"The Offering," by Charles Prendergast (c. 1915-1917) DIMENSIONS • 9" x 12" (Image: 7.5" x 9.75") • 12" x 16" (Image: 10" x 13") • 16" x 20" (Image: 13" x 17") • 20" x 24" (Image: 15.31" x 20") • 24" x 30" (Image: 19" x 24.81") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.

Textural, illustrative paintings of British wildlife and landscapes by Dawn Stacey. Represented by KMA, award-winning art, sculpture and ceramics gallery Brighton, UK.

Capturing beautiful reflections is not as easy as it looks. It takes planning, patience, creativity and sometimes luck to be able to capture that perfect

Time management. Courtesy of @SarahCAndersen.

Entitled: Canton, China [c1880] RH Brown [RESTORED] I retouched out a lot of emulsion cracks that were scanned into the original image, as well as an embossed notice on the bottom edge of the print. luckily, it serendipitously happened to be on the reflective surface of the water, where a little bit of softness blended well and didn't matter as much visually. Contrast and tonal adjustments, along with a final sepia. The original image is hoarded by the Royal Geographical Society in the UK, where they claim copyright on something that is more than 120 years old, LOL... At any rate, this image reveals more of the extensive canal system in old Canton (Guangzhou) that, though not as pervasive as those in Soochow (modern day Suzhou), were plentiful and historic in their own right. Seen in the center background is the top of a monolithic stone fortress like building, the signature outline of the old Cantonese pawn shop.

Italian sculptor Aron Demetz created a fascinating piece of work called ‘The Tainted’. Demetz explores the human figure with his wooden sculptures and shows incredible skills in carving wood. He uses the material to highlight the harmony as well as the conflicts between man and nature. We are especially intrigued by the contrast between the […]

The Dodo serves up emotionally and visually compelling, highly sharable animal-related stories and videos to help make caring about animals a viral cause.

The packet begins with suggestions for reinforcing and enriching learning related to shapes and geometry.This anchor chart provides the formulas for finding the volume and surface area of triangular prisms, pyramids, cylinders, cones, spheres, and cubes. It is to printed on 14' x 17' paper. ...

Sarah Lucas, a founding member of the Young British Artists movement, finally gets her stateside due.

The BEST Japchae Recipe, period. It's definitely one of my signature menus and I'm so happy to redo this recipe with upgraded production for you!!

Your long-awaited luxurious satin pants have finally arrived! These pants feature a flat front waistband with an elastic back and boast a wide-leg silhouette. Versatile and stylish, they are a transeasonal essential suitable for both casual outings and special events, ensuring you'll reach for them all year round. Caz wears a size 8 and is 170cm.Bree wears a size 16 and is 163cm. Fabrication & Care 100% Satin Dry clean onlyLay flat to dryWarm iron on reverseLight steam if necessaryAvoid garment catching on jewellery or rough surface

In the dark, chilly tropics of Saturn's moon Titan, the Cassini probe has spotted what appears to be a lake of liquid methane, fueling speculation that caverns below might harbor life.

Daisy was Born and raised in Greater London since 1990, Daisy is an artist with an education in design and driven by craft. She graduated from Central St.

"Night and Her Daughter Sleep," by Mary Macomber (1902) DIMENSIONS • 9" x 12" (Image: 7.5" x 9.25") • 12" x 16" (Image: 10" x 12.38") • 16" x 20" (Image: 13" x 16.13") • 20" x 24" (Image: 16" x 19.81") • 24" x 30" (Image: 19" x 23.5") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.

As the sun dips below the horizon, a cascade of vibrant hues embraces North Berwick Harbour in this evocative abstract expressionist print. The ephemeral glow of dusk is masterfully captured through bold, sweeping strokes of rich crimsons and deep purples, accented by fleeting touches of warm oranges and soft yellows that seem to dance on the water's surface, reminiscent of the final whispers of daylight. The boats, harboured securely, take on an almost ethereal quality, their silhouettes gently distorted in the fluid reflections that merge with the waters below. This mingling of colours creates a curious interplay of light and shadow, suggesting the gentle rocking of vessels buoyed by the tide's breath. Behind the moored boats, the architecture of the harbour town rises. Abstract shapes stack together, creating an impression of buildings that cradle the harbour - a comforting, protective presence as the evening creeps in. Despite the abstracted forms, there is a strength in the jagged lines and solid blocks of colour, suggesting the enduring nature of the harbour’s presence against the soft, transient skies. The horizon line subtly divides the composition, yet the sky and water are united through a symphony of strokes and colour, blurring the boundaries between the tangible and the imagined, the real and the reflection. This print encapsulates a sense of serene movement coupled with the tranquillity of a harbour at rest, inviting the viewer into a sensory experience that is at once peaceful and stirring. The emotional resonance of this piece is palpable, provoking contemplation and inviting the onlooker to explore the depths of colour and form. It's a captivating slice of the Scottish coast that offers more than a mere depiction of a landscape; it’s an invitation to feel the rhythm and soul of North Berwick at the most magical time of day. This print is a stunning testament to the beauty of Scotland’s harbours, enduring through the ages in the hearts of both locals and admirers from afar.

Japanese mythology is collectively chronicled in the Kojiki, the oldest historical record written in Japan in 712 AD, and in the Nihon Shoki written in 720. As was common practice before the age of script, these tales were passed on through oral traditions—the Teiki and Kuji, among others—for generations before they were ever recorded.

Breast Thermography, also known as Breast Thermal Imaging, uses a very sensitive digital infrared camera to measure heat on the surface of the breasts.

These gifted creatives are taking ceramic art to a whole other level.

Edvard Munch - The girls on the bridge [1901] - wp

Nava Lubelski

I have an interest in all of the visual arts; painting, photography, film, and um, duh: fashion. This online quiz thing once told me I was a “Visual Thinker”... #OMG #SoTrue. So, I recently ended up in a Google black-hole exploring the work of Martha Rosler, an artist who primarily uses collage as her medium of choice. I was particularly interested in her most recent body of work, which incorporates images from modern fashion magazines within each piece. When someone decides to mix fashion within another medium, I totally geek out. Ok so at this point you’re probably like, “Fashion collages? Really? Giiiiirl, I decorated all my High School binders with cool fashion collages and you don’t see my shit hanging in no museum. Who cares?” So, okay, collage may not be the most difficult of mediums to master, but it gives Rosler’s work an emotional value that no other medium could not have achieved. An important aspect of her work is the fact that she uses only pre-made images, imagery that already exists in the world, independent of Rosler putting them together. The tension that this juxtaposition creates hits the viewer like a ton of bricks. See: We are a generation that has been inundated with war imagery. We are also a generation that has been equally as inundated with glossy fashion advertising. Separately, neither of these images get a rise out of us. We are desensitized to the violence of war just as we are desensitized to the facade of advertising. We have an equal familiarity with both. Rosler’s work forces us to confront this, and makes us think about the way the we process media today. Thoughts my fellow fashion lovers? PS- Sorry if this work has offended you but...well the best art does that, doesn't it? Until Next Time, Brittany

A truly divine naan is crispy on the outside, a little bit charred with brown spots, soft on the inside and a little chewy and fluffy in parts. Like pizza, it is cooked for a very short time at an extremely high temperature. That’s why homemade naan often doesn’t come close to naan in a restaurant that is made in a tandoor--an earthen wood or coal-fired oven. Can you make good naan at home, and is it worth even trying? YES! You can do this either on a pizza stone/steel or in a heavy cast-iron skillet/griddle. The surface needs to be searing hot, and I like to give a final char directly on the flame. The result: heavenly naan.