Marlene Oak balances traditional folk styles with more modern infusions for the utterly captivating Northern Winds. Find out more in our review!
Linocut PrintPaper size: 37cm x 37cm / 14.5” x 14.5” with deckled edges. Certificate of AuthenticityMy love for ancient primitive art is the reason I keep exploring traditional folk art alongside my fine art painting practice. Relief printing (block printing) is one of the ways I connect to primitive art forms through hand carving and hand printing. Each work is made with love for the unknown roots of the collective existence.Each print is unique, they are handmade, thus the colour density and tiny details may vary. They are all signed and numbered on the front. Materials: 145g Zerkall paper with deckled edges (the lovely Zerkall Paper logo is visible at the right bottom corner when it's held up against the light.
Picture a tiny village in Eastern Europe, surrounded by forests and vineyards. Roses and daisies riot in front of small white-washed cottages. A tall-steepled church dominates the dusty village, and the road to the church is filled with blazing colors. It’s the matrons of Ratiskovice, Czechoslovakia, on their way to church in their richly embroidered...READ MORE
* This product is a digital file ONLY. No printed product will be shipped to you* This purchase is an instant digital download, no physical product will be shipped and the frame is not included. When printed, colours may vary slightly due to different colour monitors and printers. Upon purchase you will recieve three PDF files of the same design in the following sizes: 40x50cm (15” x 19,6” inches) 30x40cm (11” x 15” inches) 21x30cm (A4) (8” x 11,6” inches) (If you need a smaller size let me know I will do it for you) 1) I recommend printing on gloss card or quality photo paper.Feel free to print these on your home computer, at your local print shop or send to online printer . 2) When printing yourself please make sure you print the poster at the original size . 3) Please understand that I am not responsible for the printing of your item. *COPYRIGHT NOTICE* This license is for personal use only! Reselling, sharing or commercial use of this product is not allowed!All rights reserved. Due to the nature of this item ,no refunds or exchanging are possible. I'm always available to answer any questions prior to purchase. Thanks for stopping by my store, I really appreciate your support ! If you would like to support me in another way you can! Leave a review Favorite my shop Check out my socials Instagram - @n.r.album Facebook - @n.r.album
Wicca and witchcraft are not the same thing, yet many people think it's the same. Traditional witchcraft is older... Read on to find out more
Reading and writing teachers both can use this fun-sized product to teach, review, or plan lessons on folk tales. Traditional literature is such an enjoyable unit for students, so I created this product to provide a way to ensure students understood the elements of folk tales in order to create their own! Don't let its small size fool you. This packet contains a great variety of products for both reading and writing. This product includes: ⭐Teacher's Guide ⭐Elements of Folktale Match (with blank and completed forms) ⭐Plot and Folktales Assessment ⭐Story Elements and Folktales Assessment ⭐Folktale Writing Planning Page ⭐Google Slides Interactive Slides ⭐Answer Key
This pasta dish, originating in Neapolitan folk tradition, is made with a special variety of squash. A bit like soup and a bit like stew, it’s a perfect, tasty way to brave the fall temperatures and the early winter chills.
♥ ♥ ♥ S A L E ♥ ♥ ♥ GET A FREE CLIP ART SET! COUPON CODE: GRAB3FOR2 Get three Clipart or Digital Paper packs for the price of two! OR, save HALF PRICE with our best deal yet: 10 SETS FOR $22 COUPON CODE: TREAT22 See our COUPON CODE shop section for details. ♥ ♥ ♥ S A L E ♥ ♥ ♥ - - - - - /// . A B O U T . /// - - - - - These bright happy little Dala Horses are coloured in a selection of juicy bright pop-art colours. WHAT'S INCLUDED? • 6 x Multicolored Dala Horse Illustrations. All Dala Horses were digitally hand drawn by Melbourne based graphic designer + illustrator, FRANCE (Sweet Lou helps out, too). We draw for the love of it, and are always flattered when people enjoy our art so much they incorporate it into their special events ♥ All files are provided in 300 dpi transparent PNG as well as flat JPEG format, and are just over 6 inches tall. Curious about quality or file compatibility? Download free samples from our website! www.lovelune.com/free - - - - - /// . V A R I A T I O N S . /// - - - - - ▶ Looking for more Dala Horse designs?: www.etsy.com/shop/FRANCEillustration/items?ref=l2-shopheader-name&search_query=Dala ▶ Want more cute Horse themes?: www.etsy.com/shop/FRANCEillustration/items?ref=l2-shopheader-name&search_query=Horse ▶ Or check out all of our Animal designs!: www.etsy.com/shop/FRANCEillustration/items?ref=l2-shopheader-name&search_query=Animal - - - - - /// . C O M M E R C I A L . U S E . /// - - - - - We've updated our Commercial Use policy - a free Standard License is now included with every premade artwork set purchased! This means you can sell up to 500 items using our artwork without having to provide a credit link. Please visit our "Commercial Licence" section if you wish to sell more than 500 items, or drop me a message and we can discuss the best licence for your needs. Some listings still contain text documents with our old Commercial Use policy within it - you can disregard the section stating credit is required. It no longer is (although it is always appreciated!) x - - - - - /// . T E R M S . O F . U S E . /// - - - - - • Any Commercial use must: (i) be significantly different than the original Licensed Asset, (ii) require time, effort, and skill to produce and (iii) not derive its primary value from the Licensed Asset itself. • Conditions for Commercial Use: a free Standard Licence is included with this purchase, allowing for up to 500 sales using this Licensed Asset. Further use require a license upgrade. • The only situation you may sell the Licensed Asset unaltered are as physical printed stickers ONLY (digital stickers featuring unaltered artwork is NOT allowed). • You CANNOT sell digital stickers, or any form of digital file, where the Licensed Asset is unaltered. The Licensed Asset must be incorporated into your own unique design, and not extractable. • You cannot use the Licensed Asset to make new clipart, digital paper, or scrapbooking graphics etc (printed or digital) except for physically printed planner stickers. • You cannot sell our artwork unaltered through Print-On-Demand sites (e.g. Zazzle, Spoonflower etc). It must be incorporated into your own unique design, and our artwork cannot provide the primary value. • All copyrights remain with FRANCEillustration. You cannot claim/imply the Licensed Asset is your own. • The Licensed Asset may not be used as part of a trademark/logo or similar use unless (1) the Licensed Asset is significantly altered and (2) not the predominant element of the End Use. • You cannot attempt to register, protect, or enforce any trademark or similar rights of the Licensed Asset (consider this when making/selling logos). • You cannot sell/swap/give away FRANCEillustration artwork files as-is, or altered. • Resale or Sub-Licensing of the Licensed Asset or any modification of it in a way that is directly competitive with the original Artwork is strictly prohibited (e.g. as a stock asset or clipart). • Use of the Licensed Asset in pornographic, fraudulent, immoral, infringing, illegal, harassing, offensive, or defamatory material, is strictly prohibited. • Every effort is taken to preview and describe the artwork. Files are sold as shown/described. Alterations can be commissioned at extra cost. • Due to the digital nature of the files all sales are final. In the event that files are not as stated we will rectify it, however we cannot provide troubleshooting for software/printing issues, nor provide refunds for software incompatibility. Please visit our website to download a free artwork sample to check for file compatibility BEFORE purchase: www.lovelune.com/free • This is a digital file. No physical product is ever shipped from our shop. • Colors may vary slightly due to differences in screens and printers. • By purchasing these files you are agreeing to the Terms of Use stated above. We ALWAYS want you to be happy with your new artwork! If you have any issues or questions please Etsy Convo us! We'll always do our best to solve any problems. - - - - - /// . T H A N K . Y O U /// - - - - - Thank you for supporting our artwork so we can keep doing what we do! x ♥ FRANCE + Sweet Lou.
Hello all, Today I will talk about the costume, and a bit about the embroidery of the Borshchiw region, West Podillia, Ukraine. This lies in the extreme southeast corner of Halychyna, [Galicia], as defined by the Austrian Empire. This is the corner of the confluence of the Dnister and Zbruch rivers, both of which were significant borders for a long time. The Zbruch was the westernmost border of Moscow's Empire prior to the Revolution, and subsequently the border of the Soviet Union until they invaded Halychyna on Nov 1, 1939, in the early days of WWII. The Ukrainian territories west of this line were Never part of the Muscovite Empire. This part of the Dnister formed the border with Bukovyna, another province of the Austrian Empire. Slightly further west the region of Pokuttia [part of Halychyna] also lay south of the Dnister. Thus this region lies in very close proximity to the regions of Zastawna, Horoden'ka and Sniatyn, all of which have significant local embroidery traditions, and about which I have written articles. In Sniatyn the primary embroidery tradition was white on white, in Horoden'ka a rusty red, and in Zastawna a multicolored riot. In contrast, the embroidery of Borshchiw was primarily black. Many sources describe the embroidery as done with 'kucheryavyj show', or 'curly stitch'. In fact, this is not a distinct embroidery technique, but rather the same stitches which were used elsewhere, but executed in a heavy wool thread, resulting in designs which were raised, and formed more by texture than by outline. The details are best admired in bright daylight. I will talk more about the actual embroidery in my next article. The arrangement of the embroidery on the inset/sleeve follows the same three part canon as is found in Pokuttia, Bukovyna, Eastern Podillia, as well as further south in Moldova. Here is an example from the village of Vil'khovets'. It was common for there to also be embroidery on the front. And a schematic of another shirt from the same village. For festive shirts, the most common cut was the inset cut with the inset sewn parallel to the body. The inset, together with the front and back fields was gathered around the neck. This resulted in some restriction of movement of the arms, which was considered to show elegance and restraint. The majority of the older preserved shirts are of this type. For everyday and for less formal shirts, two other cuts were used, which allowed full movement of the arms. The more traditional is with the inset set in perpendicular and above the body pieces thus: The other is known as 'boycut', and is essentially the same cut as is used in men's shirts. This was early on only used for everyday work shirts, but later was also sometimes used for festive shirts. It may be made with or without a cuff; if there is no cuff, the end of the sleeve is left open. The shirts were often made short, as in the above examples, but were never worn this way. An extension was sewn to the waist to make them full length, this enabled the lower part, which wore out faster, to be replaced easily, and also, it was often made of a coarser cloth. The shirts were most commonly made of hemp, or with hempen weft, and imported cotton warp. Here are a couple photos of the Hnyzdowski family, taken in the village of Pylypche, the first in 1905, the second in 1920. An overskirt consisting of a rectangular panel, the obhortka, was wrapped around the waist from the back, and held in place by a wide sash. This commonly had narrow stripes woven at either end and along the bottom edge. Commonly one or both corners were tucked up into the sash for ease of movement. You will notice that the married women above tucked up the right corner, while this unmarried girl has tucked up the left corner. The sash was wide and long, and used by both men and women. Here is one from my personal collection. The pattern is complex and executed in dark and subtle colors. This one is about 4" wide and almost 4 yards long. For a sash to hold well, it must circle the waist at least twice. In the Borshchiw district, the outfit was usually worn with an apron, unlike other districts in the area. This was a simple rectangular panel, with woven horizontal stripes. In some villages such as Khudykiwtsi, there was a wider panel with designs close to the lower edge, and in a couple of villages, such as Hermakiwka, the apron could be woven with larger kilim type designs along the entire length. This outfit is from the village of Pylypche. This is a closeup of an apron from Kudryntsi. This one is from Hermakiwka. This little girl has on an exceptionally fine apron. Later on, when home weaving began to wane, The obhortka was sometimes replaced by an actual skirt, in which case the apron was also made of bought cloth. Many necklaces of coral and other beads were worn, as well as necklaces with coins. Take another look at the image above. As you can also see by the above images, single girls wore a band of ribbons on their hair, and married women wore a namitka, which later was sometimes replaced by a kerchief. Either of these was often worn over a cap, chepets, which covered the hair. Under the cap the hair was wound around the head, often around a ring of twigs or tow, to form a distinctive cylindrical shape. The local wedding crowns are very distinctive, as you can see here. There were, in fact variations on the crown, as each bride attempted to make hers special. Moccasins over footcloths were the early footwear, but these were early on replaced by boots for those who could afford them. Men and women both sometimes wore sheepskin vests with the fleece turned to the inside, called leibyk. They usually had a decorated panel on the front, and were only waist length, in contrast to similar vests in neighboring regions, which were hiplength, and in Bukovyna, could even be longer. Men's shirts were of tunic cut, and generally reached the knees. Narrow linen pants were worn under the shirt. The front and back were made of a long rectangle, with a hole for the head. The sleeves were set in perpendicular to the body, and there was a square gusset under the arm, and triangular panels under that to widen the bottom for ease of movement. Work shirts might have no embroidery, but dress shirts would have a narrow band at least around the sleeve ends and front opening, as above. It may have no collar at all, as seen above, It may have no collar but with the neck opening embroidered, it may have a narrow band collar, or a narrow fold down collar. A collar would be embroidered at least at the edge. Sometimes the band of embroidery would have a second band of floral embroidery next to it, as in these examples, and the mannequin above. The hem may also have a narrow band of embroidery. It was customary for the pieces of a man's shirt to be joined by an ornamental joining stitch which was done between the pieces. There were several different types used. Exceptionally fancy shirts may have several of the narrow bands of embroidery done lengthwise on the sleeves, as well as on the body where the sleeves join it. The sleeve may be of several narrow bands of cloth with joining between each one. Or it may have both, as in this example. The men wear the same kind of wide woven sash as the women. It has lengthwise stripes and designs woven in a dark color. This may sometimes be replaced by a leather belt of about the same width called cheres. In some villages, the narrow linen pants were tucked into the boots..You will notice that these young men are wearing straw hats with ribbons and other decorations. In others they wore shoes, or wore the boots inside the pants. Here is a group from Hermakiwka. The young man in the center is wearing city clothes, including a western style suit and a modern style Ukrainian embroidered shirt. In other villages the pants had decorative pleating, and of course, noone would dream of ruining that by tucking them into the boots. here is another example of wedding crowns. Notice that the short sheepskin vests sometimes had short sleeves in this region. They are wearing bought kerchiefs in place of aprons here. Here is a man wearing shoes with leather gaiters to simulate boots. In the winter, both men and women wore overcoats of heavy wool [svyta] or sheepskin [kozhukh]. The men wore cylindrical lambs wool hats, and the women wore heavy wool kerchiefs on their heads to keep warm. Here is a photograph of a winter wedding. click to enlarge. Thank you for reading, I hope that you have found this to be interesting and informative. Roman K. email: [email protected] Just a few more images of this costume. Some of them are being worn in the modern way with the hair uncovered. Here is a short video of a village band from this area. The band members are wearing schlocky random bits of costume [as musicians often do], but the people dancing behind them are wearing this costume. https://www.youtube.com/watch?v=JFREBhN9KWU Source Material: Lubow Wolynetz, 'Borshchiv, Its Folk Art, Customs and Traditions', New York, 1994 Liudmyla Bulhavkova-Sytnyk et al, 'Zhinocha Sorochka Borshchiws'ko-Zastawniws'koho Prydnistrovia', Published in L'viw, printed in Kyjiw, 2013 Liudmyla and Oleksij Pokusins'ki, 'Borshchiws'ka Narodna Sorochka, Materialy, Krij, Tekhninky, Shytva', Kyjiw, 2012 Lyudmyla Bulhakova-Sytnyk, 'Borshchiv Shirts from the Collection of Vira Matkovs'ka', L'viw, 2008 Oksana Kosmina, 'Traditional Ukrainian Clothing, vol 1', Kyjiw, 2008 K. I. Matejko, 'Ukrajins'kyj Narodnyj Odiah', Kyjiw, 1977 Lesya Danchenko, 'Ukrainian Folk Art', Leningrad, 1982 M. S. Bilan, 'Ukrajins'kyj Strij', L'viw, 2000 Olena Kulynych-Stakhurska, 'The Art of Ukrainian Embroidery', L'viw, 1996 Tamara Nikolajeva, 'Ukrajins'kyj Kostium - Nadija na Renesans', Kyjiw, 2005 Bilozub et al, 'Ukrajins'ke Narodne Mystetsvo', Kyjiw, 1 Zinaida Vasina, 'Ukrajins'ke Narodne Vbrannia', Kyjiw, 2009
* This product is a digital file ONLY. No printed product will be shipped to you* This purchase is an instant digital download, no physical product will be shipped and the frame is not included. When printed, colours may vary slightly due to different colour monitors and printers. Upon purchase you will recieve three PDF files of the same design in the following sizes: 40x50cm (15” x 19,6” inches) 30x40cm (11” x 15” inches) 21x30cm (A4) (8” x 11,6” inches) (If you need a smaller size let me know I will do it for you) 1) I recommend printing on gloss card or quality photo paper.Feel free to print these on your home computer, at your local print shop or send to online printer . 2) When printing yourself please make sure you print the poster at the original size . 3) Please understand that I am not responsible for the printing of your item. *COPYRIGHT NOTICE* This license is for personal use only! Reselling, sharing or commercial use of this product is not allowed! All rights reserved. Due to the nature of this item ,no refunds or exchanging are possible. I'm always available to answer any questions prior to purchase. Thanks for stopping by my store, I really appreciate your support ! If you would like to support me in another way you can! Leave a review Favorite my shop Check out my socials Instagram - @n.r.album Facebook - @n.r.album
These 4 PDF files contain 80 authentic cross-stitch folk designs from a small 400 year old hungarian village in Transylvania. They were gathered and printed in this book in the '70s. The book was never reprinted. There are birds, flowers,animals, geometric patterns and more. In the pictures you can see a few of the patterns in small size. The PDF files contain all the patterns in a large format. The PDF files contain only the patterns. The texts about the village, the traditions and the way these patterns were gathered (in hungarian) is not included because of the limited 20 mb size, but if somebody is interested in those files too, I will gladly send them via email.
Enter a world of creative self-expression with this relaxing coloring book for grownups. Inside you’ll find 30 amazing art activities that will take you on an inspiring adventure of patterning, shading, and coloring. These charming international folk designs offer a fun and easy way to unleash your inner artist.Both traditional and contemporary artworks are included, inspired by the living cultures of indigenous people around the world. Each vibrantly detailed illustration is designed to exercise your creativity. Beautifully colored finished examples are provided, along with a handy guide to basic art techniques, from patterning and combinations to shading and color theory.This quirky coloring book for grownups is perfect for decorating with markers, colored pencils, gel pens, or watercolors. Folk Art Coloring Book is printed on high-quality, extra-thick paper to eliminate bleed-through. Each page is pre-perforated for easy removal and display.
The medieval tradition of covering the hair with a haube, a hood, as a sign of marital status continued in Germany during the 16th century. ...
Sample swatches are perfect for previewing color and scale. However, due to our printing methods and repeat sizes, we cannot guarantee a specific portion of the design in a sample swatch. Etsy provides transit estimates which are auto-calculated and may not be accurate. If you are concerned about the status of your order, please don't hesitate to reach out! As we do not maintain printed inventory, and each item is printed to order, the images on this listing are digital renders. Please note that colors on printed items can differ due to various factors such as fabric type and printing method, so the final product may vary slightly compared to the listing image. Due to the nature of digital printing, dark colors and busier designs require more ink and can affect the feel of the fabric. However, the fabric should soften up after a few washes! ◆◆◆FABRIC OPTIONS◆◆◆ This design can be printed onto your choice of the following fabrics: Petal Signature Cotton - 42" wide - $23/yard - Fat Quarter Size: 21" x 18" - 100% natural cotton fabric with a versatile, plain weave - 4.3 oz per square yard (145 gsm) - Estimated shrinkage: 2-3% in length and 4-5% in width - Appropriate for quilting, craft projects, toys, and accessories Cotton Poplin - 42" wide - $27/yard - Fat Quarter Size: 21" x 18" - 100% natural cotton fabric with a fine weave and crisp, smooth feel - 3.3 oz per square yard (115 gsm) - Estimated shrinkage: 2-4% in length and width - Appropriate for quilting, shirting, skirts, dresses, and home decor Seersucker - 52" wide - $27/yard - Fat Quarter Size: 26"x18" - A traditional pick with a classic texture, Seersucker is a 100% cotton fabric with alternating ridges of flat and puckered vertical stripes - 3.25 oz per sq yard (110 gsm) - Appropriate for dresses, blouses, sport coats and suits, and top-weight apparel Cotton Silk - 52" wide - $57/yard - Fat Quarter Size: 26" x 18" - A versatile, naturally breathable fabric with a slight sheen made of a luxurious blend of 51% cotton and 49% silk - 2.4 oz per sq yard (82 gsm) - Estimated shrinkage: 4-6% in length and 2-3% width - Ideal for dresses, blouses, top-weight apparel, and accessories that need a graceful drape and flowy finish Essex Linen - 52" wide - $39/yard - Fat Quarter Size: 26" x 18" - A tastefully drapable fabric with a natural blend of 55% linen and 45% cotton - 5.5 oz per sq yard (186 gsm) - Appropriate for soft skirts, dresses, pants, button-up shirts, and lightweight jackets Cotton Lawn - 54" wide - $29/yard - Fat Quarter Size: 27" x 18" - Lightweight, slightly translucent apparel cotton - 2.4 oz per square yd (81 gsm) - Estimated shrinkage: 0-3% length and 1-2% width - Ultra-soft, with a silky hand and elegant drape, Ideal for blouses, sundresses, scarves, and accessories Organic Cotton Gauze - 56" wide - $27/yard - Fat Quarter Size: 28" x 18" - 100% organic cotton double gauze fabric - 3.5 oz per square yard (120 gsm) - Estimated shrinkage: 8% width and 14% in length - Appropriate for swaddle blankets, bibs, burp cloths, and reusable bags **Prints are likely to be off-grain. For the softest feel, choose lightly colored designs Organic Cotton Sateen - 56" wide - $38/yard - Fat Quarter Size: 28" x 18" - 100% organic cotton sateen with a subtle sheen and soft hand - 3.8 oz per square yard (130 gsm) - Estimated shrinkage: 2-4% in length and width - Appropriate for quilting, curtains, table linens, bedding, clothing, and pillows Organic Cotton Knit - 56" wide - $32/yard - Fat Quarter Size: 28" x 18" - 100% organic cotton knit fabric with a medium weight and cozy feel - 6.3 oz per square yard (215 gsm) - Estimated shrinkage: 9-11% in length and 5-7% in width. - Interlock knit stretches along the crosswise grain about 25% - Appropriate for t-shirts, dresses, baby clothes, layettes, and blankets Cotton Spandex Jersey - 60" wide - $32/yard - Fat Quarter Size: 30" x 18" - 93% natural cotton, 7% spandex jersey with a 4-way stretch - 5.5 oz per square yard (185 gsm) - Estimated shrinkage: 6-8% in length and 2-4% in width - Appropriate for adult and baby apparel including loungewear, leggings, and t-shirts Modern Jersey - 56" wide - $32/yard - Fat Quarter Size: 28" x 18" - 95% polyester, 5% spandex jersey knit fabric with 4-way stretch and a cotton-like feel - 6.2 oz per square yard (210 gsm) - Estimated shrinkage: 4-6% in length and 2-4% in width - Appropriate for t-shirts, tank tops, dresses, maxi skirts, headbands, scarves, and baby clothes Sport Lycra® - 56" wide - $39/yard - Fat Quarter Size: 28" x 18" - 88% polyester and 12% Lycra, moisture-wicking finish, and 4-way stretch - 8.5 oz per square yard (290 gsm) - Estimated shrinkage: 0-2% in length and width - Appropriate for athletic apparel, leggings, swimwear, yoga pants, and dance costumes Sport Stretch Woven - 56" wide - $37/yard - Fat Quarter Size: 28" x 18" - Made from 90% REPREVE® recycled polyester microfiber and 10% Spandex, this is a fitting fabric for the outdoor enthusiast - 5.0 oz per sq yard (170 gsm) - Appropriate for boardshorts and athletic wear Sport Piqué - 56" wide - $32/yard - Fat Quarter Size: 28" x 18" - 100% polyester knit fabric with a diamond weave structure and a moisture-wicking finish - 4.3 oz per square yard (145 gsm) - Estimated shrinkage: 1-3% in length and 1-2% in width - Appropriate for yoga tops, polo shirts, sporty dresses and skirts, and headbands Satin - 54" wide - $29/yard - Fat Quarter Size: 27" x 18" - 100% polyester satin fabric with a silky feel and high-gloss finish - 2.2 oz per square yard (75 gsm) - Estimated shrinkage: 1-2% in length and 0-1% in width - Appropriate for lining apparel and bags, wedding decor, and soft, silky accessories Chiffon - 54" wide - $27/yard - Fat Quarter Size: 27" x 18" - 100% polyester chiffon fabric with a translucent look and delicate drape - 1.5 oz per square yard (50 gsm) - Estimated shrinkage: 0-1% in length and width - Appropriate for scarves, sheer curtains, and special occasion decor items Poly Crepe de Chine - 52" wide - $27/yard - Fat Quarter Size: 26" x 18" - 100% polyester, with a delicate hand and soft drape for a semi-transparent elegant option for apparel and accessories - 1.9 oz per square yd (65 gsm) - Estimated shrinkage: 0-1% length x 1-2% width - Appropriate for dresses, blouses, scarves, and lingerie, and offers a wrinkle-free, elegant option for window treatments Minky - 54" wide - $35/yard - Fat Quarter Size: 27" x 18" - 100% polyester minky fabric with a soft, napped finish for the ultimate in plush - 6.6 oz per square yard (225 gsm) - Estimated shrinkage: 2-4% in width and 0-2% in length - Appropriate for quilting, blankets, lounge wear, plushies, and cold-weather accessories Polartec® Fleece - 56" wide - $37/yard - Fat Quarter Size: 28" x 18" - 100% polyester high-loft, pill-resistant fleece fabric with a slight stretch and soft, cuddly feel - 7.4 oz per square yard (251 gsm) - Estimated shrinkage: 5% in length and 5% in width - Ideal for blankets, loungewear, cold weather apparel Linen Cotton Canvas - 54" wide - $47/yard - Fat Quarter Size: 27" x 18" - 45% linen, 55% natural cotton fabric with a versatile medium weight and textured feel - 6.4 oz per square yard (215 gsm) - Estimated shrinkage: 2-4% in length and 0-2% in width - Appropriate for curtains, tablecloths, tea towels, dresses, bags, and pillows Cotton Canvas - 56" wide - $54/yard - Fat Quarter Size: 28" x 18" - 100% natural cotton canvas with a sophisticated basketweave structure - 10.6 oz per square yard (360 gsm) - Estimated shrinkage: 3-4% in length and 0-1% in width - Appropriate for upholstery projects, heavyweight drapery, home accents, and bags Velvet - 54" wide - $66/yard - Fat Quarter Size: 27" x 18" - 100% polyester velvet fabric with a short pile and subtle shimmer - 10.9 oz per square yard (370 gsm) - Estimated shrinkage: 5-6% in length and 2-3% in width - Appropriate for home decor and commercial-grade upholstery, heavyweight apparel, and luxurious accessories Performance Linen - 54" wide - $56/yard - Fat Quarter Size: 27" x 18" - 100% luxe polyester with a woven, plain weave, prints with a slight luster - 7.6 oz per square yd (260 gsm) - Estimated shrinkage: 1.5-3% in length and 0-2% in width - Durable pet- and family-friendly fabric suitable for upholstery, home decor, pillows, and curtains Performance Velvet - 54" wide - $66/yard - Fat Quarter Size: 27" x 18" - 100% polyester knit fabric with a buttery soft feel and matte finish - 11.5 oz per square yd (389 gsm) - Estimated shrinkage: 1-3.5% in length x 0-1.5% in width - Plush velvet upholstery fabric is stain- and spill-resistant, and offers a high abrasion threshold for home decor and upholstery projects such as throw pillows, blankets, curtains, and poufs Denim - 56" wide - $41/yard - Fat Quarter Size: 28" x 18" - 100% natural cotton bull denim with a rugged twill construction - 11.7 oz per square yard (395 gsm) - Estimated shrinkage: 7-8% in length and 1-2% in width - Great for skirts, shorts, pants, outerwear, bags and backpacks, and low-traffic upholstery Lightweight Cotton Twill - 58" wide - $35/yard - Fat Quarter Size: 29" x 18" - 100% natural cotton twill fabric with a sturdy, drapable construction - 5.8 oz per square yard (195 gsm) - Estimated shrinkage: 4-6% in length and 1-2% in width - Appropriate for home decor, drapery, table linens, pillows, tote bags, pants, coats and jackets Belgian Linen™ - 54" wide - $96/yard - Fat Quarter Size: 27" x 18" - 100% Linen - 9.8 oz per square yard (360 gsm) - Estimated shrinkage: 9-11% length x 3-5% width - Stronger than cotton and naturally hypoallergenic, softens with everyday use and is a top-of-the-line offering for decorators and makers interested in unmatched elegance on upholstery, bags and home decor Recycled Canvas - 54" wide - $41/yard - Fat Quarter Size: 27" x 18" - 50% REPREVE® recycled polyester; 50% polyester - 7.1 oz per square yd (240 gsm) - Estimated shrinkage: 0-3% length x 0-1% width - From upholstery and throw pillo
Stunning rug from Wukra. Handmade in the Ukrainian Carpathians. Made in a traditional loom with 100% sheep wool. The liznik IVANKA is one of the traditional ones in Ukraine, although for this occasion, the colors of the wool of unbleached sheep have been preserved. It has one side with hair and another in which you can see the way it is woven You can use it as a carpet, blanket or as a tapestry to hang on the wall. This gorgeous design is one of the oldest documented. And they are manufactured exactly the same as centuries ago. Read more Dimensions Width : 180 cm x Length : 220 cm Care instructions It is recommended to shake and brush regularly. Stains can be cleaned with neutral shampoo. Suitable for dry cleaning.
Tradition in a contemporary design, the Bunad collection marries past and present in an elegant way. Designed by Andreas Engesvik, the range features blankets that reference the colors of folk costumes (named “bunad”) from specific areas of Norway, combined with an eye-catching zigzag pattern. The Fram Oslo Bunad Blanket Nordland recreates the color palette of the costumes used in the three northern regions of the country. Blue meets orange and cream, with stripes in red and yellow also adding more vibrancy to this refined design. Woven in Norway, this blanket is expertly made from 100% pure new wool. The fine fabric is soft and comfortable to the touch as well as long-lasting. Please keep in mind that this blanket should be dry cleaned only.
110 cm wide (44"), 100% cotton, quilting weight fabric. Boro is a collection of quilting fabric designed by Parson Gray for FreeSpirit Fabric. It is comprised of 24 prints in 3 color-ways that continue the exploration of the Japanese folk influences started in the Spring 2015 collection, Katagami. Meant as an extension of that line, Boro weaves new prints and colors into the mix, creating an extension of the larger idea - a modern interpretation of the classic, folk traditions of Japanese fabric printing. Fabric is cut straight as it comes on the bolt. Sometimes, the design or print on the fabric is not straight along the grain. Please, keep this in mind so you can order the correct quantity for your project. Please note: actual colors may vary from picture due to computer setting variances.
In this workshop we are going to be having a Pekinese Masterclass. We will be devoting 3 hours to exploring the methods for pekinese work and how you can use it within your embroidery. We will experiment with ways to use mulitple colours and add additional rows, and giving some tips and tricks to make it easier. Take a look at the pictures to see what pekinese work is (it's the birds wings!). The session costs £15 per person to cover the cost of materials. If you are not able to attend the workshop in person, we will be putting a craft guide in the Studio Member area in the week after the event to show you all the methodology. There are 20 spots on this workshop so book early to avoid disappointment, and if for any reason you are no longer able to attend, please get in touch and we can refund your spot. Location: The Fabled Thread, Unit 2, New North House, 202-208 New North Road, London, N1 7BJ.
Drawing protective or decorative symbols with sand is an old custom from the rural parts of Poland, first described by ethnographers in 19th century. In Polish it’s usually called ‘sypa…
Rekindle your sense of wonder as you take on native wildlife with professional storyteller, Sharon Jacksties, in this collection of Irish and British folk tales. Learn the way of nature through migration, habitat, and trade as you educate yourself on the climate, weather, and affairs of mankind that have affected these natural ways over the years. This wondrous read combines traditional stories, zoological facts, and true anecdotes to create a treasure of stories for all animal lovers everywhere. Take your education on a journey through this bountiful story of five countries, full of cultures and habitats. - DETAILS - Measures 7.9" x 5.4" 192 pages. Hardcover.
Sold by Create your own from scratch Size: Standard (5" x 7") Birthdays or holidays, good days or hard days, Zazzle’s customized greeting cards are the perfect way to convey your wishes on any occasion. Add a photo or pick a design and brighten someone’s day with a simple “hi”! Dimensions: 5" x 7" (portrait) or 7" x 5" (landscape) Full color CMYK print process All-sided printing for no additional cost Printable area on the back of the card is 3" x 4" (portrait) or 4" x 3" (landscape) Standard white envelopes included Paper Type: Matte The most popular paper choice, Matte’s eggshell texture is soft to the touch with a smooth finish that provides the perfect backdrop for your chosen designs. Light white, uncoated matte finish with an eggshell texture Paper is easy to write on and won't smudge Made and printed in the USA
Hand Embroidered Felt Alphabet Ornaments I've been embroidering since I was just a tiny frockdolly & I also read a lot of books about the craft, so I was inspired to create these hand embroidered letters having had such fun with my embroidered baubles every Christmas! These are an excellent way to celebrate the uniqueness that is your name, using your favourite colours - this is all about you! I use a variety of traditional & folk inspired stitches & I tend to freestyle a little as I go along (ok, ok, I make it up, but the results are so pretty!). I also use small patches of felt in contrasting or matching colours to add texture and tone. I have all sorts of colours of felt and threads in my stash so I can create to match your favourites or a particular colour scheme, it's up to you! Choose your main colour from the list below, and add your three additional colours in the 'Personalisation' box. If you'd like to see examples of what I've done before in your chosen colours, please contact me & I'll be happy to help. Don't forget to tell me what letter you'd like! As you can see from the listing pictures, I am steadily working towards having a full alphabet to show you, but don't worry if your letter isn't there, I can definitely embroider it for you! The back is left plain in the same colour as the front & each is built on stiffened insert so they're not all wibbly wobbly! I've attached a ribbon hanging loop to the top so the letter can be hung on a wall, door handle, along a shelf....basically, anywhere you please! I can also add shorter or longer ribbon ties depending on how you want to use your letter, just drop me a note to let me know what you'd like! Each letter measures approximately 5 inches (13cm) wide by 5 1/2 inches (14cm) tall.
A pair of earrings inspired by patterns of Icelandic knitted shoe inserts. I recreated a pattern from one of the exhibits I saw at the National Museum Of Iceland in Reykjavik. In the old days wool shoe inserts were worn in soft shoes made of sheep and fish skin for extra comfort and warmth. These earrings are my own, unique way of preserving the traditional folk pattern. They are made of small glass beads and the ear studs are made of sterling silver.
If you're looking for an engaging, efficient way to practice or assess comprehending traditional literature, this is it! This print-and-go set of 6 comprehension passages (written in 6 styles of traditional literature: folk tale, fable, tall tale, legend, myth, and fairy tale) AND questions will help you effectively target traditional literature with your students! Each of the 6 passages comes in 3 different reading levels: below, on, and above grade level (with 3rd grade being the "on grade level" passage). This way, students all get the same text exposure and comprehension questions, but at a level they can read independently. This traditional literature passage set comes with original passages. Answer keys included! Anonymous differentiation is used in this passage set. A star represents the above-grade level text, a circle represents the on-grade level text, and a square represents the below-grade level text! These passages make for great: differentiated homework, small group work, whole group teaching, reading centers, reading warm ups, and more! Even better, every file comes in digital form! These digital files are compatible with Google Slides, Google Classroom, and PowerPoint. Using cold reads (unfamiliar texts) is the perfect way to determine a student's true ability to comprehend. These passages were written specifically to support the reading skill or strategy they are assessing, and to make your job easier as a teacher--simply print and GO, no prep needed! What are you waiting for?! Grab them now!