Jlaus Folklore 2020 - Anne Boleyn This is a print of an original pen and ink drawing printed on high quality premium luster photo paper. Will be shipped in a protective cardboard mailer. Size Options: 8'' x 10'' 11'' x 14'' If you have any other questions, feel free to contact me! For more artwork like this one, visit my instagram page @jlauser.art!

B is for Boleyn. The now iconic single-initial lavaliere, immortalised in Anne Boleyn’s portrait as Queen consort to King Henry VIII, has become synonymous with the scandalous royal and her untimely end

Anne Boleyn's execution was a tragedy; but perhaps there is a surprising truth about her last hours. Discover more in this fascinating article.

Anne Boleyn was one of the most enigmatic and influential queens in English history. She was not just a queen, but a transformative figure, whose presence forever altered the trajectory of the English monarchy. Navigating the intricate politics of the Tudor court, Anne's charm, wit, and intelligence captivated the most powerful man in England, King Henry VIII. Their passionate relationship was not only a love affair but also an intellectual union. Anne's exposure to Lutheran reformist ideas, combined with her influence over the king, played a pivotal role in the English Reformation. This seismic shift, driven in part by their desire to marry, led to England's break from the Roman Catholic Church and the establishment of the Church of England. Yet, Anne's rise to power was fraught with challenges. As the second wife of Henry she she faced both adoration and animosity. Her inability to produce a male heir, coupled with courtly intrigues and her bold religious stance, led to her tragic downfall. Accused of treason (wrongly, most modern scholars argue), Anne's life was cut short on the scaffold, but her legacy was indelible. Despite her untimely end, Anne Boleyn's influence endures. She is remembered not just for her role as a queen but as a symbol of resilience, ambition, and religious reform. Her story, filled with passion, intrigue, and determination, continues to fascinate and inspire. This pendant, exquisitely crafted, is based upon one of the only remaining portraits of Anne. Wear this emblem to honor Anne Boleyn's legacy and let her tale inspire you to challenge conventions, embrace change, and pursue your ambitions with unwavering determination.

Explore golondrina411's 200 photos on Flickr!

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Here’s what you need to know about the Anne Boleyn necklace. The necklace itself was likely made in the 16th century, during Anne’s lifetime. It was made of gold and featured a simple design with a large “B” pendant in the center. The necklace was likely worn as a symbol of Anne’s love and devotion to King Henry VIII. Today, the Anne Boleyn necklace is a popular item of jewelry among history enthusiasts and fans of the Tudor era. Many replicas of the necklace are available for purchase, allowing people to own a piece of history and connect with Anne Boleyn’s story. If you’re interested in learning more about Anne Boleyn and her life, the necklace is a great place to start. It’s a tangible reminder of the woman who captured King Henry VIII’s heart and changed the course of history. Whether you’re a history buff or just a fan of beautiful jewelry, the Anne Boleyn necklace is sure to fascinate and inspire you. 🎁 The number of purchases that YOU NEED TO MAKE 🎁 3ITEMS = FREE SHIPPING 💎 The necklace in the photos is 16”. 💎 This beautiful pearl necklace is made with 100% natural freshwater pearls and 925 sterling silver pendant. 💎 Customization You can choose the necklace length and initial pendant Necklace color: Gold Pearls color: Natural Necklace length: 14” - 16” - 18” - 20” - 22” Initial: A - Z except “X,Q” 💎 Material - Natural fresh water pearl - S925 sterling silver 💎 Product Features - Soft for skin - Hypoallergenic - Handmade - Waterproof

Sold by  Create your own from scratch  Size: Standard Postcard Create your own vacation-worthy postcard! Any view you’ve seen, any monument you’ve fallen in love with, can all be added to your postcard with our personalization tool. Dimensions: 5.6" L x 4.25" H; qualified USPS postcard size High quality, full-color, full-bleed printing on both sides Paper Type: Matte A classic, all around paper with a natural feel and an uncoated matte finish; our Standard Matte stands the test of time. Elegant and understated, colors print softer and more subtle. 17.5 pt thickness / 120 lb weight / 324 GSM Light white, uncoated matte finish with an eggshell texture Paper is easy to write on and won't smudge Made and printed in the USA

Planning a visit to Hever Castle in Kent? This is the ultimate guide to Hever Castle, a romantic double-moated 13th century castle with over 700 years of history. Hever was the childhood home of Anne Boleyn and the backdrop of key events in royal history. This guide tells you about the castle's history and everything to see inside.

In anticipation of Valentine's Day, we take a spin through history's greatest lovers—star crossed, cursed, life-long, and everything in between.

The painting to the right is a very interesting artifact of the Tudor era. According to the Latin inscription in the upper right corner, it's a portrait of Cornelia Burch, age two months. It was painted in 1581 by an unknown artist. We don't know who Cornelia was. It's been theorized that she was the daughter of Thomas, Lord Burgh, who was the English ambassador to Scotland, but there's no proof of it. The painting is interesting for several reasons. Relatively few Tudor era infant portraits survive. Only about half of Tudor children survived to adulthood; a quarter of children did not reach their first birthday. And so commissioning an artist to paint an infant, especially an oil portrait such exceptional quality, was rare. Did little Cornelia survive to adulthood? There's no way for us to know. Cornelia's family was obviously wealthy. The little cap on her head is frilled with fine, goffered linen. She holds in her hand a gold rattle with a polished tooth at the end. Her cradle is elaborately carved and she rests against a fine pillow. Her sleeves are of velvet, piped with gold. Her swaddling bands are silk, bound with gold cord. But here's another interesting aspect: Cornelia is only half-swaddled. Her arms are free. Whether this was done simply for the portrait or whether it was her parents' choice to leave her arms unswaddled is unknown. Parents swaddled their infants as their incomes would allow, but wealthy infants usually would have each limb individually wrapped in linen or silk, passing over the top of the head to keep it immobile, and then wider bands of cloth wrapped horizontally around their body. The child was unwrapped a few times a day to change their diaper, but otherwise handled as little as possible. It was thought too much attention would spoil them. The portrait to the left is of the newborn Federigo di Urbino by Fiori Barocci, 1605. The baby's silk swaddling bands are embroidered with cloth of gold, and they wrap him from toe to shoulder like a little mummy. His head rests on a pillow decorated with pearls. The two children to the right date to 1671, and are of a bit more modest means. They are bound up from head to toe in their swaddling bands, dressed over that in chemises with lace-edged collars, and then wrapped in white linen cloth, tucked neatly around their forms. Research into the family history of the infants suggests that they were twins, and unfortunately did not survive their first year. The last portrait of swaddled infants I want to share with you is a very unusual image called The Cholmondeley Ladies, 1600-1610. The image shows two ladies reclining in a bed, fully dressed in embroidered stomachers, sleeves with rosettes and pearls, elaborate ruffs, and jeweled necklaces. Both ladies hold a swaddled baby wrapped in a red christening gown. An inscription in gold lettering in the bottom left says the two women were sisters, born on the same day, married on the same day, and gave birth on the same day. An event worthy of being immortalized in oil paint, that's for sure! Babies from wealthy families were usually given over to wet nurses to feed soon after the christening. Sexual relations were forbidden while a woman was nursing, and nursing naturally reduces a woman's fertility. Women of the day wanted to become pregnant again as soon as possible. There's an apocryphal story that Anne Boleyn wanted to breastfeed Elizabeth I, but her request was denied by Henry VIII. It's unlikely she would have asked. The character of the wet nurse was very important, because negative character traits were thought to be transmitted in the milk. Nurses whose own children had been boys were favored. The milk of a woman who'd had a boy was thought to be more wholesome. She was to be given a rich diet foods, though with little spices, and red wine - thought to be strengthening. Sometimes, a wardrobe or other material goods were supplied to her. Elizabeth I's astrologer, John Dee, sent candles and soap to his child's wet nurse. The image to the right is of Gabrielle d'Estrées, mistress of King Henry IV of France. A nurse is behind her, feeding Gabrielle's swaddled infant son César, born in 1594. Children were generally nursed until the age of two, though I've seen mentions of children being nursed as late as five years old in the Tudor era. They wore the long robes (christening gown length) until they were able to walk, when the child was officially "short coated." Both boys and girls wore gowns similar to adult women's clothing, and so it can sometimes be difficult to determine a child's gender in a portrait. As soon as the child was old enough to walk and talk, they were old enough to begin the next stage of life, their education.

Letter by a young Anne Boleyn, written in French, to her father Sir Thomas Boleyn from her childhood home in Belgium, where she was under the patronage of Margaret of Austria.

On Tuesday 26th August 1533, Queen Anne Boleyn 'took' to her chamber to prepare for the birth of her first child, who would, of course, be the future Queen

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"Under These Restless Skies" is a novel set during the reign of Henry VIII and Anne Boleyn. The site explores topics and people of the Tudor age.

Anne Boleyn allegedly held this prayer book during her beheading in 1536.

This necklace is a Renaissance reproduction based on a portrait of Anne Boleyn, Queen consort of England by her marriage to Henry VIII. A well-designed B, with a study of the original portrait to produce this beautiful replica that is almost identical in size to the B in the portrait of Anne Boleyn. Don't just use any old B and add three pearls at the bottom, don't accept that if you are looking for historicity in this type of piece. This necklace is exclusively made and entirely designed by me in my small studio. Feel like Anne Boleyn wearing this unique design and complete your Tudor renaissance costume with it. Or simply choose it to honor your family name or surname, why not? ✤ 𝗡𝗘𝗖𝗞𝗟𝗔𝗖𝗘 𝗗𝗘𝗧𝗔𝗜𝗟𝗦 ✤ ➺ 6 mm glass/shell/freswater pearls (You choose in dropdown menu). ➺ 18k Gold fine plating "B" Letter (Zinc Alloy) made in Spain. ➺ 3 glass pearls (9x13 mm) or shell pearls* (11x15 mm) in white color (According to the option of the beads/pearls chosen). ➺ Extender chain. ➺ Brass findings with 24k gold fine plating. * There may be slight color differences between the 6 mm shell pearls and Shell drop pearl due to their manufacture. 🔎 MORE PRODUCTS HERE: https://www.etsy.com/shop/Renaroque ✤ 𝗦𝗛𝗜𝗣𝗣𝗜𝗡𝗚 𝗢𝗣𝗧𝗜𝗢𝗡𝗦 ✤ (Dropdown menu before check out) ➺ 𝗦𝗧𝗔𝗡𝗗𝗔𝗥𝗗 𝗠𝗔𝗜𝗟 𝘄𝗶𝘁𝗵 𝘁𝗿𝗮𝗰𝗸𝗶𝗻𝗴: Direct to your mailbox. ➺ 𝗖𝗘𝗥𝗧𝗜𝗙𝗜𝗘𝗗 𝗠𝗔𝗜𝗟: With tracking and signature on delivery. ➺ 𝗗𝗛𝗟 𝗘𝗫𝗣𝗥𝗘𝗦𝗦 𝗦𝗛𝗜𝗣𝗣𝗜𝗡𝗚 (Dropdown menu before purchasing) -- Cell number is required: Express shipping is not available for PO BOX or "remote" areas considered by DHL EXPRESS. In case you have already chosen the express shipping method and do not provide me with your phone number, I will cancel the order in the last hours before the end of the shipping period. Your cell/mobile phone number is a mandatory requirement of shipping agency to contract the express service. * The delivery times indicated at checkout are always estimates and, although they normally always arrive within the days indicated, there is the possibility of certain changes. The coronavirus continues to cause shipment arrival times to be longer than expected at certain times. I CAN'T CONTROL THE SHIPPING TIMES and they depend on the professionalism of the postal services in my country and yours, the courier agency or the current customs situation in many countries. Your patience is greatly appreciated. ✤ 𝗖𝗢𝗦𝗧𝗨𝗠𝗘 𝗝𝗘𝗪𝗘𝗟𝗥𝗬 𝗖𝗔𝗥𝗘 ✤ Always store your jewellery in a dry place. If you store jewellery in the bathroom, it should be kept well closed. Avoid contact with water (washing hands, swimming, showering, sports, sauna). Don't expose to sunlight for long periods of time. Contact with perfume, body lotion or creams can affect the material. Please wait at least 10 minutes after application before wearing jewellery. Put your jewellery down before going to bed. For cleaning we recommend a silver cleaning cloth. This removes fats and other substances that may react with the metal. Moisture and heat, whatever its form, and in many cases also the pH of your skin, can cause slight surface corrosion after a certain period of time. ✤ 𝗟𝗘𝗧'𝗦 𝗦𝗧𝗔𝗬 𝗖𝗢𝗡𝗡𝗘𝗖𝗧𝗘𝗗 ✤ Instagram @renaroque Facebook @Renaroque.Historical.Reproductions Pinterest @Renaroqued ✤ 𝗥𝗘𝗩𝗜𝗘𝗪𝗦 ✤ See what other customers are saying about my works! https://www.etsy.com/your/shops/renaroque/reviews

On 13th May 1536, two days before her trial, Queen Anne Boleyn's household was broken up, and her staff discharged, by Sir William Fitzwilliam, Treasurer of

A history of royal fashion, the Tudors. Henry VIII and Elizabeth I were considered the original power dressers!

Follow in the footsteps of a day in the life of Anne Boleyn as you accompany the queen on the 1535 progress, as one of her ladies in waiting.

Just last week I wrote a post entitled "Anne Boleyn's Influence on Elizabeth I" about Tracy Borman's new book "Elizabeth's Women: The Hidden Story of the

Lady Mary FitzAlan, Duchess of Norfolk, was the daughter of Henry FitzAlan, 19th Earl of Arundel and his first wife Lady Catherine Grey. Because her only brother had predeceased her, she was the heir to the earldom of her father. She was the first wife of Thomas Howard, 4th Duke of Norfolk, whom she married in 1556. They had one son, Philip Howard, 20th Earl of Arundel, born the following year. Mary died eight weeks after the birth of Philip, and she was buried in Fitzalan Chapel in Arundel. Upon the death of her father in 1580, the earldom of Arundel passed to his grandson Philip.

Anne Boleyn Portrait Print Poster Introducing the perfect means to print art on – the premium matte vertical posters. Made with museum-grade paper (175gsm fine art paper), these posters translate any digital artwork into exquisite real life décor. Available in multiple sizes, each poster is printed with top-tier pigmented archival inks for a stunning end result.\n.: 175 gsm fine art paper\n.: Multiple sizes\n.: Matte finish\n.: For indoor use\n.: NB! Due to the production process of these posters, please allow for slight size deviations with a tolerance +/- 1/16".

This x-ray image of a woman, found hidden underneath a 1580s portrait of Queen Elizabeth I, has fascinated researchers and the public. It’s led many to come to believe that this is a secret image of Elizabeth’s disgraced mother, Anne Boleyn, and that Elizabeth had purposely painted over this image t