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In drawing and painting, the impression of form and light is conveyed by values. Values are the many different shades, or tones, between white and black. Try a few, or all, of these "values" exercises in your sketchbook. I've included examples from my own sketchbooks . . . 1) Draw some DRAPERY, or draped fabric -- Use charcoal, charcoal pencil, or a very soft drawing pencil (6B). Try to have at least four values in your drawing -- lightest (the white of your paper), a light medium gray, a darker medium gray, and a black. . . 2) Draw some machinery, or a train, a bike, or a car -- in ink. Then mix up some ink washes -- 3 different strengths (just put a little India ink in a Dixie Cup and add a little water). Then, paint your values. Leave the paper white in some places, for your lightest light. . . 3) OK, it's time for something simple -- a shiny, red apple! Set your apple on a white piece of paper, have a strong light source, so you can see a good cast shadow. Now, draw your apple with a pencil. 4) Now, do a value painting of a face. Draw the face lightly in pencil, from a photo or from life. (If you're going to draw or paint kids from life, wait until they're sleeping -- they don't move and they always look so sweet :) Then, mix up a light gray on your palette (French Ultramarine mixed with Burnt Sienna makes a nice gray). Use that mixture to paint your values, leaving the white of your paper for your lightest light . . . 5) Draw a landscape with some trees, a building, and a figure. Simplify this into two categories of shapes -- sunlit and shadow. Leave all the sunlit shapes white. Create a middle value in the shadow shapes by cross-hatching with the pen. . . 6) Set up a simple still life in your kitchen. Do a simple pencil drawing -- then, paint a monochromatic value painting, with burnt sienna washes. Try to have 4 or 5 different values. . . 7) Set up another simple still life on a patterned surface. Do a few small value sketches, rendering your values in different ways. One, draw your sketch entirely in pencil. Another, use pencil and ink -- the white of the paper for the lightest light, the pencil for the grays, and the ink for the black. . . 8) Set up another very simple still life -- just 2 objects -- like a piece of fruit and a bottle. Use a pencil for the entire drawing. . . 9) Now, using a ball-point pen, draw a houseplant or a bowl of fruit. Use cross-hatching for the mid-values and untouched paper for the lightest value. The denser the cross-hatch, the darker it looks . . . 10) For the last exercise -- draw a simple egg. Not as simple as it should be. For this drawing, use charcoal, charcoal pencil, or a soft pencil (6B). I once had a drawing teacher who wanted us to draw a dozen eggs and we weren't allowed to use any lines. I'm not that hard-core . . . Any of these drawings could be developed later into a painting. It's good to have a value plan, before you add color into the equation.
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Keep it simple. But try to understand the technique
