Cette veste bouffante matelassée présente une coupe facile, des poches latérales pratiques et une capuche pour les jours particulièrement venteux. Finie avec les initiales de notre marque sur la poitrine, elle s'inverse pour laisser place à l'impression du logo Signature sur le dessous, pour une variété d'options de style. Couleur Noir
Elizabeth Wakou is a NY-based classically trained artist. With a style that is distinctively historical and vintage, evoking a sense of grandeur and glamour.
Margaret Rawlings, actress, 1951. Pietro Annigoni (June 7, 1910, Milan – October 28, 1988, Florence), Italian painter, much influenced by the artists of the Italian Renaissance, who became internationally famous for his 1954-5 portrait of the young Queen Elizabeth II. Only really familiar with the cool and rather distant portraits he did of the queen and her sister, Princess Margaret - a distance perhaps to be expected, considering the subjects - I've been pleased to find a depth of personality and humanity in much of Annigoni's other work. "Mr. Rydy", 1949.
Unisex long sleeves T-Shirt Fabric component: 75% Cotton, 25% Polyester Color: Black with a print to the back Fit: Relaxed Model 1 and 2 wears L
Portrait of a Young Girl, by Jean-Baptiste-Camille Corot, 1859. Horse by the shore, summer night, by Nils Edvard Kreuger, 1902. Portrait of Félix Jasinsky, by Félix Vallotton, 1887. Woman with Glasses, by Yōshū Chikanobu 楊洲周延, 1897. Portrait of Mercedes Mendeville, condesa de San Félix, by Joaquín Sorolla y Bastida, 1906. An Australian, by Hilda Rix Nicholas, 1926. A standing male nude, pulling a rope, circle of Théodore Géricault, circa 1810-13. Courtesy Stephen Rutledge. Bullfinches, by Bruno Liljefors, 1885. Eighteenth century Katabira (summer kimono) with patterns of dry hedges, carnations, and swallows. Jeune femme aux fleurs, by Jean-Gabriel Domergue, 1928. Valkyrie, by Heinrich Bürck, 1881. When Poverty Comes in at the Door, Love Flies out at the Window, by George Frederic Watts, 1892. Portrait of a Gentleman with a Sword, by Amico Friulano del Dosso, circa 1515-20. Man in Landsknecht reenactment costume, 2017. Easter Sunday, Harlem, by Arthur Fellig (Weegee), circa 1940. Circa 1870s. Angus Og - God of Love and Courtesy Putting a Spell of Summer Calm on the Sea, John Duncan, 1908. Les Peupliers, by Henri-Jean Guillaume Martin, circa 1937. Polychrome glazed terracotta medallion bust of a laureate, by Andrea Della Robbia, circa 1492. (Two images.) Equipage de faucons laniers et de faucons pèlerins, by Carstian Luyckx, circa 1650-60s. Portrait of Thomas Orde, later Orde-Powlett and 1st Baron Bolton, by Pompeo Batoni, 1773. Corinth, 1898. Adam and Eve, by Harald Slott-Møller, 1890-91. Courtesy Stephen Rutledge. (This appears to be how you "unfriend" someone from a tintype.) "La Belle Rose", a Madame Meeley of Philadelphia design created for sisters Ann and Elizabeth Stetson for their social debuts, 1927. Portrait of a Lady, by Benedetto Ghirlandaio, circa last quarter of the fifteenth century. French School, eighteenth century. The Hall of Antiquities at Charlottenborg Palace, Copenhagen, by Adam August Müller, 1830. Photograph by Josep Masana, 1930. Conrad Veidt costumed for "Lucrezia Borgia", 1922. Falcon, by Edwin Landseer, 1837. Reverie, by Edgard Maxence, circa 1914-17. Portrait of the dancer Nikolai Stepanovich Poznyakov, by Konstantin Somov, 1910. Portrait of a member of the Dashwood family, by George Romney, 1787. Portrait of María Luisa Maldonado, marquesa de Torneros, by Joaquín Sorolla y Bastida, 1907. Une soirée au carnaval, by Henri-Julien-Félix Rousseau, 1886. The Owens-Thomas house, Savannah, Georgia, designed by the English architect William Jay, completed in 1819. (Photograph courtesy Andrew Hopkins, 2020.) Courtesy Stephen Rutledge. Winter, by Vojtěch Hynais, 1901. Allegory of Autumn, attributed to Giovanni Maria delle Piane, called Mulinaretto, circa 1690-1740 Day dress, 1869. Portrait of Clarita Seminario, by Raimundo de Madrazo y Garreta, 1911. Ballerina Tamara Toumanova photographed by Luis Lemus for Vogue, 1948. Portrait of an Austrian officer, Lombard School, circa mid-nineteenth century. Jeune berger assis, by Hippolyte Flandrin, circa 1834-35. Intérieur d'atelier, by Louis Gustave Cambier, 1891. Flowers, by Raoul Hynckes, 1941. Courtesy Ralf De Jonge. Femme de Bolbec, hand-colored lithograph after Eugène Devéria, circa 1825-45. Autumn Beeches, by John Fabian Carlson, 1908-15. Rest, by Gerardo Sacristán Torralba, 1929. Mexican agricultural laborers who have come to help harvest beets, eating their lunch, Stockton, California, photograph by Marjory Collins, May 1943. Autumn Sonata, Klemens Brosch, 1920. Pond Song, by Victor Coleman Anderson, circa 1910-30. Park von Versailles, by Hermann Göhler, circa first half of the twentieth century. (The figures are dressed in the style of the end of the 1860s.) In Paradise, by Max Švabinsky, 1918. Commode by Charles Cressent, circa 1730. Study of a Black Model, by Max Pietschmann, 1885. Mary, Queen of Scots Bedroom, Holyroodhouse, by Alexander Fraser, circa 1884. Portrait of a lady, by Charles Joseph Watelet, 1925. 1902. Siegfried, by Thomas Theodor Heine, 1921.
Live in grandeur in this 2-story luxury home plan with a residential elevator easing the work needed to enjoy the upstairs. From the foyer you have continuous views through to the covered lanai in back. The master in on the main for your convenience and has covered lanai access and an oversized sitting room with great panoramic views. Outdoor spaces are integral to your enjoyment and are found on both levels. The upstairs features 4 or 5 bedrooms depending on your use of the bonus room. All have baths and walk-in closets. A living room and upstairs laundry - plus four balconies in back and off the bonus room - complete the floor. Related Plan: Get more room with house plan 31804DN.
Margaret Rawlings, actress, 1951. Pietro Annigoni (June 7, 1910, Milan – October 28, 1988, Florence), Italian painter, much influenced by the artists of the Italian Renaissance, who became internationally famous for his 1954-5 portrait of the young Queen Elizabeth II. Only really familiar with the cool and rather distant portraits he did of the queen and her sister, Princess Margaret - a distance perhaps to be expected, considering the subjects - I've been pleased to find a depth of personality and humanity in much of Annigoni's other work. "Mr. Rydy", 1949.
CASA MODA Chandail Couleur Rouge vin orangée Ce chandail est fabriqué en pur coton et offre une tenue confortable grâce à sa coupe ajustée. Les accents de couleur contrastée sur le col et les poignets font de ce chandail un véritable accroche-regard. Il complète parfaitement votre tenue de loisirs et peut-être combiné de nombreuses façons avec des jeans et des chinos. Un indispensable absolu pour toute garde-robe. Coupe Classique
Glittery pink rhinestones are pressed into the centers of ornate silver frames. Infused with classic silver beads, the dainty frames are threaded along elastic stretchy bands, creating a whimsical look around the wrist. Sold as one individual bracelet. P9WH-PKXX-170XX
Full-size Case XX 1991 Trapper Knife with Red Bone handles. This knife was made in America in 1991 with stainless steel blades and a jigged red bone handle. The case stamp states " Case XX Bradford, PA 19USA91" and "DR6254SS". The blades are in fantastic condition and snap to when closed, with extremely minimal rust, and the handles are in perfect condition. With a touch up she will look like she was just made yesterday. No box included.
Unisex long sleeves T-Shirt Fabric component: 75% Cotton, 25% Polyester Color: Black with a print to the back Fit: Relaxed Model 1 and 2 wears L
CASA MODA Chemise en Flanelle de coton Cette chemise de loisirs à la mode est fabriquée en pur coton est très agréable à porter. Le quadrillage tendance en fait le complément idéal de tout look de loisir et vous garantit une apparence à la mode à tout moment. Ce modèle élégant peut être combiné de nombreuses façons et constitue un compagnon quotidien parfait pour l'homme soucieux de la mode. Fabrication Européenne Coupe Classique ou Contemporaine
Step into a world of regal elegance with our Velvet Cropped Jacket, a masterpiece inspired by the opulent Mughal era. Crafted from luxurious velvet, this jacket is both comfortable and sophisticated. The deep, rich color serves as a perfect canvas for the exquisite golden embroidery that adorns it. The intricate embroidery is a nod to the grandeur of Mughal art, featuring ornate patterns and delicate motifs that reflect the era's attention to detail and love for beauty.
Celebre el lujoso encanto del champán con este "Póster vintage de Moet 'Lebrave Commandant'" de Georges Goursant, un exquisito póster vintage de principios del siglo XX, disponible en nuestra tienda de grabados. Esta impresión artística vintage personifica la grandeza y el estilo de la época y presenta una elegante representación asociada con Moet Champagne. Es una elección espléndida para los conocedores de los grabados antiguos y los entusiastas del champán, ya que combina la artesanía artística de Georges Goursant con el espíritu opulento de la publicidad vintage del champán, lo que la convierte en una selección distinguida para los coleccionistas de grabados artísticos antiguos y una adición sofisticada a cualquier colección de arte mural. Una mirada refinada al arte vintage Este póster presenta un retrato elegante y grandioso de la celebración del champán, que encarna la esencia del lujo y la delicadeza. Como un ejemplo impresionante de carteles antiguos de champán y arte mural antiguo, esta pieza se celebra por su diseño elegante y representación vibrante, que captura la atmósfera festiva y exclusiva asociada con Moet Champagne. Calidad excepcional en impresiones vintage Nuestra dedicación a ofrecer el mejor arte mural es evidente en esta reproducción bellamente producida. "Moet 'Le brave Commandant'" de Georges Goursant está cuidadosamente elaborado para garantizar que los ricos colores y el arte detallado del cartel original se conserven bellamente, lo que da como resultado una obra de arte vintage que es a la vez visualmente cautivadora e históricamente rica. Transforme su espacio con elegancia vintage Ideal para agregar un toque de sofisticación y encanto histórico a su espacio, este estampado es la elección perfecta. Su representación del lujo y la celebración del champán añade una calidad artística y exclusiva a cualquier habitación, lo que la convierte en una excelente opción para quienes buscan crear una atmósfera de refinamiento e indulgencia con arte mural vintage. Un regalo único para los entusiastas de los carteles antiguos y los amantes del champán. Para aquellos que aprecian el arte de la publicidad antigua y el encanto del champán, esta pieza es una opción de regalo inspiradora. Es una forma única de compartir la elegancia de los carteles antiguos de Champagne y el atractivo atemporal de los estampados antiguos a través de este retrato glamuroso. Explore el esplendor de los carteles antiguos de champán Nuestra tienda de carteles se enorgullece de exhibir una variedad de obras de arte importantes, que llevan la sofisticación y la belleza de los carteles antiguos de champán al público contemporáneo. "Moët 'Le Brave Commandant'" de Georges Goursant es más que una simple impresión; es una celebración de la edad de oro de la publicidad y la elegancia perdurable del champán. Agregue este exquisito póster a su colección hoy y deje que aporte un toque de lujo vintage y estilo histórico a su hogar u oficina. ¿Necesitas más inspiración? Encuentre muchos más carteles antiguos de champán a través del cuadro de búsqueda o explore la lista completa de colecciones de grabados antiguos .
Geode chairs represent a stunning fusion of art and functionality, making them an exquisite addition to any room. Crafted from geodes, these unique chairs are
"Portrait de l'athlète Maurice Deriaz", 1907. Maurice Deriaz and his older brother, Emile, were the most famous of seven athletic brothers. They were born in Baulmes, Switzerland - Maurice in 1885 - but lived in France from an early age. Maurice was five foot six and weighed about two hundred pounds. His neck was nineteen inches around, his chest forty-eight, and his waist thirty-five. His thighs measured twenty-six inches, calves sixteen-and-a-half, forearms fourteen, and his biceps seventeen. He was celebrated for his weight-lifting feats, his impressive gymnastic abilities, and as a champion Greco-Roman wrestler. Called Le lion suisse or Roi de la beauté plastique, speaking fluent English, German, and Russian, he performed all over Europe. As his career wound down, he acquired a factory which produced reeds for oboes, clarinets, saxophones. He would often return to visit his home town and he eventually returned to live in Baulmes, where he died in the summer of 1974. Hercule au pied d'Omphale, 1912. Persée délivrant Andromède, 1913. I don't know if Deriaz commissioned them or how, otherwise, he came into possession of the three paintings by Courtois. But he donated all three to the municipality of Baulmes, where they are hung along the staircase of the Hôtel de Ville. Deriaz modeling for Courtois in the latter's studio. *** "Bouderie" Gustave Courtois dans son atelier, by Pascal Dagnan-Bouveret, 1880. Courtois looks very jolly, but not so the unknown woman; the title, "Bouderie", translates as sulkiness, so perhaps that's part of the story here. Gustave-Claude-Étienne Courtois (May 18, 1852, Pusey – November 25, 1923, Paris), French painter, whose work is in the academic style. He showed an early interest in art, and at the age of seventeen, he entered the École des Beaux-Arts in Paris. There, Courtois formed a close friendship with a fellow student, the naturalist painter Pascal Dagnan-Bouveret (January 7, 1852, Paris – July 3, 1929, Quincey), that lasted a lifetime; beginning in the 1880s they shared a fashionable studio in Neuilly-sur-Seine, and Dagnan-Bouveret married Courtois' cousin. Both artists would eventually be awarded the Légion d'honneur, as chevalier and officier, respectively. (Detail of the above painting.) Dagnan-Bouveret and Courtois, with a model, in their studio in Neuilly-sur-Seine. Courtois and Dagnan-Bouveret, 1888. *** 1 November, 2016: I just came across this wonderful sketch of Deriaz by Courtois, dated 1911. "Se faire un chemin par la force" is a French translation of "Fit via vi" ("a way is made by force") a quotation from Virgil's Aeneid .
The Baroque White Bedroom Set with Wardrobe is an exquisite ensemble that brings opulence and sophistication to any bedroom. This set includes a grand bed, intricately designed with ornate carvings and luxurious finishes, reflecting the grandeur of the Baroque era. The accompanying wardrobe is equally stunning, featuring detailed mouldings and ample storage space. Each piece is crafted from premium materials, ensuring durability and timeless beauty. The rich, elaborate detailing and the sumptuous aesthetic make this bedroom set a centrepiece of elegance and style, perfect for those who appreciate classic luxury. Baroque Bedside x2 Height: 66cm. Drawer Height: 18cm. Width: 46cm. Depth: 38cm. Baroque Chest of Drawers Height: 81cm. Drawer Height: 18cm. Width: 91cm. Depth: 46cm. Baroque Wardrobe Height: 200cm. Width: 107cm. Depth: 60cm. Baroque Bed (King Size) Headboard Height: 134cm. Footboard Height: 62cm. Width: 163cm. Depth: 262cm.
CASA MODA Chandail Ce chandail est fabriqué en pur coton et offre une tenue confortable grâce à sa coupe ajustée. Les accents de couleur contrastée sur le col et les poignets font de ce chandail un véritable accroche-regard. Il complète parfaitement votre tenue de loisirs et peut-être combiné de nombreuses façons avec des jeans et des chinos. Un indispensable absolu pour toute garde-robe. Coupe Classique Couleur Anthracite
"Grapevine Grandeur" Copper Earrings: Vine-like filigree climbs the center of an oversized copper teardrop, creating a seasonal frame. Earring attaches to a standard fishhook fitting. Sold as one pair of earrings.
A metal wall decor with real Fallow Deer typical shed antlers of size XX Large. The antler set measures 34'' / 86.4 cm wide. The head has a black finish and is of size medium. The antlers were harvested in Europe. This product was made in Quebec, Canada.
Portrait of a Young Girl, by Jean-Baptiste-Camille Corot, 1859. Horse by the shore, summer night, by Nils Edvard Kreuger, 1902. Portrait of Félix Jasinsky, by Félix Vallotton, 1887. Woman with Glasses, by Yōshū Chikanobu 楊洲周延, 1897. Portrait of Mercedes Mendeville, condesa de San Félix, by Joaquín Sorolla y Bastida, 1906. An Australian, by Hilda Rix Nicholas, 1926. A standing male nude, pulling a rope, circle of Théodore Géricault, circa 1810-13. Courtesy Stephen Rutledge. Bullfinches, by Bruno Liljefors, 1885. Eighteenth century Katabira (summer kimono) with patterns of dry hedges, carnations, and swallows. Jeune femme aux fleurs, by Jean-Gabriel Domergue, 1928. Valkyrie, by Heinrich Bürck, 1881. When Poverty Comes in at the Door, Love Flies out at the Window, by George Frederic Watts, 1892. Portrait of a Gentleman with a Sword, by Amico Friulano del Dosso, circa 1515-20. Man in Landsknecht reenactment costume, 2017. Easter Sunday, Harlem, by Arthur Fellig (Weegee), circa 1940. Circa 1870s. Angus Og - God of Love and Courtesy Putting a Spell of Summer Calm on the Sea, John Duncan, 1908. Les Peupliers, by Henri-Jean Guillaume Martin, circa 1937. Polychrome glazed terracotta medallion bust of a laureate, by Andrea Della Robbia, circa 1492. (Two images.) Equipage de faucons laniers et de faucons pèlerins, by Carstian Luyckx, circa 1650-60s. Portrait of Thomas Orde, later Orde-Powlett and 1st Baron Bolton, by Pompeo Batoni, 1773. Corinth, 1898. Adam and Eve, by Harald Slott-Møller, 1890-91. Courtesy Stephen Rutledge. (This appears to be how you "unfriend" someone from a tintype.) "La Belle Rose", a Madame Meeley of Philadelphia design created for sisters Ann and Elizabeth Stetson for their social debuts, 1927. Portrait of a Lady, by Benedetto Ghirlandaio, circa last quarter of the fifteenth century. French School, eighteenth century. The Hall of Antiquities at Charlottenborg Palace, Copenhagen, by Adam August Müller, 1830. Photograph by Josep Masana, 1930. Conrad Veidt costumed for "Lucrezia Borgia", 1922. Falcon, by Edwin Landseer, 1837. Reverie, by Edgard Maxence, circa 1914-17. Portrait of the dancer Nikolai Stepanovich Poznyakov, by Konstantin Somov, 1910. Portrait of a member of the Dashwood family, by George Romney, 1787. Portrait of María Luisa Maldonado, marquesa de Torneros, by Joaquín Sorolla y Bastida, 1907. Une soirée au carnaval, by Henri-Julien-Félix Rousseau, 1886. The Owens-Thomas house, Savannah, Georgia, designed by the English architect William Jay, completed in 1819. (Photograph courtesy Andrew Hopkins, 2020.) Courtesy Stephen Rutledge. Winter, by Vojtěch Hynais, 1901. Allegory of Autumn, attributed to Giovanni Maria delle Piane, called Mulinaretto, circa 1690-1740 Day dress, 1869. Portrait of Clarita Seminario, by Raimundo de Madrazo y Garreta, 1911. Ballerina Tamara Toumanova photographed by Luis Lemus for Vogue, 1948. Portrait of an Austrian officer, Lombard School, circa mid-nineteenth century. Jeune berger assis, by Hippolyte Flandrin, circa 1834-35. Intérieur d'atelier, by Louis Gustave Cambier, 1891. Flowers, by Raoul Hynckes, 1941. Courtesy Ralf De Jonge. Femme de Bolbec, hand-colored lithograph after Eugène Devéria, circa 1825-45. Autumn Beeches, by John Fabian Carlson, 1908-15. Rest, by Gerardo Sacristán Torralba, 1929. Mexican agricultural laborers who have come to help harvest beets, eating their lunch, Stockton, California, photograph by Marjory Collins, May 1943. Autumn Sonata, Klemens Brosch, 1920. Pond Song, by Victor Coleman Anderson, circa 1910-30. Park von Versailles, by Hermann Göhler, circa first half of the twentieth century. (The figures are dressed in the style of the end of the 1860s.) In Paradise, by Max Švabinsky, 1918. Commode by Charles Cressent, circa 1730. Study of a Black Model, by Max Pietschmann, 1885. Mary, Queen of Scots Bedroom, Holyroodhouse, by Alexander Fraser, circa 1884. Portrait of a lady, by Charles Joseph Watelet, 1925. 1902. Siegfried, by Thomas Theodor Heine, 1921.
The Guardian of Paradise, Franz von Stuck, 1889. Willem Jansz. Cock, Standardbearer of the Orange company of the civic guard of The...
Prince Louis of Battenberg, 1909. Admiral of the Fleet Louis Alexander Mountbatten, 1st Marquess of Milford Haven, GCB, GCVO, KCMG, PC...
William B. Ogden, by Anders Zorn, 1895. Jacques-Joseph de Cathelineau, by Anne-Louis Girodet de Roussy-Trioson, circa 1822. Portr...
Margaret Rawlings, actress, 1951. Pietro Annigoni (June 7, 1910, Milan – October 28, 1988, Florence), Italian painter, much influenced by the artists of the Italian Renaissance, who became internationally famous for his 1954-5 portrait of the young Queen Elizabeth II. Only really familiar with the cool and rather distant portraits he did of the queen and her sister, Princess Margaret - a distance perhaps to be expected, considering the subjects - I've been pleased to find a depth of personality and humanity in much of Annigoni's other work. "Mr. Rydy", 1949.
"Portrait de l'athlète Maurice Deriaz", 1907. Maurice Deriaz and his older brother, Emile, were the most famous of seven athletic brothers. They were born in Baulmes, Switzerland - Maurice in 1885 - but lived in France from an early age. Maurice was five foot six and weighed about two hundred pounds. His neck was nineteen inches around, his chest forty-eight, and his waist thirty-five. His thighs measured twenty-six inches, calves sixteen-and-a-half, forearms fourteen, and his biceps seventeen. He was celebrated for his weight-lifting feats, his impressive gymnastic abilities, and as a champion Greco-Roman wrestler. Called Le lion suisse or Roi de la beauté plastique, speaking fluent English, German, and Russian, he performed all over Europe. As his career wound down, he acquired a factory which produced reeds for oboes, clarinets, saxophones. He would often return to visit his home town and he eventually returned to live in Baulmes, where he died in the summer of 1974. Hercule au pied d'Omphale, 1912. Persée délivrant Andromède, 1913. I don't know if Deriaz commissioned them or how, otherwise, he came into possession of the three paintings by Courtois. But he donated all three to the municipality of Baulmes, where they are hung along the staircase of the Hôtel de Ville. Deriaz modeling for Courtois in the latter's studio. *** "Bouderie" Gustave Courtois dans son atelier, by Pascal Dagnan-Bouveret, 1880. Courtois looks very jolly, but not so the unknown woman; the title, "Bouderie", translates as sulkiness, so perhaps that's part of the story here. Gustave-Claude-Étienne Courtois (May 18, 1852, Pusey – November 25, 1923, Paris), French painter, whose work is in the academic style. He showed an early interest in art, and at the age of seventeen, he entered the École des Beaux-Arts in Paris. There, Courtois formed a close friendship with a fellow student, the naturalist painter Pascal Dagnan-Bouveret (January 7, 1852, Paris – July 3, 1929, Quincey), that lasted a lifetime; beginning in the 1880s they shared a fashionable studio in Neuilly-sur-Seine, and Dagnan-Bouveret married Courtois' cousin. Both artists would eventually be awarded the Légion d'honneur, as chevalier and officier, respectively. (Detail of the above painting.) Dagnan-Bouveret and Courtois, with a model, in their studio in Neuilly-sur-Seine. Courtois and Dagnan-Bouveret, 1888. *** 1 November, 2016: I just came across this wonderful sketch of Deriaz by Courtois, dated 1911. "Se faire un chemin par la force" is a French translation of "Fit via vi" ("a way is made by force") a quotation from Virgil's Aeneid .
Step into a world of regal elegance with our Velvet Cropped Jacket, a masterpiece inspired by the opulent Mughal era. Crafted from luxurious velvet, this jacket is both comfortable and sophisticated. The deep, rich color serves as a perfect canvas for the exquisite golden embroidery that adorns it. The intricate embroidery is a nod to the grandeur of Mughal art, featuring ornate patterns and delicate motifs that reflect the era's attention to detail and love for beauty.
Robert Barakett Couleur : Gris Le Polo a manches longues avant-garde. Ce polo avec col en V, 100% coton à maille texturée, rejoint le classique au contemporain.
Title: "If you want to achieve greatness..." (I). Banksy, after. Stencil/Spray. StreetArt. Edition: A/P (Artist Proof) Random/XX. Comes with Signed COA card of the Publisher. Signature imprimée (signed in plate). With pencil hand titled and numbered.
Paparazzi Accessories-Garden Flower Grandeur - Green Bracelet Item #P9WH-GRXX-182XX Dotted in dainty green pearl centers, white rhinestone encrusted silver floral frames delicately link around the wrist for a whimsical look. Features an adjustable clasp closure. Sold as one individual bracelet. Ordered 5/28/2020
A sparkling teardrop gem adorns the bottom of a regal silver frame. Dainty white rhinestones are enc
Saxx Ultra Super Doux Caleçon Boxeur Confort 5" Ultra Super Soft est un favori des fans, parfait pour la vie de tous les jours. Ce caleçon ridiculement doux et respirant est livré avec la pochette BallPark Pouch® et comporte une ouverture à la braguette.
Ventilated gloves with RebelBees logo. Available from XX-Small to X-Large... Please specify. Gants ventilés avec logo RebelBees. Disponible en format Très Très Petit à Très Grand... Merci de spécifier la grandeur souhaitée.
Delicately hammered in shimmery textures, a glistening ribbon of gunmetal curls into an edgy, asymmetrical hoop. Earring attaches to a standard post fitting. Hoop measures 1” in diameter. Sold as one pair of hoop earrings.
Bamboo stands 7 inches tall (17cm) when completed. He is very easy to sew if made in felt but is happy wearing a short pile fur or plush too. Bamboo is completely thread jointed (no joints required) His pattern has easy to follow instructions with an alternative version with embroidered eyes included. There are plenty of reference photos at each stage and full sized pattern sheet. *Easy to follow instructions *Suitable for beginners *Plenty of reference photos *No joint required Hope you have fun stitching this cute little panda xx
CASA MODA Chandail Ce chandail est fabriqué en pur coton et offre une tenue confortable grâce à sa coupe ajustée. Les accents de couleur contrastée sur le col et les poignets font de ce chandail un véritable accroche-regard. Il complète parfaitement votre tenue de loisirs et peut-être combiné de nombreuses façons avec des jeans et des chinos. Un indispensable absolu pour toute garde-robe. Coupe Classique Couleur Marine
