In preparation for the NYS Global History Regents, students will prepare the skills needed for the sophomore year assessment. They will do so with content they are learning freshman year. In this project, students will look at five documents having to do with ancient river civilizations and outline ...
How to Make an Awesome Claymation: Here is a step by step guide to create your own claymation. I'll start out with a video I made my sophomore year as a photography project. It has around 2,000 frames in it and took around one month to finish. …
| ABOUT THIS PRODUCT | *This is a DIGITAL file of a printable PNG download with transparent background - no physical product will be shipped! *PNG's are 300dpi and are sent as finished files. They are not made for editing unless you are adding personalization. *This is not an SVG (cut) file and cannot be used as one. [Important Note: Please make sure you have the required software and knowledge to use this graphic before making you purchase. We do not offer refunds for digital downloads.] | TERMS OF USE | *Small businesses who print their products in house can use our artwork to create and sell physical products such as t-shirts, mugs, pillows, etc for profit. *If you are a small business who wishes to sell printed transfers of our artwork, you must purchase our commercial license found under the Transfers & Licenses section of the shop. *You can add personalization to our designs. *ALL Alicia Ray Art designs can ONLY be used on physical products. *You cannot use any of our designs in part or in whole to create any new digital design to sell. *You cannot share, copy, gift, resell or modify our designs. *No 3rd party printing is allowed. To elaborate, you cannot share our design with a printer to print any kind of products for you. *You may not sell printed transfers without purchasing our license found under the Transfers & Licenses section of the shop. *please note that image colors vary from screen to screen.
Harriet Hargrave & Carrie Hargrave –– Continue Your Journey of a Lifetime with the Hargraves • Get a college-level education in quiltmaking from the comfort of your own home • This latest volume will inspire and challenge you to start designing your own quilts • Drafting exercises help you learn to make any quilt, any size, with or without a pattern • Loads of tips, techniques, and helpful charts • Bonus section with 11 projects This classic series of comprehensive books will take you from the basics to complete mastery with easy-to-follow lessons and hands-on exercises. In Volume 1, you learned the fundamentals of quiltmaking. In Volume 2, you'll build your drafting skills by using tools like graph paper and linking blocks. A must-have for every quilter's library! #10697D 112p color 8.5 x 11 ISBN: 978-1-57120-789-0 UPC: 734817-106975 (eISBN: 978-1-60705-139-8) * Important Notes About PRINT ON DEMAND Editions This title will be printed after purchase and will arrive separately from any in-stock items. Allow minimum 2 weeks for U.S. delivery; add additional 2 weeks for international shipments. Expedited shipping not available. PRINT QUALITY WILL VARY FROM ORIGINAL EDITION: PODs are printed on uncoated (non-glossy) paper and the color may appear more saturated. Information presented is the same as the most recent printed edition. Pattern pullouts (if applicable) have been separated and presented as single pages.
Key Club International is the largest youth run community service organization in the world. As an established alumni it is a passion of mine and I hope sharing my story will get others involved.
I offer a unique perspective that will forever tell the story of your special day, family, or life milestones. Capture the joy with an experienced, award winning photojournalist and portrait photographer. Wedding ~ Senior ~ Family ~ Sports ~ Events About me: Please bear with me, I am not a writer, and not a fan of talking about myself. I have loved photography since my sophomore year in high school, at Mt Baker when I was shown the most wonderful place on earth, a darkroom! After that, I think I spent the majority of my time there and still miss the smell of fixer on my hands. I have kept it as a hobby ever since. My kids will have more pictures of themselves then they will ever know what to do with. I recently upgraded to the wonderful world of digital slr’s. It’s a long way from my AE-1 or N65, both of which I still have and my boys love to use. Its taken me a bit to be convinced that digital can still have the depth that film does (still not 100%) but with the cost of developing and storing everything I broke down. I am loving my hobby all over again. Instant gratification is great, seeing that great picture right away is pretty cool, I have to admit. I have the amazing opportunity and luck to actually make my passion my job. My husband works as a supervisor at BP and I am extremely lucky for this. It has allowed me to set my own hours in my work and to be as busy or as slow as our schedule allows. I was a mortgage originator for 6 yrs and in banking of some sort for 11. I have always wanted to take the jump and make this my "real" job, and finally took the leap. To be cliche', I have not looked back! I am learning and practicing as much as possible through classes and workshops. I love to take pictures at all types of events, wedding, birthday parties, dances, family gatherings, you name it. I love seeing the story, feeling and emotion frozen in a photograph. If I had to choose my favorite thing to photograph I would have to say seniors and sports wins hands down. It's wonderful to have a passion and career that involves my family. My husband likes it, well because he loves sports. He is almost entirely to blame for my love of them. I figured, after having 2 boys, if you can't beat them join them! My kids love it because they like to see and share photos of themselves, their teams and friends. Please comment on anything, email me with advise, suggestions, anything that will help. One thing I love about sports photography is that no matter what there is always going to be a new angle, new style of picture and someone better then me or has a different take or style on what makes a great picture. There is always another level to get to and It will never be boring. Your purchases and downloads support youth programs and sports. A portion of the proceeds from the youth galleries will be donated to the programs they are of.
Hello all Today i am going to write about the costume of the region of Kapsai, somewhat of a sister region to Zanavykia. Kapsai is south of Zanavykia, between Lithuania Minor and Dzukija, bordering on Poland to the south. This corner of Poland historically had a sizeable Lithuanian community, and actually i am not familiar with any Polish costume native to this corner of Poland. Here is a map showing the Kapsai region. This map shows Dzukia extending to the south of Kapsai. Different maps do not agree as to the exact extent of the various regions, Dzukia in particular. Kapsai has perhaps the most colorful and impressive costume of LIthuania. Sometimes artists mix pieces from different regions in their drawings. When this is the case, they almost always depict an apron from the region of Kapsai. Here is the most prominant of the Lithuanian costumes on display in a museum in Moscow. A good representation of the Kapsai costume. Here are a couple of prints from V. Palaima representing the Kapsai costume. A couple of images from Jurkuviene. An example from Glemžaitė front and rear. And a couple of photos from Tamošaitis. , The most evident differences between this and the Zanavykian costume is that the bodice has a different cut, generally being much longer, and the apron has horizontal ornament. Starting with the chemise, It has the usual Lithanian cut, tunic type with narrow shoulder tabs. It was ornamented with overshot weaving, hemstitching, broderie anglaise [which was exceptionally popular in this region] or other embroidery. The embroidered chemises tend to have shoulder pieces which have been widened. Here is a closeup of the costume from the Russian museum. Overshot weaving in white and ecru on a lower sleeve. Hemstitching on lower sleeve and shoulder piece. Broderie Anglaise on a shoulder piece. Cross stitch on a chemise. You will notice that the upper sleeve is gathered into the shoulder as in Zanavykia, and the tulip and rue plant are major motifs. The skirt is most commonly woven with vertical stripes on a dark background, as in Zanavykia, sometimes solid stipes, and sometimes the stripes have ornamental motifs woven in.But plaid and solid color skirts, perhaps with spot motifs woven in, are more common than in Zanayvkia as a result of influence from neighboring Dzukija. Again, as in Zanavykia, the apron takes center stage. Peruse the images in the posting. Horizontal arrangement is distinctive for this region. Sometimes the upper part is left unornamented or made from a cheaper material, because the bodice covers it. The sash is wide, with very ornamental motifs, it is tied either under or over the bodice. Tulip motifs are often prominant, and the supplemental weft fringes are well in evidence. The bodice varies somewhat, but tends to be longer than anywhere else in Lithuania, resembling the kersetka of eastern Ukraine. It is made either of home woven or bought material. Some examples flare more widely. Here is a back view of one example, and two different patterns. The headpieces greatly resemble those of Zanavykia, kerchiefs with or without front pieces, galloons, netted caps with front pieces. The beaded headbands are apparantly not found in Kapsai. Here is an image of a somewhat different type of karuna found in Kapsai. This is a headress called pakalke, similar to the karuna, but without points and higher. A linen kerchief with woven ornament and attached frontpiece. Necklaces of amber, coral or glass beads complete the costume. Thank you for reading, i hope you have found this interesting and possibly inspiring. Jurkuviene treats this costume together with the one from Zanavykia in her article.on Suvalkija. http://ausis.gf.vu.lt/eka/costume/cost_suvalkija.html Feel free to contact me with requests for research. I hope to eventually cover all of Europe and the Former Russian Empire/Soviet Union. I also gratefully accept tips on source materials which i may not have. I also accept commissions to research/design, sew, and/or embroider costumes or other items for groups or individuals Roman K. Rkozakand@aol Source Material: AntanaTamošaitis and Anastazija Tamošaitienė, 'Lithuanian National Costume', Toronto, 1979 Vida Kulikauskienė et al, 'Lithuanian National Costume', Vilnius, 1994, Kati Reeder Meek, 'Reflections from a Flaxen Past, For Love of LIthuanian Weaving', Alpena, Michigan, 2000 Teresė Jurkiuvenė, 'Lithuanian National Costume', Vilnius, 2006 Mikalina Glemžaitė, 'Lietuvių Tautiniai Drabužiai', [Lithuanian National Clothing] Vilnius, 1955 Stasė Bernotienė, 'Lietuvių Liaudies Moterų Drabužiai XVIII a XX pr.' [Lithuanian Women's Folk Clothing from the XVIII to the XX cent], Vilnius, 1974, Stasė Bernotienė, 'Lietuvių Valstiecių Išeiginės Prijuostės XIX a. - XX a. pradžia' [Lithuanian Aprons of the 19th and 20th cent], Vilnius, 2007 J. Grigienė et al, 'Lietuvių Liaudies Menas - Drabužiai' [Lithuanian Folk Art - Clothing], Vilnius, 1974 Elena Matulionienė, 'Klaipėdos Krašto Tautiniai Drabužiai' [Folk Clothing of the Klaipeda Region], Klaipeda, 2005 V. Palaimas, artist, set of postcards, 'Lithuanian Folk Costume', 1961 R. Paknys, photographer, set of postcards, 'Lietuvių Tautiniai Drabužiai', 1991 Tatyana Razina et al, 'Folk Art in the Soviet Union', Leningrad, 1990 Irma šidiškienė, 'Buti LIetuve', Vilnius, 2004
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Het onbehandelde oppervlak van massief hout is mooi zoals het is, maar als je het persoonlijker wilt maken, kan je het behandelen met lazuur, verf of was. Het bedframe is bovendien zo hoog dat eronder plaats is voor bedlades.
