"My experience of making works of art is largely rooted within the desire for creative expression. The medium I have chosen is wood, and stems from my deep reverence for the material since childhood. For me, one of the first physical steps of the process of making involves the lathe, a machine which allows me to explore forms very quickly, with found wood that is generally not available commercially. Most of my work concerns the aesthetic of the vessel form, one of the most relevant and oldest artifacts of human civilization: it is timeless and ubiquitous throughout multitudes of cultures—past and present." - J. Paul Fennell To see more of his work go to his website at http://www.jpaulfennell.com/

Studio H Collection Made of Rojo Travertine, this mixed-use vessel acts as a sculptural statement piece atop a table, entryway console, and more. Hand-carved Because of the nature of this natural stone, color variations within each piece will vary Photos are for color reference only, as each piece is truly unique Care

I talk about my process for turning green wood to show how to make a wooden bowl and how I make a hollow form as well as other wood vessels.

Tiny vessels hand stitched and cut to form abstracted memories. Sizes from 3-8 cms. Loop Head stitch pots Worn and Wethered Summer Fields Autumn

Maria Paola studies ancient forms of vessels found throughout Sardinia and then reinterprets them - choosing a specific mix of clays for each form. Each shape is painstakingly created by hand using the coil technique and then baked in a wood-fired clay oven. Rather than using glazes, she either stone polishes her pieces (creating a mystical, almost metallic finish) or treats them with a series of waxes. The Limpia Bowl is inspired by the pristine curves of ceramic pieces from the prehistoric Ozieri culture. Designed by Maria Paola Piras for Sardinian-based design publisher, Pretziada.

Vivienne Foley Vivienne Foley makes hand thrown, classical and abstract porcelain's displaying clean lines and a multitude of shapes. 'The excitement and challenge for me is to produce flowing forms from a process fraught with technical difficulties. I try to factor in all the variables knowing that during drying, glazing and firing, the works will take on a life of their own, and that no two are ever the same.' Green melon pod vessel - Vivienne Foley Vivienne Foley limited edition print Vivienne Foley sculptural porcelain art Vivienne

Cottonwood Burl Hollow Form Grown in Southern California & Turned in North Carolina Form Size - 6 1/4” in Diameter & 2 1/8” in Height Form Weight - 6 Ounces Finish - Tung & Orange Oil This vessel is very fragrant from the finish, smells like an orange grove.

Known for his pure and resonant work, Constantin Brancusi shunned the nineteenth century idea of showing skill through intricate finishes and fine details, and in the process redefined sculpture for the modern age. Over the course of his career Brancusi frequently revisited his subjects and forms, playing with subtle v

here.

Using grinders, drill bits, power carvers, and various types of smoothing tools, Danny Kamerath turns chunks of wood into vessels that are works of art.

Your source for worksheets,slide shows, and teaching informaion created by Jake Allee

Characterized by its use of clean lines, and natural materials, scandinavian bathroom ideas offer a calm and serene escape.

Texture 6 helps you create squared ridges with four different sizes of our most geometric textures. Each side of Texture 6 provides a different pattern that allows you to make a unique yet consistent texture on your vessel or slab and develop new forms in your work.size: 3.5" long x 3.25" widematerial: maple wood Comfortable, beautiful, and practical.Handmade by Garrity's creative team in St. Louis, MO.

шамотные рыбы Ильи Козлова

Mike and Chris are the husband and wife design team behind these fabulous looks. If I had the $$… They are found in loads of locations in Vancouver. >>

I talk about my process for turning green wood to show how to make a wooden bowl and how I make a hollow form as well as other wood vessels.

From Warburton’s Artist’s Statement on her site: ‘Fragments of materials are brought together in a similar way to collage or assemblage, with tiny holding stitches to capture laye…