Tapa cloth or bark cloth is a traditional textile from the islands in the South Pacific. You can see some examples of tapa cloth here. In the school setting we try to duplicate this process using paper. This lesson was adapted from my favorite book "Art from Many Hands" by Jo Miles Schuman. The word Tapa is Samoan or Tahitian depending on what resource you consult and describes the border of the cloth. Tapa cloth is made from harvesting breadfruit or paper mulberry trees. The inner bark of the tree would be beaten to release the fiber much like flax is beaten to produce linen. This fiber would then be flattened or "felted" if you will into sheets. The resulting cloth was used for clothing, bedding, and household items. Special cloth was made for religious occasions as well as for royalty. It was quite fragile so it was made quite frequently. Before we can make our Tapa cloth we need to make some design tablets. Nice thing about these is once you make a set you can use them over and over again. I used pieces of foam core board as I had some in my stash but you can easily do this on corrugated cardboard from the recycle bin. Now traditional designs are based in nature including flowers, trees, fish, animals and birds as well as the sun and the moon. In Tongo these design tablets were made on large leaves upon which thin strips of palm or coconut twine were sewn forming the design. Here we make ours with regular household string. Pencil in your design and then using tacky glue, glue pieces of string into place. You also want to make these texture boards which just have lines of string. Easiest way to make these is to smear some glue over the board and then wind your string around the board. Now to simulate the bark cloth we are using brown paper bags or kraft paper. You want to take your paper and crumple it over and over quite a few times. You then can iron it out flat. If you want it colored like the yellow cloth in the picture above, paint it with some tempera after you have ironed it flat. Most Tapa cloth is based on a grid design. Using a ruler make out this grid on your cloth. Now you want to place a design board under your cloth and using crayon in either red, brown, or orange rub to bring up the image. Now use the striped string board and in a different color of crayon rub this design around the image you have already brought up. Don't rub the stripes on top of the design just around it. You now want to add some touches with some black tempera. You can use the end of your paint brush for dots. You can use a piece of cardboard to stamp in a striped design. Finally you want to paint your border black. and that's it. You could spread this project over 2 sessions. The first to create your design blocks and then a second to rub the designs and paint the cloth. Fascinating project and there are lots of resources on the web in google images. Give it a try. We'll see you next time.
Maori symbols come from the Māori tribes of the South Pacific. The Maori are the indigenous Polynesian peoples of New Zealand sometime in the 13th Century.
We loved our Fiji family vacation. If you are going on a Fiji vacation or just curious, here are Fun Facts About Fiji For Kids. Learn all the Fiji fun facts
Tapa cloth or bark cloth is a traditional textile from the islands in the South Pacific. You can see some examples of tapa cloth here. ...
Meticulously folding canvas and layering color, the art duo Stallman (Jason Hallman and Stephen Stum) turn a traditional painting surface on its head, using the structure of the canvas to give their works vibrant depth. The two artists are deeply inspired by gradients found in the natural world, their color selection and positioning appearing almost topographic. The Pacific Northwest based pair calls this body of work “Canvas on Edge,” giving canvas the leading roll within each each piece. More
More. Modern Mudcloth. Images found on Pinterest Masi (Tapa) Fiji, South Pacific African Kimono by Serge Mouangue via Apartment Therapy Found on mininga-univers.tumblr.com Found on refinery29.com…
Tapa cloth or bark cloth is a traditional textile from the islands in the South Pacific. You can see some examples of tapa cloth here. ...
Tapa cloth or bark cloth is a traditional textile from the islands in the South Pacific. You can see some examples of tapa cloth here. ...
Traditional Lime Pot made from a gourd which has been smoked over the fire then scraped to form intricate patterns. The lid is made out of a pig's tusk and tightly rolled banana leaves. In Milne Bay,Trobriand Islanders are well known for many things, most notably for their Yam Festival, their famous and very provocative "Tapioca" dance, their loud and boisterous manner and their carvings which are quite unique. For some reason memories of being encircled by a group of very excited (and I mean EXCITED) Trobriand male dancers comes to mind. Yes, now I recall, that was at the closing dinner for the SPREP conference a few years back. I find Trobriand Islanders to be very open about their sexuality, more so than people from other parts of the province. Theirs is certainly a fascinating culture and although I'm from Milne Bay, I still have so much to learn about the many different cultures in our province. One thing I've noticed is that when there's a big event or cultural festival on, The Trobriand Islanders usually get the loudest cheers. They are often the highlight not only because their costumes are bright red and eye-catching but also because they are highly entertaining to watch. Whenever we host a conference or we have guests in house, you can be sure to find several Trobriand men sitting under a tree in the yard selling their wares. While I don't mind most of the time, sometimes they can really test your patience. Like when they sit around till 6pm even though they can see there's no one around to sell to!! Anything for a sale. Here's a warning too. If you buy something from them, don't be surprised if they keep coming back week after week after week to sell even more carvings to you. Unfortunately at times there just aren't enough tourists here to sell their wares to, so it can be pretty tough for them. Check out some of the amazing carvings they produce.
The South Pacific "The Isle of Enchantment" Circa: Artist: Paul Lawler Tahiti Pan Am Clipper airplane travel Pan American Airways System From a set of 20 postcards 1930's-2006 (2 each of 10 different cards) Pan Am Collector Postcards of Vintage Travel Posters Pan Am has defined modern air travel by shaping airline services since its early days. Pan Am perfected the craft of offering passengers the ultimate flying experience. From the late 30's to the mid 60's, Pan Am was the benchmark in luxury travel & coined the term "jet-setting". During this time, Pan Am represented the sophistication & class that only the world's premier airline could offer. Copyright - 2006
Once we had made the tapa cloth and the koka dye, we had a bit of instruction on Tongan design, then three of us from the group gave a basic bookbinding demo. Next, we were shown some printmaking t…
Escape to the lush landscapes and vibrant cultures of the South Pacific with this collection of 100+ coloring pages. Inspired by the iconic Post-Impressionist style of Paul Gauguin, these illustrations capture the exotic beauty of Tahiti, its people, and its rich traditions. Whether you're an art enthusiast, a traveler at heart, or simply seeking a creative outlet, these pages offer a colorful and immersive coloring experience. Key Features: 100+ unique coloring pages: A diverse selection of landscapes, portraits, still lifes, and cultural scenes inspired by Gauguin's masterpieces. Printable & digital downloads: Choose between high-resolution PDF files for printing or PNG/JPG files for digital coloring. Iconic Post-Impressionist style: Bold colors, expressive brushstrokes, and a focus on the emotions and symbolism of the subjects. Variety of subjects: Tahitian women, lush landscapes, tropical flowers, exotic fruits, cultural ceremonies, and more. Suitable for all skill levels: Simple designs for beginners and intricate patterns for experienced colorists. Perfect for: Art lovers, fans of Paul Gauguin, those who appreciate vibrant colors and exotic cultures, stress relief, and creative expression.
Part of a series of pieces inspired by cocktails around the world! Even the lovely sirens of the South Pacific need a refreshment now and then! This is a print reproduction of an original paper-cut piece. Printed with an Epson Stylus R3000 printer on Epson Velvet Fine Art Paper. Each print is packaged in a clear bag with backing board and shipped to you in a stiff envelope. The actual image is about 12"x18" on 13"x19"paper. Oh, and it is signed by me! Thanks for stopping by!
Our sea moss is a red algae from the Gracilaria and Eucheuma cottonii species. This species primarily grows off the shores of the Caribbean and most South Pacific shores. Sea moss being very mucilaginous when soaked in water can be blended raw into a gel and added to fruit smoothies, tea, soups, pasta sauces, or consumed alone. It's a vegan thickening agent that can be used to replace gelatin in recipes. Sea moss is commonly used as a remedy for bronchitis, chest congestion, and soothing gastrointestinal issues and inflammatory pain in the joints, back, and hands. It also has the reputation for being an aphrodisiac and remedy for male impotence. Ginger's Roots sea moss is sourced from Jamaica, South Africa, and Vietnam. How To Prepare Sea Moss Gel Place in a colander and rinse the sand and any ocean debris present. Then place it in a bowl and cover with cool water and let soak for at least 5 hours. The sea moss will expand. Then rinse it again. Your sea moss is now ready to be blended with water to form a gel. The gel formula is one part sea moss to one part water. For example, to make 1 cup of gel blend 1 cup of moss with 1 cup of water. Take 2 tablespoons per day for the best results.
"The most convincing arguments is that they are hers," said University of Tennessee professor Richard Jantz.
The World of WearableArt (WOW) Show is New Zealand’s single largest theatrical production. The World of WearableArt Competition is the worlds leading wearable art competition attracting entries...
For biographical notes on Mabel Dwight ( 1876-1955) and for earlier works, see part 1 also. This is part 2 of a 2-part post on the works of Mabel Dwight: 1931 In the Crowd lithograph on stone 23.5 x 29.7 cm Edition of 32 printed by George Miller 1931 Kittens lithograph on stone 24.5 x 31.7 cm Edition of 30 printed by George Miller 1931 Life Class lithograph on stone 24.8 x 34.3 cm Edition of 40 printed by George Miller 1931 Night Work lithograph on stone 25.4 x 19.3 cm Edition of 40 printed by George Miller 1931 Winter, Central Park lithograph 24.8 x 29.1 cm Edition of 24 printed by George Miller 1932 Abstract Thinking lithograph on stone 24.3 x 26.1 cm Edition of 40 printed by George Miller 1932 Book Auction lithograph on stone 18.7 x 21.6 cm Edition of 40 printed by George Miller 1932 Tight Rope Walker lithograph on stone 31.8 x 18.2 cm Edition of 35 printed by George Miller 1933 Danse Macabre Death, a skeleton in a helmet and gas mask is the audience for marionettes representing (left to right) John Bull (England), who mops his brow in bewilderment; Mussolini, his right arm raised in a fascist salute; Hitler, in full armour, saluting with one hand and holding a severed head in the other; The female personification of France; China, struck by Japan; and Uncle Sam, hands raised in a gesture of disgust and distance. 1933 Danse Macabbre ( Dance of Death ) lithograph on stone 23.9 x 34.6 cm Edition of 40 printed by George Miller on the Public Works of Art Project 1934 Convent Garden lithograph on stone 25 x 33.1 cm Edition of 50 printed by George Miller on the Public Works of Art Project 1934 Group in Central Park lithograph on stone 26 x 24.9 cm Edition of 50 printed by George Miller on the Public Works of Art Project 1934 New Mexico Interior lithograph on stone 34.2 x 24.7 cm Edition of 50 printed by George Miller on the Public Works of Art Project 1934 Old American Mansion This is the first of four lithographs Dwight made for the Public Works of Art Project. Annotations indicate an edition of 10 was printed though generally PWAP prints were produced in editions of 50. 1934 Old American Mansion lithograph on stone 32.5 x 42.5 cm Edition of 10 1934 Sunday Afternoon lithograph on stone 25.9 x 31.9 cm Edition of 15 1934 White Mansion lithograph on stone 27.8 x 38.8 cm Edition of 50 printed by George Miller 1934c Untitled watercolour 36.8 x 38.7 cm Private Collection 1935 Merchants of Death lithograph on stone 20.6 x 33 cm Edition of 40 printed by George Miller 1935 Nova Scotia lithograph on stone 25.2 x 31 cm Edition of 40 printed by George Miller 1935 Rain lithograph on stone 25.5 x 35.4 cm Edition of 40 printed by George Miller 1936 Banana Men lithograph on stone 34.5 x 42.2 cm Edition of 25 printed by the Federal Art Project 1936 Childrens Clinic II lithograph on stone 24.3 x 30.2 cm Edition of 15 printed by George Miller 1936 Feeding the Ducks lithograph on stone 23.8 x 26.9 cm Edition of 25 printed by the Federal Art Project 1936 General Seminary lithograph on stone 35.9 x 25.2 cm Edition of 25 printed by the Federal Art Project 1936 Mulberry Street Marionettes lithograph on stone 25.2 x 35.3 cm Edition of 25 printed by the Federal Art Project 1936 Museum Guard lithograph on stone 35 x 25.8 cm Edition of 25 printed by the Federal Art Project 1936 Ninth Avenue Church lithograph on stone 36 x 25.4 cm Edition of 25 printed by the Federal Art Project 1936 Old Aquarium lithograph on stone 25.2 x 35.6 cm Edition of 25 printed by the Federal Art Project 1936 Queer Fish lithograph on stone 27.2 x 33 cm Edition of 20 printed by George Miller 1937 Cliffs by the Sea lithograph on stone 24.9 x 31.7 cm Edition of 25 printed by the Federal Art Project 1937 Lonely House lithograph on stone 24.6 x 35 cm Edition of 25 printed by the Federal Art Project 1937 Montauk Lighthouse lithograph on stone 24.9 x 31.7 cm Edition 25 printed by the Federal Art Project 1937 Toy Shop, Staten Island lithograph on stone 34.1 x 24 cm Edition of 25 printed by the Federal Art Project 1938 Backyard lithograph on stone 35.7 x 25.1 Edition of 25 printed by the Federal Art Project 1938 In Central Park lithograph on stone 25 x 34.9 cm Edition of 25 printed by the Federal Art Project 1939 Barnyard lithograph on stone 29.7 x 20.4 cm Edition of 25 printed by the Federal Arts Project 1939 Boy Resting lithograph on stone 31.2 x 15.6 cm Edition of 25 printed by the Federal Art Project 1939 Buried Treasure lithograph on stone 32 x 25.1 cm Edition of 25 printed by the Federal Art Project 1939 Christmas Tree lithograph on stone 26 x 34.4 cm Edition of 25 printed by the Federal Art Project 1939 Headed South lithograph on stone 32.7 x 24.1 cm Edition of 25 printed by the Federal Art Project 1939 Peanut Philanthropists lithograph on stone 33.2 x 23.4 cm Two known impressions 1939 Silence lithograph on stone 19.4 x 29.2 cm Edition of 25 printed by the Federal Art Project 1939 Summer Night lithograph on stone 22 x 28 cm Edition of 25 printed by the Federal Art Project 1939 Train Station lithograph on stone 34.1 x 22.6 cm Edition of 25 printed by the Federal Art Project 1939c R.R. Waiting Room lithograph on stone 23.1 x 30.2 cm Two known impressions 1945 Winter lithograph on stone 23.9 x 34 cm Four known impressions printed by George Miller 1947 Farmyard lithograph on stone 25.2 x 27.3 cm Edition of 250 published by Associated American Artists ( George Miller printed most lithographs published by AAA )
Looking for South Pacific font designed by Mario Arturo? Click here to create a custom image with your own text. Download font free at FontRiver.
What Will you Stamp Challenge number 213. I hope that you like what I can come up with for these awesome challenges. I hope more of you join in with these great stampset challenges as they are fun! This is such a beautiful set and I did buy it to case a card out of the Occasions Catalogue for a demonstrator day that I hosted with the lovely Jackie Aitken last weekend. However this is the card that I made for this weeks What Will You Stamp Challenge. I really love the repetitive background and the pop of colour within the die cut ribbon. Sadly I know too many people suffering with cancer at the moment. Stamps: Artfully Aware Ink: Memento Black and Versamark Card: Mango Melody, Whisper White, Powder Pink and Basic Black Tools: Support Ribbon with the Bigshot as well as Pineapple Punch, Night of Navy, Balmy Blue, Calypso Coral, Basic Black, Daffodil Delight, Granny Apple Green, Ivory, Bronze, Mint Macaron, Petal Pink and Smoky Slate Stampin' Blends and White Stampin Emboss Powder Embellishments: Dimensionals To See the other cards in these challenges or to enter in this challenge head on over to What Will You Stamp?
SYDNEY — The Pacific Tsunami Warning Center says a South Pacific earthquake generated a tsunami that may be destructive near the epicenter. It says sea level readings indicate a tsunami formed afte…
