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Dialogue in fiction needs to move the story forward, inform your readers, and grow your characters. Here are some great examples.

Great dialogue can dramatically improve your story as a whole. Here's everything you need to know about how to write good dialogue (and aviod bad dialogue).

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Lately I’ve been reading a lot of dialogue in manuscript. Some would-be famous novelists are better at it than others. Ditto some published novelists. Recently two things have struck me about the products of people who are developing skill in writing conversation: they either get so baroque with the attributions as to become unintentionally silly (“Let’s […]

Becca Pulgisi discusses this important technique to bring dialogue to life.

Learning how to write dialogue is an essential part of telling stories that work. Dialogue is a character’s verbal and non-verbal expression of what they

How to write dialogue that is engaging, is natural, and has character! Writing tips for books, stories, comics, novels, film, etc.

For years, I struggled deeply with the dialogue in my stories. I didn’t have a natural knack for writing conversations that felt real and true to character, and I let this weakness deter me from striving to improve. But stories need dialogue, and my own was suffering for a lack of attention. Finall

To avoid flat dialogue scenes, learn to triangulate the characters' interaction with a lower-order goal.

Dialogue can be challenging to write. It takes time and practice to craft conversations that are believable, meaningful, serve to push the plot forward,

Download This Writing Worksheet (PDF) When it comes to writing dialogue, you could do worse than follow the rules of Just a Minute: no hesitation, no repetition, no deviation. Theatre scripts provide excellent inspiration for good dialogue, being composed of little else, and having been written with speech at the forefront, without film’s excessive reliance on visual…

I'm going to go ahead and take a wild guess and say that you, at some point in your life, have had a conversation with another person. I'm also going to go out on a limb here and say that you've have more than one conversation. Not only that, but you've also listened to and read dialogue. So it is extremely pathetic that you are writing dialogue and doing it completely, horribly wrong. How is that even possible? *shakes head* Inconceivable. Here are 7 things you are doing wrong when writing dialogue. And, because I'm feeling generous today, I'm going to explain to you how to fix them. Isn't that nice of me? 1. You're being robotic. Your dialogue sounds similar to what two very poorly developed androids might sound like if they were to discuss the weather. "It looks cloudy today. Do you think it will rain, Andy?" asked Rob. Andy nodded. "Yes, I do think it will rain today, Rob. But that is good. I like rain. Do you?" "No, I do not like rain," Rob said, frowning. "It makes me rusty, which does not feel good." Really? Really? Nobody talks like that. Stiff, on-the-nose dialogue is one of the greatest sins a writer can commit. Yet people do it every day. How to fix it: Read it aloud, act it out, compare it to real-life dialogue. Seriously. Read it out loud as if you yourself are having the conversation. Does it sound like something you would actually say? Or something another person might say? No? Then re-write it. And yes, this rule still applies if you are writing a conversation between people that are completely unlike you. If it feels stiff and isn't supposed to, you're doing it wrong. When I applied this rule to the conversation above, here's what I get: Rob looked upwards, neck gears creaking. "Do you think it will rain?" Andy grinned eagerly and nodded, then paused. "Why, don't you like rain?" "It makes me rust," he complained, scratching at a flaking spot on his chest plate. Better, right? Of course right. 2. You're being too realistic. In trying to avoid writing robotic dialogue, you've swung too far to the other side, resulting in annoying, dragged out conversations. Do regular conversations include a lot of ummms, uuuhs, space fillers, pointless pleasantries, or unnecessary profanity? Yes. Does that mean that your dialogue should include all of these, too? Not necessarily. Chances are you're just bogging the story down and boring (or annoying) your readers. How to fix it: Cut out anything that doesn't serve a purpose. Ask yourself: "Does this move the story forward? Is this style of dialogue important for character development?" If the answer is no, delete it. Hyper realistic dialogue is only helpful in very specific cases, so be careful if you find yourself drawing too much from real-life. 3. There is no subtlety. Most people don't say exactly what they mean when they're talking. And yet, for some reason, you have decided to write all of your dialogue in a way that completely slaughters any and all subtext. Your dialogue is as obvious as Gollum's desire for the ring and it's really bringing your story down. Is that what you intended? If so, well done. How to fix it: Be thoughtful and intentional with your dialogue. As you are writing, think about what it is that your character wants and how he/she is feeling at the moment. How comfortable is he/she with talking to the other character(s)? What are her ulterior motives? What is she driving at? How does what she is saying connect to the themes, plot, and pacing of the story? All of this subtext is crucial to a story, so try to work it into the way that your characters communicate with one another. 4. You aren't taking character personality into account. Your introvert talks in exactly the same that your extrovert talks. Your characters communicate with their peers in exactly the same way that they communicate with people who are or older or younger than them. Either none of them use slang or all of them use slang. Everyone speaks in exactly the same voice, which is not only boring, but also highly unlikely. How to fix it: Decide on speech patterns for each character. Maybe your extrovert is long-winded, whereas your introvert uses short, hesitant sentences. Anne might use slang all of the time, but Brian only does when he's talking to his group of friends. Perhaps your straight shooting hero says exactly what he means, while your antihero says exactly the opposite. Put thought into making your dialogue diverse. 5. Your dialogue tags suck. Did you seriously just use the word "said" to close out eight consecutive lines of dialogue? And then turn around and use super long, involved descriptive tags for the next five lines? Stop it! How to fix it: Vary your tags, and make sure they are relevant. Despite what you may have heard, Said is not dead. He's just been beaten with an inch of his life because people used him too often. It is okay to use said, but don't forget about retort, complain, shriek, and other such words. And remember to vary them with action, especially if it is important for the reader to understand the facial expressions and movements of the characters speaking. This is especially important when trying to add subtlety to your dialogue. Dialogue is never static, so don't forget to mention body language, hand movements, or actions the characters are performing as they speak. 6. You didn't do enough research. You're writing a surfer character, but your surf slang is way off. You've crafted a bilingual character, but didn't take the time to research bilingual speech patterns. How to fix it: Don't be lazy. Get online and read up about the character type you are writing. Watch some movies, check out some YouTube videos, go talk to people in real life who share things in common with the character you are writing. Take notes and apply them to your dialogue. 7. Your dialogue punctuation is a mess. Commas and periods are outside of quotation marks, tags are disconnected, and over all your dialogue looks like you threw random types of punctuation at the page and hoped that some of them stuck to the right spots. Wow. It's like you've never read a book before. How to fix it: Go read a book. Seriously. Go find any traditional, nonexperimental novel and flip to a page that has dialogue. Notice common punctuation patterns, quotation mark placement, and tag usage. Or, if you aren't into critical thinking, go Google "how to punctuate dialogue." And there you have it. I bet you didn't know you were so bad at dialogue. Well, now you do. Don't feel bad. Just go fix it. Right now. It's hurting my eyes. Have any tips to add? I'd love your input! I'd also love to hear about some authors who write excellent dialogue, so please leave their names below. Have writing or reading questions? Use the hashtag #ChatWithHannah in the comment section below or on social media to have them answered on my Youtube channel! Related article: 5 Steps to Writing 100% All Natural Dialogue - A Guest Post by Miranda Kulig Keeping it Classy: When is it OK to Use Profanity in Your Fiction Writing? 9 Ways to Use Reading to Improve Your Writing Enjoy this post? Take a look around. If you like what you see, please don't forget to subscribe by email for a new post every Friday!

Knowing how to punctuate dialogue is important, especially when you’re writing fiction. This article explains how to punctuate several types of dialogue.

Every story is a carefully woven tapestry of tensions. And while narrative tensions can vary in both nature and magnitude, every form of tension has the power to create dissonance that’s vital to a story’s success. It’s this dissonance, the divide between a character and an object of their desire,

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Once I realized what subtext was and the different ways I could use it effectively, it became a go-to tool for deep point of view. I had a reader ask: Can subtext replace dialogue and how would that look? Subtext is silent communication. It's the body language (posture, facial expressions, gestures), tone of voice --

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