçon is a medallion style quilt that I designed at the request of one of my blog readers, Kathy at Hillside House Blog The finished size of the quilt somewhere in the area of 33” square. At the end I will discuss options for adding to it so that it can become a larger wall hanging or even a quilt. We'll be using a variety of techniques including patchwork piecing, foundation paper piecing, English paper piecing, applique and embroidery. Since this isn't a large quilt you won’t have to spend inordinate amounts of time on each pattern installment! Where possible I will try to provide you with alternatives so that if what I've designed isn't your cup of tea, you will have options. This is a scrap quilt so there are no fabric requirements provided. Try to work with what you have in your stash. If you bought fabric because you love it I’ll bet that there are other fabrics in your stash that will work with it! If you feel the urge to buy new fabric for this project by all means do so! There are no quilt police here so have fun! So let’s get started! In this installment you will start work on the center of the medallion which is based on a modified hexagon motif appliqued to a background fabric. If hexagons aren't your thing, please read my ALTERNATIVE DESIGN SUGGESTION below. For this installment you will need the following supplies: a feature fabric for the centerpiece of the medallion, a 10 1/2" square of fabric for the background, spray starch (highly recommended), one sheet of 1" hexagons available here and usual hand sewing necessaries. I made two Soupçon quilts. My feature fabrics are this blue print for my first Soupçon Quilt and a red print for the second which is a simplified version. You can make your hexagon using the paperless English paper piecing method I wrote about here or you can do traditional English paper piecing. For the traditional method you will need to print a sheet of 1” hexagons (there is a link to a hexagon template under the supply list above) . If your printer doesn't print the hexagons at exactly 1” don’t worry! It won’t be a problem because the pieces will still fit together. Create six modified hexagons by drawing lines in a hexagon in the center of the page of hexagons as indicated by the pink lines. Cut out six modified hexagons. The pink lines indicate the cutting lines. The modified hexagon is in fact a pentagon because it has five sides but I'm calling it a modified hexagon because it helps me keep it clear in my mind! DECISION #1: To fussy cut or not This is a great way to try out fussy cutting since you only need six modified hexagons. Yesterday I wrote about fussy cutting options. If you need a little inspiration check it out! If you need simple instructions on fussy cutting please refer to my post from December 13, 2013. There are also more detailed methods explained here. The easiest way is to select and cut out one modified hexagon from your fabric (remember to add seam allowances because the paper doesn't have any). I like to use a little glue stick to tack my papers to my fabric. I lay out all six patches and glue the first paper to the wrong side of the fabric. I look for landmarks to line up the papers on the fabric so that they match the first one. You can see in this picture that I've used the upper left corner and the point at the bottom as my reference points. If you are new to English paper piecing instructions are available under my tab English Paper Piecing & Hexagon Fun. Refer to my booklet EasierThan Pie - English Paper Piecing for Beginners. If you know what you are doing thread baste the fabric to the paper with large stitches. DECISION #2: Sew your modified hexagons together to form a star or a flower You can arrange the modified hexagons into a star or a flower. I chose the star arrangement on the right for my blue fabric. If you are a beginner I think you will find that the star is a little easier to make. I chose to make a flower with the red fabric for the simplified version of the quilt. Stitch you modified hexagons together using a thread that matches the fabric. If you choose to make the flower and the center is less than perfect don't worry because we'll deal with it in the next pattern installment! The flower has six points that meet in the center and you can get all of the points to match with a few simple step. With right sides together, sew to together from the outside edge to the center point. Open up these two patches and place the third modified hexagon on the hexagon on the left (if you are left handed place it on the hexagon on the right). Put your needle through the point of the third hexagon and then through the hexagon on the far right (if you are left handed it will be the far left) and draw the thread through. Now put the needle through the point of the third hexagon and through the point of the second (middle) hexagon. Draw up the thread. Continue sewing to the outside edge. Sew the remaining three modified hexagons in the same manner. When you sew them together you want the points in the center to match. To do this I sew the first two points on the right (if you are left handed they will be the first two points on the left). I next sew the two points on the left (on the right if you are left handed). I again sew the two points on the right (on the left if you are left handed). This will keep the points lined up snugly. From there I just continue sewing out to the edge. This is what the center will look like. If yours isn't perfect please don't worry! I'll have some ideas for you in the next installment! HELPFUL TIP: When I sew my hexagons together I never start sewing right at the corner. I start one stitch in from the edge and sew out to where I would have started at the edge. When I get there I start sewing my seam as usual. When I get to the end of the seam I sew back the way I came for one or two stitches and then knot off the thread. I do this so that there are no knots right at the corners. If you decided to go with the star, there is one more DECISION and that is whether or not to fill the center with a 1” hexagon or leave it open. I chose to fill it with a hexagon. You can paper piece a 1" hexagon and stitch it in the star center as in the photograph below. You could also just leave the star center open so that the background fabric shows. There is another way to fill the center that is super easy! It a good method if you aren't sure what you want to do. Just leave the center open and do not stitch it to the background until we get to installment #2. If you don't like what I have planned you can still tuck a fabric in the opening and then stitch it in place. So to do the easy method I mentioned select the fabric that will be used as the middle hexagon. I just place my star on a fabric and move it around until I like what I see. I might try several fabrics until I find the right one. One I have it I trace around the inside edge of the star on the fabric with a fabric safe marker. I cut out the motif adding a generous seam allowance of almost 1/2" all around. I put a little glue on the seam allowances the hexagon opening. I lightly place the star on the motif and when I like what I see I give it a gentle press with my fingers. This is what it will look like from the wrong side. The center will look like it has been reverse appliqued in place. I stitch the center after the entire star has been appliqued to the background fabric. Once your modified hexagons are stitched together give them a good spritz with spray starch and press with a hot dry iron. At this point the basting threads and papers can be removed. The piece is now ready to be appliqued to your background fabric. Take your 10 ½” square of background fabric and give it a liberal spraying with starch and press, not iron, with a hot dry iron. Fold the square in half and then in half once again so that it is divided into four equal squares. For my red quilt I chose an off-white and red print and for the blue quilt I chose a dark background. Place your star or flower on the background square using the fold lines to center it. Pin it to the background and baste it in place with thread or basting glue. Make sure everything is nice an flat before you do your applique work! DECISION #3: Which method of applique will you use? I chose to do hand applique with a blind stitch however you could applique with a decorative machine embroidery stitch, invisible machine applique or hand appliqué with a buttonhole stitch. Go with whatever tickles your fancy! Heck, you could even top stitch by hand or by machine with a pretty thread! ALTERNATIVE DESIGN SUGGESTION: If hexagons aren't your thing, you can substitute a square of a large print such as this one. Just make sure that the portion of the print that you will feature is no larger than 6 ½” square. From this feature fabric you will cut a 10 ½” square making sure that your motif is centered in the square. You may want to hold off making the decision about what fabric you will use until Installment #3. OPTIONS FOR A QUILT: If you were to make a pile of appliqued hexagon blocks in this way they could be sewn together, with or without sashing, into a quilt! Twenty blocks stitched together with a nice border would make a lovely lap quilt! This is the end of the first installment! In two weeks I’ll publish the next installment; we will continue to work on our center medallion. We are going to kick it up a notch and turn it into something spectacular! This will be a chance to try out some embroidery but it it isn't your thing I've got other ideas for you! The floss in this picture is DMC's variegated floss # 4126. I love the lemony, golden, peachy tones! I've set up a FLICKR group for the Soupçon Hexagon Quilt Along. I hope you will post pictures of you quilt as you go along because I want to see what you are doing! You can see what everyone is doing and post your own pictures at http://www.flickr.com/groups/soupconqal/ I hope you've had fun. Take your time making this piece and make it something really special! And do save your scraps. You might want to use them in an upcoming installment! Until I post again, happy sewing! Karen H