Mole and Ratty from the Wind in the Willows, with the following quote on the print: "There is NOTHING--absolute nothing--half so much worth doing as simply messing about in boats..." Archival print on matte paper protected in a clear plastic enclosure, reproduced from my original watercolor painting. Available in two sizes: MEDIUM - 8"x10" image on 8.5"x11" paper LARGE - 12"x16" image on 13"x19" paper Please look at second image to compare print sizes. Prints can be signed on request. Please be sure to read my shop policies before ordering, and feel free to send me a message if you have any questions. ***NOTE TO BUYERS OUTSIDE OF THE U.S.*** Orders will be shipped via FIRST CLASS MAIL, with tracking where applicable. Any orders with LARGE or EXTRA LARGE prints in them will be rolled in a tube. If you wish to have your order sent via PRIORITY MAIL, please choose the shipping upgrade option. >>You are responsible for paying any duties or taxes when the package arrives in your country.<< COPYRIGHT INFO All Copyright of art displayed belongs to Omar Rayyan. Please do not copy, distribute, reproduce or use my work without my permission. Purchases of artwork or prints do not entitle the buyer to reproductive rights.

bibliodyssey.blogspot.com/2009/07/wind-in-willows.html

bibliodyssey.blogspot.com/2009/07/wind-in-willows.html

How adorable are these Wind in the Willows characters to knit with patterns by Claire Garland including Ratty, Moley, Mr Badger and Mr Toad

Open edition giclee fine art print of an original oil painting, signed in pencil by the artist. The prints are professionally printed on archive quality, acid free textured paper. The paper’s texture gives the print the look of an original painting. They are printed on demand which ensures that they remain unmarked and in brand new condition. The Wind In The Willows, Giclee print. This is a pen and ink illustration of one of my favourite scenes in The Wind In The Willow. The prints are in standard sizes, including the white border, to fit standard frames. This print is sold unframed. Each print is packaged in cellophane and board backing to keep it in perfect condition. Please note that colours may vary slightly from the photographs shown due to differing screen settings. You may also be interested in this print; https://www.etsy.com/uk/listing/614735674/the-lion-the-witch-and-the-wardrobe?ref=shop_home_active_4

I feel like I'm blowng the dust off this blog, polishing my spectacles, and thumbing through its pages to see where I last posted... December 2020?!!! Oh dear. In explanation I use this blog to post my thoughts and process on painting, and Facebook, Instagram and Twitter for promotion. Over the last year and a half I've been so busy, I've barely been able to look around and post something meaningful, until now. As part of my Kickstarter campaign to gather pre-orders for my fully illustrated edition of 'The Wind in the Willows' (take a look), I have been creating 15 small watercolours for those lucky backers who snapped them up in the first few days of the Kickstarter launch. I also managed to make a time lapse video painting Ratty, start to finish. Many people ask me about my technique, hopefully this video will give you some pointers. At the beginning I start with my basic linework (which has been slightly erased with a putty rubber). Then I add an underpainting of cobalt blue and cadmium red mixed together. Those colours create a dull violet, perfect for cast shadows on a warm day (complimentary to yellow ochre). Once the underpainting is dry enough, I add local colours and then start to build up deeper tones and details all over. Lots of work is required on the fur to give Ratty a nice texture, but I have to be careful not to overwork his shirt and trousers, which is easy to do with transparent watercolour. The red chequer for the basket liner is left until last, because I want to build up all the tonal values first and then let it influence the layer of red watercolour. I do this with all patterned fabrics. Here are the other character paintings, all taken from scenes in the book:

Good Morning. Starting today with four Illustrations by Inga Moore produced for The Wind in the Willows’ by Kenneth Grahame published 1905 Sympathetically and beautifully imagined.

bibliodyssey.blogspot.com/2009/07/wind-in-willows.html

David Roberts is a children's book illustrator & writer. Browse a selection of his work on Artist Partners.

I feel like I'm blowng the dust off this blog, polishing my spectacles, and thumbing through its pages to see where I last posted... December 2020?!!! Oh dear. In explanation I use this blog to post my thoughts and process on painting, and Facebook, Instagram and Twitter for promotion. Over the last year and a half I've been so busy, I've barely been able to look around and post something meaningful, until now. As part of my Kickstarter campaign to gather pre-orders for my fully illustrated edition of 'The Wind in the Willows' (take a look), I have been creating 15 small watercolours for those lucky backers who snapped them up in the first few days of the Kickstarter launch. I also managed to make a time lapse video painting Ratty, start to finish. Many people ask me about my technique, hopefully this video will give you some pointers. At the beginning I start with my basic linework (which has been slightly erased with a putty rubber). Then I add an underpainting of cobalt blue and cadmium red mixed together. Those colours create a dull violet, perfect for cast shadows on a warm day (complimentary to yellow ochre). Once the underpainting is dry enough, I add local colours and then start to build up deeper tones and details all over. Lots of work is required on the fur to give Ratty a nice texture, but I have to be careful not to overwork his shirt and trousers, which is easy to do with transparent watercolour. The red chequer for the basket liner is left until last, because I want to build up all the tonal values first and then let it influence the layer of red watercolour. I do this with all patterned fabrics. Here are the other character paintings, all taken from scenes in the book:

bibliodyssey.blogspot.com/2009/07/wind-in-willows.html

bibliodyssey.blogspot.com/2009/07/wind-in-willows.html

Discover 'The Wind in the Willows' and the man behind the now cherished story in this celebration of Kenneth Grahame before the Wild Wood.

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The Wind in the Willows was written by Kenneth Grahame in 1908, so it reflects a very different era with different social attitudes to the present day, having been written before both world wars took place. It is wondefully illustrated by E. H. Shepard. In this book we meet a number of interesting characters who have some exciting adventures and like many other really good books it has a map showing the main character’s homes and most of the locations where different events chronicled in the book take place. The first character we meet is the Mole, who is living alone, when one day whilst redecorating his bachelor pad he flips and abandoning everything just leaves his home and wanders off into the wider world. He soon meets the Water Rat, whom now we should, in this modern world, refer to as a water Vole, since he is not actually of the genus Rattus. However, in the days when two bachelors could move in together and not be suspected of being gay, Ratty is a Rat. Rat introduces Mole to the delights of boating and cholesterol rich picnics and famously remarks on the fact that ducks stick their posteriors in the air whilst feeding. Soon Rat takes his new friend to meet the amoral Toad. Rich and idle this character is constantly seeking something to relieve the boredom of his futile life by being a thrill seeker in an age before extreme sports. When our friends Mole and Rat go to visit him, he has just discovered caravanning and persuades Mole and Ratty to accompany him on a caravanning trip, thus setting a precedent for British holidaymakers to clog up the roads every summer with their mobile holiday homes. Toad rightly comes to his senses when they are buzzed by a justifiably outraged motorist and decides on the spot that fast cars are actually much more fun than slow caravans. He then embarks on a campaign of terror when he becomes a toad racer, (something like a boy racer but of a different species.) Meanwhile we leave Toad to return to Ratty and Mole, now in a comfortable all male relationship when one afternoon whilst Rat is dozing, Mole decides to go for a walk alone. Having been warned against it by Rat, he nonetheless heads for the Wild Wood a rundown inner woodland area that the police would have advised against entering without protection. Soon his middle class appearance is drawing attention of the animals living in this run down district and they are watching him from within their tenement burrows and flop bushes. Hearing an ominous sound, he realises he is being followed and in a panic flees. His luck holds and narrowly evading the hedge gangs following him, he finds an unoccupied hollow tree squat and hides. Rat eventually wakes and notices Mole is missing. By a clever series of deductions, notably seeing a set of footprints leading away from the house, he realises Mole must have gone to the Wild Wood. Stopping only to slip a pair of pistols into his belt and picking up a handy blackjack he hurries after the Mole, looking dangerous enough to intimidate the wood wise inhabitants of the Wild Wood district. By means of the subtle method of calling out ‘Mole – Mole, where are you?’ He eventually locates the mole, but by this time the mole is suffering near collapse from sustained terror, so he decides Mole should rest a while. When Rat thinks Mole has rested enough and it is safe to leave they discover it has been snowing hard and Rat becomes disoriented because all the landmarks are changed, so they get lost. By a fluke, they end up by Badger’s back door and Mole gets to meet the legendary Badger. Badger is one of the more powerful dons of the area and is feared by all the small time weasels and stoats. He knows Rat and welcomes the Mole as a friend of the Rat and over breakfast they discuss the antics of Toad and his latest expensive fad with cars. Badger expresses the opinion that Toad needs to be dissuaded from his current activities before he uses up the hedge fund his father had left in trust for him. Although it is never actually overstated, it is obvious that Badger had a close financial connection with Toad’s late father and probably has a personal interest in this fund and may even be a director for the trust. After the meal he allows them to use one of his many safe routes to get out of the Wild Wood district and they get home unhindered. Meanwhile Toad is still creating a problem with his new love of cars. Because the cars are built for humans, not Toads, Toad is unable to operate the controls properly and so is in less than perfect control of the various cars he tries out. Because of this and his reckless attitude to driving, he regularly ends up having an accident whenever he goes out driving. Of course being in the middle of rural England the roads are unsuitable for toad racers or any other kind of racer and they soon will become known as ‘dangerous roads’. A status unfairly given to roads that by their nature are merely a flat surface that lies unmoving on the ground doing nothing, but when cars are driven too fast on them by the incompetent, the danger posed by the speeding car somehow becomes the road’s fault. However I digress. As a result of the unusual nature of a toad driven car and the laws of physics, Toad is working his way through his fortune by needing a new car every few weeks or so, and his friends become certain he will end up bankrupt and so be unable to give the lavish parties they are used to, or as explained before, Badger will become impoverished too. So they decide to ‘unlawfully imprison’ Toad for his own good and try to persuade him he must stop wrecking cars. A prisoner in his own home, after some weeks, he seems to be reformed but he lulls Mole into a false sense of security and on Mole’s watch he escapes and sets off on a life of crime, by stealing cars and becoming an even more serious danger to the public. Eventually he is arrested, tried and ends up in jail. With the connivance of a misguided local girl who works in the jail, he manages to escape dressed as a washerwoman and a chase ensues when he hijacks a train. By a fluke he escapes and then hoodwinks a bargee into giving him a lift but they fall out and she sends him overboard into the canal. In revenge he steals her horse, leaving her without any means to make a living. Feeling no remorse for this callous act, he then sells her horse to a gypsy in exchange for a meal and few shillings. Still struggling to get home, he cannot resist stealing yet one more car when the opportunity presents itself and of course he crashes it. His true identity revealed he is pursued once more, but makes it to Ratty’s house having shaken off his pursuers by accidentally falling in the river. Once there he is told that his stately home, Toad Hall, has been invaded by armed squatters. Only with the help of Badger, Mole and Rat is he able to evict them by sheer force. This is only possible because Rat seems to be a closet Survivalist and has a very comprehensive unlicensed armoury equipped with enough ordinance to provide everyone with several weapons each. Once peace is returned and Toad is reinstated in his home, a lavish party is thrown and the story ends with them all receiving due ‘respect’ from the cowed wild wooders. Quite exciting in parts but all the characters have very little regard for the law and between them, add up an impressive list of criminal offences throughout the book which go entirely unpunished. No one sues anybody and Toad is persuaded to compensate those who helped him, even the Bargee woman gets the price of her horse, so there is some moral behaviour but the forces of law and order do not seem to make the connection between the notorious Mr Toad the car thief, and Toad of Toad Hall. Another 9 out of 10 for readability but it teaches children that ruthlessness and a lot of weapons, wealth and influential friends will get you out of trouble so long as the law turns a blind eye.

The original map from Kenneth Graham's The Wind in the Willows.... ► I have more Wind in the Willows prints here: https://www.etsy.com/shop/VeryImage/search?search_query=wind+willows Please choose dimensions and print/canvas/framing options from the dropdown menus. For details about the print/canvas/framing options, see below. ______________________________ SIMILAR IMAGES IN MY SHOP ► More WIND IN THE WILLOWS: https://www.etsy.com/shop/VeryImage/search?search_query=wind+willows ► FOR CHILDRENS BOOKS PRINTS: https://www.etsy.com/shop/VeryImage?section_id=childrens+books ► More PRINTS FOR KIDS and NURSERY DECOR: https://www.etsy.com/shop/VeryImage?ref=l2-shopheader-name§ion_id=15024078 ______________________________ PRINT/CANVAS/FRAMING DESCRIPTIONS ► PRINTS ON PHOTO PAPER: Prints on photo paper are produced with premium, archival inks on the highest quality photo stock paper. The print has a matte finish to ensure that no distracting reflections get in the way of your enjoying its vibrant clarity, depth of detail, and rich color. Any watermarks or logos, if present, will not appear on your final print. Use the "DIMENSIONS" dropdown menu to select the size you want, and then the "CANVAS/FRAMING OPTIONS" menu to select the medium you want--photo paper print, canvas print, or framed photo paper prints. ► CANVAS PRINTS: The prints are gallery wrapped and mounted (i.e., wrapped around stretcher bars). The canvases are approximately 3/4" (2cm) deep, with black sides. A hanging kit is included. ► ► Material: The canvas material is based on a cotton-blend, ensuring a high-quality base for your prints. ► ► Backing: All canvases from have a solid backing to prevent sagging and ensure that your canvas will last a lifetime. ► ► Printing Technology: Canvas prints are created with state-of-the-art technology with latex inks with UV protection. Your canvas will continue to look sharp and vibrant for years to come. ► FRAMED PAPER PRINTS: ► ► Frames are constructed of composite wood and offered in black, white, dark brown, and blond maple colors. ► ► Mats are not typically included, but can be added for no extra charge. If you want a mat, please let me know in the "note to seller" box at checkout. Please note that the mats are white and that the print itself will be reduced in size to accommodate for the mat. ► ► All frames come with shatterproof acrylic plexiglass. Plexiglass is as clear as glass, much more lightweight, and is shatterproof. ______________________________ SHIPPING ► Paper prints up to 11x14" are packaged in a vinyl wrapper & shipped in a hard cover envelope. Larger prints are shipped in mailing tubes carefully packaged to protect the edges of the print. ______________________________ PLEASE NOTE ► Colors may vary on different screen displays and on print. ► © Artwork is copyright of VeryImage ©. ► I pride myself in offering really good service -- satisfaction guaranteed. ► Visit my Etsy shop: https://www.etsy.com/shop/VeryImage

bibliodyssey.blogspot.com/2009/07/wind-in-willows.html

The Wind in the Willows

Wind in the Willows illustrations for a Children's Book published by Usborne. The Wild Wood, Mr Badger's Kitchen. Character development and sketchbook work