Florence Hallett reviews Piano Nobile’s exhibition on Vanessa Bell and Duncan Grant – which includes the display of a set of rediscovered dinner plates
An exhibition this spring at Kensington gallery Piano Nobile brings together paintings and decorative objects by Bloomsbury artists Vanessa Bell and Duncan Grant, many of which have previously been inaccessible to the public.
The first museum showing of Vanessa Bell and Duncan Grant’s Famous Women Dinner Service is one of the inaugural exhibitions at the new art galleries opening at Charleston Farmhouse When Kenneth Clark and his wife Jane commissioned Duncan Grant and...
Florence Hallett reviews Piano Nobile’s exhibition on Vanessa Bell and Duncan Grant – which includes the display of a set of rediscovered dinner plates
An exhibition this spring at Kensington gallery Piano Nobile brings together paintings and decorative objects by Bloomsbury artists Vanessa Bell and Duncan Grant, many of which have previously been inaccessible to the public.
Florence Hallett reviews Piano Nobile’s exhibition on Vanessa Bell and Duncan Grant – which includes the display of a set of rediscovered dinner plates
An exhibition this spring at Kensington gallery Piano Nobile brings together paintings and decorative objects by Bloomsbury artists Vanessa Bell and Duncan Grant, many of which have previously been inaccessible to the public.
Radical Bloomsbury at the Brighton Museum and Art gallery seeks to re-evaluate the work of Duncan Grant (1885-1978) and Vanessa Bell (1879-1961) and their relationship with the avant-garde from 1902-25. As members of the Bloomsbury Group, which came together in 1904-05, they enjoyed intimate and significant relations with the theorists Roger Fry and Clive Bell, Virginia Woolf (Vanessa
Radical Bloomsbury at the Brighton Museum and Art gallery seeks to re-evaluate the work of Duncan Grant (1885-1978) and Vanessa Bell (1879-1961) and their relationship with the avant-garde from 1902-25. As members of the Bloomsbury Group, which came together in 1904-05, they enjoyed intimate and significant relations with the theorists Roger Fry and Clive Bell, Virginia Woolf (Vanessa
Lydia Lopokova,1923 + Bea Howe,1925 *** апдейт к архивным постам: Source: Howard Grey -Duncan Grant,1977 *** Tate Self portraits:1909-10-20 Self-Portrait in a Mirror,1920;Self-Portrait,1967 *** This entry was originally posted at http://elle-belle.dreamwidth.org/1686384.html . Please comment…
“Literature duplicates the experience of living in a way that nothing else can, drawing you so fully into another life that you temporarily forget you have one of your own. That is why you read it, and might even sit...
'Vanessa Bell, Pregnant with the Artist's daughter, Angelica'.
We've all heard of Hemingway and his band of literati’s and artistes that shook up Parisian society throughout the 1920’s, whom we nostalgically call the “Lost Generation”. Lesser-known to us however, is the “Bloomsbury Group”, a collection of talented bohemians across the channel who were pioneers
"Bathing" by Duncan Grant, 1910 The English poet Stephen Spender wrote about Duncan Grant, " I can think of no painting by him in praise ...
Almost as soon as Vanessa Bell and Duncan Grant moved into their home at Charleston, in East Sussex, England, in 1916, they started painting on its surfaces. They painted its walls and mantels, its…
Duncan Grant textile design Duncan Grant Duncan Grant 1918 via Aka Pearl of a Girl Duncan Grant 1920 via A Long Time Alone Duncan Grant via A Long Time Alone Duncan Grant via A Long Time Alone Duncan Grant via A Long Time Alone Duncan Grant via A Long Time Alone Duncan Grant's bedroom at country house, Charleston Duncan Grant Charleston Young Duncan Grant self-portrait Duncan Grant via A Long Time Alone Duncan Grant via A Long Time Alone Duncan Grant textile prints Duncan Grant Duncan Grant Duncan Grant --Bloomsbury Group Duncan Grant--Bloomsbury Group at Charleston Duncan Grant Duncan Grant Duncan Grant--Bloomsbury at Charleston Duncan Grant textile design Duncan Grant--Bloomsbury Group--Charleston House Duncan Grant Duncan Grant Duncan Grant textile design Duncan Grant Duncan Grant textile design Duncan Grant British painter, designer, and member of the Bloomsbury Group, Duncan Grant (1885 - 1978)
Portrait of Lytton Strachey Julian Bell reading, c.1930 Vanessa Bell with granddaughter Portrait of Richard Shone Olivier Strachey Portrait of Lindy Guinness, c.1965 The sofa Sir Desmond MacCarthy, 1944 Richard Shone reading in the studio at Charleston The stove, Fitzroy Square, 1936 Young sailor reading Child reading Man reading Duncan Grant born January 21, 1885 in Rothiemurchus (Scotland), UK died May 8, 1978 (93) in Aldermaston (Berkshire), UK more: Wikipedia BBC paintings Spartacus Educational Google pictures Tate Vanessa Bell
(NB - I've now been informed that this is not Duncan Grant, so please regard this post as 'The Eight Ages...') D...
Florence Hallett reviews Piano Nobile’s exhibition on Vanessa Bell and Duncan Grant – which includes the display of a set of rediscovered dinner plates
Decades before "The Dinner Party," Vanessa Bell and Duncan Grant honored female achievement in "The Famous Women Dinner Service" ceramic set.
A random survey of self-portraits created by women through the centuries English painter and designer Vanessa Bell (1879-1961) 1. Self-Portrait, c.1915 / Oil on canvas laid on panel / Yale Center f…
Britist artists Duncan Grant's wonderful versatility allowed him to mix traditional and modern, natural and man-made, as this picture on show at the William Morris Gallery demonstrates. Lilias Wigan went along to take a look.
Angelica, who died on May 4 aged 93, was the niece of writer Virginia Woolf and the illegitimate daughter of painters Vanessa Bell and Duncan Grant.
Vanessa Bell, Duncan Grant and Simon Bussy, photographed by Lady Ottoline Morrell in 1922 #LifeInSquares
“Everyone should be free to live as they please.” Vanessa Bell. As we’re halfway through the BBC series “Life in Squares” it seems pertinent to take a brief look at Bloomsbury Group fashion, because if you’ve paid attention to the series you’ll have noticed the way they dress.
Bloomsbury foundation member Vanessa Stephen (1879-1961) married Clive Bell (1881-1964) in 1907 and they had two sons, Julian and Quentin. In 1918 Vanessa had a daughter, Angelica, who Clive raised as his own. Bell's portrait of Virginia Woolf, 1912, Nat Portrait Gall London Vanessa's work began to appear in exhibits at the New English Art Club during mid 1909 eg Iceland Poppies 1908, full of quiet, restrained naturalism. And see a portrait of her sister Virginia Woolf 1912 (above). The colours were lovely, the brushstrokes were confident and the character of her sister was evident. As a recognised interior designer, Vanessa exhibited regularly with the London Artist's Association and the London Group. She worked on many decorative schemes, including one project for HMS Queen Mary. Her decorative work was described as simple and colourful. This is evident in many book-jackets that she designed for the Hogarth Press. Charleston in Sussex Vanessa and Clive had an open marriage, both taking lovers throughout their lives. Vanessa, Clive, Duncan Grant (1885-1978) and Duncan's lover David Garnett moved to the Sussex countryside shortly before the outbreak of WW1, and settled at Charleston Farmhouse near Lewes in East Sussex. Vanessa’s relationship with her husband Clive remained warm, even when Vanessa fell in love with Duncan Grant in 1913 and decided to live permanently with him. Vanessa and Clive continued to work in the same studios, helping each other out with work. The Omega Workshops opened in 1913 by fellow Bloomsberry Roger Fry and were established through donations from famous figures of the London arts scene. In addition to offering a wide range of painted furniture, murals, mosaics and stained glass, Omega Workshops Ltd took orders for interior designs. Fry invited Duncan Grant and Vanessa Bell to join him as co-directors, and the three of them were the most prolific artists of the Workshops. Omega-designed textiles became very popular. Photo of the drawing room and its painted decorations Bell painting, Charleston Drawing Room, c1945, 61 x 51 cm If we wanted to see how the Bloomsbury artists rejected the traditional distinction between fine and decorative art, we need look no further than Charleston Farmhouse. Through the years that they lived at Charleston, the home became filled with works of art from Vanessa, Duncan and Clive. Their art was not confined to canvases hanging on walls and was in fact mostly outside the frames; needle-point cushions, decorated lamp shades, books, tables, screens, trays, crockery. They adorned every surface that stood still long enough to be painted. Even the dogs hid, whenever they saw someone walking around with a paintbrush in hand! Vanessa's paintings retained their traditional content eg outdoor scenes, still-lifes and domestic subjects. But with time, the colouring in her paintings became richer and more detailed with tighter brush strokes; perhaps less exotic. Her significant paintings in the inter-war era include a portrait of Aldous Huxley 1929–30 and Interior with Artist’s Daughter 1932. She was one of the major C20th contributors to British portraiture and genre art. Photo of the studio and its painted decorations For this post, I have largely focused on Vanessa’s paintings that depicted Charleston House’s interiors or hung on Charleston walls, as well as photos of Charleston’s interiors that included Vanessa’s (and Grant’s) hand painted surfaces. It is difficult to tell the difference. In the painting called Charleston Drawing Room c1945, for example, the chair was bought for Vanessa by her sister Virginia Woolf and the curtains were painted by Duncan Grant. During WW2, the Charleston house escaped the German bombs. This allowed Vanessa to continue painting until she died in 1961. Eventually Duncan sold the house to the Charleston Trust, who renovated it and opened it to the public. I recommend the following book: Charleston: A Bloomsbury House and Garden, by Quentin Bell and Virginia Nicholson. Better still, visit Charleston in the heart of the South Downs. It is open to visitors for guided and for self-organised tours. Or you could read blogs with fine photos of the decorative arts that are still at Charleston, Thought Patterns and Little Augury. Bell painting, Daughter Reading Inside, c1938 Although Duncan Grant originally received more recognition for his work, Vanessa Bell's artwork has become increasingly well known with time. A most interesting exhibition now on is called Radical Bloomsbury: The Art of Duncan Grant and Vanessa Bell, 1905-1925. On display until the 9th October 2011, works from both artists are compared, contrasted and integrated at Brighton Museum and Art Gallery, Royal Pavilion Gardens. Otherwise visitors can see Vanessa's paintings in: Manchester City Art Gallery and the three main London galleries, the National Portrait Gallery, Courtauld Institute Art and Tate Gallery.