Details Artwork Artist Authenticity Guarantee Details Aboriginal Artist - Virginia Napaljarri Sims Community - Nyirripi Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation Catalogue number - 566/23ny Materials - Acrylic paint on linen Size(cm) - H107 W91 D2 Postage variants - Posted un-stretched and rolled for safe shipping Orientation - Painted from all sides and OK to hang as wished Artwork This ‘Jukurrpa’ (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina. In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngami’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to bind cuts. The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like ‘jintiparnta’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland. In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks). Artist Virginia Napaljarri Sims was born in Royal Perth Hospital, a long way from her home in Nyirripi, a remote aboriginal community located approximately 430 km from Alice Springs in the Northern Territory of Australia. She is the granddaughter of Ena Nakamarra Gibson, a major Warlpiri artist. Virgina grew up in Nyirripi but later was sent to Cairns to finish her school at Djarragun College. She completed Year 10 before returning home. Although she was taught art at school it was her Grandmother that inspired her to paint. When she was young she would listen to her grandmother’s jukurrpa and watch her paint. She began painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu and Nyirripi, in 2017. She paints her Grandmother’s Mina Mina Jukurrpa (Mina Mina Dreaming – Ngalyipi) - a very important women’s dreaming site west of Nyirripi near Lake Mackay and the WA border. These stories have been passed down to her by her grandmother and her grandmother’s mother before her for millennia. Virginia loves colour and uses an unrestricted palette and enjoys painting patterns to depict her jukurrpa. Virginia is married to Brad James and when she is not painting she loves cleaning house, watching movies and cooking shows on TV. Authenticity Guarantee We take great pride in offering high-quality, authentic Aboriginal Art pieces to you. However, we are aware that there have been instances (and recent press relating to the unaffiliated APYACC) in the Aboriginal Art market where the authenticity of some artworks has been called into question. We want to assure you and all of our customers that we firmly stand behind the authenticity of every artwork we sell. In addition to our extended 120 days standard returns, we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present. This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that they are getting what you paid for. As part of our commitment to authentic Aboriginal Art, we work with reputable Aboriginal Art centres that we know are committed to maintaining the integrity of Aboriginal Art. Additionally, we continually monitor all aspects of the Aboriginal Art market and are acutely aware of, and are proactive in addressing any issues arising. We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If you have any concerns about the authenticity of any art piece you purchased from us, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork we have sold we will happily provide a full refund to you at any time in the future outside of our standard returns policy. Thank you for choosing ART ARK® for your Aboriginal Art purchasing. We are honoured to provide you with authentic, high-quality art pieces and look forward to continuing to serve you.
When 20-year-old Amanda Snell, a Navy Petty Officer 2nd Class, failed to show up for her shift at the Pentagon on July 12, 2009, her supervisor was immediately concerned. “She was very dedicated to her career so that was extremely unusual for her not to show up to work," Jonathan Fahey, assistant U.S. Attorney, Virginia, told "One Deadly Mistake," airing Saturdays at 7/6c on Oxygen.
this is the exact plant you will receive. last two photos are showing the parent plants, not the plant you will receive. seedling in 2 inch pot Shipping from Virginia ! Open the package as soon as it arrives and bring the plant indoors. If you notice any issue, contact me within 12 hours of delivery and I’m happy to look into the issue and help. I pack my plants very carefully but keep in mind that slight damage during shipping and change in environment could cause yellowing/browning on leaves, bent leaves, and some aerial roots may dry out or rot. However, plants will bounce back and recover soon. By purchasing this plant, the buyer agrees to the above and I will only be responsible for major plant damage. I only accept return for major plant damage within 12 hours of delivery.It is getting cold, winter shipping package (priority shipping + heat pack) is available https://rareplantus.etsy.com/listing/1341227563/heat-pack-priority-shipping-insulation. Please add to your order if the temperature in your area is cold. I am not responsible for cold damage, this is NOT included in the major damage within 12 hours of delivery mentioned above. Buyer is responsible for checking their local temperature.It is getting cold, winter shipping package (priority shipping + heat pack) is available https://rareplantus.etsy.com/listing/1341227563/heat-pack-priority-shipping-insulation. Please add to your order if the temperature in your area is cold. I am not responsible for cold damage, this is NOT included in the major damage within 12 hours of delivery mentioned above. Buyer is responsible for checking their local temperature.
Date: 2004-06-24Virginia Woolf was born in London in 1882. After her father's death in 1904 Virginia and her sister, the painter Vanessa Bell, moved to Bloomsbury and became the centre of ‘The Bloomsbury Group’. This informal collective of artists and writers...
Beige uniform shirt made in USA from Samaritan Security Services (Woodbridge, Virginia) in very good condition. Cotton and polyester blend. Estimated size M/L (but check measurements please) * FLAT MEASUREMENTS: Shoulder width: 44cms Width under the armpits: 54cms Sleeve length: 61cms Total length: 73cms The model is a size M at the top and is 1m70 tall and weighs 51kg, so the shirt is perfect for her. * CONDITION : Very good state Follow us on Instagram: jane_et_serge_vintageshop We try to be as precise as possible in the descriptions. Be sure to check measurements and read full description before purchasing. By purchasing from our store you agree to these terms. Do not hesitate if you have any questions ! * SHIPPING OPTIONS NATIONAL SHIPPING Shipping costs €4.5 via La Poste by Colissimo, with tracking delivered to the mailbox. If you would like expedited shipping with insurance and/or signature required, you will need to update your shipping at checkout --- We are not responsible for packages lost in transit. INTERNATIONAL SHIPPING Shipping costs depending on the country of destination. Items are sent via La Poste Colissimo with tracking delivered to the mailbox. If you would like expedited shipping with insurance and/or signature required, you will need to update your shipping at checkout --- We are not responsible for packages lost in transit. We strive to make you beautiful, environmentally friendly packaging. Most of our packaging supplies are either recycled, second-hand, or can be reused!
Mrs. Claude Leigh and Miss Virginia Leigh is a famous oil painting, originally by Hungarian artist Philip Alexius de László in 1933, with the style of modern art. The painting now is collected by private as collection. This kind of portrait oil paintings is very common in visual art. Besides, recommend you to view other painting artworks from Philip Alexius de László. Dream to have a better art reproduction of this 20 Century painting for home decoration or gift giving? Please send your inquiry to us if interested. Each painting reproduction of Mrs. Claude Leigh and Miss Virginia Leigh will be done by experienced and talented artist, totally hand painted with eco-friendly oil paints on canvas. All oil painting reproductions of Mrs. Claude Leigh and Miss Virginia Leigh can be customized with various options of sizes and frames, original size 147.5 cm (58.07") * 114 cm (44.88"). Art recreation is also offered for portrait oil paintings if need to change technique, style, or colors. Let HandmadePiece Art Store help you bring this modern art masterpiece to your life!
thebloomsburygroup: Lytton Strachey, Vanessa Bell, 1911. “Lytton Strachey was like Voltaire in three respects: he thoughts beliefs absurd in others which he thought absurd in himself, and he was...
Details Artwork Artist Details Artist - Virginia Napaljarri Sims Community - Nyirripi Art Centre/Community organisation - Warlukurlangu Artists Aboriginal Corporation Catalogue number - 1829/18ny Materials - Acrylic on canvas Size(cm) - H46 W46 D2 Postage variants - Posted un-stretched and rolled for safe shipping Orientation - Painted from all sides and OK to hang as wished Artwork This ‘Jukurrpa’ (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina. In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngami’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to bind cuts. The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like ‘jintiparnta’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland. In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks). Artist Virginia Napaljarri Sims was born in Royal Perth Hospital, a long way from her home in Nyirripi, a remote aboriginal community located approximately 430 km from Alice Springs in the Northern Territory of Australia. She is the granddaughter of Ena Nakamarra Gibson, a major Warlpiri artist. Virgina grew up in Nyirripi but later was sent to Cairns to finish her school at Djarragun College. She completed Year 10 before returning home. Although she was taught art at school it was her Grandmother that inspired her to paint. When she was young she would listen to her grandmother’s jukurrpa and watch her paint. She began painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu and Nyirripi, in 2017. She paints her Grandmother’s Mina Mina Jukurrpa (Mina Mina Dreaming – Ngalyipi) - a very important women’s dreaming site west of Nyirripi near Lake Mackay and the WA border. These stories have been passed down to her by her grandmother and her grandmother’s mother before her for millennia. Virginia loves colour and uses an unrestricted palette and enjoys painting patterns to depict her jukurrpa. Virginia is married to Brad James and when she is not painting she loves cleaning house, watching movies and cooking shows on TV.
Let’s look at the role of doctors of color, their contributions to medicine and their tireless battles against discrimination.
This is the exact plant you will receive! By default, cuttings are not rooted. If the cutting is rooted, I will mention it in the listing title. No assumption about the plant. Shipping from Virginia! Open the package as soon as it arrives and bring the plant indoors. If you notice any issues, contact me within 12 hours of delivery and I’m happy to look into the issue and help. I pack my plants very carefully but keep in mind that slight damage during shipping and change in environment could cause yellowing/browning on leaves, bent leaves, and some aerial roots may dry out or rot. However, plants will bounce back and recover soon. By purchasing this plant, the buyer agrees to the above and I will only be responsible for major plant damage. I only accept returns for major plant damage within 12 hours of delivery. It is getting cold, winter shipping package (priority shipping + heat pack) is available https://rareplantus.etsy.com/listing/1341227563/heat-pack-priority-shipping-insulation. Please add to your order if the temperature in your area is cold. I am not responsible for cold damage, this is NOT included in the major damage mentioned above. Buyer is responsible for checking their local temperature.
Virginia Woolf: A Biography, Quentin Bell. Harcourt, Brace, Jovanovich, 1972. Book club edition. Vintage hardcover with dust jacket. Jacket has some tattered edges. Book itself in very good condition. No markings inside. Good condition.
Details Artwork Artist Authenticity Framing Details Aboriginal Artist - Virginia Napaljarri Sims Community - Nyirripi Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation Catalogue number - 1963/21ny Materials - Acrylic on linen Size(cm) - H152 W61 D2 Postage variants - Posted un-stretched and rolled for safe shipping Orientation - Painted from all sides and OK to hang as wished Artwork This ‘Jukurrpa’ (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina. In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngami’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to bind cuts. The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like ‘jintiparnta’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland. In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks). Artist Virginia Napaljarri Sims was born in Royal Perth Hospital, a long way from her home in Nyirripi, a remote aboriginal community located approximately 430 km from Alice Springs in the Northern Territory of Australia. She is the granddaughter of Ena Nakamarra Gibson, a major Warlpiri artist. Virgina grew up in Nyirripi but later was sent to Cairns to finish her school at Djarragun College. She completed Year 10 before returning home. Although she was taught art at school it was her Grandmother that inspired her to paint. When she was young she would listen to her grandmother’s jukurrpa and watch her paint. She began painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu and Nyirripi, in 2017. She paints her Grandmother’s Mina Mina Jukurrpa (Mina Mina Dreaming – Ngalyipi) - a very important women’s dreaming site west of Nyirripi near Lake Mackay and the WA border. These stories have been passed down to her by her grandmother and her grandmother’s mother before her for millennia. Virginia loves colour and uses an unrestricted palette and enjoys painting patterns to depict her jukurrpa. Virginia is married to Brad James and when she is not painting she loves cleaning house, watching movies and cooking shows on TV. Authenticity All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation. We take great pride in offering high-quality, authentic Aboriginal Art pieces to you and in addition to our 120-day returns(they don't come back), we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present. This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork ever sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that you are getting what you expect. We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If at any time you have any concerns whatsoever about the authenticity of any art piece, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork sold by us we will promptly provide a full refund to you at any time in the future, be it in one year, or in ten! Please find more information on authenticity here: https://artark.com.au/pages/aboriginal-art-authenticity Framing All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled. Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre. The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching. A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand. Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art
This is the exact plant you will receive! cutting made on 6/6, not rooted yet Shipping from Virginia ! Open the package as soon as it arrives and bring the plant indoors. If you notice any issue, contact me within 12 hours of delivery and I’m happy to look into the issue and help. I pack my plants very carefully but keep in mind that slight damage during shipping and change in environment could cause yellowing/browning on leaves, bent leaves, and some aerial roots may dry out or rot. However, plants will bounce back and recover soon. By purchasing this plant, the buyer agrees to the above and I will only be responsible for major plant damage. I only accept return for major plant damage within 12 hours of delivery.
Perfect for those cool summer evenings! This top is gorgeous on! However, I already have one very much like it so I am selling. BUFFALO BY DAVID BITTON “VIRGINIA” LACE TRIM RIBBED HENLEY HENLEY TOP zZPINK Sz Medium * Super soft and cozy material with Elastane for stretch and comfortability * Front buttons are for aesthetics only and do not open * Perfect with any pair of jeans/skirt * Lace trim V-neck & long sleeves with lace trim cuffs * Material 76% polyester, 20% viscose, 4% Elastane * Features an extra button sewn in the inner tag From a smoke and pet free home. Please see measurements for fit. Bust (Pit to Pit): 15.5” Waist: 14” Length: 23” Sleeves: 18.5” I do BUNDLE DISCOUNTS! When you purchase two or more items from my closet you will receive 15% off your entire purchase! Thank you for your interest and please check out the other gyms in my closet! If you have any questions please don’t hesitate to reach out to me!
The author of Fates and Furies on being endorsed by Barack Obama, the climate crisis and discovering medieval humour for a new novel about 12th-century poet Marie de France
Located in the mountains of West Virginia, photographer Nick Olson and designer Lilah Horwitz have built their own enchanting retreat made out of
The Corin Virginia Moulded Bra perfectly adapts to the shape of your breasts and provides excellent support, yet is very light and soft to the touch-available in a flattering skin shade.
This is the exact plant you will receive! This plant is original from Kunzo plant form Japan. Shipping from Virginia ! Open the package as soon as it arrives and bring the plant indoors. If you notice any issue, contact me within 12 hours of delivery and I’m happy to look into the issue and help. I pack my plants very carefully but keep in mind that slight damage during shipping and change in environment could cause yellowing/browning on leaves, bent leaves, and some aerial roots may dry out or rot. However, plants will bounce back and recover soon. For variegated plants, there is chance new growth is solid green with no variegation. Please do your research before purchase. I cannot guarantee new growth with variegation. Also please understand the risk of purchasing a cutting. By purchasing this plant, the buyer agrees to the above and I will only be responsible for major plant damage. I only accept return for major plant damage within 12 hours of delivery.
Perly's, an iconic Richmond restaurant, serves up some of the best pastrami sandwiches in Virginia. You won't be disappointed!
Tagli netti e puliti completano i look stravaganti della collezione modacapelli di Virginia Martinez.
Lucy Cottrell and her charge in Virginia, about 1845 Lucy's dress probably looked much like this in color, a very showy Prussian blue stripe, fashionable in the 1840s and '50s. The daguerreotype of Lucy is in the collection of the Kentucky Gateway Museum Center. A slave whose duty is childcare, she holds her toddler charge in a common pose. Lucy is probably more a prop to keep the baby still enough to photograph than a person, an individual to be recorded and recalled by the people who paid for the photo. However, she is dressed for the photographer in a fashionable striped dress. It's so crisp it looks like cotton. Or her dress might be a wool combination fabric as in this dress from Tasha Tudor's collection. Almost out of the picture, the woman seems to have a nine patch quilt in her lap. We'd like to see more of the textiles--- and of course more about the women's lives. Showing some period prints can bring the photos a little more to life. Unknown woman in a checked apron and a striped floral dress. Florals set in stripes Most of these photos are from online auctions. I've lightened them up to show the prints and the faces in the shadows. Combination wool/silk weave---challis Some women wear more formal wool and silk street dress as in this carte-de-visite. And older women often wear head scarves and something like a uniform. The uniform seems to become more standardized after the war and emancipation when roles, perhaps, were sharply defined in the new era of equality. Many nannies of the 1840-1865 period are dressed in what may have been their working wardrobe, at least when they were showing off the children, say to parents and guests after supper. Skinner auction. Perhaps her best dress. Document print for a repro in my Ladies Legacy fabric collection for Moda, out soon. Child care with flair. This Philadelphia cabinet card looks like a post-war photo but the dress print..... with its wide stripes full of seaweedish vegetation... Sleeves rolled up for work. Did that baby just come out of the bathwater? Short sleeves a practical solution. Missouri Historical Society Dresses one would wear to chase after a toddler. Printed plaids or woven? A printed plaid Someone's hair saved in the metal case Foulards (spotty figures in a diagonal repeat) were quite popular during the Civil War years. Polka dots are a form of foulard. We can hope that pudgy baby is just sleeping but from the look on the woman's face---a post-mortem portrait. National Humanities Center, Photographs of Enslaved African Americans, 1847-ca. 1863 http://nationalhumanitiescenter.org/pds/maai/enslavement/text1/photosenslaved.pdf
The Register of Free Negroes, Northampton County, Virginia, 1853-1861 - Frances B. Latimer. Before 1670 position of African immigrants coming into the Eastern Shore of Virginia was not unlike that of most whites; they were “in bondage.” Although in the case of the Africans the bondage had not set time-limit, and was thus in fact slavery, they were “very often able to purchase their freedom (...) acquire land, marry, have families and live an existence not unlike the freed white indentured servant.” After 1670, however, a move began “to discard indentured servitude and have slavery as the only method to supply the work force.” (1992), 2012, 8½x11, paper, 106 pp. ISBN: 9781556136221 101-L3622
Aussage, schick und so sehr tragbar dank Vanessa Brunos müheloser Pariser Ästhetik-um den Look zu vervollständigen, mit passender Benson-Westeon- und Bjornhose und einfach Lederstiefeln, Turnschuhen oder Mary-Jane-Must-Haves von Le Mode Béryl hinzuzufügen. Großzügige Passform - Zoie trägt eine Größe m/l 90% Viskose, 10% Polyester Weiterlesen Weitere Informationen finden Sie in unserer Größentabelle.
this is the exact plant you will receive. last two photos are showing the parent plants, not the plant you will receive. seedling in 2 inch pot Shipping from Virginia ! Open the package as soon as it arrives and bring the plant indoors. If you notice any issue, contact me within 12 hours of delivery and I’m happy to look into the issue and help. I pack my plants very carefully but keep in mind that slight damage during shipping and change in environment could cause yellowing/browning on leaves, bent leaves, and some aerial roots may dry out or rot. However, plants will bounce back and recover soon. By purchasing this plant, the buyer agrees to the above and I will only be responsible for major plant damage. I only accept return for major plant damage within 12 hours of delivery.It is getting cold, winter shipping package (priority shipping + heat pack) is available https://rareplantus.etsy.com/listing/1341227563/heat-pack-priority-shipping-insulation. Please add to your order if the temperature in your area is cold. I am not responsible for cold damage, this is NOT included in the major damage within 12 hours of delivery mentioned above. Buyer is responsible for checking their local temperature.It is getting cold, winter shipping package (priority shipping + heat pack) is available https://rareplantus.etsy.com/listing/1341227563/heat-pack-priority-shipping-insulation. Please add to your order if the temperature in your area is cold. I am not responsible for cold damage, this is NOT included in the major damage within 12 hours of delivery mentioned above. Buyer is responsible for checking their local temperature.
Details Artwork Artist Authenticity Framing Details Aboriginal Artist - Virginia Napaljarri Sims Community - Nyirripi Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation Catalogue number - 1963/21ny Materials - Acrylic on linen Size(cm) - H152 W61 D2 Postage variants - Posted un-stretched and rolled for safe shipping Orientation - Painted from all sides and OK to hang as wished Artwork This ‘Jukurrpa’ (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina. In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngami’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to bind cuts. The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like ‘jintiparnta’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland. In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks). Artist Virginia Napaljarri Sims was born in Royal Perth Hospital, a long way from her home in Nyirripi, a remote aboriginal community located approximately 430 km from Alice Springs in the Northern Territory of Australia. She is the granddaughter of Ena Nakamarra Gibson, a major Warlpiri artist. Virgina grew up in Nyirripi but later was sent to Cairns to finish her school at Djarragun College. She completed Year 10 before returning home. Although she was taught art at school it was her Grandmother that inspired her to paint. When she was young she would listen to her grandmother’s jukurrpa and watch her paint. She began painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu and Nyirripi, in 2017. She paints her Grandmother’s Mina Mina Jukurrpa (Mina Mina Dreaming – Ngalyipi) - a very important women’s dreaming site west of Nyirripi near Lake Mackay and the WA border. These stories have been passed down to her by her grandmother and her grandmother’s mother before her for millennia. Virginia loves colour and uses an unrestricted palette and enjoys painting patterns to depict her jukurrpa. Virginia is married to Brad James and when she is not painting she loves cleaning house, watching movies and cooking shows on TV. Authenticity All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation. We take great pride in offering high-quality, authentic Aboriginal Art pieces to you and in addition to our 120-day returns(they don't come back), we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present. This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork ever sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that you are getting what you expect. We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If at any time you have any concerns whatsoever about the authenticity of any art piece, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork sold by us we will promptly provide a full refund to you at any time in the future, be it in one year, or in ten! Please find more information on authenticity here: https://artark.com.au/pages/aboriginal-art-authenticity Framing All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled. Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre. The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching. A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand. Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art
Shown with 2 skeins of Blacker yarns Westcountry Tweed in Grey and one skein in Undyed. If substituting yarns, any of Blacker’s DK weight yarns would work nicely, or any worsted or heavy DK yarn will do. I used almost all of my yarn, so if you would like to adjust the size larger or add length, you will need more yarn. Legwarmers measure 16 inches high, and are shown on a 14 inch calf. This pattern is very stretchy but there is a note included in the pattern about how to adjust the size. Pattern includes both chart and written instructions. Suggested yarn: Blacker Yarns Westcountry Tweed Yarn weight: DK (11 wpi) Gauge: 16 stitches = 4 inches in st st Needle size US 8 - 5.0 mm US 6 - 4.0 mm Yardage: 350 - 357 yards (320 - 326 m) Sizes available: one, with note about adjusting size. -------------------------- NOTE: This listing is for the purchase of the pattern, not the actual finished item. You will receive a digital download of instructions on how to make your own. Because of their digital nature, pattern sales are final and cannot be returned or refunded. Patterns are written in English. When you have purchased a digital pattern you will receive an instant prompt for download of the files purchased. You should also receive an email with the link for download moments after payment has cleared. The email will automatically be sent to the address you have on file with Etsy. You can also check your purchases section on Etsy for the same download link.
Draped fringed wool-blend jacket
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