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Sometimes I get bored and stressed doing Rate the Dress, and feel like calling it off, and sometimes there aren’t many responses, but then we have weeks like last week, where Rate the Dress triggers fascinating discussions on how the garment is displayed, and if/which display is more correct, and how you can tell when a dress was displayed based on the style of display (which implies that we often aren’t really getting a true ‘period’ look at a garment much of the time), and it’s all well worth it. So, whether or not you loved the 1780s yellow chinoserie frock from last week, I think we can call it a success. At 8.5 out of 10 though, it was pretty successful in the aesthetic respect too though! For this weeks Rate the Dress, I wanted to pick an outfit that might have been worn with an Olivia bonnet, so I went rummaging amongst my saved links to 1880s frocks, and instead of finding something to pair with an Olivia bonnet, I got distracted and …
Responses to last week’s russet & cream pleats and drapes ca. 1880 Rate the Dress took me more than a little by surprise, as I thought the dress was striking, beautifully and skilfully made, and profoundly, irredeemably, ugly. My opinion was clearly not shared by the vast majority of you (and that’s totally OK!) – as most of you adored it, bringing it in at a rosy 8.5 out of 10! The joy and beauty of Rate the Dress – seeing the beauty of a garment you think is terrible through someone else’s eyes and perspective, and vice versa! This week, to avoid any clashing colours, I’ve chosen a dress in black on black, enlivened with embroidery, smocking, ruching, and delicate buttons. This aesthetic style dress may have been for someone unconventional enough to adopt aesthetic dress, while conventional enough to adhere to mourning customs, or simply for someone who liked the colour, as black became increasingly fashionable in its own right at the end of the 19th century. This dress is a …
I’ve got Regency on my mind at the moment. It’s probably because I have absolutely no events coming up for which I need a Regency frock, so my wayward mind is fixating on the most impractical thing it can think of! So, this week’s Rate the Dress is 1790s… Last Week: A 1910s dress in devore velvet and metallic lace I’ll let you in on a secret. I think last week’s dress is hideous. And I don’t know why, because I usually love that style of dress, and the individual elements. I’m ashamed to say it may be the presentation: I’m usually good at overlooking presentation, but somehow that too-tall mannequin and bare foot is just a bit offputting… Luckily for the dresses final rating, you do not agree with me. Other than the big beaded element at the bust you were on-board with the dress, finding the devore divine, and the gold lace the perfect amount of gilding. The Total: 9.3 out of 10 Just .1 point shy of the week before! This week: …
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Last week I was a little disappointed in the lack of interest in Élisabeth de Valois and her velvet dress. I thought it was a fascinating fashion choice, but it just wasn’t a good week for discussions. Those of you who commented did like it though – it came it at 8.6 out of 10, which was just off its most common rating (8.5). And it was a big hit as a pinterest pin, which is always a good indication of popularity! This week, let’s return to the HSF as a source of inspiration for my Rate the Dress choices. The next fortnight’s theme is ‘Innovation’ and one of the most innovative fashion periods ever was the streamlined neoclassical styles of the end of the 18th and beginning of the 19th century. Few fashion innovations are introduced completely out of nowhere: there is often a period of transition, in which elements of the old style mingle with the new trend. This dress represents both the innovation, and the transition: radical in its overall simplicity, it …
Sports like golf and croquet became increasingly popular in the second half of the 19th century, inspiring a new type of dress: sportswear.
