Morocco pattern linocut artisan stamp with lozenge With this design it is possible to create a graphic print with a modular pattern of an oriental-style ornamental motif, generally in relief on terracotta; Handcrafted PVC rubber stamp, engraved with linocut technique, Moroccan ornamental pattern design, decorated / modular geometric lozenge valid for pattern printing or single for smooth and flat supports such as PAPER, FABRIC, CARDBOARD, CERAMIC, SMOOTH PLASTER, LEATHER, CORK etc. • Stamp dimensions 11 x 5.30 cm
In this course by Pablo Salvaje, learn the relief engraving technique and become a human printer, exploring its possibilities to get results similar to screen printing, risography, and lithography. Discover the best of both worlds—the most creative and fun of a completely handmade work such as stamps combined with the great imaginary of Gutenberg's printing press and all its possibilities without the need for large spaces or huge machines. Get to know all the necessary materials and their tricks, from types of rubber, types of paper, inks, and the different surfaces that can be stamped. Explore everything you need to customize your books, travel notebooks, create prints for your clothes, self-publish your own prints and fanzines, or turn your home into the greatest work of art. This course is complementary to Pablo's other course, Relief Engraving and Contemporary Printing, where he teaches manual engraving and stamping techniques to create unique spaces.
Year 2020/Engraving in relief on linoleum, limited edition of 50 copies. Paper size 40 x 55 cm, 30 x 40 cm stain. Printed on 100% cotton paper, 300 g. Year 2020/Linocut, limited edition of 50 copies. Paper size 40 x 55 cm, stain 30 x 40 cm. Printed on 100% cotton paper, 300 g.
DescriptionShipping Description This retro galleon wax seal is truthfully reproduced with our high-quality solid brass stamp head and state-of-the-art 3D engravings. When pressed on the wax, the Black Pearl pirate ship becomes alive on your projects, adding a touch of old-world charm to your wedding invitations, postcards, greeting cards, and scrapbooks. We highly recommend using a highlighting ink pad to take it to the next level of classy. ◎DESIGNS: 3D Relief ◎Handles are available in 6 styles. You can also choose to upgrade your wax seal stamp to Premium Kit (+1 melting spoon & mixed color wax beads). ◎MATERIAL: Brass ◎SIZE: Stamp head measures 30mm / 1.17" in diameter; Handle measures 87mm / 3.43" in length. ◎Didn't find the desired wax seal? Click to order custom wax seal stamps with your own artwork. ◎Click to learn how to create a perfect wax seal. Shipping GLOBAL SHIPPING We ship internationally to every corner of the world, whether you are in North America, Europe, Oceania, South America, Asia or the Middle East. SHIPPING METHODS & COSTS We provide 3 shipping methods from standard to expedited shipping. Free shipping is offered on orders over a certain amount. Methods Shipping Time * Shipping Cost * FREE for Orders Standard 10-14 business days from US$4 over US$59 Priority 6-11 business days from US$6 over US$99 VIP Express 4-7 business days from US$23 over US$149 * Shipping rate is weight-based. Please add the desired item(s) to the shipping cart and head to the checkout to calculate shipping costs. * Shipping time starts from the day of dispatching. RETURNS & EXCHANGES Stamprints offers returns and exchanges. Please refer to our Returns Policy Page.
"Irises" is created using the relief printmaking method of linocut printing. As each print is created by hand there may be tiny variations which add to the individual beauty of each original artwork. "Irises" is printed onto Okawara Select 51gsm washi printmaking paper from Awagami Factory in Ja...More "Irises" is created using the relief printmaking method of linocut printing. As each print is created by hand there may be tiny variations which add to the i...More
Our Botanical Stamps are perfect for decorating your artistic projects. You can create cards, personalize clothing, cover notebooks, make gift wrap and much more. Our botanical stamps are made of MDF Wood and EVA FOAM. They are engraved and cut in relief to be able to fit them better in your designs and thus easily decorate on textiles, wood, paper... The Botanical Stamp Set for block printing consists of 3 pieces. Approx 15cm They are reusable. We recommend washing them after each use, avoiding excessive wetting of the wood for greater durability. To apply the color, use a roller/sponge and use a paint suitable for the material you are going to stamp. Ideal for children and adults.
Kathleen Neeley’s linocut prints are infused with varying cultures across time, yet feel wholly contemporary in reflection. The artist looks at our relationship to the Earth, femininity, and other personal subjects while maintaining the elements and motifs of myths.
Black Cat Art Print Portrait, titled 'Mousing'. Original, hand printed linocut, printed in black ink on hand press. Signed and titled in pencil by the artist. Black cat stretching her claws so she will be ready for her prey - watch out mice! Please Note: this is a handmade print - NOT a digital print. Supplied in a mount/matted so all you need is a frame. We have other beautiful black cat prints in our shop, please look for the other listings. ***** PERSONALISE YOUR PRINT...***** Gary can replace the title on the print with your own cats name if you so wish. And as we love the people who love our work - THERE IS NO EXTRA CHARGE! Contact us with your cats name once you have made your purchase. Making art through the medium of lino is one where surprises are a daily occurrence. Every time an image is hand pressed the anticipation of the reveal when pulling back the paper can make for some wonderful, unique images. The weight of the press, amount of ink and paper used means every single print is different, such a refreshing change in this digital age. Open ended edition. Supplied in a cream mount. Mount size: to fit frame 24 x 30cms, (approx. 9.5" x 12"). Printed on archival quality printing paper using vegetable oil based inks. Colour may vary from digital image on screen. Picture frame not included. Artist retains all reproduction rights and copyrights. Sale does not reflect transfer of copyright. Watermark does not appear on actual print. Posted in protective packaging.
Take out styrofoam jigsaw relief print on black paper I will be starting a project on Monday working with about 20 elementary school students (range of grade levels from four through eight). They will be creating individual relief based prints from the surface of a product called scratchfoam. The students will be learning a technique called jigsaw block. They first draw an image into the surface of the foam using ballpoint pen. Then waterbased ink is rolled onto the print surface using a rubber brayer and printed using a hand burnishing application onto a piece of paper that is set over top. The foam is first bonded to a thin piece of bristol board using a high tack spray adhesive. The bristol board has a thin layer of water based varathane rolled on the bottom side to help waterproof it and to counter act the tension of the two materials brought together. This prevents it from curling when it is cut apart or when ink is applied to the surface. This sandwich thickness is still pretty easy to cut using scissors. The next step is to dissect the block which will allow it to be printing using a jigsaw technique. I carefully cut the block apart using scissors and xacto blades. The trick was to follow lines already drawn into the foam and use these as a cutting guide . I devised a registration board system so that a 9 x 12 inch piece of scratchfoam was reduced to a 7 x 10 inch block. This left 1 inch strips of scratchfoam which were set along the edge of a 9 x 12 foamcore registration board and held in place with masking tape. The inked pieces were reassembled back into this frame. Each of the 7 individual segments had a colour of ink rolled on and were then reassembled A 9 x 12 piece of black paper was placed over the block and held in place with push pins at top. The placement of the block contained within the one inch strips along the perimeter helped to center the block on the paper and left a one inch border around the image on the paper. I found that Speedball ink has a tendency to dry quickly (even with retarder medium added) so had apply a spray of very fine water mist to reactivate it just before the paper was set over top and hand burnished.I usually spray about 15 - 20 inches above the block and let the mist settle gently and evenly on the surface. Unfortunately a little bit more water collected and caused a little uneveness in the light blue section under the crow and to the left side of the trash can. Anyhow those that work with Speedball might understand some of the challenges it presents. I chose black paper as it provides the dark contrast to define the line in a positive image. If this was printed onto white paper then you would get a neg. image.The students should have some fun with this testing their skills in composition, colour application and exploration of shape, line, texture to name but a few key learning factors. Another thing I have learned is that some of the Speedball inks such as yellow, red and blue do not print as opaque on a black background so by adding just a hint of white ink will help to increase the opacity. But in some cases the transparency factor can be used for effect (for example a pure yellow was printed on to the black paper in the grass section at the bottom of this image and produced a tint of green). If I were to do an edition of prints from the foam block for my own collection (which I may still) would most likely would use an oil based ink and print these on a better quality of printmaking paper that is available in black such as Stonehenge, Somerset or Canson paper.
Hand printed lino cut using a single block. Inspired by observing dandelion clocks in my garden. Materials used: Relief inks
Six beautiful postcards featuring wood engravings produced by Eric Ravilious to illustrate an edition of his favourite book, 'A Natural History of Selborne', written by the 17th century naturalist, Gilbert White. Printed on 300gsm invercote card using high quality inks.
I was attracted to the idea of cutting stencils of ships with big sails mainly because I knew they would make such nice delivery mechanisms for patterns. I did a tutorial on how I made the large flower relief print here: www.flickr.com/photos/amy_rice/sets/72157631971345050/
My last post, discussing Ursa Major (myth, constellation, and mining legend) put me in mind of a project I did recently. Strange- to name the world's largest dragline after a bear- a wild thing. Even more strange that Ursa Major was not a boar (male), and that original myth, when examined, is not a story of some great warrior beast- she was in danger, endangered, and was turned into a hurled grip of stars to protect her.... Anyway, I was reminded. Of a recent sweet sort of project, a woodcut that I did of a bear (ok, it was actually cut on Centra- easier to carve, but same essential principle). I am not normally a printmaker, but there is something sort of antique about printmaking that I love. I live with a printmaker- and from hanging around him and his kind, I have come to realize that printmakers can talk shop with a single-mindedness that can only be matched by musicians. This is evidently because the equipment and tools and accouterments of printmaking are often old, and beautiful, and laden with history- easy to fetishize! The techniques are the same as they have been for a hundred years (though a radical new generation has adopted printmaking recently, giving it a fierce and contemporary vitality that has opened up new worlds for this old art form). .... the finished print. something like 4 feet tall. sorry about the watermark (which is not on the original of course.) We wound up printing this with a steam roller at an event that boyfriend had organized at the college- yes, the big piece of equipment used to squash asphalt into place. It was quite good fun. Another recent print, this one in conjunction with a project at the Poetry Center at the University of Arizona....
CREA PARA DEJAR HUELLA Entiendo la huella como parte de nuestro lenguaje, desde la huella de nuestra piel, hasta la de nuestros actos y la importancia que tiene en nuestro entorno, o cómo influyen en las personas que nos rodean. Al crear,
This funky frog linocut print is perfect for any space! Not only does it look great on its own, but would help to make a fantastic wall collage. Its quirky nature adds a fun tropical feel to a blank coffee table or a bare wall, so why not buy one to add to your home? Each lino print is hand printed on good quality cartridge paper, so every print varies slightly, but this is the beauty of lino printing. Dimensions of actual print: Width: 10cm Height: 15cm Dimensions of paper: Width: 12cm Height: 17cm
DISCOUNTS FOR BULK PURCHASES (All Amounts in US Dollars): Orders $50 to $99.99 use Coupon Code REWARD10 for 10% discount; orders $100 to 149.99 use Coupon Code REWARD12 for 12% discount and orders $150.00+, use Coupon Code REWARD15 for 15% discount. This pattern is a low-relief, laser-engraved paper pattern. Laser Cut Low Relief Pattern for roller printing process (also useful for metal clay) (Jewelry Industry) The complete All-in-one patterns are very popular. It is a type of design where the finished shape is already built into the pattern. Its a nice quick way to make finished jewelry in just minutes. For those that are just learning, its a great way to start with roller-printing. They are also great as a component to more complex pieces. This pattern also comes in a 4" x 5" size (G606) but this size is a great way to test out the designs first. *Each pattern imprints a little differently based on the thickness of the line in the artwork. *IMPORTANT** If you are using these patterns for metal clay please specify when ordering. Rolling mill patterns are reduced in one direction to compensate for the stretching that happens during the roller printing process.
The Long tailed tits arrive in our garden as a flock. Their little round bodies and long tails make them look like little lollipops, bouncing around like a group of acrobats. They leave as a group in the same way as the arrived, visiting each garden in the street. Work has to stop when they are h...More The Long tailed tits arrive in our garden as a flock. Their little round bodies and long tails make them look like little lollipops, bouncing around like a g...More
Ready to print! Perhaps I should call it a toad-o-cut. This cheery fellow is part of a small contract job that just came up for one of our local natural resource agencies. Once common in montane habitats (7,000-12,000 feet elevation) here in the southern Rockies, the boreal toad (Bufo boreas boreas) population has declined significantly in the last 20 years, due in part to infection by the Batrachochytrium dendrobatidis (Bd) chytrid fungus. The boreal toad is listed as an endangered species in both Colorado and New Mexico, and is a protected species in Wyoming. One of its strongholds lies in the national forest on the western boundary of my county, and last year I worked with the US Forest Service and Colorado Parks and Wildlife to create an information kiosk about that critical toad habitat. Our little buddy here will expand that public information effort by appearing on some cautionary signs. I'd watch my step if I saw this, wouldn't you?
DescriptionShipping Description This bouquet wax seal stamp features a 3D multi-layered extra deep engraving of the bouquet, a linen finished background, and a simple yet stylish border. It will add extra style and elegance to your letters, invitations, envelopes, cards, gifts, and more. ◎2 DESIGNS to choose from: bouquet and lily of the valley ◎3D RELIEF ENGRAVING: up to 4mm deep engraving with delicate details of flowers on the fabric-like pattern with an antique border; ◎OPAL SHAPED STAMP HEAD ◎6 HANDLE FINISH OPTIONS: fancy, walnut, black, gold, rose quartz, and white quartz; ◎SIZE: 25mm / 1" in diameter; ◎UPGRADE TO KIT: You can choose to upgrade your wax seal stamp to Premium Kit (+1 melting spoon & mixed color wax beads). Get everything you need for a perfect wax seal in one click and save up to 25%! Details of the kits can be found in pictures 10 and 11. ◎Didn't find the desired wax seal? We can also make custom wax seal stamps with your artwork. ◎For instructions on creating the perfect wax seal, please visit here. Shipping GLOBAL SHIPPING We ship internationally to every corner of the world, whether you are in North America, Europe, Oceania, South America, Asia or the Middle East. SHIPPING METHODS & COSTS We provide 3 shipping methods from standard to expedited shipping. Free shipping is offered on orders over a certain amount. Methods Shipping Time * Shipping Cost * FREE for Orders Standard 10-14 business days from US$4 over US$59 Priority 6-11 business days from US$6 over US$99 VIP Express 4-7 business days from US$23 over US$149 * Shipping rate is weight-based. Please add the desired item(s) to the shipping cart and head to the checkout to calculate shipping costs. * Shipping time starts from the day of dispatching. RETURNS & EXCHANGES Stamprints offers returns and exchanges. Please refer to our Returns Policy Page.
"Otter" 5x7 in. hand pulled linocut print. Cranfield Caligo Safe Wash Relief Ink. Legion Kitakata Paper This print was created from an original drawing and transferred onto a 4x6 inch linoleum block. The block was then carved by hand, inked, and then printed by hand onto Legion Kitakata printmaking paper. All prints are part of a limited edition run and each is signed and numbered. There are small variations from print to print which lends itself to the uniqueness of the finished product. Please note: *Product color may vary slightly due to monitor settings. * Prints are unframed but are pictured in one to show how the artwork will look in a standard frame. I am happy to offer suggestions on what frame style will fit the artwork best. *Prints will be protected by cardboard sheets and sent through USPS as a "large letter" in a standard mailer.
This idea came from photographing my daughter's Tsunami Relief Project. (See the previous images in my stream) This took me about three hours to shoot and process. These were the materials she was using so I didn't have to go out and find materials. This was shot in my daughter's printing studio using daylight from a window.
The THISTLE CROSS pendant is made in sterling silver. Oxidation adds contrast to the engraved relief. Including the bail, the pendant is 49mm by 26mm (1.9"x1"). The cross's thickness is about 3.5mm. Stamped with the jeweler's mark and .925 (sterling silver). The bail is shaped has a wide chain opening. The chain is not included with the pendant but can be ordered separately. A suitable chain can be ordered here: www.etsy.com/listing/257772054/ The pendant is made to order, please allow time for production. Designed and crafted by Sergey Zhiboedov. © SZ Jewelry Design Please check out our “Shop Policies” at www.etsy.com/shop/WingedLion/policy for information regarding payment plans, warranties, etc. International customers are responsible for any import duties or taxes charged by the recipient's country. We have a ring and a mens band with a matching design: www.etsy.com/listing/158665065/ www.etsy.com/listing/129225769/ The current listing is for the cross only.
Collagraph Printmaking Lesson-Collagraph printmaking can be adapted to any grade level. The possibilities are endless! This lesson is based on a relief printing method.