Portrait of Joan Didion :: originally created for the Los Angeles Times. + Cover illustration for a review of The Year of Magical Thinking, one of her most powerful narratives. PRINT TITLE: Joan Didion SIZES: 8x10 & 11x14 (select from drop-down list) Each image is centered with a small border, titled and signed at the bottom. Ready to frame with or without matting. ** This is an archival print of my original artwork. I take great care to oversee the whole process and am very particular (obsessive) when it comes to color and image quality. They are as close as you can get to the original. All of my prints are made with Ultrachrome pigment inks on Aurora Fine Art paper, which is heavy weight (250 gsm), 100% cotton rag and acid free. It has a bright white velvet surface, a unique museum quality feel and will not fade. I sign and title all prints personally. All prints are packaged with care in a clear sleeve and safely placed between two boards, wrapped, and shipped via USPS in a recyclable stay-flat mailer. Everything should arrive safe and sound. *Colors may vary slightly depending on your monitor. **Frame not included. + Please visit my other Etsy store featuring woodblock prints of my original artwork: http://www.etsy.com/shop/barenandinkAll artwork, here and elsewhere © Scott Laumann 2019. All rights reserved.

Twelve early pieces never before collected that offer an illuminating glimpse into the mind and process of Joan Didion. Mostly drawn from the earliest part of her astonishing five-decade career, the wide-ranging pieces in this collection include Didion writing about a Gamblers Anonymous meeting, a visit to San Simeon, and a reunion of WWII veterans in Las Vegas, and about topics ranging from Nancy Reagan to Robert Mapplethorpe to Martha Stewart. Here are subjects Didion has long written about - the press, politics, California robber baronsac, women, the act of writing, and her own self-doubt. Each piece is classic Didion: incisive and, in new light, stunningly prescient.

This short hardback collection, created by author Poppy Chambers, entails poetry and Essay work of complete expression, that is split into two separate sections. Entirely for the readers ability to depict, analyse and find pleasure. This book is the result of a period of disillusion, to resonate and be appreciated for its content. Within a two year writing process, this self-published volume was carefully constructed with the intention of reporting on a journey which invoked brutal honesty, disassociation, confrontation, admiration. Of being used as a guide to emotion by the reader. With insight gained from experience and reflections of great creators and writers from Joan Didion and Patti Smith, to Allen Ginsberg and William S. Burroughs . Each piece derives from an aspect of a vivid dream state, a take on current affair, or the concise attempt to understand the experience of another. | Author: Poppy Chambers | Publisher: Lulu.Com | Publication Date: Dec 16, 2022 | Number of Pages: 106 pages | Language: English | Binding: Hardcover | ISBN-10: 1470937573 | ISBN-13: 9781470937577

Introducing our exclusive Joan Didion-inspired shirt, a homage to the renowned American writer and cultural icon. Crafted with passion and attention to detail, this shirt is perfect for literary enthusiasts, fashion-forward individuals, and anyone who appreciates the power of words. Our shirt features a minimalistic yet impactful design that captures the essence of Joan Didion's literary genius. ✈ PROCESSING & SHIPPING ✈ Processing Time: 1-2 weeks Standard Shipping: 2-5 business days after processing time ⍉Returns & Exchanges ⍉ We know you will love your shirt. We have a no return and exchange policy due to the made to order nature of our items. Please contact us if you have any Issues. ⍟ CARE INSTRUCTIONS ⍟ -Machine wash: warm (max 40C or 105F). -Do not bleach -Tumble dry: low heat -Iron, steam or dry: low heat -Do not dry clean Thank you for supporting Silk Oyster Wife ♡

Twelve early pieces never before collected offer an illuminating glimpse intothe mind and process of the bestselling author.From one of our most iconic and influential writers: a timeless collection of mostly early pieces that reveal what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt. These twelve pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure. They showcase Joan Didion's incisive reporting, her empathetic gaze, and her role as an articulate witness to the most stubborn and intractable truths of our time (The New York Times Book Review). Here, Didion touches on topics ranging from newspapers (the problem is not so much whether one trusts the news as to whether one finds it), to the fantasy of San Simeon, to not getting into Stanford. In Why I Write, Didion ponders the act of writing: I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. From her admiration for Hemingway's sentences to her acknowledgment that Martha Stewart's story is one that has historically encouraged women in this country, even as it has threatened men, these essays are acutely and brilliantly observed. Each piece is classic Didion: incisive, bemused, and stunningly prescient.

A friend shared an insightful diagram with me called ‘The whirlpool of grief’, which I thought would be good to share here (see illustration far below). As soon as I saw this, it made p…

The Best Equipment Solutions for the Hydrotreating Process: Didion Vessel

Looking for some writing inspiration check out these 12 quotes from women writers on the writing process.

Salon talks to the indie pop storyteller about his creative process and being inspired by Joan Didion

Introducing our exclusive Joan Didion-inspired shirt, a homage to the renowned American writer and cultural icon. Crafted with passion and attention to detail, this shirt is perfect for literary enthusiasts, fashion-forward individuals, and anyone who appreciates the power of words. Our shirt features a minimalistic yet impactful design that captures the essence of Joan Didion's literary genius. The front of the shirt showcases Joan Didion's iconic Celine fashion campaign, exuding elegance and intellect. ✈ PROCESSING & SHIPPING ✈ Processing Time: 1-2 weeks Standard Shipping: 2-5 business days after processing time ⍉Returns & Exchanges ⍉ We know you will love your shirt. We have a no return and exchange policy due to the made to order nature of our items. Please contact us if you have any Issues. ⍟ CARE INSTRUCTIONS ⍟ -Machine wash: warm (max 40C or 105F). -Do not bleach -Tumble dry: low heat -Iron, steam or dry: low heat -Do not dry clean Thank you for supporting Silk Oyster Wife ♡

From The Help to The Fault in Our Stars, take a look at all these incredible books.

Joan Didion's memoir of the death of her daughter troubles Rachel Cusk

Ever since exploring slides of arranged diatoms earlier this year from the California Academy of Sciences, I was left with one small question: how? Diatoms are tiny single-cell algae encased in jewel-like shells that are among the smallest organisms on Earth of which there are an estimated 100,000 extant species. How does one go about finding, capturing, cleaning, organizing, and arranging these artistic displays that are so small they are measured in microns? More

Let Me Tell You What I Mean: An Essay Collection (Vintage International) [Didion, Joan] on Amazon.com. *FREE* shipping on qualifying offers. Let Me Tell You What I Mean: An Essay Collection (Vintage International)

About the Book Twelve early pieces never before collected offer an illuminating glimpse intothe mind and process of the bestselling author. Book Synopsis A NEW YORK TIMES NOTABLE BOOK OF THE YEAR - NEW YORK TIMES BEST SELLER - From one of our most iconic and influential writers, the award-winning author of The Year of Magical Thinking a timeless collection of mostly early pieces that reveal what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt. With a forward by Hilton Als, these twelve pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure. They showcase Joan Didion's incisive reporting, her empathetic gaze, and her role as "an articulate witness to the most stubborn and intractable truths of our time" (The New York Times Book Review). Here, Didion touches on topics ranging from newspapers ("the problem is not so much whether one trusts the news as to whether one finds it"), to the fantasy of San Simeon, to not getting into Stanford. In "Why I Write," Didion ponders the act of writing: "I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means." From her admiration for Hemingway's sentences to her acknowledgment that Martha Stewart's story is one "that has historically encouraged women in this country, even as it has threatened men," these essays are acutely and brilliantly observed. Each piece is classic Didion: incisive, bemused, and stunningly prescient. Review Quotes A NEW YORK TIMES NOTABLE BOOK OF THE YEAR - ONE OF THE BEST BOOKS OF THE YEAR: NPR, Vogue, USA Today, Town & Country, LitHub - A Most Anticipated Book from Vogue, TIME, Bustle, The New York Times, and many more. "Didion's remarkable, five decades-long career as a journalist, essayist, novelist, and screen writer has earned her a prominent place in the American literary canon, and the twelve early pieces collected here underscore her singularity. Her musings--whether contemplating "pretty" Nancy Reagan living out her "middle-class American woman's daydream circa 1948" or the power of Ernest Hemingway's pen--are all unmistakably Didionesque. There will never be another quite like her." --O Magazine "[These] essays are at once funny and touching, roving and no-nonsense. They are about humiliation and about notions of rightness. About mythmaking, fiction writing, her "failed" intellectualism and the syntactic insides of Hemingway's craft. . . . From the outset Didion's nonfiction has shown no obligation to the whopping epiphanic. Realizations occur, but she relates them without splendor, as if she's extracting a tincture. . . . Reading newly arranged Didion [. . .] feels like reaching that dip in a swimming pool where the shallow end suddenly becomes the deep end. The bottom drops out, and you are forced to kick a little, to tread. This is why we return to her work again and again. But Didion cares less for timelessness than for the evanescence of language, mistrusting pink icing or anything else that might launder truth. Undergirding the entire collection is a regard for ephemerality. Of glory, and of the era when fashion photographers called their spaces "the studio." Of fairy tales and failed attempts at quietude, of a child's memory soup of imagination. . . . Didion's pen is like a periscope onto the creative mind -- and, as this collection demonstrates, it always has been. These essays offer a direct line to what's in the offing." --Durga Chew-Bose, The New York Times Book Review "The book traces her journey and development as a writer of magisterial (a word she would never use) command and finely measured style. She brought new eyes to the American scene, whether charting the disconnect between traditional and hippie media or with piercing observations of boldfaced names including Ernest Hemingway, Nancy Reagan and Martha Stewart. She intuited the fragmentation that would breed an internet world, and she sensed danger in the shallow myth-making of celebrity journalism. . . . The incomparable journalism and self-reflection that accompanied every stage of her success would build her legacy. . . . The new book captures the essence of Didion in countless lapidary sentences, especially in the 1998 essay "Last Words," which deconstructs the lean, "deceptively simple" opening paragraph of Hemingway's A Farewell to Arms. . . . She would come to match that economy with unwavering vision, setting a standard for those who have inhaled Didion not just as a writer's writer, but also as a soul - still-centered, self-haunted - of modern experience." --Matt Damsker, USA Today (★★★★ out of four) "There's plenty of journalistic gold in Let Me Tell You What I Mean. . . . What's particularly salient is her trademark farsightedness, which is especially striking decades later. . . . The relevance of her observations in today's fractured world of fringe media is uncannily prescient." --Heller McAlpin, NPR "[This collection] brings together previously uncollected pieces in a prismatic retrospective; the critic Hilton Als charts the arc of her career in a rich foreword. . . . As usual, Didion exceeds our expectations. . . . [The essays] follow the chronology of Didion's publication in journals and magazines, but it shifts back and forth in time as she contemplates the thread of her own life against the tapestry of postwar America. . . . She jars us beyond the comfort zones of platitudes and groupthink. . . . Didion the literary critic is a marvel: Her dissection of Hemingway's opening sentence in A Farewell to Arms is a masterpiece in its own right. . . . The Didion of Let Me Tell You What I Mean is [. . .] a revelation, as the woman behind the curtain steps forward, more intimate somehow, with flashes of feminist feeling." --Hamilton Cain, O Magazine "Didion's decades-long attempt to chronicle the images around her is now indelible, both for shifting the literary canon's idea of what personal reportage could be, and for the snapshots of a particular American experience captured in her prose. With her newest collection of earlier published essays, Let Me Tell You What I Mean, Didion's ever-expanding influence is worth reconsidering. . . . It's surprisingly easy to find oneself in Didion's sway, even unintentionally. Her range is varied but returns again and again to certain tropes and topics: laconic aloofness, the female heroine as distanced observer, the futility of meaning, the myth of narrative cohesion, grief, Los Angeles, New York, foreign reporting, political conventions, the wounded woman, the post-wounded woman. For contemporary authors, touching on any of these puts one in conversation with Didion [but]. . . . those making the Didion comparisons often misunderstand her--her style is not as easily copied as some might think. Her apparent passivity has a specific intention that goes beyond listlessness." --Antonia Hitchens, The Wall Street Journal "Let Me Tell You What I Mean works like a skeleton key to unlock Didion's continued significance in American culture. What has made her so lasting and important to so many? Why are we still talking about her and reading her and teaching her writing in classrooms? The book unpacks this legacy subtly, in a way as twofold as its title: Because she means things, and because she means something. . . . She is the writer who can practically disembowel a politician or pundit's bad reasoning, take apart a brainless movie or book, or reduce a pompous public figure to a hollow shell, and that's why writers love her or fear her. Words are her scalpels." --Alissa Wilkinson, Vox "Joan Didion's prose remains peerless. . . . Reading [her new collection], you're once again reminded that the observations and subjects might not be unique, but that the angles from which Didion looked at everything are totally different from anyone else's." --Bret Easton Ellis, The Los Angeles Magazine "How does Joan Didion do it? Her words are still weapons, but the diamond-encrusted kind, as beautiful as they are deadly, and, more important, they are entirely at her command. Let Me Tell You What I Mean, a collection of essays spanning essentially the last third of the twentieth century, is a tiny jewel box of a book, and you could read it for the prose alone--no one places a so like Joan Didion--but the real magic is that she pulls it off: she tells you what she means, and every injury is on purpose. There is a generosity to that, I think, and it feels like a gift just to understand what someone else meant even if one cannot hope to return the favor." --Hasan Altaf, The Paris Review Daily "In this new collection, the famed essayist demonstrates her longstanding mastery of the form. . . . In six decades of reporting with meticulous, nuanced notice, Didion has montaged in words myriad mortals, monuments, and movements. For this book, she moved her scrutinizing eye over Nancy Reagan, Tony Richardson, and Martha Stewart, William Randolph Hearst, Ernest Hemingway, and Gamblers Anonymous, to generate a fair-minded assessment. . . . Joan Didion merits a luminous legacy in American letters on par with Mark Twain, Walt Whitman, and Frederick Douglass, Emily Dickinson, Carson McCullers, and Eudora Welty." --The Washington Independent Review of Books "Over the past half-century, few authors have been as consistently impressive as Joan Didion, whose new book . . . amply demonstrates the author's deceptively straightforward prose, simultaneously spare, elegant, and incisive. . . . Both a practical entry point for neophytes and a celebration for longtime fans, Let Me Tell You What I Mean is yet another winner from an essential writer." --Kirkus Reviews ("Why Joan Didion Is Still Essential") "With the release of 12 never-before-collected essays in Let Me Tell You What I Mean, Joan Didion reminds readers that she's been right about everything all along. . . . It's that st

Show your chic intellect with this fabulous Joan Didion Sweatshirt. Available in 4 colors. Gildan 1800 Sweatshirt .: 50% cotton, 50% polyester .: Loose fit .: Runs true to size ✈ PROCESSING & SHIPPING ✈ Processing Time: 1-2 weeks Standard Shipping: 2-5 business days after processing time ⍉Returns & Exchanges ⍉ We know you will love your sweatshirt. We have a no return and exchange policy due to the made to order nature of our items. Please contact us if you have any Issues. ⍟ CARE INSTRUCTIONS ⍟ -Machine wash: warm (max 40C or 105F) -Non-chlorine: bleach as needed -Tumble dry: medium heat -Do not iron -Do not dry clean Thank you for supporting Silk Oyster Wife ♡

Joan Didion’s trailblazing nonfiction set a forbiddingly high standard, but a slew of idiosyncratic writers are proving that her example may be inimitable but it is also inspiring.

Ernest Hemingway’s ‘Moveable Feast’ employs a stylistic conceit I had previously attributed to be unique to Joan Didion.

Joan Didion will help you write, she's nice like that. 11 oz, White ceramic , Lead and BPA Free. And best of all? Microwave and Dishwasher safe. Print is on both sides. ✈ PROCESSING & SHIPPING ✈ Processing Time: 1-2 weeks Standard Shipping: 2-5 business days after processing time ⍉Returns & Exchanges ⍉ We know you will love your mug. We have a no return and exchange policy due to the made to order nature of our items. Please contact us if you have any Issues. ⍟ CARE INSTRUCTIONS ⍟ -Clean in dishwasher or wash by hand with warm water and dish soap. Thank you for supporting Silk Oyster Wife ♡