Hello Bandweavers! I recently wore one of my little band heddle neckpieces to a weavers’ guild meeting where it got a lot of attention, so I wanted to share a few of them with you. I begin wi…
A while back I received this enthusiastic message, "I have been searching high and low to find a strap to match one of my guitars. I am so happy to have come across your website! I absolutely love your straps! They are exactly what I’ve been looking for." (My website is here: www.WeaverGuitarStraps.com) "I would love to have one made to match my guitar if you’re interested. The guitar is a 3 tone sunburst Telecaster. It has a few subtle appointments that make it what I consider to be a very beautiful guitar, off white binding and abalone dot inlays on the fretboard." I can never resist a creative challenge like this. So, what would I make to match this guitar? Since I LOVE color blending, I started with a design which played off of the color gradation, or "burst" as they call this type of paint job on a guitar. I used 9 colors and loved the progression! But, it didn't include any of the colors from the abalone, which he really wanted. So, Jason, being very clever, found his way to the "Band Weaving Pattern Editor", my favorite design tool and created his own strap pattern, shown below! Good job! Not enough threads, though. He and I kept playing with variations on this design until we got one that he liked. I sent him some photos of yarn, so he could help choose the colors. Then, magic happened! He wrote, "When I started looking at a color wheel to help pick the colors for the guitar strap, I realized that it was separated into 12 sections just like the circle of fifths used in music." (Wikipedia: https://en.wikipedia.org/wiki/Circle_of_fifths) "You and I had already discussed some possible colors inspired by the finish adornments on the guitar so I had an idea of some bass notes, or base colors to look for. I used the I V vi IV musical progression and set the C note to line up with orange on the color wheel which gave me: I - C - Orange V - G - Yellow vi - A(min) - Green IV - F - Purple/Wine red There was the palette! I used that as a base when I set up the colors in the pattern editor. So what we have represented in the colors is: The red, orange, and yellow gradient from the sunburst finish on the guitar body. I really liked the first weave you did with the really elaborate gradient, It was beautiful! I wanted to make sure we paid homage to that. Then we have the green which was matched to the slight tint of green in the pick guard and also one of the colors in the abalone inlays. There is also a deep purple / wine red which matches the abalone and the darkest shades of the sunburst finish. Black as a background color. And finally the off-white from the binding on the guitar. We checked all of the boxes from the original inspiration!" So, I wove Jason's design, sent him a photo and it was a hit! His response, upon receiving the strap, " It’s awesome! It looks even better in person! I am so happy with it! It matches the guitar beautifully. I’ve attached a picture for you. Thanks again! This was a great experience. You are a master of your craft!" So then, he made me this color wheel combined with the circle of fifths so I could experiment!!! "You could find the chords to a song you like and see how they correspond to the colors on the color wheel - or vice versa- You could use the color from a pattern you create and then see how it translates musically. Bear in mind too that you could shift the color wheel or the circle of fifths in either direction to get different combinations. Like if C lined up with blue instead of red, you could still use the same intervals and get a harmonious color palette. Depending on ones knowledge of music theory and/ or color theory you could dig kind of deep with this. You’ll notice that a lot of the same harmonious relationships exist on the color wheel and on the circle of fifths. Using this method, any piece of music could be interpreted as color and any instance of color could be represented by sound." I'd love to hear from anyone about experiences designing with musical harmonies! ~Annie
3 szuper hatékony hasizom gyakorlat, melyekhez mindössze egy fitneszszalagra lesz szükséged! Otthon elvégezhető edzés a lapos, feszes hasért, kezdőknek is!
Click on these linked titles to access my tutorials. The tutorials are not listed here in any particular order but I do give suggestions for the order in which to study them here. I strongly sugges…
Whether you call it a triaxal weave, mad weave or tumbling blocks, this pattern has a certain beauty to it, especially to those of us fond of geometric designs. I'm just glad I didn't give up when initially I couldn't figure out how to do it to save my life. This post contains affiliate links.&
I am seeing squares! I feel like I have spent the whole week charting. The yurt band design that I charted and wove into a cell phone pouch last week was pretty easy to pick out from a photograph. …
最長更新上のチベットのより幅は半分でも長いゆったり腰に巻けますな？気に入ったのは自分でも織り図を起こすからね
#идеи #вдохновение | Вступай в группу Всё о шитьё . Рукоделия в Одноклассниках
враження, мої роботи, настрій, ручна робота, ткання, weaving, Pitman Tablet Weaving, майстерня Прекраса,studio Prekrasa
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Гобелены, станки и бердышки - разнообразие форм, фактур, цветов, необычные материалы и невероятные фактуры. Актуально всегда. Моя любовь - пояса браслеты ткачество на станке. шерсть ткачество и войлок сумка Семаргл автор https://vk.com/guslyana
Narrow patterns are fun to weave. In the last post, I provided 24 charts for five pattern ends in Baltic-style pick-up. In this post, I’ll show you three examples of how narrow patterns might…
Below are some motifs for Sulawesi style tablet weaving. The set up of the cards and the threading is always as indicated below (except adjusted to 16, 24, 32 or 40 cards). I use Tablet weaving draft designer to illustrate how to thread the cards. Please check my other pages on Sulawesi weaving for explanations
Below are some motifs for Sulawesi style tablet weaving. The set up of the cards and the threading is always as indicated below (except adjusted to 16, 24, 32 or 40 cards). I use Tablet weaving draft designer to illustrate how to thread the cards. Please check my other pages on Sulawesi weaving for explanations
