With access to hundreds of tested and proven patterns you'll enjoy knitting everything from a simple scarf to complex colorwork and everything in-between.
***** Instant Download - Pattern Only ***** This pattern is more of a TUTORIAL with VERY detailed instruction and over 25 photos to walk you through each step to weave a braided rim basket border in easy to follow instructions. The pattern for the very basic round table basket is included also. You must be familiar with basic basket weaving techniques. The PDF pattern (in English) is available for download once payment has cleared. Price is for the pattern only and NOT FOR THE FINISHED BASKET. If you would like this basket custom made for you, please send me a message. Skill level: Intermediate / Advanced © Bright Expectations LLC / Becky Bechtel Due to the nature of digital downloads, this pattern may not be returned or exchanged. All sales are final. DIGITAL FILES PERSONAL TERMS OF USEThanks for choosing a pattern by Bright Expectations LLC. By purchasing or downloading a pattern from Bright Expectations, you are purchasing a license to use the pattern for PERSONAL use and agree to the following terms: All digital images and/or sample images contained within are Copyright © Becky Bechtel / Bright Expectations LLC, and all rights reserved. Each pattern is for your personal use only and is not to be redistributed in any way, used for commercial purposes, or claimed as your own.SO WHAT CAN YOU DO?:: You may use the pattern for weaving baskets for your personal use. Individualize them as you wish by altering colors, size, and/or design pattern. Be creative and be inspired.:: You may create a basket and sell it at your local art or craft fair, the holiday bazaar at your church, or donate it for the fundraiser down at your child's school as long as credit is given to Bright Expectations as the basket designer.:: You may print a hard copy of the pattern for your own personal use. If that pattern becomes unusable, by all means, print another one.:: Want to show off your new basket? Go right ahead, but give a girl some credit! You may submit a photo of your finished basket using Bright Expectations patterns to web sites (Pinterest, Facebook, Instagram, Stumbleupon, Twitter, etc.), magazines or other publications as long as proper credit is given to Bright Expectations. A credit with a link back to my website must be displayed (www.brightexpectationsbaskets.com).WHAT YOU ARE NOT ALLOWED TO DO::: No sharing please! You may not provide a copy, share or distribute any pattern to any other individual or business. That means don’t forward in an email or newsgroup, post on a basketry website, or save to a thumb drive and take to your dear Aunt Martha.:: This pattern or any of the pictures contained within is not for commercial use. Nope, none, zip, zero, zilch. That goes for a trademark, design-mark, business name, service mark or logo. You can’t use any part of any pattern for commercial purposes - even if it’s for an item that won’t be sold. That means no brochures, web sites, business cards and the likes. You may not use any pictures for any product or project that will be sold or otherwise used to try and make a buck. You can't make copies of the pattern and pass out to all of your weaver friends at the local guild to save them the small fee of purchasing their own pattern. Teaching a class and want to use one of my patterns but don't want to buy one for each student? Well, let me know and we'll see if we can work something out for a quantity discount.:: Don’t tell anyone (not even the newbie in your basket weaving group that you would like to impress with your weaving skills) that the pattern and/or designs are your own, no matter if you change them up a bit, add to them, or take from them. :: You may NOT weave an exact basket like the design is portrayed on the pattern and proceed to sell the basket on Etsy or through any venue that Bright Expectations also markets finished baskets. That's not good for me or you - and plus, it's just plain rude.Compiling the details for a basket weaving pattern along with good pictures is not a small task. I want to share the love of weaving with lots of people. I would just appreciate giving credit where credit is due and I appreciate your cooperation. Have fun and happy weaving!
FABfiber Mini Loom: Traditionally, looms are used to weave together fibers in order to create pieces such as tapestries, blankets, scarves, towels, and more. Our FABfiber Mini Looms allow you to do those same projects, but on a smaller scale. If you’ve ever thought abo…
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Skeins: 1 skein of Purl Soho's Line Weight; 2 skeins of Alchemy's Silken Straw To Make: One Cowl Color: Heirloom White and Platinum
INCLUDES LARGE TWILL CROSS AND DOUBLE WALL CROSS INSTRUCTIONS Create your own indoor decorative woven cross. When finished the small cross will be approximately 8.5" (21cm) by 6.5" (16.5cm) and the large cross is 11" (28cm) by 8" (20cm). This is an original design fusion of a Palm Sunday Cross and the Carolina Snowflake® or the earlier Swedish Advent Star. Instructions are 7 pages, in full color. TERMS OF USE It is prohibited to share or resell the digital file as is or altered. Purchase of this item DOES NOT transfer copyright to the purchaser. Copyright and all rights to this file and design herein are retained by the artist. With this purchase you accept the terms and conditions. If you have any questions please contact me. ©2011 #VA 1-762-922 You'll need Adobe Reader to access these files. Basket reed is a specialty item. I order mine from Basket Makers Catalog. https://www.basketmakerscatalog.com/ps/flat-reed-by-the-pound/41-14-flat-reed.html
Learning how to weave a pencil cup is an easy craft that is perfect for older kids! These woven pencil cups can be quite useful during the back-to-school season, or anytime you need a bit of colorful organization in your office. Here are step-by-step instructions for how to weave a pencil cup!
Weaving in mythology is commonly found in many cultures around the world. Weaving folklore shares many similarities between cultures.
Free Beginner Craft Basket Pattern For KidsThis fun beginner craft is an engaging project to work on with kids, so let's stimulate their imaginations. Caron Simply Soft Paints provides vibrant shades to inspire, but let children choose the colors that are meaningful to them. Once complete, they can feel proud about giving their masterpieces to friends.Material NotesKit does not include: Plastic cup (cup shown is 20 oz/476 ml size). Marker. Tape. Scissors. Printed template. Glue (hot glue and glue gun is recommended – adult supervision required).
Crafty:
If you are a weaver who works on a frame loom, you might have come across floor loom weaving patterns that look equally interesting and intimidating. Floor loom weavers have to know how to read weaving patterns, to be able to set up their floor looms properly: thread all the ends in the right sequence through the heddl
Leer weven met stap voor stap instructies In deze tutorial leer je de basis van het weven. Van het opzetten van je kettingsteken, tot het maken van weefsteken. Scroll naar beneden om alles te leren over je eerste weefproject. Weven op een weefraam is een trendy handwerktechniek. Je kunt er je eigen keuken handdoeken mee maken
I finished weaving the narrow Andean pebble weave samples what seems like weeks ago. The designs and instructions are from Laverne Waddington’s e-book available on Weavezine. I cut it off…
About the book Discover the enchanting world of weaving without the need for large, unwieldy looms and complex patterns. Welcome to Simple Weave, where Kerstin Neumüller takes you on a journey of creativity with weaving projects that are both accessible and captivating. Learn how to weave using tools that are easy to craft yourself and conveniently portable - small enough to fit in your pocket. 15 achievable weaving projects and step-by-step instructions to create your very own pocket-sized weaving tools. Whether you're a weaving novice eager to explore this age-old craft or an experienced weaver seeking new possibilities with flexible tools, this book offers projects and inspiration for all. From Scandi-style bands and chic bracelets to practical pencil and laptop cases, and even an elegant wall hanging – you'll learn how to create practical and beautiful keepsakes that reflect your personal style. The book is thoughtfully divided into three accessible chapters: 1. Techniques and Basic Weaving Theory: Learn the fundamental principles of weaving and gain valuable insights into this traditional craft. 2. 15 Achievable Weaving Projects: Embrace the joy of creating as you weave bands, pencil cases, coasters, and tea towels, all with clear and concise instructions. 3. Making Your Own Tools: Unleash your creativity and delve into the art of crafting essential tools for weaving. Follow Kerstin's detailed guides on carving a heddle, constructing a weave stretcher, shaping a backstrap loom, and assembling a frame loom. So, whether you're a curious beginner or a seasoned pro, grab your DIY tools and dive into the world of weaving possibilities. Let Simple Weave be your guide to weaving wonders, and immerse yourself in the meditative mindfulness and rhythmic flow of weaving About the author Kerstin Neumüller is a Swedish author and craftsperson living and working in the södermanland countryside. Craft has always been a big part of her life and she has explored many aspects of textile craft while studying, working in costume departments of different theatres and later running a denim store. In 2020 Kerstin decided to make craft her main job and started carving wooden weaving heddles which led to her writing this, her third book: Simple Weave - Weave Without A Large Loom. Kerstin studied sewing at Sätergläntan and Stenebyskolan, textile history at Uppsala University and has a degree in menswear tailoring. She now shares her profound passion for weaving and woodworking in classes around the world.
Woven Bracelet: Learn how to make a beautiful handwoven friendship bracelet for you and your friends. These bracelets are easy and really fun to make. You can start off with a simple design and make them more elaborate as you become more familiar and comfortable …
DIY Weaving Loom From IKEA BEKVÄM Spice Rack: This project shows you how to build a small loom for band weaving. It can be used with a rigid heddle or with tablets. It uses IKEA's BEKVÄM spice rack, a chopstick, some strong thread, and assorted hardware. If you have all the tools, you can build…
You can use the simple knit and purl stitches to make many wonderful things. But don't stop there! Challenge yourself with the techniques in this article, and knitting will continue to be an exciting adventure.
Join me for a picture tutorial on how to weave a basket. A fun, easy, and relaxing project and the result is both beautiful and useful!
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***** Instant Download - Pattern Only ***** This pattern is for instructions to weave a market style basket with a woven base. You must be familiar with basic basket weaving techniques. The PDF pattern (in English) is available for download once payment has cleared. Price is for the pattern only and NOT FOR THE FINISHED BASKET. A download link will be provided immediately after the order is processed and payment is confirmed. Additionally, a link to download will be emailed to you automatically. "Baby Paisley" is the offspring of the larger, mama sized market basket. This smaller version is still amply sized for most any Farmer's Market venture. 32 photos walk you through each step of the corner detail, as well as the handle double X and Butterfly Knot. Skill level: Intermediate Approximate Dimensions:Rim: 6 1/2" x 14 1/2"Height to Rim: 4 1/2" ©Bright Expectations LLC / Becky Bechtel Due to the nature of digital downloads, this pattern may not be returned or exchanged. All sales are final. DIGITAL FILES PERSONAL TERMS OF USE Thanks for choosing a pattern by Bright Expectations LLC. By purchasing or downloading a pattern from Bright Expectations, you are purchasing a license to use the pattern for PERSONAL use and agree to the following terms: All digital images and/or sample images contained within are Copyright © Becky Bechtel / Bright Expectations LLC, and all rights reserved. Each pattern is for your personal use only and is not to be redistributed in any way, used for commercial purposes, or claimed as your own. SO WHAT CAN YOU DO? :: You may use the pattern for weaving baskets for your personal use. Individualize them as you wish by altering colors, size, and/or design pattern. Be creative and be inspired. :: You may create a basket and sell it at your local art or craft fair, the holiday bazaar at your church, or donate it for the fundraiser down at your child's school as long as credit is given to Bright Expectations as the basket designer. :: You may print a hard copy of the pattern for your own personal use. If that pattern becomes unusable, by all means, print another one. :: Want to show off your new basket? Go right ahead, but give a girl some credit! You may submit a photo of your finished basket using Bright Expectations patterns to web sites (Pinterest, Facebook, Instagram, Stumbleupon, Twitter, etc.), magazines or other publications as long as proper credit is given to Bright Expectations. A credit with a link back to my website must be displayed (www.brightexpectationsbaskets.com). WHAT YOU ARE NOT ALLOWED TO DO: :: No sharing please! You may not provide a copy, share or distribute any pattern to any other individual or business. That means don’t forward in an email or newsgroup, post on a basketry website, or save to a thumb drive and take to your dear Aunt Martha. :: This pattern or any of the pictures contained within is not for commercial use. Nope, none, zip, zero, zilch. That goes for a trademark, design-mark, business name, service mark or logo. You can’t use any part of any pattern for commercial purposes - even if it’s for an item that won’t be sold. That means no brochures, web sites, business cards and the likes. You may not use any pictures for any product or project that will be sold or otherwise used to try and make a buck. You can't make copies of the pattern and pass out to all of your weaver friends at the local guild to save them the small fee of purchasing their own pattern. Teaching a class and want to use one of my patterns but don't want to buy one for each student? Well, let me know and we'll see if we can work something out for a quantity discount. :: Don’t tell anyone (not even the newbie in your basket weaving group that you would like to impress with your weaving skills) that the pattern and/or designs are your own, no matter if you change them up a bit, add to them, or take from them. :: You may NOT weave an exact basket like the design is portrayed on the pattern and proceed to sell the basket on Etsy or through any venue that Bright Expectations also markets finished baskets. That's not good for me or you - and plus, it's just plain rude. Compiling the details for a basket weaving pattern along with good pictures is not a small task. I want to share the love of weaving with lots of people. I would just appreciate giving credit where credit is due and I appreciate your cooperation. Have fun and happy weaving!!
© Carolyn Priest-Dorman 2002-2003 A number of excellent instructional books are available for beginning tablet weavers. However, they don't all use the same words to mean the same things. Teachers of tablet weaving don't all learn from the same sources, either, so you can't avoid this problem simply by learning from gurus instead of books. It can be very frustrating to learn one set of technical vocabulary and then discover that another instructor or book uses a different set! Among the influential sources for vocabulary in English are the works of Mary Meigs Atwater, Peter Collingwood, Candace Crockett, Russell Groff, Egon Hansen, and Otfried Staudigel (see bibliography). Most other sources derive from one of these five. This article is designed to compare and contrast the beginner terminologies used in these sources (with occasional references to other sources) in order to help you translate vocabulary from one version to another and, in the process, figure out what it all means. It's aimed at beginners, so only some vocabulary terms are included. Yet the included terms should suffice to get you off and started on your first few projects. If you have trouble wading through all the terminology, just remember that you're, in effect, reading a dictionary. Look up what you need and ignore the rest until you need it, and you'll get along fine. Atwater's book is the oldest of the group (1954), and Groff's and Crockett's the second-oldest (original publications 1969 and 1973). Most of the plethora of books from the early 1970s that include tablet weaving use vocabulary like either Groff's or Crockett's. Collingwood's terminology is generally the most rigorous from the perspective of structural analysis, although Hansen's analysis of a few of the early techniques has turned out to be the more insightful. Also, Hansen's terms are frequently shorter and punchier, making them easier to drop into normal conversation. However, while Collingwood wrote in his native English, Hansen's terms were translated from the original Danish. Sometimes the translations resonate, sometimes they don't. Staudigel's terminology, the youngest of the group, stands Collingwood's on its head, for reasons that will become clear below. A Basic Assumption – Most works on tablet weaving assume that the weaver sits at or near one end of the warp, looking toward the far end of the warp, and that the weaving proceeds away from the weaver. This is not the only way to tablet weave, by any means, but it is the most common. Accordingly, most sources leave unsaid this basic assumption. Thus you will need to keep it in mind as a spatial reference. Once you've internalized it, it will become easy for you to adapt this frame of reference toward the less common weaving orientations. Direction the Cards Face – Commercial weaving tablets are generally printed on one side with letters for each of the four holes. Many authors take the sidedness of tablets into account when explaining their setups, and it is critical to the success of their patterns that you follow their expectations. However, there is even less consistency on this point than elsewhere. Beginners, don't be discouraged if this paragraph seems confusing; just look for the author you need to know about and ignore the rest for now. Now then, climb aboard and hang on! Atwater says that the tablets should face right, with Card 1 on the far right of the pack. Hansen agrees with this, but only for right-handed people; he says left-handed people should read his patterns upside down and backwards! The Snows and Staudigel say that the tablets should face right, with Card 1 on the far left of the pack. Crockett says the say the same thing, only mirrored: the printed side of the tablets should face the weaver's left, with Card 1 on the far right of the pack. Groff says the tablets should face left, with Card 1 on the far left of the pack. But Collingwood transcends the entire question, expecting you to figure out everything based on his very informative graphs and threading instructions. If your mind works like that, it's a very liberating approach; otherwise it's unbelievably confusing! Threading Direction – If you want a tablet to be able to turn in the way that is common to tablet weaving, then there are only two (opposing) ways it can be positioned on its four warp threads. These two possibilities are called threading directions. See the left half of each illustration below for the two possibilities. You will note that the two tablets are labeled in their centers with an S and a Z. These stand for "S-threaded" and "Z-threaded." The S- and Z-threaded terminology is extrapolated from international conventions for describing textiles, and was first popularized for use in tablet weaving by Collingwood. It describes an unambiguous visual clue you can find for yourself by assuming the Basic Assumption position and then looking down at the warp. The slant made by the thread as it goes through the tablet, viewed from above the warp, goes in the same direction as the stroke in the middle of the letter: \ for S-wise and / for Z-wise. See the right half of each illustration below for examples. [Note: weaving would take place from the left or down side of each photo, with the unwoven warp stretching away toward the right or upwards.] S-threaded S-threaded from above Z-threaded Z-threaded from above Many tablet weaving instructional books, however, use different words to describe these two possible threadings. Confusingly, Staudigel also uses the terms S- and Z-threading, but he uses them to mean the opposite of Collingwood! That is, he uses the terms to describe the appearance of the tablet (again, when viewed from the Basic Assumption position) rather than the direction the thread takes through it. However, other authors (e.g., Hendrickson and Spies) who use the terms S- and Z-threading follow Collingwood's usage. Groff and the Snows use "threaded up" for S-threaded and "threaded down" for Z-threaded. Crockett, on the other hand, uses L for "left-threaded" and R for "right-threaded." This system works if you look at the face of each tablet; the preponderance of visible thread (to the left of center, or to the right of center) tells you whether the card is left- or right-threaded. Peter Collingwood's mnemonic for "translating" his understanding of Z- and S-threading (as opposed to Staudigel's–are you confused yet?) to R- and L-threading is "SaLaZaR," i.e., S=L and Z=R. Accordingly, Crockett's or Hansen's "left" threaded equals Collingwood's S-threaded. Crockett's or Hansen's "right" threaded equals Collingwood's Z-threaded. So here's a table of equivalents. Keep in mind that it's Collingwood's terminology I have illustrated above, and you should be able to work out what you need. Collingwood S threaded Z threaded Atwood threaded Down threaded Up Crockett Left threaded Right threaded Groff threaded Down threaded Up Hansen from the Left from the Right Hendrickson to the Left to the Right Snows threaded Down threaded Up Staudigel Z threaded S threaded Table of Equivalents Alternately threaded – Tablets alternating Z and S (or S and Z!) threading across the warp; accordingly, each tablet will be threaded in the opposite direction from its two next-door neighbors. Hansen sometimes calls this "back to back" In other European writings it's sometimes called "threaded left and right in pairs." Home Position – The position the tablets take before weaving begins, specifically with reference to which holes go "up" when viewed from Basic Assumption position. Not all sources use the term, but often the ones that do so rely on designs in threaded-in techniques, i.e., Atwater, Crockett, Groff, and the Snows. Atwater, Groff, and the Snows call for holes A and D to be uppermost, with the tablets facing the right. Atwater calls this "beginning position," and Groff calls it "beginning position." Crockett calls for holes A and D to be uppermost, while the printed side of the tablets faces left. Hendrickson, in her instructions for double-faced weave, calls for holes B and C to be uppermost. Any translations of one person's patterns into other arrangements should take this into account; otherwise they won't look at all like the pattern draft. Turning Direction – Usually expressed as "forward" or "backward," or even F and B for short. Crockett uses "away" for forward and "toward" for backward. Atwater uses "clockwise" for forward, and "counter-clockwise" for backward. "Plain weave" – This term can be confusing because some of the less structurally sophisticated sources (e.g., Atwater, Crocker, Groff) talk about the normal or standard way of weaving as four forward, four backward. But the weave structure of four-strand warp twining, continuously turned in a single direction, is what sets tablet weaving apart from any other type of band weave. Accordingly, from within the context of tablet weaving "plain weave" defines this basic weave structure. Outside the context of tablet weaving, however, "warp twining" is the preferred term, so as not to confuse it with potholder weaving! Also called "ground weave" by Hansen and "plain tablet weave" by Staudigel. Threaded-in patterning – Hansen calls this "patterns as per diagram set-up." Collingwood calls them "threaded patterns." That's more than enough for one issue! Stay tuned for another installment in an upcoming issue. Instructional Works Cited Atwater, Mary Meigs. Byways in Hand-Weaving. Coupeville, Wash.: Shuttle-Craft Books, Inc., 1988 [1954]. Collingwood, Peter. The Techniques of Tablet Weaving. London: Watson-Guptill, 1982. Crockett, Candace. Card Weaving, rev. ed. Loveland, Colorado: Interweave Press, 1991. Groff, Russell E. Card Weaving: Complete Instructions plus 53 Patterns for Card Weaving or Tablet Weaving. McMinnville, Oregon: Robin and Russ Handweavers, 1969. Hansen, Egon. Tablet Weaving: History, Techniques, Colours, Patterns. Højbjerg, Denmark: Hovedland Publishers, 1990. Hendrickson, Linda. Double-Faced Tablet Weaving: 50 Designs from Around the World. Portland, Oregon: self-published, 1996.. Snow, Marjorie, and Snow, William. Step by Step Tablet Weaving. New York: Golden Press, 1973. Spies, Nancy. Ecclesiastical Pomp & Aristocratic Circumstance: A Thousand Years of Brocaded Tabletwoven Bands. Jarrettsville, Maryland: Arelate Studio, 2000. Staudigel, Otfried, 1960-61. Der Zauber Des Brettchenwebens, or Tablet Weaving Magic: Patterns from Oriental Countries and 25 Patterns in Plain Tablet Weave. Libri Books on Demand, 2001. * * * * * * * * * * This article was originally published in Issue 3 (August 2003) of Knot Now, the newsletter of the Worshipful Company of Narrowworkers of the East Kingdom, SCA. I have replaced the drawing in the original with photographs of a warped tablet, largely because neither my husband nor I could figure out whether one of us had drawn the original drawing. I did not want to use someone else's work uncredited, hence the new illustrations. I don't have any notes on what the follow-up article was to contain; it never even reached the outline phase.
This comfortable overhead dress was woven at 15dpi (60/10cm) on an Ashford rigid heddle loom with a mercerised cotton warp and a handspun, singles wool weft. Patch pockets are self-faced. The back godet gives a flattering shape, optional ties are made from narrow strips of the same fabric. I have also made an additional sheet of instructions showing how the godets can be put in the side seams instead of the back seam- your choice (added January 2019) Get Weaving patterns have been specifically designed for narrow, hand woven fabrics. Pieces are all of a similar width and by making maximum use of the selvedges there is very little wastage. By using our layout plans and cutting and sewing tips you will have the ingredients to turn your individual, hand woven fabrics into stylish, everyday clothing. Don't be too scared to cut your fabric- we have a Secret Weapon to share with you! Full size paper pattern (S/M/L/XL/XXL), cutting and sewing instructions included Original pattern by Sarah Howard (co-author Simply Woven 1986, Creative Weaving 2007, Get Weaving 2014) ©Sarah Howard/ Get Weaving 2014 www.facebook.com/getweaving blog: www.creativeweaving.co.uk www.instagram.com/getweavingwithsarah etsy.com/uk/shop/GetWeaving youtube.com/@getweaving8459 Sarah has been a teacher for over 30 years and has inspired and helped many people to begin weaving and making clothes. All the patterns are tried and tested March 2017
Basket weaving is a great hobby that can add charm to your house and your own personal touch when you give the baskets as gifts. Learn how to weave your own baskets here.
Vous connaissez surement le tricotin sous cette forme : Il y a quelques années j'avais découvert dans spirou le tricotin avec les doigts Et maintenant Je l'ai découverte sous d'autre forme que l'on peut fabriquer Voila le site avec tuto pour réalisé...
How to Make an Inkle Loom and Weaving a Simple Band: "Inkle weaving is a type of warp-faced weaving where the shed is created by manually raising or lowering the warp yarns, some of which are held in place by fixed heddles on a loom known as an inkle loom. Inkle weaving was referred to in Shakespear…
Dare to pedal in your longest skirt with a pair of crochet skirt guards. Both the smaller 1⁄4- wheel and larger 1⁄3-wheel size hook up in just a few hours. Snap it on the fender with a handful of binder clips, and easily snap it off again to wash or swap for another color. This is a great starter project if you’ve never crocheted lace before. It’s written in normal crochet terms, just as in row-by-row instructions for a ripple stitch or a granny square. It works up fast because you’ll use a larger hook than usual for lace. While it’s an intermediate crochet pattern, we wrote it with extra clarity with beginners in mind. Required skills include chain, skip, slip, and single through triple crochet. Plus, the Knits for Life group on Ravelry has an active discussion thread for this pattern where we’ll answer any question in a day or two. Fits small-large standard wheels. Necessary skills adjustable magic ring chain skip a stitch slip stitch single crochet double crochet half double crochet trip
Im Februar schon an Ostern denken? Wenn man jetzt in den Dekoabteilungen schaut ist überall schon der Frühling eingezogen und die Hoppelhasen hüpfen einem fast in den Einkaufswagen. Sanfte Pastelle und jede Menge Frühblüher werden dargeboten und ehrlich gesagt bekommt man da schon Lust auf ein wenig frische Deko. Ich greife jetzt einfach die Gelegenheit beim Schopf ...
Card Woven Ukulele Strap: Card weaving (or tablet weaving) has been used to weave selvedges, tapes, belts, straps, and trim since at least 800 BC. I'm going to walk you through the steps to basic card weaving with a pattern to make a colorful diamond strap for a ukulele. I u…
One of our favorite ways to finish hand woven fabric is with a hemstitch. It’s…
Learn how to turn an ordinary paper plate into a colourful woven bowl to store trinkets and treasures in. (Video tutorial included in post).
Leer weven met stap voor stap instructies In deze tutorial leer je de basis van het weven. Van het opzetten van je kettingsteken, tot het maken van weefsteken. Scroll naar beneden om alles te leren over je eerste weefproject. Weven op een weefraam is een trendy handwerktechniek. Je kunt er je eigen keuken handdoeken mee maken
Tencel is the perfect yarn for weaving soft and luxurious scarves. Strong, washable, and super soft, Tencel is an affordable alternative to silk and great for beginners and experienced weavers alike. I designed this fun weaving project using three cones of complementary colors of Tencel in the warp.
