Elmore Leonard's 10 Rules of Writing
Writers Write is a resource for writers. If you want a daily reminder to help you finish NaNoWriMo, use this calendar.
Doodlr is a spin on Tumblr. Students make connections with words and symbols through doodling. This activity includes a parabola graphic organizer for students to label in relation to real-world scenarios. Available in printable form and digital for Google Slides.Add more iMath activities to the pho...
Writing humour can be a challenge, especially if you are more serious by nature. Read these practical writing tips on writing humorous stories now.
Celestial symbolism in writing refers to the use of celestial bodies such as the sun, moon, and stars as symbols to convey deeper meanings in a literary work. Celestial symbolism has been used in literature for centuries. It can add depth and meaning to your work by conveying abstract ideas and emotions through concrete images. Symbolism helps to create a mood or atmosphere, and to reinforce themes and motifs throughout a text. The same symbol can represent a variety of things in literature depending on the context and the author's intent, which is why some examples may have more than one association.
If you’re looking for more writing humour, please explore this tag on the website: Writing Humour or follow us on Pinterest and Instagram Source: Writers’ HQ Get a FREE daily writing comic. Sign up here
A persuasive writing and speaking activity for kids focused on identifying propaganda while watching TV.
As much as I love royals, witches, rebels and assassins, there are other jobs out there for your fantasy heroes!
After seeing Grant Snider's cute and clever illustrations pop up on a number of blogs, I was led to his site where I ended up spending a good part of my
Learning about landforms with a hands-on landform building and narrative writing project.
Writers Write is your one-stop writing resource. These lists will help you select the character traits you need for the characters in your books.
Ah yes, torturing readers, your favourite hobby!
“#DiagramoftheDay: The Hero's Journey. What do you think: To which extent could this be an inspiration for service journey maps? #servicedesign #journeymapping #userjourney”
Feeling-o-meter: A visual feeling thermometer for children to properly identify and describe their feelings of anger, frustration and disappointment.
A plot hole is a gap, contradiction or inconsistency in a storyline that goes against the internal logic of the story. It's the kind of slip-up that makes switched-on readers say, "Wait, hang on a second!"
As promised, here I am, and here is the post on villains. I’ve noticed that people seem to be more sloppy with their villains than with anything else, (myself included,) and I want to shed some light on the subject. There are a bunch of writings out there about how to build a better villain, but none of them seem to fully encompass what a villain is supposed to be, or how they’re supposed to work. That is something that I find disturbing. Because while everything in writing is supposed to be pure creativity, there are formulas to everything. (Or most everything, anyway.) I’ve tried to put an antagonist formula together, and I think I have something. What we need for the perfect villain is what I’ve decided to call the 1>2>3 equation. And it reads like this: Personality Appearance Other‒Think, “What makes them uniquely bone-chilling?” You see, each of them feed into the last one, with 1 being the most crucial to develop and 3 being more minor. This formula is a bit underdeveloped, but I think that if you can fully flesh out your villain according to it, you won’t be sorry that you did. For example’s sake, I’m going to use several of my favorite villains from movies and books so that you can see how the formula could have affected them. Personality‒You simply CAN NOT have a good character without a fully developed personality, and that goes for villains, too. (Villains are people. Duh.) Personality is probably the hardest part with villains. I mean, how does one create a person who is more than a scary cookie-cutter character, but at the same time, make them believably evil? It’s partially in the motive. Your villain should have some reason to be doing what they are doing‒be it revenge, madness, or just because they can. It also can have a lot to do with backstory. (That seems to be Marvel and DC comic’s strategy.) I think, personally, that it’s both. We can have blood-chilling motive as well as tragic backstory in the same picture, correct? Of course! (I have made links to the example character’s wikipedia pages, in case you’d like to research for yourselves. Clickey-clickey. =D ) The Joker, from DC Comic’s “The Dark Knight:” Disfigured by chemicals and driven mad by something that happened in his past, (all of the Joker “backstories” are unresolved,) the Joker is undoubtedly one of the most intriguing villains in the handful I’ve encountered. Psychologically unstable, as well as having a very gruesome sense of humor, he’s terrifying. (You wouldn’t want to run into him in a dark alley, that’s for sure.) Backstory: While it’s very undecided what exactly happened to Joker, the main story of why he went mad has mostly to do with an attempted heist gone awry, falling into a vat of chemicals, and finding out upon returning home that his wife and unborn child are dead. (You can read the whole story here if you feel so inclined.) Motive: Even people who have gone insane can be greedy. And I think that losing his family made him rather intent on killing the innocent‒an off-handed revenge on fate, if you will. Loki, from Marvel Comic’s “Thor:” A crafty, humanoid alien with both a tragic backstory and a “good” motive for his behavior, Loki is obviously the perfect villain. Manipulative, insecure, a bit irrational… what’s not to appreciate? Backstory: Loki, born on the alien planet of Asgard, was adopted, and also a frost giant‒aka, monster. Throughout his childhood into adolescence, he always felt that his adoptive father‒(not to mention all of the Asgardian people)‒preferred Thor, his stronger adoptive brother, which fed into his development with bitterness and jealousy. Motive: His motive was mostly insecurities‒he wanted to prove that he could be just as good as Thor, and that he was just as powerful. He also wanted revenge on everyone who saw him as “lesser.” So he went for world domination of Earth. Nice move. James Moriarty, from BBC’s miniseries, “Sherlock:” A cunning mastermind; manipulative and ruthless, Moriarty is a psychopath. (Or a sociopath, actually. I did my research.) He is the sworn arch nemesis of Sherlock Holmes, and they have many run-ins on the show‒the kind that leave you chilled to the bone because he is SO smart, and he uses his intelligence in the most mind-bogglingly cruel ways. Backstory: It seems to be implied that Moriarty is rich, or at least somewhat well-to-do, as he has grand tastes and is very intellectual, but not really any backstory is provided for this character. (Which implies to me that he has very little backstory involving itself in his behaviors‒that he perhaps decided to become a criminal mastermind on a whim, and realized that he liked it.) Motive: He doesn’t seem to have much motive, except to prove that he is smarter than Sherlock Holmes, and capable of efficiently killing people and all-around breaking the law. Which is, in itself, disturbing. He is as disgustingly heartless as he is just because he’s parading his twisted, evil ego. So, with all of that said, I realize that I haven’t provided a female villain. It’s because the world of film and literature is very deprived of good female villains! That should give you ideas‒maybe your future novel could have a completely scary villainess? *hint, hint* (I’d totally read that.) Appearance‒This one is important, but villains don’t necessarily have to “look” scary. They can look any way that you decide they should. I have watched and read several stories where the villain was gorgeous, and that was one of the things that made them so frightening. In other stories, there’s one or two things that makes them scary, such as a hand grotesquely twisted in a childhood accident, or a long scar from an operation that did nothing but make their condition worse. That is all fine and good, but I personally have very little patience with “dark dark dark dark” villains‒I’m sure you know the type. The polar opposite of the “Mary Jane” character, and they can be just as much of a turn-off to read. So please, don’t make your villains just “DARK”. Make them fascinating in a way that it disturbs the reader‒and possibly the protagonist‒to be fascinated by them. That in itself will make them truly dark. The Joker: As I said earlier, as part of his backstory, he fell into a vat of chemicals and was grotesquely disfigured‒his skin was bleached, his hair turned green, and his mouth became fixed in a perpetual grin. His voice in that movie was generally calm, and kind of raspy, with a laugh caught between the syllables. It made it creepy. (Voices are important, guys. But please be careful not to overdo it.) Loki: Now, this fellow isn’t hard on the eyes at all, but that isn’t what we’re talking about here. *clears throat* Loki’s appearance contributes to his character in a different way from the Joker’s. Instead of just being scary, it’s the devilish look he gets in his eyes, and the way his mouth seems to be always turning up in a smirk. And his walk is always very cool and collected, even if he’s walking up to an armed enemy. So, to put it straight, his presence is intimidating. James Moriarty: Moriarty has always seemed very kind of creepy to me. Maybe it’s the way he laughs when he’s outsmarting someone, maybe it’s the way he smiles when it seems like he has no way of escaping, but somehow or another, the dude always sets me on edge. And his voice is like a contradiction. It’s kind of whiny and high most of the time, but his words are almost always murderous. So overall, Moriarty is just plain creepy in all areas of his existence. (Especially in the BBC miniseries.) Other‒ There is always something extra in a good villain. (Good villain… oxymorons, anyone? ;D) That something could be anything‒a fetish, a quirk, an odd habit, a strange fascination… you name it! Find something that disturbs you, personally, and weave that thing and the feelings attached into your story. Your villain should give you the shivers, not just your readers! So remember, guys, details. The depth is in the little things. I think that if you follow this set of guidelines‒the 1>2>3 equation, as I’m calling it‒your villains should be fantastically authentic. (Authenticity should have been my middle name. I love it so much.) Maybe they’ll be what will make your books a bestseller, or maybe they’ll be why your beta readers don’t sleep at night. *shrugs* And with that, I’m out. You are completely amazing, and good luck writing your villains! =D ~Alyssa P.S. Dear Beta Readers, It is not my goal that you don’t sleep at night. I used that as an example, and in no way do I wish any of you harm. ;) Love, Someone-who-adores-the people-who-put-up-with-rough-drafts
TweetPin3EmailShare If you’ve created a fictional society, species, or even an entire world, then you’re probably looking for ways to make it seem more authentic. One of the ways to... Read more »
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After seeing Grant Snider's cute and clever illustrations pop up on a number of blogs, I was led to his site where I ended up spending a good part of my
English teachers, help your high school students write brilliant rhetorical analysis essays with these rhetorical analysis sentence starters.
