Well, it’s officially fall. The days are getting darker, and so are the book covers—or maybe it’s just that the book covers I’m gravitating to most this month are those that refle…
In this article, we'll show you how to make a magazine cover design, as well as go through cover page for a magazine anatomy so you can create your own!
In this article, we define what the golden ratio is and how to use the golden ratio in design to create balance.
A fashion guide inspired by ruined literary hero(in)es.
Professional Free Resume Templates and Resume Cover letter with portfolio pages are 100% free available for download. The simple and clean resume
Album Covers by Seiichi Hayashi
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1948.
The beautiful painting turned out to be a painstaking process for all involved.
Despite the pandemic being a global disaster, ruining lives and economies left and right, some do see a silver lining in it all: many have discovered (or rediscovered) their creative side because they're stuck at home with nothing to do.
When Abby’s Hawaiian family moves to Oregon, it’s her chance to start over. Unfortunately, moving doesn’t fix everything. Abby’s lost her connection to her culture. Her family is barely treading water. Add two handsome, feuding boys, and Abby’s life is about to be caught in a serious riptide.
Willy Vanderperre shot the cover. (source)
Franklin Booth (1874-1948) American artist of detailed pen-and-ink illustrations with the appearance of wood engravings. He created this style when he was young, self-teaching from illustrated magazine art, not realizing they were engravings. Life Magazine January 12, 1922 (# 2045) ___ Franklin Booth additional information and images: Excellent bio with images: www.bpib.com/booth.htm The Franklin Booth Project: outsidelogic.com/franklinbooth/ Franklin Book | Comic Book Stories: comicsbookstories.blogspot.com/2009/12/franklin-booth-187... comicsbookstories.blogspot.com/2011/07/franklin-booth-187... ...... Restoration by plumleaves
Hello Alertties and I’m glad your back on my blog post. I’m discussing a rather interesting topic this time. The topic is about zodiac signs and the more specific sign, the Taurus. I ha…
Here’s our GYRO Date night idea reposted from May, 5, 2010. We’re a couple days late – sorry. Hopefully you can still make time to celebrate this Mexican National holiday! Ole! S…
Lust und Leid designed by Jan Haux 1998. Image from Gunter Rambow Schule der Plakate [Staatliche Hochschule für Gestaltung Karlsruhe].
The pandemic has been a case of swings and roundabouts for Spanish illustrator Luis Mendo. Based in Tokyo, Luis has already made his mark on the city with artist residency Almost Perfect, a century...
Today, I want to take you on a little exploratory excursion into the art and illustration behind a famous collection of embroidered panels. Being rather the curious sort, I tend to fall into little rabbit holes when I start exploring, and sometimes, the results can be rather serendipitous! In 2015 and 2016, the Royal School ...
Here's how I became a graphic designer without going to school. Follow these steps so you can become a graphic designer on your own!
Alphonse (Alfons) Mucha (1860 – 1939) was a Czech painter and decorative artist born in 1860 born in the town of Ivančice, Moravia. He is best known for his luxurious poster and product designs, which encapsulate the Art Nouveau style. Contemporary interest in his work was revived in 1980 after an exhibition at the Grand Palais in Paris. For biographical notes on Mucha see part 1. For earlier works see parts 1 - 5 also. This is part 6 of a 12-part series on the works of Alphonse Mucha: c1900 'Gaufrettes Vanille' box-top for tins 17.7 x 20.4 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris c1900 Poster for 'Bleuze-Hadancourt Parfumeur' lithograph 72 x 34.3 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris c1900 Wrestler charcoal and pastel on paper 47.5 x 59 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1901 'Ivy' lithograph 54 x 39.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1901 'Laurel' lithograph 54 x 39.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1901 Cover of 'Au Quartier Latin' lithography © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1901 Cover of 'La Esquella de la Torratxa' almanac © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1901 Poster for 'Heidsieck and Co.' Champagne lithograph 66.5 x 49.7 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Heather from the Cliffs' and 'Thistle from the Sands' lithographs 74 x 35 cm each © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Heather from the Cliff' lithograph 74 x 35 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Thistle from the Sands' lithograph 74 x 35 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 Cover of 'Alamack Universel © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 Documents Décoratifs The Documents Décoratifs published in 1902 is comprised of 72 plates that exemplify all that the Art Nouveau movement is remembered for, in the decorative forms of women, flowers, natural forms, jewellery etc. Although there are just 72 plates, I am showing associated works or originals alongside the printed version wherever I've found them. 1902 'Documents Décoratifs' Cover proposal ( not used ) © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Poster lithograph 73.5 x 44.2 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Cover 43.5 x 34 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Title page © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 1 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 2 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 2 detail © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 3 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 4 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Design for decorative panels ( not used ) © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 5 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 6 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 7 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 8 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Original artwork chalk, wash and white gouache on paper 64.3 x 43.4 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 9 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 10 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Study crayon on paper 65 x 30.6 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 11 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 12 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Original artwork crayon on paper 46.5 x 37.3 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 13 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 13 detail © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Study crayon, pen and ink on paper 105.5 x 40.4 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 14 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 15 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Photographic study © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 16 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 17 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Original artwork crayon and gouache on paper © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 18 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Original artwork crayon and gouache on paper 63 x 48 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 19 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Original artwork crayon, ink and gouache on card 60 x 40 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 20 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Study crayon on paper 64.8 x 49 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Original artwork © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 21 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 22 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 25 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 28 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 29 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 30 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 31 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 32 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 33 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 34 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Study crayon, wash, white Gouache and ink on paper 54 x 38 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Original artwork crayon and white gouache on paper 52 x 39 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 'Documents Décoratifs' Plate 35 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris Documents Décoratifs continues in Part 7.
As a girl in England, Jane Goodall dreamed of traveling to Africa to study animals in the wild. In the summer of 1960, her dream brought her to the shores of Lake Tanganyika, to observe the wild chimpanzees at Gombe Stream. Other scientists did not believe that a 26-year-old woman could survive alone in the bush, but Jane Goodall did more than survive. Her work revolutionized the field of primatology. Over the years, she found chimpanzees engaging in activities that were once thought definitively human, such as toolmaking, cooperative hunting and even warfare. Her work, the longest continuous field study of any living creature, has forced us to redefine our understanding of what it means to be human, and provided a vital insight into the evolution of our own species. Today, Jane Goodall travels the world, campaigning for the humane treatment of all animals, and empowering young people in their own efforts to preserve the environment for all living things.
