U Minh Thuong and U Minh Ha National Parks are considered to be the Mekong Delta’s most diverse region. As one of two major wetland destinations in Vietnam, together, these two wildlife areas are combined to create an Upper and Lower Park.

Với mô hình chợ 4.0 - chợ thanh toán không dùng tiền mặt, tiểu thương và khách hàng có thể mua, bán hàng tại chợ bằng cách quét mã qua QR, mã hóa thông tin thẻ, thanh toán di động, thanh toán phi tiếp xúc, ví điện tử, đáp ứng mọi nhu cầu thanh toán hàng ngày và phù hợp cho mọi đối tượng sử dụng. Người dân trải nghiệm mua hàng không dùng tiền mặt tại chợ xã Thạnh Yên, huyện U... 64e9da138fac1

If you are also planning to explore U Minh Ha National Park, do not forget to read the travel experiences we share in the article below

Lắp Đặt Camera tại U Minh Thượng ⭐  công ty hàng đầu khu vực ⚡️ thi công hiệu quả ✅ đem lại cảm giác yên tâm sử dụng hơn bao giờ hết.

Bản đồ quy hoạch, kế hoạch sử dụng đất huyện U Minh (Cà Mau) năm 2023, 2024, 2025, 2026, 2027, 2028, 2029, 2030, 2035, 2040, 2045, 2050.

Vườn dâu Cái Tàu xã Nguyễn Phích, huyện U Minh, tỉnh Cà Mau. Khoảng độ tháng 4, tháng 5 thì màu xanh ấy sẽ lấp ló màu vàng lấp lánh báo hiệu mùa dâu Cái Tàu đã tới. Hàng năm đến mùa dâu chín, thu hút hàng trăm khách du lịch mỗi ngày.

The Neptune is unique in that it was and still is the only American naval land-based patrol plane ever purpose-designed and built.

(PLO)- Cục Thuế tỉnh Cà Mau xác định những vé câu cá lạ ở Vườn quốc gia U Minh Hạ đã vi phạm Nghị định 123/2020.

Yōshū CHIKANOBU (1838-1912) Archive Series: Heike monogatari (The Tale of the Heike) Signature: Yōshū Chikanobu with Artist’s Seal Date: first published 1898 Original Japanese Woodblock Print, Size: Oban

Maluku is a great archipelago of more than 1,000 islands in the Banda Sea of Eastern Indonesia. These isles have commonly been referred to by foreigners as the 'Spice Islands.' Northern Maluku is the ancestral home of cloves, nutmeg, and mace. The quest for these precious and costly commodities was a source of inspiration for Europe's 'Age of Discovery.' Moluccan islands like Banda, that were luxuriantly rich in spice gardens, were decimated during the violent struggle by outsiders to control the trade of these rare exports. The remote islands of southeastern Maluku, lying between Timor and New Guinea, lacked the abundance of the contested resources of their northern neighbors. The peoples of this region remained largely beyond the reach of world religions and thus maintained traditional beliefs, cultural practices, and art forms until their conversion to Christianity in the 19th and 20th centuries. Presently, Southern Maluku is grouped into three sub-districts: the Babar Islands in the East (including Luang and Sermata ), Leti, Moa, and Lakor in the center and the Southernmost Islands in the West (encompassing Kisar , Wetar, Roma, and Damar ), in addition to the archipelagos of Kai and Tanimbar further to the East. Many of these islands share similar cultural traits and practices. Masterworks of traditional Moluccan artistry include gold and ivory heirlooms, elaborate jewelry and ornaments, textiles, magical amulets, weapons, and shields. The most distinctive and beautiful figurative creations from this region convey a majestic sense of quiet, inner harmony, and artistic ingenuity. Reflecting the concept of a bi-partite as opposed to a tripartite cosmos, yet similar in design to other aristocratic houses in Indonesia, Moluccan traditional dwellings resemble immense oceangoing vessels. A nautical iconography befitting a fearless seafaring people is found in many physical aspects of houses, in the symbolic language applied to marriage and birth, and the ritual terms employed for many ceremonial functions. Aside from representing deities, the largest and most artistically accomplished sculptures often represented clan founders and other venerated ancestors. On the subject of female clan founders, Nico de Jonge has documented striking figures called Luli (meaning 'sacred') that represent the Southern Moluccan vision of an original 'Eve' — the founding mother of noble matrilineal family lines. These goddess-like figures range from subtle abstract renderings to  some of the most beautifully articulated of all Moluccan sculptural creations.  At times represented with extended arms raised towards heaven, the luli is the source of life and the fount of abundance. In de Jonge's analysis of gender dynamics in Southern Maluku, the fertile, life-giving role of women is set in stark juxtaposition to the life-taking, warrior identity of men.  On the Leti islands, natural resources were scarce and warring groups were engaged in perpetual conflict and headhunting. The Porka festival is a fertility feast that brought an essential pause to life's daily routines with the intention of bringing about renewal and increased abundance. This ceremonial event was also initiated to bring a village back to a state of normalcy after negative or catastrophic events. Before a Porka feast, a village would fly startling flags in the shape of human figures and erect carved posts to announce its temporary closure. These celebrations involved a suspension of the usual social order to promote revitalization and a communal return to a balanced state of being. The mouth masks of Leti are remarkable creations that were deployed as dramatic props within this charged ritual context. During the Porka festival, there was great feasting, singing, dancing, and condoned sexual licentiousness. The headhunting and sexual aspects of these festivals were seized upon as the pretext for the expansion of European authority into the Southern Moluccas. During the late colonial era, many traditional practices were brought to halt over time due to the intensified proselytizing efforts of Christian missionaries.  An exquisite array of Maluku masterpieces are found scattered through global museum collections including Nationaal Museum van Wereldculturen in the Netherlands, Museo Rautenstrauch-Joest in Germany, Staatliche Kunstsammlungen Dresden in Germany, The British Museum, Musée du Quai-Branly in France, Museum Rietberg in Switzerland, Museum Nasional Indonesia in Jakarta, The Dallas Museum, The Museum of Fine Arts, Houston, Yale University Art Gallery, The Metropolitan Museum of Art, and The Honolulu Art Museum. Valuable insights regarding the material culture of Southern Maluku are furnished in Nico De Jonge's Forgotten Islands of Indonesia: The Art and Culture of the Southeast Moluccas and with specific regard to the history of the region, in the writings of Leonard Andaya.

五子天官

The Knight in the Panther's Skin by Mamuka Tavakalashvili. Western Georgia, 17th century