By Presto Plans A few years ago I became a part-time student and enrolled in a master's course called Writing Instruction. The professor took a unique approach by having us, a group of English teachers, write our own poetry and fiction. It was an eye-opener. I realized that somewhere between high school and my first teaching job, I forgot the lonely and uneasy feeling of staring at a blank page, not knowing where to begin. When the professor allowed us to work with another teacher on the next writing piece, there was a sense of comfort in that I had someone to discuss, collaborate, and share ideas with. Collaborative writing not only broke down my reserve and hesitation, but also allowed me to foster a relationship of trust and partnership with my co-author. I wanted to bring this experience into my own classroom, so I made a point to allow more opportunities for students to write creatively with a partner or a group. Try 5 of my favorite engaging, low-prep collaborative writing activities that you can use in your class tomorrow. Snowball writing is an activity that your middle and high school students will always remember. It can be used with almost any writing genre and is highly-engaging for even your most reluctant writers. I use this method for narrative, poetry, descriptive, and essay writing. I even use it as an introductory icebreaker activity during back-to-school or a semester change! How It Works: - One student starts the writing process for a timed period decided by the teacher. - When time is up, the teacher tells students to crumple up their work into a “snowball” and throw it somewhere else in the room. Get ready to see lots of confused faces J. - Students retrieve one of the snowballs, smooth out the paper, and continue the writing process! (Tip: have students use a pen to make the writing easier to read for the next student) This process is repeated as needed. When all parts are completed, the paper goes back to the original writer who creates a final copy. If you want to know more about how I use this for narrative writing, read this detailed blog post that gives the step-by-step process in more detail. Have your students write a descriptive paragraph using vivid imagery with an activity called Shared Sensory Writing. How it works: - Put students into groups of three and give them an object to describe. - As a group, they decide which of the 3 senses they will focus on (sight, taste, smell, touch, hearing). Each person is assigned a sense, and they write a short paragraph describing the object based only on the sense they receive. - The group combines elements from each of the paragraphs to create a final descriptive piece. Download this activity for FREE by clicking here: Shared Sensory Writing One of the challenging parts of creative fictional writing is developing the story elements that will form the plot. Use the graffiti fiction brainstorming technique as a way for students to work together to spark fictional writing. How It Works: - Set up 4 chart-paper stations around the room with the following titles: Conflicts, Character Traits, Settings, and Themes. Break the class up into 4 groups and have each group go to one of the stations. - The group members work together to “graffiti” the page with potential conflicts, character traits, settings, and themes that could emerge in a fictional story. I fill in a couple of my own examples to get them started. - Have each group spend 3-4 minutes filling the chart paper up with their ideas. Then, have them all circulate to the next station to repeat the process. - When they are done, have each student select one character trait, conflict, setting, and theme from the graffitied pages to develop a unique narrative. You can choose to have them write independently or with a partner. Tapestry poetry was developed by Avril Meallem (of Israel) and Shernaz Wadia (of India). The two women started writing tapestry poetry collaboratively via email. The form consists of two authors writing a 9-line poem based on the same title, and then working together to meld it into one seamless finished product. How It Works: - Put your students into pairs (or let them choose a partner). - Have one of the students select a title for the poem. This student who selects the title is the only one who has the option of using it in the poem (to avoid repetition). - Both students write a 9-line poem. - When they are done, the pair works together to interlace the poem into one. All 18 lines must be included. Students are permitted to make grammatical changes (singular to plural, verb tenses etc.), and adjustments to adjectives and adverbs, but the majority of the poems should remain the same. Download this activity for FREE by clicking here: Tapestry Poetry Sketch and scribble writing is meant to be used with descriptive/narrative writing and will particularly appeal to those artistic students in your classroom. How It Works: - Have students form a group of three. Give each of the students a picture as a writing prompt. The picture prompts below are the ones I use. The images should allow them to use a narrative voice to describe a scene. They should keep the prompt hidden from the other members of the group. - Once the time is up, each student passes the writing to another student in the group who will read it and draw the scene based on the description (no words allowed). - When the drawings are done, they are given to the final student who must write a paragraph based on the drawing. In the end, have students compare and contrast the drawings to the original picture writing prompt as well as the two pieces of writing. Want even more ideas for collaborative writing? Check out these activities from some of the other Secondary English Coffee Shop bloggers! Tandem Writing from The SuperHERO Teacher Group Writing Challenges from Room 213 Two Truths and a Lie from Secondary Sara Round Robin Writing from Nouvelle ELA Have other ideas for collaborative writing? Click the comment button at the top of the post to join the conversation! SaveSave SaveSaveSaveSaveSaveSaveSaveSave

In honor of the Q&A section of my TPT store , I am sharing a little more about my paragraph puzzles today in VIDEO form! Questions answered in this video: What exactly will I get when I purchase a month of paragraph puzzles? Can these be differentiated to meet the needs of my strug

Simple tips for improving writing in your second or third grade classroom. These tips are a must if you want better writers!

When I think about student writing, one of the most difficult concepts to teach is sentence fluency. Much of excelling at fluent writing revolves around students’ background with literacy. Certainly,...

There's a lot of ground to cover when you teach creative narrative writing. Here are 5 creative narrative mini-lessons you should be sure to use!

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Every sentence has to have a subject and a predicate to make a complete sentence. I have one daughter who loves math, but doesn't love anything to do with language arts or writing.

I have so much to share with you about writing interventions, but first things first: WHAT DO YOU THINK OF THE NEW BLOG DESIGN?!?!? Please share your thoughts! Every year, I meet lots of middle schoolers who struggle with writing. And every year, I play around with lots of different interventions to meet their needs. Last year, I made establishing sound writing interventions one of my big goals. I spent lots of time (and money!!) on resources that I could use, and by about March, I had something that I thought I was pretty happy with. This year, I'm starting off with those interventions that worked so well last year and I couldn't be happier with the results! In fact, I'm so pleased with how they are working, I feel confident enough to share my practice with my blog readers. I can say that these are definitely KID TESTED, TEACHER APPROVED!! Creating a Time and Space for Intervention within your Classroom I teach by myself. There are no aides, special ed teachers, BSI teachers... just little, ol' me! So, when I want to create and manage small groups, I'm on my own. This is hard. It would be so much easier if there was another adult in the room to help, but there is not, so I just have to deal! It's work, but it absolutely can be done! A few weeks ago, I wrote about the Power of Bell-Ringers. Establishing a quiet and smooth transition into writing class is a great way to get started, but it also provides me with a window of time where I can pull a small group! By mid-October, my bell-ringer time gets extended to 15 minutes. The kids get started immediately and are clear on the expectations during this time. Now the environment for working with small groups is set: the room is quiet and engaged, allowing me to focus my time on the handful of kids in my group. I pull my kids to a table that I have set up in front of our classroom library. I have a "teacher station" at one end where I do my instruction. I usually stream some jazz or piano music during this time so my group doesn't distract the rest of the class. Establishing Interventions In my district, by middle school, there are no longer district-mandated interventions in place. There are no clear resources for teachers to use or personnel to help. So, when we have a struggling reader or writer in 7th or 8th grade, it's the job of the classroom teacher to meet their needs. In my tenure of working with middle schoolers, I've found that there are two types of students who need more support than my writing curriculum provides (and please remember... I am not a researcher/specialist/writer of books/etc. I'm just a teacher, like you, who loves my job, tries to do the best by my kids, and is compulsively reflective about what I see happening... to me, teachers are the best EXPERTS, but I know that we are hesitant these days to trust a "lowly" teacher and rather find ourselves relying on big publishers and educational researchers to show us best practices... I don't have lots of "data" to support what I'm sharing with you... just my actual observations I've made while working with real, live kids in an average classroom setting!!). Type One: Students Who Struggle with Structure The first type of students who need intervention are those who struggle with structure. These are the kids that can't organize their thoughts in a way a reader could follow. They simply write whatever their brain thinks at the time. They can generally stick with a broad topic, but because they are just writing whatever pops into their head at the time, there are lots of places where their writing veers off track and becomes confusing. Here is an example written by a former student struggling with structure: My dog Henry is my most special treasure. He is always there for me whenever I need him in sad times and happy. In many ways, he's my best friend. He has brown fur and a white chest. He is such a good dog to have around when you are sad because he always knows just how to cheer you up. His eyes are brown, like a Hersey bar. His favorite toy is a yellow tennis ball. Once he almost got hit by a car chasing the ball down the street. I have loved him ever since he was a puppy and we first got him. I was only 4-years old when that little ball of fluff was brought home by my parents to be best friends. His soft fur is always so smooth and warm when you pet him while watching TV on a cold night. He is my best friend and that is why he is my special treasure [sic]. This student is clear about his topic - his dog, Henry - but he cannot organize his thoughts. He is thinking about his dog and writes down everything he knows about his buddy exactly as it comes to his mind. Clearly, he has mechanical and conventional skills, and you can see evidence of where he is practicing what we learned in our mini-lessons and from studying our mentor pieces. But, because there is no organization, it is too difficult to follow and all of the skills he has are lost to the untrained, teacher-eye. Kids who write like this need an intervention that focuses on structure and organization. Typically, I LOATHE teaching step-by-step process writing, but in cases like this, I'm left with little choice. The lessons that I put together for kids in need of this intervention consist of learning how to write a well-organized paragraph. Together, we will work on writing topic sentences, creating strong and clear supporting sentences, and finish up with writing a closing that sticks with our reader. My favorite plans for this type of writing come from Michael Friermood. His Fact-Based Opinion Writing products are geared toward teaching elementary students (grades 3-5) how to write a good opinion paragraph, and they are PERFECT for my struggling 7th graders. They also lack a lot of the "cutesy" images that you find with products for this age group, so my big kids don't feel like I'm making them do "baby stuff." (I do not use the stationary he provides for the final writing piece... it's adorable, but it would be pushing in with my kids! So, we just do our paragraph writing in our intervention notebooks!) My plan is to pull the intervention group for one week (at 15 minutes a pop, this comes to 1 1/4 hours of learning). Long before I ever pull a group, I work hard to make sure that my lesson is broken down into five succinct 15-minute increments. Since time is so precious, you need to make sure not one minute is wasted! I can say that it takes me much longer to plan for a small-group lesson than a 50-minute whole-class lesson because efficiency is so crucial. The first few times you plan a small-group lesson, don't be surprised if your timing is mess. It definitely takes practice to be an effective small-group instructor! After their week is up, then I send them back to completing the bell-ringer at the start of class. I will watch them closely and conference with them lots to make sure that I am seeing a transfer of skills. If I don't, then it is likely that I will put them back in an intervention group in a few weeks to practice again. This intervention model will continue all year. Right now, I have 8 intervention students in one writing class, and 6 in another. By the end of the year, those number should reduce to 3-4 and 2-3. Never in all my years of working with small groups, have I had 100% of my intervention students "graduate" from small group. Don't be frustrated if this is the case! If you can improve 50-60% of those kids, then consider that a huge success!! Type Two: Students Who Struggle with Motivation The next group of kids that I work with are those who struggle with motivation. These are the students who complain a lot about not having anything to write about, spend more time doodling or coloring in their notebook than writing, and who will write the absolute bare minimum for any writing assignment. Many times, these kids produce too little for me to gauge whether or not they also need help with structure. But typically, once I can get them writing, they will likely find themselves in a small group for structure work :) Come October, after we've spent lots of lots of time list writing, the kids who are still struggling to get their pencils moving find themselves using a very special Interactive Writer's Notebook called "Musings from a Middle Schooler." This product contains loads of interactive writing pages that will motivate even the most reluctant writers. The pages can be printed out and glued into a marble notebook. (Most often, I'll have the kids create their own... I don't always have them use all the pages, rather I let them pick and choose the ones they like!). Cover Table of Contents page Table of Contents cont. and an "All About Me" page "My Life Story in Two Pages" My Favorite Thing Comics I created this project just last school year and it's been an absolute smash! The kids (especially my boys!) LOVE, LOVE, LOVE it! In absolutely no time, they are writing like crazy. And once I can get their pencils moving it doesn't take me long to get them producing some actual pieces. I don't necessarily pull these kids and work with them in a small group. The first few days, we will assemble our books all together at the back table, but then they go right back to the big group. Rather than do the bell-ringer with the rest of the class at the start of the period, they will work in their "Musings" notebooks. Fifteen minutes of that is usually enough to get them into writing mode for the rest of class. * * * * * * * * * * * * * * So, that's how I make writing intervention work in my classroom. Phew!! That was long, folks!! I apologize for my wordiness and I am grateful if you stuck it out until the end! Also, I'm sure that I've left out some crucial details of my practice, so please do not hesitate to ask me any questions you still have! Do you have any good intervention tips or strategies that work for you? I'd love to hear about them. Drop me a comment and share! Happy Teaching!!

Want to elevate your students' writings from the beginning. These brainstorming ideas can set your students up for better writings.

You're in the middle of your writing block during the day and students are sitting at their desks (maybe on the floor or in bean bags dispersed throughout the room) writing. Smoke is coming out of their pencils. They are writing epic stories about dragons, or spaceships -- or something equally as epic. This is your classroom every day, right? (Not) "I don't know what to write about!" (now that's more like it!) At least that's what *I* used to hear a lot. Well, no more. Give even those most reluctant writers something to talk about with "Roll and Write." You can make anything work if you turn it into a game, right? Here's how it works. You give each student a copy of the page below to place in their writer's folders. When they are stuck on what to write about, they simply roll a die three times. The first roll indicates the setting of their story (so if I roll a 3, my setting is a party on Friday night). The second roll gives them a character, and the third roll gives them a plot. The stories can turn out pretty hilarious. It encourages creativity and originality. No three rolls are the same. This freebie even includes a blank 'Roll and Write' sheet for you to swap out new combos every so often. Even that student that hates writing can get on board with a story about a frazzled teacher at the beach last summer that breaks her ankle. Oh shoot - did I just jinx you? I wish you no harm, a teacher needs her summer! :) Grab your freebie here! I'd love to hear about the stories your students come up with! Pin this post for later:

So you’ve taught your students to write sentences. Now what? In the beginning of my career, we worked HARD on writing sentences. When it came time to take the next step into writing paragraphs, I found this was even harder for my students. We were able to write 2-3 sentences about a topic or picture, ... Read More about How to Scaffold Paragraph Writing for Special Education

Today I'm sharing one of my favourite tasks for building community in the classroom. Students are able to share an important aspect of themselves (the story of their name) with the class and with me, their teacher. Through this task we are also working on important skills, like reading comprehension, writing, and reflection. Day 1 To begin, I asked my students to write any name they wish they had on a sticky note. They then placed it in a mason jar. I read my class the story "The Name Jar" by Yansook Choi. We stopped at several points in the story to predict, make connections, infer, and ask questions. At one point, we paused in the story so that students could journal about the name they wrote down on the sticky note earlier: - Did they choose their own name? Or another? - Why? - If you chose another name, where did you hear that name before? Day 2 At the end of Day 1, students were given homework. (Stick around to the bottom of this post for a chance to get your own copy of this sheet.) I make it very clear, that while names all have meanings, your family may not have chosen your name for that reason. They might not know the meaning, and you can choose to look it up with your family if you wish. I also focus a lot on nicknames and your own feelings about your name. While I've never taught a student in foster care, or one who was adopted, I do think it's important to mention that this could be a touchy task in those situations, so be sure to know your students first, and modify as needed. Students use the homework task, and the journal write from the previous day, to write "The Story of their Name". Some possible options to include are: - who you are named after - the meaning of your name - a name you'd rather have - your feelings toward your name - nicknames you may have - the person (or people) who chose your name - how your name was chosen This piece of writing is then self, peer, and teacher edited, and a "good" copy is made. Day 3 I found this excellent step-by-step self-portrait from "Art Projects for Kids". I modified the task so that instead of drawing the left or right side of their face, they would draw the top half. Students find that folding their page into quadrants as she suggests is very helpful. Under the document camera I demonstrate each step, and students copy, adapting to their own facial features. Each student gets a mirror to look in to help them personalize. The final pieces are put on a bulletin board for display. Students also coloured in a bubble letter version of their names to complete the display. (I used the font KG Red Hands Outline for this.) Day 4 Once we've completed the task, the last job is to reflect on our work. I pulled some elements from our Arts Education curriculum (very relevant regardless of where you teach) for students to self-assess on. I've used the proficiency scale language our school has moved to for all reporting. A few students found it helpful to complete their reflection while looking at the finished product on their bulletin board, but most didn't need this. Want a copy of both my homework and reflection pages? Follow the image or button below to grab your copy. Take Me to the Free Download Pin this post.