Learn how to make a wholecloth quilt with this step-by-step photo tutorial that includes tips for Kantha-style stitching!
Hello, dear Tatreez & Tea beginner students, This blog is an instructional on how to create a tatreez sampler using Palestinian motifs taught in the beginner level classes. When first learning traditional Palestinian embroidery, many students feel that they need practice in order to advan
2019-20 Autumn / Winter Couture Collection
a compass with his words replacing the North and South, East and West; a secret code to be deciphered
Here is a new structure from a body of work I am developing, where printmaking practices from distant worlds are brought together in the sam...
Spring is here! This was a time of year that Charley loved — a time when so much nature comes to life, all at once. Take some time to browse our site or stop in at one of our six gallery loca…
Description of Kiriko Custom Canvas Wide Pants, Patched Vintage Boro, White with Blue Patches- 32" Description ABOUT THE BRAND We are always thinking of new ways to showcase our fabric designs. These jeans are reimagined through Kiriko's Boro style. We used various vintage Japanese fabrics and patched them to this vintage denim. We also added stitching to the damaged parts which gives them unique character. This pair represents the true vintage fabric of East and West and creates a 'One-of-a-kind' piece. Patched in Portland, Oregon 5 button front 5 pocket style 100% Cotton Tagged size: 32 Product #: BD79 Code: NWS Measurements (approx.): W 35" x L 32" Leg Opening: 10" Thigh: 13" Front Rise: 14" Back Rise: 17" This product is not eligible for discounts.
Use promo codes: 2LISTINGS: 10% off when buing 2 listings or more, 4LISTINGS: 15% off when buying 4 listings or more! No matter what part of globe you’re from, you living room (or bedroom!) needs this map cushion set. Let East and West meet on your sofa and spend time with your children or friends, dreaming of travels together! Pattern by the Crocheting Geographer. Each Cushion consists of two squares, front (with map), and back. Skills: single crochet (US terms), changing colors, crocheting in rows, crocheting in rounds The pattern includes both graphs and a row by row color stitch count for each of the maps. Pattern is written in US terms, in ENGLISH ONLY. Finished measurement of the cushions: 40x40cm/16"x16" THIS IS NOT A FINISHED ITEM. Please do not share or publish this pattern anywhere. RETURNS There are no returns on digital files. Please contact me if you have questions about the pattern! See other map patterns here: https://www.etsy.com/shop/PukapukaPL?ref=seller-platform-mcnav&search_query=map - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - FOLLOW ME ON: Instagram: https://instagram.com/pukapukapl PInterest: https://pinterest.com/pukapukapl FREE PATTERNS: https://pukapuka.pl
Sold by Create your own from scratch Size: Standard Postcard Create your own vacation-worthy postcard! Any view you’ve seen, any monument you’ve fallen in love with, can all be added to your postcard with our personalization tool. Dimensions: 5.6" L x 4.25" H; qualified USPS postcard size High quality, full-color, full-bleed printing on both sides Paper Type: Matte A classic, all around paper with a natural feel and an uncoated matte finish; our Standard Matte stands the test of time. Elegant and understated, colors print softer and more subtle. 17.5 pt thickness / 120 lb weight / 324 GSM Light white, uncoated matte finish with an eggshell texture Paper is easy to write on and won't smudge Made and printed in the USA
Ecco, lo sapevo, ne ho scoperta un'altra delle mie!! Sbisigando online su pinterest mi sono imbattuta in un caso di stumpwork embroidery che non sapevo neanche che esistesse come tecnica specifica. Curiosa come un gatto, non sono riuscita a resistere, e mi sono messa a googolare finché non ho scoperto che è una precisa e antica tecnica di ricamo in rilievo, o tridimensionale, conosciuta col nome inglese stumpwork e usata già dal 1400. Inoltre, una ricamatrice del mio paese che ha un negozio fa anche i corsi, ma mi sembra essere una tecnica molto difficile, bisogna già avere ottime basi di ricamo, credo, molta pazienza e taaanto tempo a disposizione. Cose che non ho! e quindi al momento mi limito a pinnare e a farvi vedere qualche esempio qui sotto. Certo che alcune hanno proprio delle mani d'oro... un pensiero va a mia nonna che ammirerebbe queste cose e poi direbbe che lei non ha abbastanza pazienza :-) ...mi ricorda qualcuna! In ordine di apparizione: delle ghiande con foglia autunnale -che trovo semplicemente stratosferiche!-; una rosa canina con cinorrodo (se dico bacca qua mi correggono!); un iris con contorno di mini iris; un coniglietto pasquale, che sta bene col periodo primaverile; e special guest -anche se non so se sono propriamente fatti con questa tecnica- degli uccellini a pois che mi fanno tanto primavera anche se hanno dei colori assurdi. Che ne dite??
It all depends on one's color direction/choice. This is my Millefiori design #8006 (details at my website, www.Millefiori-BE.com). I've seen it at pinterest.com so often that I thought I'd write about it here, too. I named it "South of the Border" and described it as a "lily bouquet" with lacelike chiffon lilies, Amazon asters, fan flower, Argentine weeping lilies, a lollipop lily and the rain lily. This is scaevola, or an Australian native also known as the "fan flower" and is usually blue, pink or white. To make a Brazilian dimensional embroidery version of this flower that attracts butterflies (shown) and repels deer (too big for this design...), I selected the blanket stitch. To make it 'dimensional', I chose to make the bullion petals with blanket stitch, worked clockwise with our 100% rayon Z-twist floss (manufactured by www.EdMar-co.com). It helps to make really 'good' bullions, but in case they don't all work out, I decided to cover the base of the stitches with a cast-on cover-up. Here's the short version of what I did, in pictures. Above: I started with a lazy daisy bullion. The second bullion is anchored into a blanket stitch as shown at the upper right. Sometimes you need to convince these bullions that you and they are on the same page. You can do that by going through the fabric and bringing the needle up in the correct position (especially if you work with a hoop or frame). That's what I did in the three pictures shown below. It really works - you just need to convince it that you are running the show and that it will be beautiful and lovely and gorgeous when it's all finished. See, below? It's starting to agree with me. Here's the basic process, and below is the finished flower: --with any little 'disagreements' covered with the cast-on calyx. Here's a close-up of the finished flower on the design: It's always fun to play with leaves, too. Here I stitched the leaves with pink veins. Because the green is so dark, there is space between two of the leaves to give them a bit of separation: This is a detail picture of another of the flowers - the Teacup Flower: The focal flowers at the top of the design are Chiffon Lilies. At various times, I've stitched them with different colors, or reversed colors: I used the cast-on pistil stitch to make the stamens (I've described this step-by-step on this blog if you do a search). The petals are drizzles, stitched with a variation of the "Archie" we all know and love. Remember: Archie R.A. Drizzle (the Latin: Archiara drizzle) I have these and a lot of other flowers and dimensional stitch techniques in "My Book of Stitches" (Millefiori #8000) - aka, The Pink Book: Oh~ And here's the butterfly. When I stitch butterflies, or flowers, or anything, I'm always trying to think of how I can use our B.E. dimensional stitches. This little one, though, is not - I used just simple stitches. By the way, I like to make a bullion for the butterfly by starting with a fly stitch and using the bullion (body) as a tacking stitch. The wonky eyeballs shown below are French knots (although colonial knots are more dimensional). And now I think I'll flutter away -- I am working to finish my new book of fifty brand new flowers, "Forever Flowers". I'll let you know as soon as it's ready, will also post pictures. Rosalie
This is one turf war you don’t want to win.
This article first appeared in Yarnwise issue #63 East meets West for knitting with different twist By Jane Howorth Combined knitting, or combination knitting, as it’s sometimes calle…
Aberfeldy Village is a once-in-a-generation opportunity to stitch London’s east and west Poplar together and bring health and prosperity to those who live in the area.
HUF Cromer Washed PantsHUF Cromer Washed Pants in Dried Herb. Designed in collaboration with skater Brad Cromer, these HUF pants are made from 100% cotton denim. Baggy fitting with a tapered leg, these green HUF pants feature a belt loop waist, a single button secured zipper fly, two side pockets and two rear pockets. Finished with an additional coin pocket, woven flag label branding and with double-needle stitched seams.Supported by collaborations with brands including Nike SB, Stussy and Thrasher, HUF is a time-honoured skate brand that launched in 2002. Rooted in West and East Coast influence with a focus on creative design and honouring their own DIY narrative, HUF is a visionary label that continues to evolve season after season.Product Details100% Cotton DenimBelt Loop WaistbandButton Closure & Zipper FlyTwo Front Pockets, One Coin PocketTwo Rear PocketsEmbroidered LogoWoven LabelBrad Cromer SignatureTapered LegBaggy Fit
Hello all, Today I will restrict my writing to one garment, the Kyptar, also spelled Keptar. This is the sheepskin vest which is so distinctive to the Hutsul costume. The sheepskin vest itself is of course worn throughout the Carpathian region and beyond, by Polish, Slovaks, Hungarians, Romanians, Croatians, Bulgarians, and also in other parts of Ukraine, and some of them are very richly decorated, but the Hutsul Kyptar is obvious at a glance. The cut is very simple, the sides being straight or slightly expanding towards the bottom. Unusually, neither the cut nor the ornamentation varies by gender. The only difference between a man's Kyptar and a woman's is the size, You can see in the two photos above, that they are equally elaborate. The fleece is always worn on the inside, unlike some places in Western Europe, where they wear the fleece on the outside. The Hutsul Kyptar is decorated primarily with applique, but also with braid, buttons, embroidery, tassels, pompoms and strips of lambskin or fur. This type of work, by the way, was traditionally done by men, who specialized in making them. Women did almost all the embroidery on linen, but men did the work on outer garments which were made of either leather, sheepskin, or a very heavy and stiff woven wool. One of the most characteristic element of the Hutsul Kyptar are the teeth, or zubtsi, which are found along the edge of the decorative panel on the front, and often around all the edges, as you can see from the images. I am going to quickly show and describe six types of Hustul Kyptary, following the categories described by Iryna Karpynets in her book, 'Keptari Ukrajins'kykh Karpat'. This by no means exhausts the subject; there are other types, and of course, much individual difference between individual garments. I. Kosiw style. This, as well as the two above and the images folowing, is a Kyptar of the 'Kosiw' type. This is found in the northern part of the Hutsul region, from the villages immediately around Kosiw west through Kolomyja district and also around Jaremcha. As in all Kyptary, the seams are always ornamented. A major feature of kyptar ornamentation is the sylianka. This is a strip of white thin leather with slits cut into it, and through the slits flat laces of dark leather are woven, usually three or four of them side by side, woven alternately so as to form a sort of checkerboard, which is then appliqued onto the kyptar. In this type of kyptar, the sylianky are placed over the seams, all around the edges, a horizontal line on the back, two 'princess' lines also on the back that intersect it, and three rows on the front to make the decorative panel. Teeth of dyed moroccan leather are appliqued around all the edges and the sylianka lines on the back. The teeth emanating from the front panel are curved, either up or down. The moroccan leather also forms the 'rachky', 'crayfish' shapes which in this type of kyptar are scattered on the bottom portion. The moroccan leather applique are studded with metal eyelets, and edged with wool cord, usually green and orange, and small pompoms are attached at the tips, and in the middle of the front panel. The edges are trimmed with curly lambs wool strips, which are also placed on the collar. This famous photo of a wedding couple is from the village of Kornych near Kolomyja. This is part of Pokuttia. This is a seperate sub region. Note that the teeth are slender and elongated. This is typical of the Kolomyja region. Wedding headresses in this district are exceptionally large. This woman is from the village of Jabluniw northwest of Kosiw. The following garment is from the village of Pistyn' near Kosiw. This kyptar is from the village of Sokoliwka near Kosiw. This one is from the village of Zarichchia, further west. II. Kosmach style. This style is found in the town of Kosmach, and similar styles are found in other villages to the west, like Dora and Mikulychyn. This man is Il'ko Topuziak, a Trembitar [alpenhorn player] from the village of Kosmach. You can see the characteristic Kosmach embroidery on his shirt. This type of kyptar resembles the previous one in many ways, The curved teeth of the front panel are still present. The panel itself is made of several squares of morrocan leather appliqued to the front. The metal eyelets are used much more profusely on these squares, on the pockets, and also on the strips which are appliqued around the edges. There are still some 'crawdads' appliqued on the lower edge. The strips of curly lambskin are not present around the edges, only on the collar. The sylianky make no appearance. The cording and the pompoms are present. There can be small motifs actually embroidered onto the sheepskin, as in the bottom example. This one seems to be from the village of Mykulychyn, although the embroidery on the chemise is Kosmach style. This kyptar is from Mykulychyn. This one is from the village of Dora. III. Verkhovyna style. This is found around the town of Verkhovyna, and the central part of the Hutsul Region, in the valley of the Black Cheremosh river. It is found as far north as the villages of Richka and Javoriw south of Kosiw, and as far west as Vorokhta. The photos below show this type. The first photograph is of a Hutsul woman taken in the 1930's. She is wearing a very large kerchief wrapped in the traditional Hutsul manner, passed behind the neck, then over the head an tucked in over the ears to make a characteristic puff on the sides of the head. The next picture shows Evdokia Sorokhaniuk, the famous Hutsul Embroiderer, with her husband, the photo taken in 1981. They are wearing 'fake' kyptary made of artificial fleece and vinyl, but decorated in the traditional manner. They are from the town of Zhabie, which is now known as Verkhovyna. The sylianky have reappeared here, being placed over the seams and in the front panel. The front panel also includes a rectangle of rows of braidstich embroidery, in various colors. There is a similar panel on the back, along the bottom edge, and sometimes another one further up. The teeth on the edge of the front panel are straight and triangular, and echoed along all the edges of the garment, and the pocket. The 'rachky', the crawdads have disappeared. The curly lambswool around the edges is again in evidence, and all the appliqued areas are edged with wool cord. the small pompoms are still with us as well. Older examples are more restrained, but newer ones are sometimes over the top. This is from the town of Verkhovyna. This one is from the village of Richka in Kosiw district. This one is from the village of Javoriw in Kosiw district. IV. Rakhiw style. The following photos show the style of kyptar found in the southwest part of the Hutsul region, in the district of Rakhiw in the Transcarpathian oblast. This is typically cut somewhat shorter than usual. The sylianky appear around the armholes and collar, and form part of the front panel. There are rows of braided stitch between them in the front panel. The teeth on the edge of the front panel are larger and fewer, curved and have more elaborate embroidery along their edges. This embroidery is echoed along the inner edges of the armholes and the bottom edge. The pompoms are still here. The lambskin has disappeared, its place being taken on the bottom edge and armholes by moroccan leather applique, and on the front and collar by patchwork made of fur. Tassels have appeared, on the front panel, and on decorative cords which hang down the back. There are embroidered floral motifs which appear on the front lower corners, which may also be echoed on the lower back as in the bottom garment shown here. This example is from the village of Bohdan in Rakhiw district. The kyptar in the following two images are from the village of Kosiws'ka Poliana in Rakhiw district. V. Sapianka Style. This type is found in the valley of the White Cheremosh river, from the twin villages of Roztoky, one on each side of the river in Kosiw and Putyla districts, south on both sides of the river into Verkhovyna district, as well as the tributary valleys. The teeth and sometimes the sylianky reappear. There are sometimes two extra seams sewn into the lower back, forming a princess line. These flare towards the bottom. This seam is ornamented with sylianky and moroccan leather applique. The red moroccan leather [sapianka] is the major design element, forming various sorts of floral motifs on both the front and the back. This applique is always edged with wool cording, and enhanced with metal eyelets as well. You can see various permutations in the three photos below. This is from the village of Putyliw The following two images are from the village of Roztoky on the Bukovynian side. This example is from the village of Holovy, southeastern part of Verkhovyna district near Bukovynian Hutsulshchyna. This Kyptar is from Ust'- Putyla in Putyla district, Bukovynian Hutsulshchyna. This example is from Roztoky, in Verhovyna district on the border with Bukovynian Hutsulshchyna. This one is from the village of Roztoky on the Bukovynian side. This one is from the village of Hryniava in Verkhovyna district. This piece is from the village of Dowhopillia in Cherniwtsi Oblast. VI. Peredhiria Style. This type is found in the foothills of the southeast edge of the Hutsul region in Chernivets' oblast, as well as among the Hutsul population of Romania. These two black and white photos were taken in Romania, the colored drawings below are of a garment from Chernivets' oblast. This type is cut longer than most and flares towards the bottom. There is some moroccan leather applique on the front panel, and sylianky, moroccan leather applique and lambskin fleece around the edges. but the majority of the ornament takes the form of embroidery in cursive floral motifs executed in polychrome satin stitch. This style of embroidery is closer to that of the Hungarians and Romanians in Transylvania than it is to most other types of Hutsul embroidery, and adds yet another dimension to the palette of ornament of the Ukrainian People. This kyptar is from the village of Putyla in Bukovynian Hutsul territory. Here is a museum piece from this region. Thank you for reading, I hope that you have found this to be interesting and informative. Go and be creative. As always, i am open to ideas for postings, willing to do research on areas or garments that might interest you, and i take commisions to make new garments or embroider other pieces. Feel free to contact me with requests for research. I hope to eventually cover all of Europe and the Former Russian Empire/Soviet Union. I also gratefully accept tips on source materials which i may not have. I also accept commissions to research/design, sew, and/or embroider costumes or other items for groups or individuals. Roman K. :[email protected] Source Material: Olena Nykorak. 'Hutsulska Vyshywka' [Hutsul Embroidery], Rodovid publishers, 2010 Florea Bobu Florescu, 'Portul Popular din Moldova de Nord' [Folk Costume of North Moldavia], Bucarest, 1991 Tatyana Razina et al. 'Folk Art in the Soviet Union', Leningrad, 1990 V. Zabolotnyj et al, 'Ukraijins'ke Narodne Dekoratywne Mystetstvo' [Ukrainian Decorative Folk Art], Kyjiw [Kiev], 1956 Iryna Karpynets', 'Keptari Ukrajins'kykh Karpat' [Keptars of the Ukrainian Carpathians], Lviw, 2003 Evdokia Sorokaniuk, 'Nyzynka - Hutsul Embroidery', Pennsauken N. J. 2002
Stitch this design in only 1 or 2 of your favorite colors to create a stunning project! If you use your imagination you can see the North, South, East and West indicators in the design. Hoop: 4”x4” to 8”x8” hoopDesigns: 15 Designs includedSize: 3.88” x 3.88” to 7.84” x 7.84”Stitches: 8828 to 34,570
It all depends on one's color direction/choice. This is my Millefiori design #8006 (details at my website, www.Millefiori-BE.com). I've seen it at pinterest.com so often that I thought I'd write about it here, too. I named it "South of the Border" and described it as a "lily bouquet" with lacelike chiffon lilies, Amazon asters, fan flower, Argentine weeping lilies, a lollipop lily and the rain lily. This is scaevola, or an Australian native also known as the "fan flower" and is usually blue, pink or white. To make a Brazilian dimensional embroidery version of this flower that attracts butterflies (shown) and repels deer (too big for this design...), I selected the blanket stitch. To make it 'dimensional', I chose to make the bullion petals with blanket stitch, worked clockwise with our 100% rayon Z-twist floss (manufactured by www.EdMar-co.com). It helps to make really 'good' bullions, but in case they don't all work out, I decided to cover the base of the stitches with a cast-on cover-up. Here's the short version of what I did, in pictures. Above: I started with a lazy daisy bullion. The second bullion is anchored into a blanket stitch as shown at the upper right. Sometimes you need to convince these bullions that you and they are on the same page. You can do that by going through the fabric and bringing the needle up in the correct position (especially if you work with a hoop or frame). That's what I did in the three pictures shown below. It really works - you just need to convince it that you are running the show and that it will be beautiful and lovely and gorgeous when it's all finished. See, below? It's starting to agree with me. Here's the basic process, and below is the finished flower: --with any little 'disagreements' covered with the cast-on calyx. Here's a close-up of the finished flower on the design: It's always fun to play with leaves, too. Here I stitched the leaves with pink veins. Because the green is so dark, there is space between two of the leaves to give them a bit of separation: This is a detail picture of another of the flowers - the Teacup Flower: The focal flowers at the top of the design are Chiffon Lilies. At various times, I've stitched them with different colors, or reversed colors: I used the cast-on pistil stitch to make the stamens (I've described this step-by-step on this blog if you do a search). The petals are drizzles, stitched with a variation of the "Archie" we all know and love. Remember: Archie R.A. Drizzle (the Latin: Archiara drizzle) I have these and a lot of other flowers and dimensional stitch techniques in "My Book of Stitches" (Millefiori #8000) - aka, The Pink Book: Oh~ And here's the butterfly. When I stitch butterflies, or flowers, or anything, I'm always trying to think of how I can use our B.E. dimensional stitches. This little one, though, is not - I used just simple stitches. By the way, I like to make a bullion for the butterfly by starting with a fly stitch and using the bullion (body) as a tacking stitch. The wonky eyeballs shown below are French knots (although colonial knots are more dimensional). And now I think I'll flutter away -- I am working to finish my new book of fifty brand new flowers, "Forever Flowers". I'll let you know as soon as it's ready, will also post pictures. Rosalie
