TT12 - 1850s - 1870s Little Lucy Amelia Sunbonnet Pattern. Our Lucy Amelia sized for girls ages 2 to 12. Three sizes in one pattern.Sunbonnet pattern based on original 1850's-1870's sunbonnet. The Lucy Amelia is a sunbonnet that spans the 1840's through the 1860's. The pattern is based on two original sunbonnets in our collection as well as other studied in museums and period magazines. The pattern contains variations for brim shape, curtain depth, cording, and quilting. The detailed instructions and illustrations help the sewer complete a period appropriate sunbonnet. The pattern does not include instructions for the zigzag version or caned/wired version. Timely Tresses creates original patterns drawn from extant bonnets and fashion plates. Each style designed and researched with the utmost care to faithfully represent nineteenth century fashion. Patterns based on 22.5 inch head.
This beautiful hooded scarf is made with a unique combination of Front Post and Back Post Double crochets, making the scarf, hood, and pockets look like a diagonal wave across the project. The added Popcorns around the hood and across the pockets give this pattern a beautiful touch.
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Valentine’s Day is all about love and friendship, and we can’t think of a better…
UPDATE: Briar Sunbonnets will officially launch in our shop THURSDAY, JUNE 4TH This is our first year carrying sunbonnets and we are so thrilled! We will be carrying these darling sunbonnets in four different colorways including pebble, sunrise, harbor stripe, and daydream with a possible restock soon after! The price
Opera Hood, Godey's Lady's Book, August 1862 Make a chain of 90 stitches. Then knit one row across, then seam a row, knit a row, seam...
Young Child Playing Banjo Playing Graduating Christmas Greetings title unknown The Physician Little Red Riding Hood There Was An Old Woman Who Lived In A Shoe title unknown A Busy Day Playing Bride…
Knitting in front of nail-biting soccer matches has its pitfalls. High tensions result in tight…
Peterson’s Magazine, September 1861, Vol. XL, No. 3, pages 223-224 I have sudden need of a warm, mid-19th century head covering. Since this hood with its long “strings” does double duty as keeping one’s neck wrapped up, too, I settled on this pattern especially after reading it through and finding out that it is all mindless knit rows (garter stitch) one after another. Quick and easy project, I thought. I have a new procedure before I start any new pattern, namely, check on Ravelry to see if anyone has already knit it. This I did and compared various yarns, needle sizes and experiences of several people who have made this hood. A run through the posts on this hood in the two CW Needleworkers Yahoo groups yielded more useful information. The original pattern calls for “Shetland” (lace weight) wool in blue and white. I happen to have loads of that in my stash but I didn’t want to use it as a) I need this hood very soon and the Shetland was not immediately accessible at 10 pm on the night I was starting this project, b) I worried that it might come out too small (as one person had complained) and there was/is no time to rip and knit the hood again and c) I recently purchased some Lion Brand’s Fishermen’s Wool which is actually more of a DK weight rather than a heavy one, and could start knitting immediately as I had it at hand and, perhaps, more reliably in terms of tension/gauge. The colours are Oatmeal and Brown Heather, two natural wool shades. "No. 4 wooden pins of the bell gauge size are used for this knitting” states the pattern. The modern equivalent would be 5.5mm/9 US. I tried that size and worked my way up to 6mm/10 US with a tension/gauge of 4 stitches to the inch which, gave me the needed measurements to go round my face and strings long enough to tie comfortably. To do the latter, however, I had to add 20 more stitches to each side of the strings, increasing from 40 to 60. Longer strings match the illustration, too. Still thinking that I could whip the hood up in a few days, I started knitting and four episodes into Brideshead Revisited, plus the mini-documentary, and quite a few Radio 4 programmes later, I am almost finished with the first piece of mind-numbing knitting, which is why my choice of electronic companionship and encouragement had to be stimulating and gorgeous to look at (language, clothing, architecture, furniture, landscape and the young Anthony Andrews.) Once completed, I get to knit the whole bally thing again but at least this time with the added excitement of changing colours in the middle of the piece. With five days to go.....................................
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Percussion Capeline Reversible PonchoThe reversible sunbonnet from the Percussion brand is an ideal sunbonnet for going hunting in the rain. This capeline is on one side khaki green and on the other side neon orange. It closes with a zipper and a flap with press studs. The capeline has a hood and...
Gabriel Voisin, né le 5 février 1880 à Belleville-sur-Saône et fils d'un industriel de la fonderie, va faire ses études aux Beaux-arts de Lyon. D'abord engagé comme dessinateur, il commence sa carrière en 1903 chez Ernest Archdeacon, l'un des promoteurs...