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El principio del viaje, la felicidad... Un grupo a punto de embarcar hacia la isla del Egeo. Todo esto, y más, es la 'Peregrinación a la isla de Citera', de Antoine Watteau.
En apparence, Jean-Antoine Watteau semble l'un des plus précoces de tous les peintres "galants" du rococo européen.
The lyrically charming and graceful style of the Rococo. In the permanent search for producers and regional products, their cuisine is supplied in Hauts-de-France, to invent all the recipes that make
Private home became the center of the new style called Rococo derived from french word rocaille ( pebble) refers to the small stones and shells used to decorate grotto interiors. Shells were the p…
Antoine Watteau 1684-1721, Head and Bust of Seated Woman. Verso: study of foliage, I, 278c
Måleri av Jean-Antoine Watteau är som söta godisar, det förbättrar omedelbart stämningen. Man måste betrakta det väldigt nära, så att man märker subtila detaljer: draperier, meningsfulla gester och…
Entenda como surgiu a arte rococó, conheça as características da pintura rococó e os principais artistas que se destacaram nesse estilo.
Summary of the product This work of art called Garden Party (Pastoral Gathering) was made by Jean Antoine Watteau. The more than 290 years old original was painted with the size: 48,6 × 64,5 cm (19 1/16 × 25 3/8 in). Oil on panel was used by the European artist as the technique for the painting. Furthermore, the artpiece is included in the digital collection of Art Institute Chicago, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. With courtesy of - Art Institute Chicago (licensed: public domain). : Max and Leola Epstein Collection. Moreover, alignment is landscape with a side ratio of 4 : 3, which implies that the length is 33% longer than the width. Structured table of the artwork Artwork name: "Garden Party (Pastoral Gathering)" Classification: painting Art classification: classic art Period: 18th century Artpiece year: 1721 Artwork age: more than 290 years Medium of original artwork: oil on panel Original size: 48,6 × 64,5 cm (19 1/16 × 25 3/8 in) Museum / location: Art Institute Chicago Museum location: Chicago, Illinois, United States of America Website of the museum: www.artic.edu Artwork license type: public domain Courtesy of: Art Institute Chicago Artwork creditline: Max and Leola Epstein Collection Artist summary Artist: Jean Antoine Watteau Artist gender: male Nationality: French Jobs: painter Country of the artist: France Artist category: old master Died aged: 141 years Birth year: 1595 Died: 1736 Possible material options We offer a range of various materials and sizes for every product. We allow you to pick your favorite size and material among the following product individualization options: The acrylic glass print: A glossy acrylic glass print, which is often named as a print on plexiglass, will turn an original into gorgeous décor. Printed poster on canvas material: Our poster print is a UV printed canvas paper with a slightly roughened surface finish. It is designed for framing your art copy with a special frame. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the work of art to facilitate the framing with a custom frame. Aluminium dibond print: Aluminium Dibond prints are prints on metal with an outstanding depth, which creates a fashionable impression with a surface , which is not reflective. For our Direct Print On Aluminum Dibond, we print the selected artwork right on the surface of the aluminum composite. The white & bright sections of the artpiece shine with a silky gloss but without the glow. This direct UV print on aluminium is the most popular entry-level product and is a contemporary way to display art reproductions, as it puts the viewer’s focus on the replica of the artwork. The canvas print: A canvas print is a printed cotton canvas stretched on a wooden stretcher. A canvas has the distinctive impression of three dimensionality. How can I hang a canvas print on my wall? The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang the Canvas print without the use of additional wall-mounts. Canvas prints are suitable for any kind of wall. About the product Article classification: fine art print Reproduction: digital reproduction Production technique: UV direct print (digital printing) Product Origin: made in Germany Type of stock: on demand production Proposed product use: wall décor, home design Orientation of the artwork: landscape alignment Side ratio: 4 : 3 - length : width Implication of the aspect ratio: the length is 33% longer than the width Available material options: poster print (canvas paper), acrylic glass print (with real glass coating), metal print (aluminium dibond), canvas print Canvas print (canvas on stretcher frame) options: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" Acrylic glass print (with real glass coating) size options: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" Poster print (canvas paper) size options: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" Aluminium print size options: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" Picture frame: please note that this art print is not framed Disclaimer: We try what we can to describe the products in as much detail as possible and to display them visually in our shop. At the same time, the colors of the printing material and the imprint can diverge marginally from the representation on your device's screen. Depending on your settings of your screen and the quality of the surface, not all colors are printed as realistically as the digital version. Since all our fine art prints are printed and processed manually, there might also be slight deviations in the exact position and the size of the motif. © Copyright of | www.artprinta.com (Artprinta)
A obra de Antoine Watteau influenciou artistas franceses e ingleses do século XVIII.
Comment la dessinatrice de bandes dessinées est tombée en amour pour les peintres des musées… et plus précisément ceux qui peignaient la nature.