"Summer," by Thomas Wilmer Dewing (1890) DIMENSIONS • 9" x 12" (Image: 5.88" x 10.5") • 12" x 16" (Image: 7.81" x 14") • 16" x 20" (Image: 9.5" x 17") • 20" x 30" (Image: 14.5" x 26") • 24" x 36" (Image: 17.38" x 31") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.

Thomas Wilmer Dewing (1851-1938) American Tonalist painter Oil on canvas Freer Gallery of Art Smithsonian Institution, Washington, DC

"The Necklace," by Thomas Wilmer Dewing (c. 1907) DIMENSIONS • 9" x 12" (Image: 7.5" x 9.5") • 12" x 16" (Image: 10" x 12.75") • 16" x 20" (Image: 13" x 16.63") • 20" x 24" (Image: 15.63" x 20") • 24" x 30" (Image: 19" x 24.31") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ABOUT THE ARTWORK ----------------------------- Thomas Wilmer Dewing was a painter’s painter; a maestro of color and tonal harmony like his contemporary, James McNeill Whistler. His signature subject was the seated female figure, often in association with books, musical instruments or art objects. These works were roundly praised for their refinement and sophistication. Sadakichi Hartmann wrote that they “help to improve our taste and manners, render our costumes and surroundings more picturesque, and our life softer and more agreeable, in one word more beautiful.” Charles Lang Freer thought Dewing’s art among “the most refined in spirit, poetical in design and deepest in artistic truth of this century.” Art historians have more recently acknowledged Dewing as a protomodern artist. Immersed in the sensuality of the painted surface, his works were early elaborations of the visual poetry that lies beyond representation. ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.

"Summer," by Thomas Wilmer Dewing (c. 1890) DIMENSIONS • 9" x 12" (Image: 7.5" x 9.63") • 12" x 16" (Image: 10" x 12.81") • 16" x 20" (Image: 13" x 16.75") • 20" x 24" (Image: 15.5" x 20") • 24" x 30" (Image: 19" x 24.5") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ABOUT THE ARTWORK ----------------------------- Thomas Wilmer Dewing and his wife, Maria Oakley Dewing, were founding members of an art colony in the upland meadows of Cornish, NH. When not immersed in gardening, dinner parties, twilight picnics and theatrical performances, he painted tonalist landscapes with female figures, insulated from the hustle and bustle of modern life amid the lush New England greenery. Owing in large part to Maria’s influence, these works are suffused with the grace of Botticelli and the enchantment of the pre-Raphaelites. ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.

Thomas Wilmer Dewing [American Tonalist 1851-1938] oil on wood panel, Isabella Stewart Gardner Museum

.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Giclee Print Print Size: 18" x 12" Finished Size: 18" x 12" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 53659876847A

Painting figures in tonal style early life experience brought him about a love of music (which would later influence many of his paintings). Painting figures in a tonalist style at a time when Impress

"Portrait of a Lady," by Thomas Wilmer Dewing (c. 1895) DIMENSIONS • 9" x 12" (Image: 7.5" x 9.13") • 12" x 16" (Image: 10" x 12.25") • 16" x 20" (Image: 13" x 15.88") • 20" x 24" (Image: 16" x 19.5") • 24" x 30" (Image: 19" x 23.25") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ABOUT THE ARTWORK ----------------------------- Mollie Chatfield came to be known as a classic “Dewing girl,” a type described in a Boston paper as “intellectual enough to be worthy of Boston, aristocratic enough to be worthy of Philadelphia, well dressed enough to be a New Yorker but seldom pretty enough to evoke the thought of Baltimore.” Thomas Wilmer Dewing showed her with a flirtatious sideward glance, lips slightly parted, and one hand resting self-consciously over her breast. This provocative pose hints at the romantic relationship between artist and model. Dewing’s patron Charles Lang Freer helped the artist keep his affair with Chatfield hidden from his wife, Maria Oakey Dewing. Credit Line: Text courtesy of the Smithsonian American Art Museum. ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.

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If American artist Thomas Wilmer Dewing (1851-1938) is not well known to you, you are in for a treat. His haunting colors, woman-centric subjects and lush landscapes all but guarantee you'll remember his name after reading this art history round up of details about the artist and his life through paint.

Artist: Thomas Wilmer Dewing | Drawing: Head of a Girl | Original Medium: silverpoint on prepared wove paper

Thomas Wilmer Dewing nació en Newton Lower Falls, Massachusetts, Estados Unidos, el 4 de mayo de 1851. Inició su formación artística siendo un niño aprendiendo litografía. Más tarde, en 1876, marchó a París para estudiar en la Académie Julian, en la que tuvo como maestros a Gustave Boulanger y a Jules Lefebvre. En ella aprendió una cuidadosa técnica: delimitación de las formas volumétricas y la evocación meticulosa pero sutil de las texturas, que sería una característica constante en su obra. En 1878 se trasladó a Nueva York, y en 1880 conoció y se casó con María Oakey Dewing, pintora de talento que había recibido estudiado amplia y formalmente pintura artística, y tenía vínculos familiares importantes con el mundo del arte. Los Dewings pasaron sus veranos en la colonia del artistas de Cornualles, en New Hampshire desde 1885 hasta 1905. Dewing es conocido por su estilo, el tonalismo, tendencia americana que tenía sus raíces en el esteticismo inglés, como por ejemplo el de James Abbott McNeill Whistler. Su temática preferida fue la figura femenina, encuadrada en ambientes habitualmente ensoñadores, bien con fondos de paisajes naturales o en interiores, sentadas tocando algún instrumento, escribiendo cartas o charlando con otras mujeres… Sus figuras muestran una vida interior insulsa, etérea, y en la mayor parte de los casos, distante con respecto al espectador. La armonía en los colores de la composición y su delicadeza no contaron con el apoyo de todo el mundo artístico, tanto es así que se le acusó de misógino; rara vez pintó otra cosa que no fueran lánguidas figuras femeninas. El tonalismo quería resistirse al modernismo y la abstracción que avanzaban, aunque el modernismo se abrió paso con gran éxito postergando a aquél como un «arte anticuado». Fue miembro de los «Ten American Painters», grupo de impresionistas americanos que se escindió de la Society of American Artists, en 1897. En 1887 fue elegido miembro asociado de la Academia Nacional de Diseño, y se convirtió en un académico de pleno derecho en 1888. Miembro fundador del Grupo de pintores americanos, «The teen» (Los Diez), impartió clases en la Art Students League de Nueva York. Fue elegido miembro de la Academia Nacional de Diseño en 1888. Se unió a la Sociedad de Pintores Paisajistas, fundada en 1899, donde pudo relacionarse con otros artistas tonalistas. No pintó mucho después de 1920, sus obras de esta etapa más madura fueron fundamentalmente retratos a pastel, y vivió sus últimos años en su casa de Cornish, New Hampshire. Murió en New Hampshire, el 5 de noviembre de 1938. Una parte importante de su obra está albergada en la Galerí Arte Smithsonian Institution. Fuentes: https://americanart.si.edu/artist/thomas-wilmer-dewing-1247 https://trianarts.com/el-tonalismo-de-thomas-wilmer-dewing/#sthash.6edUalv8.dpbs https://www.artrenewal.org/artists/thomas-wilmer-dewing/66 https://en.wikipedia.org/wiki/Thomas_Dewing Nota: La propiedad intelectual de las imágenes que aparecen en este blog corresponde a sus autores y a quienes éstos las hayan cedido. El único objetivo de este sitio es divulgar el conocimiento de estos pintores, a los que admiro, y que otras personas disfruten contemplando sus obras.

If American artist Thomas Wilmer Dewing (1851-1938) is not well known to you, you are in for a treat. His haunting colors, woman-centric subjects and lush landscapes all but guarantee you'll remember his name after reading this art history round up of details about the artist and his life through paint.

21" x 28" Thomas Wilmer Dewing The Hermit Thrush removable and repositionable peel and stick wall decal produced to meet museum quality standards. We present a comprehensive collection of exceptional wall decal reproductions by Thomas Wilmer Dewing . Our wall decal stickers are produced using high-precision print technology for a more accurate reproduction printed with fade-resistant, archival inks, printed on high quality water-resistant satin cloth fabric backed with a repositionable, removable adhesive designed for easy, no hassle application to a wide variety of flat surfaces. Lightweight, easy-to-hang, no preparation needed, just peel off backing paper and stick on a flat surface; a great frame free alternative for exhibiting art prints. Lightweight, easy-to-hang, no preparation needed, just peel off backing paper and stick on a flat surface; a great frame free alternative for exhibiting art prints Material is a wrinkle-resistant, tear-resistant, water-resistant fabric, not water proof, intended for indoor use Made in the USA, at our Florida production facility, shipped unframed and rolled in a protective shipping tube.

"In the Garden," by Thomas Wilmer Dewing (1892-1894) DIMENSIONS • 9" x 12" (Image: 6.13" x 10.5") • 12" x 16" (Image: 8.13" x 14") • 16" x 20" (Image: 9.88" x 17") • 20" x 30" (Image: 15.13" x 26") • 24" x 36" (Image: 18" x 31") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ABOUT THE ARTWORK ----------------------------- Thomas Wilmer Dewing and his wife, Maria Oakley Dewing, were founding members of an art colony in the upland meadows of Cornish, NH. When not immersed in gardening, dinner parties, twilight picnics and theatrical performances, he painted tonalist landscapes with female figures, insulated from the hustle and bustle of modern life amid the lush New England greenery. Owing in large part to Maria’s influence, these works are suffused with the grace of Botticelli and the enchantment of the pre-Raphaelites. ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.

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.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Giclee Print Print Size: 9" x 12" Finished Size: 9" x 12" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 59664403971A

Thomas Wilmer Dewing painted many images of young, elegant women who gaze away from the viewer as if lost in thought.

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Есть что-то грустное и в розовом рассвете, И в звуках смеха, тонущих вдали. И кроется печаль в роскошно-знойном лете, В уборе царственном земли. И в рокот соловья вторгаются рыданья, Как скорбный стон надорванной струны. Есть что-то грустное и…

After sunset The Lute-1904 +2 Before sunrise The song,1891 This entry was originally posted at http://elle-belle.dreamwidth.org/1657654.html . Please comment there using OpenID.