Teach the American Civil War with these American Civil War picture books about slavery, the war, Harriet Tubman, Abraham Lincoln, and more.

Learn about and review major events in the American Civil War with a FREE printable civil war board games for elementary age students.

Barbara Brackman –– Quilts and their makers are an integral part of the story about this incredible period of American history. Barbara Brackman offers a rarely discussed perspective from half of those who lived through it - the women of the North and the South. Included are complete instructions for nine projects, which are adapted from historical quilts and convey an authentic feel. Definitely modern quiltmaking techniques will inspire both faithful reproductions and contemporary adaptations of Civil War era quilts. The book includes tips for using today's reproduction fabrics and suggestions for achieving a period look. Fascinating photos and excerpts from diaries and letters capture the patriotism and frustration of courageous women on both sides of the conflict. * Important Notes About PRINT ON DEMAND Editions ALL SALES ARE FINAL: PODs are non-returnable and non-refundable. This title will be printed after purchase and will arrive separately from any in-stock items. Allow minimum 2 weeks for U.S. delivery; add additional 2 weeks for international shipments. Expedited shipping not available. PRINT QUALITY WILL VARY FROM ORIGINAL EDITION: PODs are printed on uncoated (non-glossy) paper and the color may appear more saturated. Information presented is the same as the most recent printed edition. Pattern pullouts (if applicable) have been separated and presented as single pages. #10157D 128p color print on demand edition 8.5 x 11 ISBN: 978-1-57120-033-4 (eISBN: 978-1-57120-515-5)

In a study of quilts made for Union Soldiers Virginia Gunn estimated that 125,000 quilts and comforts were distributed by the Sanitary Commission during the war. The Sanitary Commission was all about keeping records Read "Quilts for Union Soldiers in the Civil War" by Virginia Gunn, Uncoverings #6, 1985 at this link: http://www.quiltindex.org/journals/article.php?Akid=2-B-13E Very few of those quilts survive. Pamela Weeks, curator of the New England Quilt Museum, estimates about 20 have been identified in museum and private collections today. I have 14 in the picture files. Fort Hill Sewing Circle, dated 1864 Hingham, Massachusetts International Quilt Study Center and Museum Collection Inking on some survivors tells us of the origins.A few have a stamp indicating that they were the property of the Sanitary Commission as in the quilt above. And a few have a story passed on with them. Wadsworth Athenaeum Collection Granville, New York New England Quilt Museum Collection Each block here is separately bound. These samplers tend to be of a style---simple pieced blocks of cotton set together with narrow sashing (sometimes each block is quilted and then joined---what we called potholder quilts today). The quilts are long and narrow. The Sanitary Commission asked for quilts of cheap materials, about 7 feet long by 50 inches wide and several of these quilts are about 84" x 50", as requested. Several of the survivors feature repeat blocks Nine patch from Jan Coor Pender Dodge's collection, Made in Dublin, New Hampshire. It has the stamp on it. Made in Vernon, Connecticut Collection of the Lincoln Memorial Shrine Redlands, California http://civilwarquilts.blogspot.com/2015/07/the-fisk-sanitary-commission-quilt.html Stamped label on the reverse Made in Florence, Massachusetts, 1865 The quilt from Florence has a patriotic image in the center, which certainly helps with identification. International Quilt Study Center and Museum Collection 1997.007.0569 Made in Detroit, Michigan, 1864 Made for the Armory Square Hospital in Washington Mystic Seaport Museum Collection Ladies's Aid Society, Portland, Maine Belfast Historical Society Belfast, Maine, Ladies Aid Society For the Armory Square Hospital http://www.belfastmuseum.org/wp-content/uploads/2017/04/Civil-War-Quilt-Flag-Story.pdf Collection of the Smithsonian Institution Susannah Pullen and Sunday School Class Augusta, Maine Several inked inscriptions tell us the source of the quilt: "If this quilt survives the war we would like to have it returned to Mrs. Gilbert Pullen, Augusta, Me....This quilt completed Sept. 1st 1863.” http://civilwarquilts.blogspot.com/2013/06/susannah-pullens-quilt.html Made in Windsor County, Vermont, attributed to Caroline Bowen Fairbanks, Vermont Historical Society http://civilwarquilts.blogspot.com/2015/10/the-fairbanks-quilt-sanitary-commission.html

History buffs young and old alike will love our Civil War Word Search Puzzle! This free printable makes a great supplement to your U.S. History or Civil War thematic units in the classroom…

Help kids learn about the Civil War with these FREE printable Civil War for Kids Mini Book. Great for elementary age kids.

Bei diesem Material lernen die Kinder die Komplementärfarben kennen, woraufhin anschließend eine gestalterische Aufgabe folgt. Auf dem Blatt „Umsetzung im Unter

Bring the American Civil War to life with this engaging list of American Civil War books for elementary and middle school students.

Free printable Iron Spider In Infinity War coloring pages. We have selected the best Iron Spider In Infinity War coloring pages that you can download on PC, mobile, or tab and print for free!

The United States Worksheets for 5th Grade are comprehensive and engaging resources designed to help students develop a deeper understanding of the different states, landmarks, history, and geography of the United States. With carefully curated content and visually appealing designs, these worksheets provide an excellent opportunity for 5th-grade students to explore and learn about the diverse aspects of the United States. Whether you are an educator, homeschooling parent, or student looking to enhance your knowledge, these worksheets are the perfect entity to make your learning experience both enjoyable and educational.

14th Connecticut Private Oliver Dart was grievously wounded at Fredericksburg on Dec. 13, 1862. (Image courtesy Alan Crane) A tattered CDV of Oliver Dart was found among papers in his pension file at the National Archives. Like this blog on Facebook | Follow me on Twitter Within a year of his regiment's ill-fated charge at Fredericksburg, Oliver Dart Jr. faced another great trial: a sitting for a photograph at a studio on Main Street in Hartford, Conn. The resulting carte-de-visite, found in the 14th Connecticut veteran's pension file in the National Archives, is difficult to view. Bundled in a heavy coat, the blue-eyed veteran with black hair and thick eyebrows stared at the Kellogg Brothers' photographer. A mangled lower jaw, mouth and nose — the awful effects of a shrapnel wound suffered during the attack on Marye's Heights — were obvious. We wonder how Dart summoned the fortitude to sit for the CDV, undoubtedly evidence for his pension claim. The CDV of Dart was taken by the Kellogg Brothers in Hartford. As he waited for his turn to be photographed that day, Dart's mind may have drifted to Dec. 13, 1862, and the Battle of Fredericksburg. Marching onto the battlefield via Princess Anne Street, the 14th Connecticut came under "a most galling fire" after crossing a causeway over a canal near the railroad depot. Then an artillery shell fired from high ground on the 14th Connecticut's right burst among prone soldiers in Company D. A 3 x 2-inch fragment smashed into the ground, firing sand into the eyes of Dart's brother-in-law, 14th Connecticut Corporal John Symonds, blinding him. A chunk of metal crashed into the arm and face of the 23-year-old Dart before striking a four-inch square, wooden post. Corporal Charles Lyman, lying next to Dart, recalled years later that the fragment surely would have ripped through his head and killed him had it not struck that obstacle. (In the charge on the well-defended stone wall at the foot of Marye's Heights, Oliver's cousin Charles, the 14th Connecticut's regimental color bearer, suffered a mortal wound.) Dart's wounds horrified another soldier in the regiment. "Poor Oliver Dart," he said. "As he rolled over he looked as though his whole face was shot away." In this enlargement of a war-time photo of Fredericksburg, Va., the Rowe House is shown. 14th Connecticut wounded, including Oliver Dart, were among Union soldiers cared for at the divisional hospital there. (Library of Congress). A circa-1940s image of the Rowe House at 607 Sophia Street in Fredericksburg. The house no longer stands. (Library of Congress) Frank Niederwerfer, descendant of Oliver Dart, holds an image of the 14th Connecticiut private at the site of the old Rowe house in Fredericksburg, Va. Dart was cared for at the divisional hospital there. May 1865 image of Stanton General Hospital in Washington, where Dart recovered from his wounds. (Library of Congress) Comrades carried Dart to a divisional hospital at the Rowe House on Sophia Street. The scene there stunned the 14th Connecticut regimental chaplain. "On the northern porch lay, among others, our Dart, his face torn off as though slashed away with a cleaver," Henry Stevens recalled, "and by his side lay Symonds, his eyes swollen with inflammation to the size of eggs, the sand grains showing through the tightly stretched and shining lids." On the day after Christmas, Dart was admitted to Stanton General Hospital in Washington, one of dozens of military hospitals in the capital. A doctor considered his chances of recovery slim — "wounded in battle," one wrote, "probably mortally." When his older brother George, a farmer, visited Oliver at the hospital, he found the conditions deplorable. A circa-1866 image of Oliver Dart with a bushy beard and mustache. (Image courtesy of Dart descendant Frank Niederwerfer) After five weeks in the Washington hospital, Dart was mercifully discharged from the U.S. Army and sent home to South Windsor, Conn. Miraculously recovering, he underwent an operation on his face at the home of his older brother, James. Oliver — the youngest of the six children of Amanda and Oliver Dart Sr. — underwent a second procedure on his face at the home of his father in South Windsor. "George Dart and his wife were almost constantly with their injured brother," a post-war account noted, "and gave him every care and attention." For three months in the summer of 1863, Oliver also spent time at a soldier's home in Hartford, where he received sustenance from a special cup because of his terrible face wound. In June 1863, Oliver filed for divorce from his second wife, Maria, claiming "a total neglect of all duties of marriage" Nearly three years later, the divorce was granted. Maria was the sister of John Symonds, the soldier who had suffered a wound next to Oliver at Fredericksburg. In December 1863, Dart filed for a government pension; the application was approved, and he initially received $8 a month. In 1869, Oliver married his third wife, Aurelia Barber, with whom he had his only three children. In an attempt to cover up his grievous war wounds, he grew a bushy beard and mustache. "In time he recovered," the post-war account noted, "though the wound was always visible and in later years his mind was somewhat affected, undoubtedly due to the shock and the suffering that ensued from the injury." Life remained an almost constant struggle for the Civil War veteran, and in the summer of 1879, consumption struck down Dart. Only 40 years old, he died on Aug. 11. He was buried in Elmwood Cemetery in Vernon, Conn., next to first wife Emily, who died in 1860, and Aurelia. Have something to add (or correct) in this post? E-mail me here. SOURCES: Dart family history Oliver Dart pension file, National Archives and Records Administration, Washington, D.C. Page, Charles Davis, History of the Fourteenth Regiment, Connecticut Volunteer Infantry, Meriden, Conn.: The Horton Printing Co., 1906. Stevens, H.S. Souvenir of Excursion to Battlefields by the Society of the Fourteenth Connecticut Regiment and Reunion at Antietam, September 1891, With History and Reminiscences of Battles and Campaigns of the Regiment on the Fields Revisited, Washington, D.C.: Gibson Brothers Printers, 1893. The Boys from Rockville, Civil War Narratives of Sgt. Benjamin Hirst, Co. D, 14th Connecticut Volunteers, edited, with commentary, by Robert L, Bee, The University of Tennessee Press, Knoxville, Tenn., 1998.

Civil War photographer Mathew Brady largely taught himself the finer points of the two pursuits that have linked his name to history: taking pictures and self-promotion. The son of Irish immigrant farmers had a talent for cajoling presidents, generals and business leaders to sit before his camera.

Click on the image to view the PDF. Print the PDF to use the worksheet. Captain America Civil War- Color by Number Use basic counting skills to create a picture of Marvel's Captain America Civil War. More Coloring Puzzles Looking for more Coloring Squared? Try one of these fun coloring pages. Teaching Squared Teaching Squared

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Click on the image to view the PDF. Print the PDF to use the worksheet. Captain America Civil War- Practice Division Solve simple division problems and use the key at the bottom of the page to reveal this Captain America Civil War picture. More Coloring Puzzles Looking for more Coloring Squared? Try one of these

This Spies of the Civil War Color by Number and Text Marking activity is the perfect way to bring life to the topic! Students read a non-fiction passage and search for answers while marking evidence from the text. Perfect reading comprehension activity. Topics include: The Spies of the Civil War for the North and the South. Students complete a “before reading” anticipation guide, read about Spies of the Civil War, answers questions, mark the text for evidence, color the picture according to their answer, and complete the “after reading” anticipation guide. This is a great cross curriculum activity that also practices Language Arts skills and citing evidence. You can use this activity to assess prior knowledge. You can use this activity as a unit review. Lastly, you could use the student worksheet as a quiz or formative and then let them color as a reward! You choose what works best for you. This is a fun, colorful activity that allows students to show mastery while relaxing, learning and coloring in their answers. This is also perfect for emergency sub plans! Hang the finished product in the hall for teachers and students to stop and admire. What’s Included: •1 Word design •12 questions •1 Reading Passage ( 2 pages – front/back) •1 Anticipation Guide What do you need? Crayons, markers or colored pencils The following colors will be used: Red, Orange, Yellow, Green, Blue, Brown, Purple (all standard colors) ⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐ Want to learn how to GAMIFY your own lesson plans? Register for a FREE workshop HERE! ⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐ »»» Thinktivity™ Reading Passages : Click HERE »»» Comprehension Challenge and CSI Spy Mystery: Click HERE »»» Printable ESCAPE ROOMS: Click HERE »»» Text Marking Detective: Click HERE »»» Scavenger Hunts: Click HERE »»» Digital Secret Message Activities: Click HERE »»» Puzzle Breakouts: Click HERE »»» Interactive Google Slides™: Click HERE »»» Digital ESCAPE ROOMS: Click HERE »»» Color by Number - Text Marking: Click HERE »»» Digital Reading Passages: Click HERE »»» Task Card Review Games: Click HERE »»» Interactive Game Boards: Click HERE »»» Reading Passages and Text Marking: Click HERE »»» Back to School: Click HERE »»» Collaborative Posters: Click HERE »»» Digital Interactive Notebooks: Click HERE »»» Grades 3 and 4 Escape Rooms: Click HERE How to get TPT credit to use on future purchases: Please go to your My Purchases page (you may need to login). Beside each purchase you'll see a Provide Feedback button. Simply click it and you will be taken to a page where you can give a quick rating and leave a short comment for the product. Each time you give feedback, TPT gives you feedback credits you can use to lower the cost of future purchases. I truly value your feedback greatly as it helps me determine which products are most valuable for your classroom. :-) Copyright Information : © Think Tank Teacher LLC. Please note - all material included in this resource belongs to Think Tank Teacher LLC. By purchasing, you have a license to use the material but you do not own the material. You may not upload any portion of this resource to the internet in any format, including school/personal websites or network drives unless the site is password protected and can only be accessed by students, not other teachers or anyone else on the internet.

Unit study resources on the Civil War, including curriculum, printouts, recommended books and videos. Homeschool study or personal education.

Take a historic trip back to the civil war period and color the soldiers from the two opposing forces.

The famous tapestry was retrieved by Nelson A. Rockefeller Jr., whose father loaned it to the United Nations in 1984.

Here's a fun way for your child to look at world geography and history, starting with a beautiful coloring page of Ayers Rock/Uluru in Australia.

Cotton Boll for Mollie (Chesnut?) One reason Mary Boykin Chesnut's book that reworks her Civil-War diaries is such a classic is her skillful development of character in the dialogue. The reader falls for a few of the dramatis personae, among them Molly her personal maid during slavery and a long-time friend and business partner. Molly, probably photographed in the early 1860s at the Quinby Studios in Charleston, from Mary Boykin Chesnut's photograph album In 1860 Kershaw County, South Carolina had 8,000 black inhabitants and 5,000 white. It's so hard to get even a glimpse of the African-American life during slavery but Molly's story as told by Mary gives us much. Mary's manuscripts at the South Carolinia Library University of South Carolina Despite her professed distaste for slavery Mary was totally dependent upon slaves, particularly at Mulberry plantation---doing just about nothing all day but reading and a little sewing of slave clothing for her mother-in-law, the plantation mistress. During the war when Mary's world expanded to Richmond and Columbia Molly often was in attendance, the behind-the-scenes genius of the Chesnuts' fabled parties. "My Molly" ran Mary's household, took care of her clothes, cooked her meals in gourmet fashion and gave her much advice, welcome or not. On a train trip in 1863 Molly decided to take on the bad manners of the Chesnut plantation overseer Adam Team. The train was crowded. Team got Mary two chairs, the extra for her feet and she slept. Molly got the floor with her head against a chair. She woke up when she heard Team bragging about the Chesnuts: " 'Listen, Missus, how loud Mars Adam Team is talking. And all about old Master and our business, and to strangers. It's a shame....how old old Master is and how rich he is and all that. I am going to tell him stop.' Up stalked Molly. 'Mars Adam, Missus say please don't talk so loud. When people travel they don't do that away." The Yard Molly, married to Lige, had several children, mostly cared for by her mother while she and Mary traveled. Mary mentioned a sick baby in 1861 and Molly had a six-month old in February, 1865, meaning she could not accompany Mary in her post-war escape from South Carolina. Instead young Ellen went as Mary's personal maid with Laurence, James Chesnut's valet. Molly was probably sorely missed as Ellen was new at the personal maid business, although enthusiastic to learn. Cotton Boll by Pat Styring Molly stayed behind with her children at the Mulberry plantation. "She remained to look after my things---Mrs. Preston's cow, etc.etc." Woman in the egg business Molly and Mary had been in the dairy business for a while. An 1861 entry in the manuscript diary: Molly come...the chicken business goes on finely. If I can only raise eggs & chickens & butter---a great fall off for a cotton planter. [Molly] says the negroes say nobody shall touch my poultry. 'Missis' things,' nobody shall meddle with.' " Plantation scene by the Quinby & Company Studio in Charleston In the fall Molly reported that the poultry business paid splendidly, but there was a problem with overseer Adam Team (she didn't like him--with good reason we can assume.) He took the best of their butter and "will not pay her for it." "Gesticulating round the room like the orator she was born...'He takes my butter and your things. His wife has grown so fat she has to go through the big gate---the little one too narrow for her now. No wonder Sundays they put two of your hams on their dinner table. Bless god! Two hams they eat." Sketch of a woman on the street in New Orleans In the butter and egg partnership Mary seems to have paid for the livestock and feed; Molly made butter, collected eggs and marketed them to their mutual benefit. This partnership on shares lasted long after the war, giving both cash in the terrible post-war economy. In the Chesnut's 1878 account book Colleen Glenney Boggs found an entry for Molly's wages: 3 dollars. Freedpeople outside their cabin near Camden, 1880s. Much of the Chesnuts' postwar income was based on rent for the former slave cabins at Mulberry to the former slaves. Portraits from Quinby's in Charleston Quinby Studios background includes a monumental column, a studio setting often seen in Southern portraits from the war years. Molly's has the column but a painted railing different from the rail seen in most Quinby photos like Mary Chesnut's on the left. We can guess Mary who collected photos commissioned Molly's portrait there. Block #8 Cotton Boll by Susannah Pangelinan Two of Mary's albums The Block Mary & Molly's joint endeavor, the butter and egg business, was certainly a step down for people connected at any level with an enormous cotton plantation. Molly's status was also connected to the extremely wealthy family she served. A cotton boll to recall the antebellum days seems appropriate. Late-19th/Early 20th Century Cotton Boll The Cotton Boll is a traditional regional Southern design. Quilters felt free to interpret it in many ways. 20th-century cotton boll Frances Johnston, North Carolina Museum of History Late 19th century Note the partial blocks. Applique to an 18-1/2" square or cut it larger and trim later. The Patterns One way to print these JPGS. Create a new empty JPG file that is 8-1/2" x 11" or a word file. Click on the image above. Right click on it and save it to your file. Print that file out 8-1/2" x 11". Note the inch square block for reference. Adjust the printed page size if necessary. Do not use tools like "Fit to page." Make templates. Add seams when cutting fabric. One block in a small quilt found in the Minnesota quilt project. Photo from the Quilt Index Pat Styring's center No rose but a bee. See a post on Cotton Boll quilts here: https://barbarabrackman.blogspot.com/2017/08/cotton-boll-or-anthemion.html And Kathlyn Sullivan's chapter on the pattern in Mary W. Kerr's Southern Quilts An Issue with Molly The important issue with Mary Chesnut's diaries is that there are several versions---some edited by others, one drawn from Mary's actual manuscript diaries and the most famous her reworking of her memories and diaries into the large book Mary Chesnut's Civil War, published in 1981, edited by C. Vann Woodward. Molly's role (and name) varies from book to book. The first published edition (1905) tells us of an encounter with a runaway on March 8, 1861. The actual manuscript diary: "Yesterday I met Mr. DeSaussure run away William. He dodged into a shop---but I saw him peeping at me from behind the door. He looked old and weather beaten & the very expression of his face has changed for the worse." The first edition was edited by friends after Mary's death from her reworked manuscript in which Mary enlarged upon the story, recording her memories of William and his skills and a remark Molly made. "Met a distinguished gentleman... William, Mrs. de Saussure's former coachman.... Night after night we used to meet him as fiddler-in-chief of all our parties. He sat in solemn dignity, making faces over his bow, and patting his foot with an emphasis that shook the floor. We gave him five dollars a night; that was his price.... Now he is a shabby creature indeed. He must have felt his fallen fortunes when he met me - one who knew him in his prosperity. He ran away, this stately yellow gentleman, from wife and children, home and comfort. My Molly asked him 'Why? Miss Liza was good to you, I know.' I wonder who owns him now; he looked forlorn." In the 1981 book Molly is called Polly and William replies to Molly's impertinent question. "My Polly asked him "Why? Miss Liza was good to you, I know." I wonder who owns him now; he looked forlorn. 'Yes, but Marster was so mean. He was not bad. He was mean. In the twenty years I lived in his yard he never gave me a fourpence---that is, in money.' " Well, what are we to make of this? What actually happened and who is "My Molly"? who appears so often in the reworked book and less often in the actual diary, which refers to Molly 6 times in the index. The 1981 Woodward version has 67 references in its index. Some critics think of the final Molly character as a conduit for Mary's thoughts (particularly those on slavery), an effective literary device. Imaginary Molly or not, she is one of the most endearing characters in a book rather sparsely populated with them. An 1883 letter to Varina Davis from Mary tells her to be grateful for her children. "I have nothing but Polish chickens---and Jersey calves." Sue Garman had a pattern The original sketch 1-8 Extra Reading Read about Mary's photo albums here: https://www.postandcourier.com/news/faces-of-the-civil-war-mary-chesnut-s-photographs-back/article_b4e3fc07-cf60-5427-84b2-294048c46752.html Mary Chesnut's Illustrated Diary Mulberry Edition Boxed Set: Volume 1: A Diary from Dixie and Volume 2: Mary Chesnut's Civil War Photographic Album by Martha Deniels, Barbara McCarthy & James Kibler. In her book Teaching the Literatures of the American Civil War Colleen Glenney Bogg has a thoughtful discussion of Molly and the meaning of Molly's photo in the album. Preview: https://books.google.com/books?id=KHCADwAAQBAJ&dq=colleen+glenney+boggs+molly+chesnut&source=gbs_navlinks_s A Post Script: Another Mollie Chesnut 1921 Two 20th-century documents, a 1921 death certificate for a baby named Jessie Mae Jackson who died of "colitis" at 11 months; her mother's maiden name Mollie Chesnut---perhaps a descendant of the earlier Mollie. The younger Mollie and husband Willie Jackson were not lucky. Another daughter was stillborn in 1925. 1925 The Jacksons lived in Cheraw, about 100 miles northeast of Columbia. On this form Chesnut is spelled with two T's. Temperance Neely Smoot's version of the cotton boll. Alamance County, North Carolina, late 19th century? http://civilwarquilts.blogspot.com/2018/02/buried-with-silver-temperance-smoots.html

Color in Anansi, a crafty spider who spreads wisdom and knowledge wherever he goes.

Mix and Match! This is a listing for any three aviation (or vehicle) prints in the size of 8x10". The choice of images is up to you. Please specify which items you would like in the comment section of the order and let me know if you would prefer for the tail numbers to be omitted. The images will be printed with a small amount of border paper to aid in centering during framing.

Joshua L. Chamberlain vector portrait Poster Print would make the perfect addition to your home or office or gift recipient. This licensed Fine Art Print was reproduced on Premium Heavy Stock Paper which captures all of the vivid colors and details of the original. This magnificent Fine Art Poster Print is ready for hanging or framing and ships in an oversized tube for maximum protection.

Tissu coton patchwork. Il présente un ravissant imprimé de rayures et de pois multicolores. Minimum de commande : 20 cm

I’m a big fan of Gone With the Wind. Most people who know me, know that. So a few years back when I was invited to join a quilt swap of Civil War Reproduction 9 patches, entitled ‘A Q…

Whether you consider yourself a Civil War buff or just love Civil War fabrics and color schemes, The Quilting Company has 5 FREE quilt patterns that are sure to speak to you. Download your copy today and start quilting!

Elizabeth Hartman is one of the corner stones of the Modern Quilting movement, with her bold use of colour and graphic design she is a leader in her field.

These colorized monochrome photos will change the way you imagine the past. Since we live and remember in color, a black-and-white image seems almost of another world. Through the process of colorization, that world becomes more familiar, easier to imagine, and easier to connect to.

Meet Amelia Earhart, an accomplished aviatrix and one of the most important barrier-breakers in women's history.

This interactive timeline/map of the events leading up to the American Civil War is great for the visual learner in all of us. Students can complete and color the map and add it to their Interactive Notebooks as a great visual and reference. Teachers can use the notes and summary to explain and as...

Make a quilt inspired by mathematician Ferdinand Mobius with this pattern by Cotton and Bourbon. Sized 30" square, it makes a fantastic statement quilt for your wall. The Mobius strip is a non-orientable 2-dimensional surface with only 1 side, often referred to as the impossible shape. We think it makes into an amazing piece of quilt art! Includes instructions with diagrams throughout, a coloring page, and full-size templates printed on one page of 36" x 52" paper. See what others are making and share your projects using hashtag #MobiusRadialQuilt on Instagram. This print pattern is a full-color saddle-stitched booklet sized 8.5" x 11".

Collection: Color Me Pillowcases Manufacturer: Riley Blake Designs Fabric Type: Woven Quilting Cotton P8322-CRAYOLA This listing is for one Color Me Pillowcase panel. This panel measures approximately 36” x 44”. Don’t see the yardage you need? Send us a message for exact inventory! Retail: $12.90 Our Price: $12.49

Coloriage Ant Man ne ressemble à aucun autre super-héros, et c'est pourquoi vous, les jeunes artistes en herbe, devriez lui accorder une place toute spéciale