Self-portrait  Artist: John Singer Sargent Date : 1906  John Singer Sargent, (1856 – 1925), was an American expatriate artist considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He painted nearly a thousand oil paintings and more than 2,000 watercolours, as well as sk

John Singer Sargent (1866 - 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocation of Edwardian era luxury. During his career he created approximately 900 oil paintings and more than 2000 watercolours, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine and Florida, amongst others. For full biographical notes see part 1. For earlier works see parts 1 - 14 also. This is part 15 of a 23-part post on the works of John Singer Sargent: 1905 Head of an Italian Model oil on canvas 61 x 51.1 cm Private Collection 1905 John Seymour Lucas oil on canvas 69.8 x 54.9 cm © National Portrait Gallery, London 1905 Lady Warwick and her Son oil on canvas Worcester Art Museum, Worcester, MA 1905 - 1906 North Africa and The Middle East: 1905 Mending a Sail graphite and watercolour on paper 27.9 x 35.1 cm Brooklyn Museum, New York 1905 Saddle Horse, Palestine watercolour on paper 35.6 x 25.4 cm Private Collection 1905 The Mountains of Moab oil on canvas 65.4 x 140.9 cm Tate, London 1905 The Plains from Nazareth watercolour on paper 29.8 x 45.7 cm Private Collection 1905 The Plains of Esdraelon oil on canvas 71.1 x 110.5 cm Tate, London 1905-06 A Bedouin Girl graphite and watercolour on paper 45.7 x 30.5 cm Private Collection 1905-06 A Bedouin Girl graphite and watercolour on paper 45.7 x 30.5 cm Private Collection 1905-06 A Fonduk ( Business/Trade ) graphite, watercolour and gouache on paper 24.8 x 34.3 cm Private Collection 1905-06 Arab Gypsies in a Tent watercolour 30.5 x 45.7 cm Brooklyn Museum of Art, New York 1905-06 Arab Stable watercolour on paper 26.5 x 36.5 cm Brooklyn Museum of Art, New York 1905-06 Arab Women watercolour and gouache on wove paper 45.7 x 30.5 cm The Metropolitan Museum of Art, New York 1905-06 Baalbak graphite and watercolour on paper 27.9 x 43.2 xm Private Collection 1905-06 Bedouin Camp watercolour on paper 25.4 x 35.7 cm Brooklyn Museum of Art, New York 1905-06 Bedouin Mother watercolour on paper 45.9 x 30.5 cm Brooklyn Museum of Art, New York 1905-06 Bedouin Tent graphite and watercolour on paper 30.2 x 45.4 cm The Metropolitan Museum of Art, New York 1905-06 Bedouin Women watercolour on paper 30.5 x 45.9 cm Brooklyn Museum of Art, New York 1905-06 Black Tent watercolour on paper 30.5 x 46 cm Brooklyn Museum of Art, New York 1906 Bedouin Encampment oil on canvas 56.5 x 71.1 cm Private Collection 1906-06 Bedouins in a Tent graphite, watercolour and gouache on paper 30.5 x 45.7 cm Private Collection 1905-06 Bedouins graphite and watercolour on paper 30.5 x 45.1 cm Portland Museum of Art, Portland, ME 1905-06 Bedouins watercolour on paper 45.7 x 30.5 cm Brooklyn Museum of Art, New York 1905-06 Bethlehem graphite and watercolour on paper 26 x 36.2 cm Private Collection 1905-06 El-Ghor graphite, watercolour and gouache on paper 30.4 x 45.7 cm Mead Art Museum, Amherst, MA 1905-06 Fortress, Road and Rocks watercolour and gouache on paper 29.9 x 45.1 cm Private Collection 1905-06 Franciscan Monk in the Garden of Gethsemane oil on canvas 71.1 x 57.2 cm Portland Art Museum, Portland, OR 1905-06 From Jerusalem graphite, watercolour and gouache on paper 30.5 x 45.4 cm The Metropolitan Museum of Art, New York 1905-06 Galilee graphite, watercolour and gouache on paper 30.2 x 45.4 cm Private Collection 1905-06 Goatherds watercolour on paper 25.4 x 35.6 cm Brooklyn Museum of Art, New York 1905-06 Jerusalem graphite and watercolour on paper 25.4 x 35.6 cm Private Collection 1905-06 Jerusalem oil on canvas 53.3 x 68.6 cm Private Collection 1905-06 Jerusalem graphite and watercolour on paper 30.5 x 45.7 cm Private Collection 1905-06 Jerusalem graphite and watercolour on paper 44.5 x 29.2 cm Private Collection 1905-06c Jerusalem oil on canvas 71.7 x 56.4 cm Private Collection 1905-06c Jerusalem Scene watercolour on paper Private Collection 1905-06 Lake of Tiberias ( Sea of Galilee ) watercolour on paper 30.8 x 46 cm Private Collection 1905-06 Landscape with the Lake of Tiberias ( Sea of Galilee ) oil on canvas 55.9 x 71.1 cm Private Collection 1905-06 Ras-el-Ain graphite and watercolour on paper 29.9 x 45.1 cm Yale University Art Gallery, New Haven, CT 1905-06 Study of Two Bedouins oil on canvas 39.1 x 46.7 cm Art Institute of Chicago, IL 1905-06 Sunset Shadows graphite, watercolour and gouache on paper 31.8 x 47 cm The Metropolitan Museum of Art, New York 1905-06 Syrian Gypsies graphite, watercolour and gouache on paper 30.5 x 46 cm Society of Four Arts, Palm Beach, FL 1905-06 The Desert from Jerusalem watercolour and gouache on paper 26.7 x 36.5 cm Nelson-Atkins Museum of Art, Kansas City, MO 1905-06 Tiberias watercolour and gouache on paper 25.4 x 35.6 cm Private Collection 1905-06 Tiberias watercolour on paper 24.8 x 34.9 cm Private Collection 1905-06 Tiberias watercolour on paper 25.4 x 35.6 cm Private Collection 1905-06 Valley of Mar Saba, Palestine oil on canvas 69.9 x 97.8 cm Private Collection 1905-06c Bedouin Chief oil on canvas 71.1 x 55.9 cm Private Collection 1905-06c Bedouin watercolour on paper 35.6 x 26 cm Private Collection 1905-06c Bus Horses in Jerusalem graphite, watercolour and gouache on paper 30.5 x 45.7 cm Isabella Stewart Gardner Museum, Boston, MA 1905-06c Head of an Arab watercolour and gouache on paper 31.8 x 26 cm Private Collection 1905-06c Hills of Galilee watercolour on paper 30.5 x 45.7 cm Brooklyn Museum of Art, New York 1905-06c In a Levantine Port graphite and watercolour on wove paper 30.6 x 46 cm Brooklyn Museum of Art, New York 1905-06c Mar Saba graphite, watercolour and gouache on paper 24.1 x 34.4 cm Private Collection 1905-06c Rock Graves at Jerusalem oil on canvas 66.4 x 97.8 cm Fitzwilliam Museum, Cambridge UK 1905-06c Study of Horses, Jerusalem graphite and watercolour on paper 29.2 x 44.8 cm Private Collection 1905-06c The Dead Sea watercolour on paper 25.4 x 35.6 cm Private Collection 1905c Egyptian Water Jars graphite and watercolour on paper 25.4 x 35.6 cm Private Collection 1905c Melon Boats watercolour on paper 35.6 x 50.6 cm Brooklyn Museum, New York 1906 Temple of Bacchus, Baalbek graphite and watercolour on wove paper 25.4 x 35.6 cm Metropolitan Museum of Art, New York 1906-06 Temple of Bacchus, Baalbeck graphite and watercolour on paper 45.7 x 30.5 cm Private Collection 1906c Landscape with Shepherd ( Palestine ) oil on canvas 56.5 x 72.4 cm Private Collection * * * * * 1905c Group with Parasols oil on canvas Private Collection 1905c Lady Helen Vincent charcoal on paper York City Art Gallery, UK 1905c Miss Eliza Wedgewood graphite and watercolour on board 53.5 x 36 cm 1905c Mme. Eugenia Errazuriz charcoal 63.5 x 45.7 cm Private Collection 1905c Mount Cervin, Alps graphite, watercolour and gouache on paper 30.2 x 45.1 cm Private Collection 1905c Mountain Stream, Giomein graphite, watercolour and on paper 26.7 x 36.8 cm Leeds City Art Gallery, UK

This is a rather detailed guide to the concept of foreshortening as it relates to art. I cover: What Is Foreshortening? Foreshortening in art refers to the way we perceive an object as it recedes in space. It is perhaps best explained visually. Take a moment to do the following: Place your arm in front ... Read more

1892 Self-Portrait oil on canvas 53.3 x 43.2 cm National Academy of Design, New York John Singer Sargent (1866 - 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocation of Edwardian era luxury. During his career he created approximately 900 oil paintings and more than 2000 watercolours, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine and Florida, amongst others. For full biographical notes see part 1. For earlier works see parts 1 - 7 also. This is part 8 of a 23-part post on the works of John Singer Sargent: 1890 La Carmencita graphite on paper 39.5 x 28.8 cm Museum of Fine Arts, Boston, MA 1890 La Carmencita oil on canvas 229 x 140 cm Musée d'Orsay, Paris © photo Musée d'Orsay-rmn 1890 La Carmencita oil on canvas 54 x 35 cm Private Collection 1890 Miss Eleanor Brooks oil on canvas 154.9 x 78.7 cm Private Collection 1890 Mrs. Augustus Hemenway oil on canvas 77.5 x 64.2 cm Private Collection 1890 Mrs. Edward L Davis and her Son, Livingston Davis oil on canvas 218.8 x 122.6 cm Los Angeles County Museum of Art, CA 1890 Mrs. Hamilton McKown Twombly oil on canvas 229 x 143.5 cm Columbia University, New York 1890 Mrs. Thomas Lincoln Manson Jr. oil on canvas 142.4 x 112.4 cm Honolulu Academy of Arts, Honolulu, HI 1890 Near June Street, Worcester, Massachusetts oil on canvas 45.7 x 61 cm Huntington Museum of Art, Huntington, WV 1890 Near June Street, Worcester, Massachusetts watercolour on paper 24.8 x 33.7 cm Mead Art Museum, Amherst, MA 1890 Niagara Falls graphite and watercolour on paper 23.5 x 33.7 cm Private Collection 1890 Sarah Lawrence Brooks oil on canvas 155.6 x 130.2 cm Peabody Essex Museum, Salem, MA 1890-91 The Middle East (Egypt): ( 1885 ) Egyptian Water Jars graphite and watercolour on paper 25.4 x 35.6 cm *Note: This watercolour is consistently dated 1885, though I believe it actually belongs to this group dated 1890-91: 1890 Sketch of an Arab graphite on paper 34 x 25.2 cm 1890-91 Egyptian Woman oil on canvas 64.8 x 53.3 cm Metropolitan Museum of Art, New York 1890-91 Egyptian Woman with Earrings oil on canvas 53.3 x 64.1 cm Metropolitan Museum of Art, New York 1890-91 Egyptians Raising Water from the Nile oil on canvas 25 x 21 cm Metropolitan Museum of Art, New York 1890-91 Street Scene oil on canvas 70.5 x 91.4 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-91c The Sphinx watercolour 47.6 x 35.9 cm Private Collection 1890c Arab Street Scene oil on panel 26 x 35.6 cm 1891 A Bedouin Arab oil on canvas 66 x 51.4 cm Private Collection 1891 A Mosque, Cairo oil on canvas 35.9 x 47.6 cm Private Collection 1891 A Mosque, Cairo oil on canvas 44.4 x 66 cm Private Collection 1891 Bedouin Women Carrying Water oil on canvas 20.5 x 13.5 cm Private Collection 1891 Cairo watercolour on paper 25.4 x 35.6 cm National Gallery of Art, Washington, DC 1891 Egyptian Indigo Dyers oil on canvas 81 x 63.5 cm Museum Mesdag, The Hague, The Netherlands 1891 Egyptian Woman oil on canvas 64.8 x 53.3 cm Metropolitan Museum of Art, New York 1891 Head of an Arab oil on canvas 80 x 58.7 cm Museum of Fine Arts, Boston, MA 1891 Interior of a Bath House oil on canvas 83.8 x 65.4 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Man in a Blue Mantle oil on cavas 81.3 x 62 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Man with a White Turban oil on canvas 81 x 50.7 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Massage in a Bath House oil on canvas 65.4 x 83.8 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Nude Study of an Egyptian Girl oil on canvas 190.5 x 61 cm Art Institute of Chicago, IL 1891 Old Man with a Dark Mantle oil on canvas 50 x 51.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Old Man with a White Beard oil on canvas 79 x 51 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Old Man with a White Turban oil on canvas 59 x 50.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Pavement, Cairo oil on canvas 48.3 x 58.4 cm National Gallery of Art, Washington, DC 1891 Sunset at Cairo oil on canvas 62.2 x 73.7 cm Private Collection 1891 Temple of Denderah oil on canvas 77.5 x 64.1 cm Private Collection 1891 Water Carriers on the Nile oil on canvas 54.3 x 65.3 cm Art Institute of Chicago, IL 1891-95c Two Arab Women oil on canvas 53.3 x 64.1 cm Metropolitan Museum of Art, New York 1891c Door of a Mosque oil on canvas 61.3 x 80 cm Museum of Fine Arts, Boston, MA 1891c Four Arab Women oil on canvas 38.1 x 60.3 cm Private Collection 1891c Landscape with Goatherd oil on canvas 61.6 x 81 cm Metropolitan Museum of Art, New York 1891c Scene with Arab Women oil on canvas 64.1 x 78.1 cm Private Collection 1891c Studies of Egyptian Sculpture oil on canvas 63.5 x 45.7 cm San Antonio Museum of Art, San Antonio, Texas * * * * * 1890-91 Study Sheet from Café L'Avenue brown and black ink over graphite on cream paper 36.7 x 28.3 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-95 Astarte ( study ) oil on canvas 98.1 x 30.5 cm Metropolitan Museum of Art, New York 1890-95 Astarte oil on canvas Boston Public Libray mural ( Ceiling vault ) 1890-1915c Crescenzo Fusciardi charcoal on faded blue laid paper 61 x 46.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-1915c Kneeling Male Nude with Drapery charcoal on blue laid paper 61 x 47 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-1915c Nicola D'Inverno? charcoal on faded blue laid paper 70.2 x 90.7 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-1915c Seated Male Nude with Drapery charcoal on laid paper 62 x 43.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA early 1890s Hercules Brabazon Brabazon oil on canvas 72.4 x 43.1 cm © National Portrait Gallery, London 1890s Woman with Collie graphite, watercolour and gouache on wove paper 25.3 x 35.4 cm Metropolitan Museum of Art, New York 1891 Constantinople (Istanbul): 1891 Constantinople graphite and watercolour on paper 14.6 x 34.4 cm Private Collection 1891 Interior of Hagia Sophia oil on canvas Speed Art Museum, Louisville, KY 1891 Santa Sofia oil on canvas 80 x 61.6 cm Metropolitan Museum of Art, New York 1891 Stamboul graphite and watercolour on paper 30.2 x 44.8 cm Private Collection 1891 Sketch of Graveyard, Constantinople oil on canvas 47 x 61 cm * * * * * 1891 Sketch of Erechtheum ( in Athens ) oil on cardboard 49.5 x 61 cm Private Collection 1891 The Alps Val D'Aosta, Purtud watercolour 35.6 x 50.8 cm Private Collection 1891-93c A Donkey oil on canvas 52.1 x 69.9 cm Private Collection 1891-93c Country Road in Winter oil on canvas 64.1 x 76.2 cm Private Collection 1891-94 Still Life with Daffodils oil on canvas 81.3 x 45.7 cm Yale University Art Gallery, New Haven, CT 1891-94c Daffodils in a Vase oil on canvas 71.1 c x 85.1 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891-94c Mrs. Henry Galbraith Ward oil on canvas 68.6 x 55.9 cm Metropolitan Museum of Art, New York 1891c Landscape Sketch oil on canvas 24.8 x 38.1 cm Private Collection 1892 Cottage at Fairford, Gloucestershire watercolour on paper 22.9 x 30.5 cm Private Collection 1892 Lady Agnew of Lochnaw oil on canvas 127 x 101 cm National Galleries of Scotland, Edinburgh, UK

I take a closer look at his work to see what example made John Singer Sargent such a remarkable artist and what you can apply to your own paintings.

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John Singer Sargent (1886 - 1925) is best known for his portraits and his subtle compositions. Madame X (1884) is his most famous portrait, and has enough drama and history behind it to have been the subject of a book, Strapless by Deborah Davis. I’m not going to outline Sargent’s curious expatriate life here, so if you are interested and want a good read, get Strapless. His compositional skill is best illustrated by the painting Carnation, Lily, Lily, Rose (1886), which straddles the line between pure reality and wild abstraction. Two children are holding Japanese lanterns, but there is no horizon or ground plane, no sense of distance, and the general effect is of scattered confetti. And yet, it has a real, almost commonplace feel about it; like a childhood memory. A third weapon (reflecting the surprising Spanish Inquisition) in Sargent’s arsenal is his brilliant brushwork. He is capable of teasing reality out of a dab of paint, creating the wonderful tension between reality and paint on canvas. The detail of The Daughters of Edward Darley Boit, below, shows the range of effects that Sargent’s brush covers; from the abstracted rug and dress, to the perfectly modeled face. Alright…. That is all well and good, but what does that have to do with architectural rendering? Well, Sargent also did brilliant paintings of buildings. He was not an architect, and seems to have had no interest in the practical business of designing and constructing the built environment. But, he was an observer and recorder of the world, whether animal, vegetable or mineral. Sargent’s viewpoint can be very useful in reminding the architect that “normal” people see things differently than architects do. Theory is all very well, but the surprising world of light, the tactile feel of materials, and the delight in color is at the center of the human experience of buildings. I will, as usual, make short comments on the following images, relating the reason they caught my eye in the first place. By the way, paintings 1 to 6 are in oil, while the rest are watercolor. Above are two views of the same loggia at Vila Torre Gali, but painted at different times of the day. One having a warm and hazy feel, and the other having a cooler and more focused light. It is good to be reminded that an omnipresent glow can be as dramatic and real as direct sun in the late afternoon. Worn stone and water stains aren’t what most clients want to see, but the almost flippant way that Sargent captures this weathered building is breathtaking. The same confident strokes define this ornate interior. Note the “telegraphic” rendition of people in the lower right corner. This composition is as close to a typical architectural rendering as you will get from Sargent; he was a master at choosing the off center, sometimes eccentric point of view. The foreground paving in this interior view of a church reminds me that stone and tile are natural 3 dimensional materials which show wear, and whose joints can be variously lighter or darker than the paving itself. Raking sunlight on a plastered white wall should reveal all the warm and cool variations of the color white (That’s White, Right?). In addition, this painting utilizes the brushed texture of oils to suggest the rough surface of the plaster. Although architectural renderings tend not to represent textures in this way, the fact remains that textures can be an important part of a building, and their depiction can make or break an illustration. This painting of San Stae in Venice is a good place to start viewing Sargent’s watercolors. You can see the pencil lines at the bottom and upper right, showing how he sets the rough boundaries before playing with the paints. It also shows his (and watercolor’s normal) use of transparent layers, with blues and violets melting into tans and browns. The three painting above are of the Library and Doge’s Palace which form two sides of the Piazzetta in Venice. There are many aspects worth noting here, such as the fine underlying drawing, and the ability to range from detail to suggestion. I am most interested here in pointing out his tight palette of Burnt Sienna and blue. Sargent was as draconian in limiting the number of colors, as he was libertine in employing them. These views of Santa Maria della Salute (or “the Salute”) in Venice, range from studied details to impressionistic background. They also range from highly colored to subtle, and monochromatic to a warm/cool balance. If you are dealing with a stone building such as The Salute, these paintings are worth studying, in that they express the material, sculptural form and windows in a simple but completely believable way. These monochrome studies (just a touch of blue) show how much realism can be created from a one or two color palette. Also, look closely to see the barely noticeable line layout – which, although not exact, is more than enough to support the looser brushwork. In these three images water and a cool palette are combined. Note how often Sargent lets the blue and brown mix in a wet wash which itself suggests the theme of water. The same theme of water is found in these 3 images, but note the addition of violet in the first view (by the steps and shadows), and green in the second view (in the foreground water). These touches create a more subtly realistic effect than Sargent’s simpler palette. I don’t know why I included the above paintings… or rather I do, but it has nothing to do with architectural rendering. (The sheer joy of the brushwork and color made me do it) I can’t imagine trying to get away with a dissolving series of brown and blue dabs, or making them represent a recognizable temple structure, as he has done in the second image. This watercolor of a Venetian doorway caught my eye years ago. The dark wet in wet passage of the doorway seems a throw away until you realize what a perfect foil it is for the bright water and detailed stonework. The composition is a classic cross set off center with various secondary moves to keep it from becoming static. It is topped by the bravura spiral column and window lattice. I was, and still am, choking with envy. This painting of Bernini’s Four Rivers Fountain and the church of Sant’Agnese in Agone, both within the Piazza Navona in Rome, is included to show that even Sargent could be overwhelmed by Baroque architecture. You can see how he worked unsuccessfully to separate the fountain and the church, but the final effect is more confusion than satisfaction. Bridges, bridges, bridges… Venice has ‘em, and Sargent painted ‘em. The series above gives an interesting tour of bridges as subject, background, afterthought, framing device and lighting study. The last image reminds me that I should do a post on curious effects found under bridges, and wherever water and shadows meet. I might attract “trolls” but it’ll be worth it. These two paintings are another example of the possibilities light gives to illustrating buildings. Both are of the Scuola di San Rocco, but the first is done in a moderate morning light, while the second is taken in late afternoon, with a warmer and lower sun angle. Which version do you prefer? Which light would be best for your next job? Four fountains. You might notice that in spite of his skill with watercolor, Sargent was not above using opaque white (or anything that gave him the effect he wanted) on several of these fountains. The first image is another painterly hat trick which seems throw away, but is perfect. The second image nails the effect of wet bronze. The third fountain is a beautiful reminder that the underside of something in direct sunlight is brightly lit by reflections from the ground. The last two images are a final set of “same place, different light” comparisons; one working the warm afternoon light, and the other suggesting a cooler mid day sun. Note in the forth image, how Sargent shifts the light on dark of the near statue, to dark on light. This (almost) final sculpture is a nice reminder of Sargent’s talents in tackling reflected light. It shows two sculptural figures beside a path. The surfaces facing the ground glowing orange and brown, while the surfaces facing the sky are blue. Sargent exaggerates perhaps, but the result is magic, and more importantly, correct. This (actual) final sculpture is of an escutcheon of Charles V, from a building in Spain. OK, so Sargent can speed dial with a brush, and nail an effect with the flick of the wrist. But, as shown here, he is also a patient observer of buildings. Sit down and draw a straight elevation of such ornamentation. I have, and it is not easy or quick. So… hats off to John Singer. If you are a “hard copy” person like me, there are a number of good books out there on Sargent. My favorite is, Sargent Abroad, Figures andLandscapes by Abbeville Press. It is large format, and the reproductions are excellent. If you like digital, the best site is the John Singer Sargent Virtual Gallery. Inspiration - Jean-Leon Gerome Inspiration- The Dreams of Lebbius Woods Inspiration- Sargent & Structures Inspiration- Louis Sullivan & Ornamentation Inspiration- Bertram Grosvenor Goodhue Inspiration- Winslow Homer Inspiration- Dore & value studies Inspiration- Hugh Ferriss Inspiration- Waterhouse & Color Inspiration- Bierstadt & Atmosphere Inspiration- John C. Wenrich Inspiration - Cyril Farey

Learn the techniques behind Sargent’s dazzling watercolours

John Singer Sargent 1856-1925 Verenigde Staten

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John Singer Sargent (1866 - 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocation of Edwardian era luxury. During his career he created approximately 900 oil paintings and more than 2000 watercolours, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine and Florida, amongst others. For full biographical notes see part 1. For earlier works see parts 1 - 17 also. This is part 18 of a 23-part post on the works of John Singer Sargent: 1908 Arthur James Balfour, 1st Earl of Balfour oil on canvas 260 x 150 cm © National Portrait Gallery, London 1908 Cora, Countess of Strafford oil on canvas 157.5 x 113 cm Private Collection 1908 Flotsam and Jetsam watercolour on paper 34.6 x 47.3 cm Portland Museum of Art, ME 1908c Boats Drawn Up watercolour on paper 35.6 x 50.7 cm Brooklyn Museum of Art, New York 1908c Boats, Venice graphite and watercolour on wove paper 35.6 x 50.8 cm Harvard Art Museums - Fogg Museum, Cambridge, MA 1908c Melon Boats watercolour 35.6 x 50.7 cm Brooklyn Museum of Art, New York 1908 Gathering Blossoms, Valdemosa ( Majorca ) oil on canvas 71.1 x 55.9 cm Private Collection 1908 Gourds ( Majorca ) graphite and watercolour on wove paper 35.1 x 50 cm Brooklyn Museum of Art, New York 1908 Pomegranates ( Majorca ) graphite and watercolour on paper 53.8 x 36.7 cm Brooklyn Museum of Art, New York 1908 Pomegranates oil on canvas 55.9 x 72.4 cm Private Collection 1908 Pomegranates, Majorca oil on canvas 73 x 56.5 cm Private Collection 1908 Study of a Fig Tree oil on board 56.5 x 72.4 cm 1908 Valdemosa, Majorca: Pomegranates oil on board 71.1 x 99.1 cm Private Collection 1908 Valdemosa, Majorca: Thistles and Herbage on a Hillside oil on canvas 55.8 x 71.1 cm National Gallery of Art, Washington, DC 1908 Horses at Palma ( Majorca ) oil on canvas 52.1 x 71.8 cm Addison Gallery of American Art, Andover, MA 1908 Horses at Palma ( Majorca ) oil on board 54 x 71.1 cm 1908 Ilex Wood at Majorca with Blue Pigs oil on canvas 56.5 x 71.7 cm Cedarhurst Centre for the Arts, Mt. Vernon, IL 1908 Ilex Wood, Majorca oil on canvas 57 x 71 cm © Museo Thyssen-Bornemisza, Madrid 1908 Mosquito Nets oil on canvas 57.2 x 71.8 cm Detroit Institute of Arts, MI 1908 Port of Soller graphite and watercolour on wove paper 35.6 x 49.2 cm Museum of Art, New York 1908 Shipping, Majorca watercolour on paper 29.2 x 44.4 cm Private Collection 1908c Unloading Plaster watercolour on paper 35.3 x 49.2 cm Brooklyn Museum of Art, New York 1908c White Ships watercolour and wax resist on paper 35.2 x 49.2 cm Brooklyn Museum of Art, New York 1908 Mildred Carter oil on canvas 101.6 x 76.2 cm 1908 Miss Eliza Wedgwood and Miss Sargent Sketching watercolour and gouache on paper 50.2 x 35.6 cm Tate, London 1908 William Butler Yeats charcoal 62.2 x 47 cm Private Collection 1908c Anthony Asquith charcoal on paper 1908c Francisco Bernareggi oil on canvas 65.4 x 48.2 cm Nelson-Atkins Museum of Art, Kansas City, MO 1908c Marie Marguerite Renet Ormond charcoal on paper Private Collection 1908 Oxen on the Beach at Baia watercolour on paper 25.4 x 35.6 cm Private Collection 1908 Purtud: Fir Trees and Snow Mountains watercolour on paper 50.8 x 35.6 cm Private Collection 1908 Tarragona graphite and watercolour on paper 49.5 x 35.2 cm New Britain Museum of American Art, CT 1908 The Hermit ( Il solitario ) oil on canvas 95.9 x 96.5 cm The Metropolitan Museum of Art, New York 1908 The Moraine oil on canvas Private Collection 1908-09c Brenva Glacier oil on canvas? 92.7 x 118.1 cm Johannesburg Art Gallery, South Africa 1908-10c Reflections Rocks and Water watercolour on paper 25.4 x 31.7 cm Private Collection 1908-10c Val d'Aosta oil on canvas 92.1 x 97.8 cm Tate, London 1908-12c Rose-Marie Ormond Reading in a Cashmere Shawl charcoal, watercolour and gouache 35.7 x 51 cm The Los Angeles County Museum of Art, CA 1908c Cashmere oil on canvas 71.1 x 109.2 cm Private Collection 1908c Pine Forest watercolour on paper 30.5 x 45.7 cm Private Collection 1909 Val D'Aosta, Purtud watercolour on paper 12 x 16 cm Private Collection 1908c Reclining Figure watercolour on paper 49.5 x 34.9 cm 1908c Woman Reclining watercolour on paper 52.5 x 37.1 cm Cincinnati Art Museum, Cincinnati, OH 1908c The Black Brook oil on canvas 55.2 x 69.8 cm Tate, London 1909 In the Garden, Corfu oil on canvas 91.4 x 71.1 cm Terra Museum of American Art, Chicago, IL 1908c The Olive Grove oil on canvas 56.2 x 73 cm Indianapolis Museum of Art, IN 1909 Landscape, Corfu graphite and watercolour on paper 25.4 x 35.6 cm Addison Gallery of American Art, Andover, MA 1909 Olive Trees at Corfu oil on canvas 71.1 x 100.3 cm Private Collection 1909 Olive Trees, Corfu graphite and watercolour on wove paper 35.5 x 50.8 cm Harvard Art Museums - Fogg Museum, Cambridge, MA 1909 Olive Trees, Corfu oil on canvas 51.4 x 61.6 cm Private Collection 1909 Olives in Corfu oil on canvas 56.5 x 71.7 cm Fitzwilliam Museum, Cambridge, UK 1909 A Garden in Corfu oil on canvas Private Collection 1909 Albanian Olive Pickers oil on canvas 94 x 113 cm City of Manchester Art Galleries, UK 1909 Corfu watercolour on paper 34.9 x 49.5 cm Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1909 Corfu: A Rainy Day graphite, watercolour and wax resist on paper 36.7 x 54 cm Museum of Fine Arts, Boston, MA 1909 Corfu: Cypresses graphite, watercolour and wax resist on paper 40.4 x 53.3 cm Museum of Fine Arts, Boston, MA 1909 Corfu: Lights and Shadows graphite, watercolour and wax resist on paper 40.3 x 53.1 cm Museum of Fine Arts, Boston, MA 1909 Corfu: The Terrace graphite, watercolour and wax resist on paper 52.8 x 40.2 cm Museum of Fine Arts, Boston, MA 1909 Landscape: Olive Trees, Corfu watercolour on paper 24.4 x 34.9 cm Private Collection 1909 Vespers ( Corfu ) oil on canvas 71 x 91.5 cm Walker Art Gallery, Liverpool, UK 1909 Lady Astor oil on canvas 149.9 x 99 cm National Trust, Cliveden, UK 1909 The Earl of Wemyss and March oil on canvas 163.2 x 115.6 cm Private Collection 1909 The Rialto, Venice graphite and watercolour on paper 27.6 x 48.3 cm Museum of Fine Arts, Boston, MA 1909 The Rialto, Venice oil on canvas Private Collection 1911 The Rialto, Venice oil on canvas 55.9 x 92.1 cm Philadelphia Museum of Art, PA 1909-10 Head of Cellini's "Perseus" graphite on wove paper 17.7 x 12.6 cm Fogg Museum, Cambridge, MA 1910c Sketch of Cellini's "Perseus" graphite and watercolour on paper 36.5 x 22.9 cm National Gallery of Art, Washington, DC *see below Benvenuto Cellini "Perseus" 1545-54 bronze Loggia dei Lanzi, Florence photo: Wikipedia Creative Commons Licence 1909-10c Coming Down from Mont Blanc oil 95.2 x 116.8 cm Private Collection

Learn the techniques behind Sargent’s dazzling watercolours

John Singer Sargent Watercolor Reproductions Loggia, Villa Giulia, Rome - 1907 Fine Art Reproduction Full Size Reproduction: 14 x 10 inches This reproduction is a new, individually printed and proofed, superior quality, giclee* process, fine art print. It is printed on 100% cotton rag acid-free, heavyweight fine art paper with a luxurious textured watercolor paper finish and archival pigment inks to ensure permanence. Created for collectors, it IS NOT A POSTER or mass produced print on low quality, inexpensive paper. John Singer Sargent (January 12, 1856 – April 14, 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era luxury. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida. “To live with Sargent’s watercolors is to live with sunshine captured and held,” noted the painter’s first biographer. Original Medium: Watercolors over graphite on wove paper: Reproduction: Watercolor Textured Fine Art Paper, Archival Pigment Inks Image Size: Full size - 14 x 10 inches printed on larger 16 x 13 inch paper to allow ample borders for matting and framing NOTE: The Da Vinci Art Prints watermark on this image is for computer viewing only and of course NOT on the actual print. PayPal only please. Prints ship in a heavy protective cardboard tube. **the giclee process produces a high quality, fine art reproduction from a high-resolution digital file of an image. The file is then printed with a high-resolution photo generation printer on a fine art paper. Most artists and working photographers today use the giclee process to produce reproductions of their original artwork and photographs. As with any original art or fine art reproduction, it is recommended that prints are framed and displayed under glass to prevent color fade or shift over the years.

The monthly ArtSmart Roundtable brings together some of the best art-focused travel blogs to post on a common theme. This month we are discussing Travel Art! You can find links below for the rest…

John Singer Sargent is mostly known for his finely rendered portraits done in thick oils. But he was also a remarkable watercolor painter. Learn more here.

In addition to his portraits, John Singer Sargent painted many, many watercolors. They often depicted landscapes and other scenes he had observed during his travels in Europe, America, and the Midd…

1892 Self-Portrait oil on canvas 53.3 x 43.2 cm National Academy of Design, New York John Singer Sargent (1866 - 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocation of Edwardian era luxury. During his career he created approximately 900 oil paintings and more than 2000 watercolours, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine and Florida, amongst others. For full biographical notes see part 1. For earlier works see parts 1 - 7 also. This is part 8 of a 23-part post on the works of John Singer Sargent: 1890 La Carmencita graphite on paper 39.5 x 28.8 cm Museum of Fine Arts, Boston, MA 1890 La Carmencita oil on canvas 229 x 140 cm Musée d'Orsay, Paris © photo Musée d'Orsay-rmn 1890 La Carmencita oil on canvas 54 x 35 cm Private Collection 1890 Miss Eleanor Brooks oil on canvas 154.9 x 78.7 cm Private Collection 1890 Mrs. Augustus Hemenway oil on canvas 77.5 x 64.2 cm Private Collection 1890 Mrs. Edward L Davis and her Son, Livingston Davis oil on canvas 218.8 x 122.6 cm Los Angeles County Museum of Art, CA 1890 Mrs. Hamilton McKown Twombly oil on canvas 229 x 143.5 cm Columbia University, New York 1890 Mrs. Thomas Lincoln Manson Jr. oil on canvas 142.4 x 112.4 cm Honolulu Academy of Arts, Honolulu, HI 1890 Near June Street, Worcester, Massachusetts oil on canvas 45.7 x 61 cm Huntington Museum of Art, Huntington, WV 1890 Near June Street, Worcester, Massachusetts watercolour on paper 24.8 x 33.7 cm Mead Art Museum, Amherst, MA 1890 Niagara Falls graphite and watercolour on paper 23.5 x 33.7 cm Private Collection 1890 Sarah Lawrence Brooks oil on canvas 155.6 x 130.2 cm Peabody Essex Museum, Salem, MA 1890-91 The Middle East (Egypt): ( 1885 ) Egyptian Water Jars graphite and watercolour on paper 25.4 x 35.6 cm *Note: This watercolour is consistently dated 1885, though I believe it actually belongs to this group dated 1890-91: 1890 Sketch of an Arab graphite on paper 34 x 25.2 cm 1890-91 Egyptian Woman oil on canvas 64.8 x 53.3 cm Metropolitan Museum of Art, New York 1890-91 Egyptian Woman with Earrings oil on canvas 53.3 x 64.1 cm Metropolitan Museum of Art, New York 1890-91 Egyptians Raising Water from the Nile oil on canvas 25 x 21 cm Metropolitan Museum of Art, New York 1890-91 Street Scene oil on canvas 70.5 x 91.4 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-91c The Sphinx watercolour 47.6 x 35.9 cm Private Collection 1890c Arab Street Scene oil on panel 26 x 35.6 cm 1891 A Bedouin Arab oil on canvas 66 x 51.4 cm Private Collection 1891 A Mosque, Cairo oil on canvas 35.9 x 47.6 cm Private Collection 1891 A Mosque, Cairo oil on canvas 44.4 x 66 cm Private Collection 1891 Bedouin Women Carrying Water oil on canvas 20.5 x 13.5 cm Private Collection 1891 Cairo watercolour on paper 25.4 x 35.6 cm National Gallery of Art, Washington, DC 1891 Egyptian Indigo Dyers oil on canvas 81 x 63.5 cm Museum Mesdag, The Hague, The Netherlands 1891 Egyptian Woman oil on canvas 64.8 x 53.3 cm Metropolitan Museum of Art, New York 1891 Head of an Arab oil on canvas 80 x 58.7 cm Museum of Fine Arts, Boston, MA 1891 Interior of a Bath House oil on canvas 83.8 x 65.4 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Man in a Blue Mantle oil on cavas 81.3 x 62 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Man with a White Turban oil on canvas 81 x 50.7 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Massage in a Bath House oil on canvas 65.4 x 83.8 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Nude Study of an Egyptian Girl oil on canvas 190.5 x 61 cm Art Institute of Chicago, IL 1891 Old Man with a Dark Mantle oil on canvas 50 x 51.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Old Man with a White Beard oil on canvas 79 x 51 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Old Man with a White Turban oil on canvas 59 x 50.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Pavement, Cairo oil on canvas 48.3 x 58.4 cm National Gallery of Art, Washington, DC 1891 Sunset at Cairo oil on canvas 62.2 x 73.7 cm Private Collection 1891 Temple of Denderah oil on canvas 77.5 x 64.1 cm Private Collection 1891 Water Carriers on the Nile oil on canvas 54.3 x 65.3 cm Art Institute of Chicago, IL 1891-95c Two Arab Women oil on canvas 53.3 x 64.1 cm Metropolitan Museum of Art, New York 1891c Door of a Mosque oil on canvas 61.3 x 80 cm Museum of Fine Arts, Boston, MA 1891c Four Arab Women oil on canvas 38.1 x 60.3 cm Private Collection 1891c Landscape with Goatherd oil on canvas 61.6 x 81 cm Metropolitan Museum of Art, New York 1891c Scene with Arab Women oil on canvas 64.1 x 78.1 cm Private Collection 1891c Studies of Egyptian Sculpture oil on canvas 63.5 x 45.7 cm San Antonio Museum of Art, San Antonio, Texas * * * * * 1890-91 Study Sheet from Café L'Avenue brown and black ink over graphite on cream paper 36.7 x 28.3 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-95 Astarte ( study ) oil on canvas 98.1 x 30.5 cm Metropolitan Museum of Art, New York 1890-95 Astarte oil on canvas Boston Public Libray mural ( Ceiling vault ) 1890-1915c Crescenzo Fusciardi charcoal on faded blue laid paper 61 x 46.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-1915c Kneeling Male Nude with Drapery charcoal on blue laid paper 61 x 47 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-1915c Nicola D'Inverno? charcoal on faded blue laid paper 70.2 x 90.7 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-1915c Seated Male Nude with Drapery charcoal on laid paper 62 x 43.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA early 1890s Hercules Brabazon Brabazon oil on canvas 72.4 x 43.1 cm © National Portrait Gallery, London 1890s Woman with Collie graphite, watercolour and gouache on wove paper 25.3 x 35.4 cm Metropolitan Museum of Art, New York 1891 Constantinople (Istanbul): 1891 Constantinople graphite and watercolour on paper 14.6 x 34.4 cm Private Collection 1891 Interior of Hagia Sophia oil on canvas Speed Art Museum, Louisville, KY 1891 Santa Sofia oil on canvas 80 x 61.6 cm Metropolitan Museum of Art, New York 1891 Stamboul graphite and watercolour on paper 30.2 x 44.8 cm Private Collection 1891 Sketch of Graveyard, Constantinople oil on canvas 47 x 61 cm * * * * * 1891 Sketch of Erechtheum ( in Athens ) oil on cardboard 49.5 x 61 cm Private Collection 1891 The Alps Val D'Aosta, Purtud watercolour 35.6 x 50.8 cm Private Collection 1891-93c A Donkey oil on canvas 52.1 x 69.9 cm Private Collection 1891-93c Country Road in Winter oil on canvas 64.1 x 76.2 cm Private Collection 1891-94 Still Life with Daffodils oil on canvas 81.3 x 45.7 cm Yale University Art Gallery, New Haven, CT 1891-94c Daffodils in a Vase oil on canvas 71.1 c x 85.1 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891-94c Mrs. Henry Galbraith Ward oil on canvas 68.6 x 55.9 cm Metropolitan Museum of Art, New York 1891c Landscape Sketch oil on canvas 24.8 x 38.1 cm Private Collection 1892 Cottage at Fairford, Gloucestershire watercolour on paper 22.9 x 30.5 cm Private Collection 1892 Lady Agnew of Lochnaw oil on canvas 127 x 101 cm National Galleries of Scotland, Edinburgh, UK

John Singer Sargent was a remarkable and prolific artist, having created over 900 oil paintings and 2,000 watercolor paintings (many of which you can see on Sargent's gallery page). You will notice that I use his work to illustrate many of the posts on Draw Paint Academy. In this post, I take a closer look

John Singer Sargent Watercolors from the Exhibition at the MFA, Boston, MA

Palazzo Rezzonico is a work by American artist John Singer Sargent (1856 - 1925). It's one architecture watercolor over pencil on paper painting created in 1902-1904. The painting is privately owned and may not be always open to the public. John Singer Sargent was influenced by Realism and Impressionism, and made most paintings about portrait and figure and tableau.For faithful reproductions, our artists will study the oeuvre and techniques of John Singer Sargent. The original painting of Palazzo Rezzonico is about 13

Ethereal brushstrokes bring long shadows and flowing water to life…take a relaxing stroll down a shady garden path or cool off next to the beauty of an ornate stone fountain…a taste of …

1892 Self-Portrait oil on canvas 53.3 x 43.2 cm National Academy of Design, New York John Singer Sargent (1866 - 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocation of Edwardian era luxury. During his career he created approximately 900 oil paintings and more than 2000 watercolours, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine and Florida, amongst others. For full biographical notes see part 1. For earlier works see parts 1 - 7 also. This is part 8 of a 23-part post on the works of John Singer Sargent: 1890 La Carmencita graphite on paper 39.5 x 28.8 cm Museum of Fine Arts, Boston, MA 1890 La Carmencita oil on canvas 229 x 140 cm Musée d'Orsay, Paris © photo Musée d'Orsay-rmn 1890 La Carmencita oil on canvas 54 x 35 cm Private Collection 1890 Miss Eleanor Brooks oil on canvas 154.9 x 78.7 cm Private Collection 1890 Mrs. Augustus Hemenway oil on canvas 77.5 x 64.2 cm Private Collection 1890 Mrs. Edward L Davis and her Son, Livingston Davis oil on canvas 218.8 x 122.6 cm Los Angeles County Museum of Art, CA 1890 Mrs. Hamilton McKown Twombly oil on canvas 229 x 143.5 cm Columbia University, New York 1890 Mrs. Thomas Lincoln Manson Jr. oil on canvas 142.4 x 112.4 cm Honolulu Academy of Arts, Honolulu, HI 1890 Near June Street, Worcester, Massachusetts oil on canvas 45.7 x 61 cm Huntington Museum of Art, Huntington, WV 1890 Near June Street, Worcester, Massachusetts watercolour on paper 24.8 x 33.7 cm Mead Art Museum, Amherst, MA 1890 Niagara Falls graphite and watercolour on paper 23.5 x 33.7 cm Private Collection 1890 Sarah Lawrence Brooks oil on canvas 155.6 x 130.2 cm Peabody Essex Museum, Salem, MA 1890-91 The Middle East (Egypt): ( 1885 ) Egyptian Water Jars graphite and watercolour on paper 25.4 x 35.6 cm *Note: This watercolour is consistently dated 1885, though I believe it actually belongs to this group dated 1890-91: 1890 Sketch of an Arab graphite on paper 34 x 25.2 cm 1890-91 Egyptian Woman oil on canvas 64.8 x 53.3 cm Metropolitan Museum of Art, New York 1890-91 Egyptian Woman with Earrings oil on canvas 53.3 x 64.1 cm Metropolitan Museum of Art, New York 1890-91 Egyptians Raising Water from the Nile oil on canvas 25 x 21 cm Metropolitan Museum of Art, New York 1890-91 Street Scene oil on canvas 70.5 x 91.4 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-91c The Sphinx watercolour 47.6 x 35.9 cm Private Collection 1890c Arab Street Scene oil on panel 26 x 35.6 cm 1891 A Bedouin Arab oil on canvas 66 x 51.4 cm Private Collection 1891 A Mosque, Cairo oil on canvas 35.9 x 47.6 cm Private Collection 1891 A Mosque, Cairo oil on canvas 44.4 x 66 cm Private Collection 1891 Bedouin Women Carrying Water oil on canvas 20.5 x 13.5 cm Private Collection 1891 Cairo watercolour on paper 25.4 x 35.6 cm National Gallery of Art, Washington, DC 1891 Egyptian Indigo Dyers oil on canvas 81 x 63.5 cm Museum Mesdag, The Hague, The Netherlands 1891 Egyptian Woman oil on canvas 64.8 x 53.3 cm Metropolitan Museum of Art, New York 1891 Head of an Arab oil on canvas 80 x 58.7 cm Museum of Fine Arts, Boston, MA 1891 Interior of a Bath House oil on canvas 83.8 x 65.4 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Man in a Blue Mantle oil on cavas 81.3 x 62 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Man with a White Turban oil on canvas 81 x 50.7 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Massage in a Bath House oil on canvas 65.4 x 83.8 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Nude Study of an Egyptian Girl oil on canvas 190.5 x 61 cm Art Institute of Chicago, IL 1891 Old Man with a Dark Mantle oil on canvas 50 x 51.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Old Man with a White Beard oil on canvas 79 x 51 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Old Man with a White Turban oil on canvas 59 x 50.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891 Pavement, Cairo oil on canvas 48.3 x 58.4 cm National Gallery of Art, Washington, DC 1891 Sunset at Cairo oil on canvas 62.2 x 73.7 cm Private Collection 1891 Temple of Denderah oil on canvas 77.5 x 64.1 cm Private Collection 1891 Water Carriers on the Nile oil on canvas 54.3 x 65.3 cm Art Institute of Chicago, IL 1891-95c Two Arab Women oil on canvas 53.3 x 64.1 cm Metropolitan Museum of Art, New York 1891c Door of a Mosque oil on canvas 61.3 x 80 cm Museum of Fine Arts, Boston, MA 1891c Four Arab Women oil on canvas 38.1 x 60.3 cm Private Collection 1891c Landscape with Goatherd oil on canvas 61.6 x 81 cm Metropolitan Museum of Art, New York 1891c Scene with Arab Women oil on canvas 64.1 x 78.1 cm Private Collection 1891c Studies of Egyptian Sculpture oil on canvas 63.5 x 45.7 cm San Antonio Museum of Art, San Antonio, Texas * * * * * 1890-91 Study Sheet from Café L'Avenue brown and black ink over graphite on cream paper 36.7 x 28.3 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-95 Astarte ( study ) oil on canvas 98.1 x 30.5 cm Metropolitan Museum of Art, New York 1890-95 Astarte oil on canvas Boston Public Libray mural ( Ceiling vault ) 1890-1915c Crescenzo Fusciardi charcoal on faded blue laid paper 61 x 46.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-1915c Kneeling Male Nude with Drapery charcoal on blue laid paper 61 x 47 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-1915c Nicola D'Inverno? charcoal on faded blue laid paper 70.2 x 90.7 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1890-1915c Seated Male Nude with Drapery charcoal on laid paper 62 x 43.5 cm Harvard Art Museums / Fogg Museum, Cambridge, MA early 1890s Hercules Brabazon Brabazon oil on canvas 72.4 x 43.1 cm © National Portrait Gallery, London 1890s Woman with Collie graphite, watercolour and gouache on wove paper 25.3 x 35.4 cm Metropolitan Museum of Art, New York 1891 Constantinople (Istanbul): 1891 Constantinople graphite and watercolour on paper 14.6 x 34.4 cm Private Collection 1891 Interior of Hagia Sophia oil on canvas Speed Art Museum, Louisville, KY 1891 Santa Sofia oil on canvas 80 x 61.6 cm Metropolitan Museum of Art, New York 1891 Stamboul graphite and watercolour on paper 30.2 x 44.8 cm Private Collection 1891 Sketch of Graveyard, Constantinople oil on canvas 47 x 61 cm * * * * * 1891 Sketch of Erechtheum ( in Athens ) oil on cardboard 49.5 x 61 cm Private Collection 1891 The Alps Val D'Aosta, Purtud watercolour 35.6 x 50.8 cm Private Collection 1891-93c A Donkey oil on canvas 52.1 x 69.9 cm Private Collection 1891-93c Country Road in Winter oil on canvas 64.1 x 76.2 cm Private Collection 1891-94 Still Life with Daffodils oil on canvas 81.3 x 45.7 cm Yale University Art Gallery, New Haven, CT 1891-94c Daffodils in a Vase oil on canvas 71.1 c x 85.1 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1891-94c Mrs. Henry Galbraith Ward oil on canvas 68.6 x 55.9 cm Metropolitan Museum of Art, New York 1891c Landscape Sketch oil on canvas 24.8 x 38.1 cm Private Collection 1892 Cottage at Fairford, Gloucestershire watercolour on paper 22.9 x 30.5 cm Private Collection 1892 Lady Agnew of Lochnaw oil on canvas 127 x 101 cm National Galleries of Scotland, Edinburgh, UK

John Singer Sargent is mostly known for his finely rendered portraits done in thick oils. But he was also a remarkable watercolor painter. Learn more here.

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John Singer Sargent 1856-1925 Verenigde Staten

1885c John Singer Sargent in his Paris studio Archives of American Art, Smithsonian Institution John Singer Sargent (1866 - 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocation of Edwardian era luxury. During his career he created approximately 900 oil paintings and more than 2000 watercolours, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine and Florida, amongst others. For full biographical notes see part 1. For earlier works see parts 1 - 4 also. This is part-5 of a 23-part post on the works of John Singer Sargent: 1882c Leaving Church, Campo San Canciano, Venice oil on canvas Private Collection 1882c Mrs. Daniel Sargent Curtis graphite on wove paper 16 x 9.5 cm Metropolitan Museum of Art, New York 1882c Portico di San Rocco oil on canvas 42.2 x 32.4 cm Private Collection 1882c Venetian Courtyard oil on canvas 71.7 x 80.6 cm Collection of Mrs. John Hay Whitney 1882c Via della Brache, Florence oil on canvas 45.7 x 54.6 cm Private Collection 1883 Jaques Barenton oil on canvas 57.1 x 45.7 cm Private Collection 1883 Margaret Stuyvesant Rutherfurd White ( Mrs. Henry White ) oil on canvas 225.1 x 143.8 cm Corcoran Gallery of Art, Washington, DC 1883 Mrs. Waldo Story oil on canvas 110.5 x 73.1 cm Private Collection 1883-84 Madame X It was a dress that caused the greatest stir of Sargent's career. Painting a portrait of Madame Pierre Gautreau, Sargent emphasised her daring personal style, showing the right strap of her gown slipping from her shoulder. When finally displayed at the Salon of 1884, the portrait received scathing reviews and the subject and her family were mortified. Sargent repainted the shoulder strap and kept the work for over thirty years. When, eventually, he sold it to the Metropolitan Museum of Art in New York, he commented, "I suppose it is the best thing I have done," but asked the Museum to disguise the sitter's name. 1883-84 Madame X ( Madame Pierre Gautreau ) oil on canvas 208.6 x 109.9 cm Metropolitan Museum of Art, New York 1884 Study of Madame Gautreau oil on canvas 206.4 x 107.9 cm Tate, London 1883-84c Profile of Madame Gautreau graphite on beige paper 21 x 15 cm Musées Nationaux, Paris 1883-84 Madame Gautreau graphite on wove paper 31.9 x 21 cm Metropolitan Museum of Art, New York 1883c Two studies for Madame X graphite on paper Metropolitan Museum of Art, New York 1882 Madame Gautreau Drinking a Toast oil on canvas 31.8 x 40.6 cm Isabella Stewart Gardner Museum, Boston, MA 1882c Study of Madame Gautreau 29.2 x 21 cm Private Collection 1883 Madame Gautreau graphite and watercolour on wove paper 35.5 x 25.2 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1883 Madame Gautreau graphite on wove paper 24.6 x 26.6 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1883-84 Madame Gautreau Sketch graphite on wove paper 24.6 x 33.5 cm Metropolitan Museum of Art, New York 1883-84 Mrs. Harry Vane Milbank oil on canvas 188.6 x 90.8 cm Private Collection 1883-84 Nice oil on canvas 46.3 x 64.4 cm Westmoreland Museum of American Art, Greensburg, PA 1883-84 The Breakfast Table oil on canvas 54 x 45 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1883-84c House and Garden oil on canvas 55.9 x 73.7 cm Private Collection 1883-84c Landscape near Grasse oil on canvas 60.3 x 73 cm Private Collection 1883-84c Thistles oil on canvas 55.9 x 71.7 cm Private Collection 1883-84c Thistles oil on canvas 55.9 x 71.8 cm Art Institute of Chicago, IL 1883-85c Children Picking Flowers oil on canvas 73.7 x 59.7 cm Private Collection 1883-85c Madame Roger-Jourdain watercolour on paper 30.5 x 55.8 cm Private Collection 1883-85c Melle Judith Gautier à la Fourberie oil on panel 31.4 x 41.3 cm Musée Jean Faure, Aix-les-Bains, France 1885 Judith Gautier oil on panel 99.1 x 62.2 cm Detroit Institute of Arts, MI 1883-85c The Shadowed Stream graphite and watercolour on paper 35.4 x 25.5 cm Museum of Fine Arts, Boston, MA 1883-86c My Dining Room oil on canvas 73.7 x 60.3 cm Smith College Museum of Art, Northampton, MA 1883-87c Head of a Girl oil on canvas 47 x 33 cm Davis Museum and Cultural Centre, Wellesey College, MA 1883c Albert de Belleroche oil on canvas 63.5 x 41.9 cm Private Collection 1883c Boy with a Beret, Nice graphite and watercolour on paper 35.6 x 25.4 cm British Museum, London 1883c Landscape with Cypresses graphite and watercolour on paper 34.3 x 24.1 cm Private Collection 1883c Landscape with Women in Foreground oil on canvas 63.5 x 77.5 cm Philadelphia Museum of Art, PA 1883c Olive Trees oil on canvas 52.1 x 62.2 cm Private Collection 1883c Olivia Richardson oil on panel 41.3 x 32.4 cm Private Collection 1883c Violet Sargent graphite and watercolour on paper 45.1 x 21.6 cm Private Collection 1883c Violet Sargent watercolour on paper 50.9 x 61.8 cm Taft Museum, Cincinatti, Ohio 1884 Caroline de Bassano, Marquise d' Espeuiles oil on canvas 167 x 106 cm de Young / Fine Arts Museums of San Francisco, CA 1884 Edith, Lady Playfair ( Edith Russell ) oil on canvas 152.1 x 98.4 cm Museum of Fine Arts, Boston, MA 1884 Mademoiselle Suzanne Poirson oil on canvas 61.1 x 48.5 cm Private Collection 1884 Mrs. Kate Moore oil on canvas 181.9 x 116.2 cm Hirshhorn Museum and Sculpture Garden, Washington, DC 1884c Mrs. Kate Moore oil on canvas 71.1 x 50.8 cm Musée d'Orsay, Paris 1884 Mrs. Thomas Wodehouse Legh oil on canvas 119.4 x 94 cm Private Collection 1884 Mrs. Wilton Phipps oil on canvas 88.9 x 57.1 cm Private Collection 1884 Rodin oil on canvas 72 x 53 cm Musée Rodin, Paris The Vickers Family: 1884 Garden Study of the Vickers Children oil on canvas 137.6 x 91.1 cm Flint Institute of Arts, MI 1884 Mrs. Albert Vickers ( Edith Foster ) oil on canvas 1884 Colonel Thomas Vickers oil on canvas 76.2 x 63.5 cm Private Collection 1884 Frances Mary Vickers oil on canvas 59.7 x 48.3 cm Private Collection 1884 The Dinner Table ( Mr. and Mrs. Albert Vickers ) oil on canvas 51.4 x 66.7 cm de Young / Fine Arts Museums of San Francisco, CA 1884 The Misses Vickers oil on canvas 166.6 x 212.2 cm ( framed ) Museums Sheffied, UK 1884c Miss Dorothy Vickers oil on canvas 45.7 x 38.1 cm Private Collection 1884 Whitby Fishing Boats oil on canvas 47 x 66 cm Private Collection 1884-85c Ernest-Ange Duez oil on canvas 73.7 x 60.3 cm Montclair Art Museum, NJ 1884-85c Henrietta Reubell watercolour 34.9 x 25.1 cm Private Collection 1884c Charles Alexander Giron oil on canvas 64.8 x 50.2 cm Private Collection 1884c Madame Belleroche oil on canvas 55.2 x 45.7 cm Private Collection 1885 Girl with a Sickle oil on canvas 59.7 x 39.4 cm Private Collection 1885 Home Fields oil on canvas 73 x 96.5 cm Detroit Institute of Arts, MI 1885 Madame Paul Poirson oil on canvas 149.9 x 85 cm Detroit Institute of Arts, MI 1885 Mrs Frederick Barnard oil on canvas 104.1 x 57.1 cm Tate, London 1885 Mrs. Alice Mason oil on canvas 154.9 x 104.1 cm Private Collection

A background history on "Gondoliers' Siesta" by the American artist, John Singer Sargent, from

A Road in the South Artist: John Singer Sargent Date: 1878-84 John Singer Sargent, 1856 - 1925, was an American expatriate artist considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He painted nearly a thousand oil paintings and more than 2,000 watercolours, as well a

John Singer Sargent 1856-1925 Verenigde Staten

1885-1900c Self-Portrait in Profile graphite on off-white wove paper 21.2 x 12.3 cm Harvard Art Museums / Fogg Art Museum, Cambridge, MA John Singer Sargent (1866 - 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocation of Edwardian era luxury. During his career he created approximately 900 oil paintings and more than 2000 watercolours, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine and Florida, amongst others. For full biographical notes see part 1. For earlier works see parts 1 - 3 also. This is part-4 of a 23-part post on the works of John Singer Sargent: 1880-81c Venice graphite and watercolour on paper 25 x 35.5 cm Metropolitan Museum of Art, New York 1880-81c Woman in a Gondola graphite and watercolour on paper 33 x 24.1 cm Private Collection 1880-82 A Venetian Interior oil on canvas 48.4 x 60.8 cm Sterling and Francine Clark Institute, Williamstown, MA 1880-82 Venetian Bead Stringers oil on canvas 67 x 78.1 cm Albright-Knoa Art Gallery, Buffalo, NY 1880-82 Campo Sant' Agnese, Venice oil on canvas 45.7 x 65.1 cm Davis Museum and Cultural Centre, Wellesley, MA 1880-82 Venetian Glass Workers oil on canvas 56.5 x 84.5 cm Art Institute of Chicago, IL 1880-82 Venetian Interior oil on canvas 68.3 x 87 cm Carnegie Museum of Art, Pittsburgh, PA 1880-82c A Street in Venice oil on canvas 75.1 x 52.4 cm Sterling and Francine Clark Institute, Williamstown, MA 1880-82c A Street in Venice oil on canvas 75.1 x 52.4 cm Sterling and Francine Clark Institute, Williamstown, MA 1880-82c Campo dei Frari, Venice graphite, watercolour and gouache on cream wove paper 25.1 x 35.6 cm The Corcoran Gallery of Art, Washington, DC 1880-82c Figure in Costume graphite and watercolour on paper 35.5 x 25 cm Metropolitan Museum of Art, New York 1880-82c Head of a Young Woman oil on cardboard 62.5 x 46 cm Private Collection 1880-82c Madame Errazuriz oil on canvas 53.3 x 48.3 cm Private Collection 1883-84c Madame Errazuriz oil on canvas 48.3 x 39.4 cm Private Collection 1882c Madame Errazuriz ( aka The Lady in Black ) oil on canvas 81.9 x 59.7 cm Private Collection 1880-82c Man in a Hat graphite on wove paper 15.9 x 10 cm Metropolitan Museum of Art, New York 1880-82c Pavement of St Mark's, Venice oil on canvas 53.3 x 72.4 cm Private Collection 1880-82c The Entrance to the Grand Canal watercolour 30.5 x 48.3 cm Private Collection 1880-82c Venetian Water Carriers oil on canvas 64.5 x 70.5 cm Worcester Art Museum, Worcester, MA 1880-82c Venetian Woman by a Bed graphite and watercolour on paper 50.2 x 35 cm Private Collection 1880c A Street ( aka A Street in Avignon ) graphite, watercolour and gouache on paper 24.1 x 32.7 cm Ashmolean Museum, Oxford, UK 1880c Arab Street Scene oil on panel 26 x 36.2 cm Private Collection 1880c Back View of a Nude Model oil on canvas 52.5 x 60.5 cm Private Collection 1880c Bedouin Women oil on panel 26.7 x 34.3 cm Private Collection 1880c Boy on a Water Buffalo graphite and watercolour on paper 20 x 31.1 cm Metropolitan Museum of Art, New York 1880c Interior with Stained-Glass Window oil on canvas 76.2 x 58.4 cm Private Collection 1880c Moroccan Beach Scene ( aka The Coast of Algiers ) oil on panel 25.4 x 34.3 cm Private Collection 1880c Paul Helleu pastel on brown wove paper 49 x 43.9 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1880c Spanish Church Interior watercolour on wove paper 36.7 x 26.6 cm National Gallery of Art, Washington, DC 1880c Study of a Man Wearing a Tall Black Hat oil on canvas 61 x 45.8 cm Private Collection 1880c The Standard Bearer from "The Banquet of the Officers of the St George Civic Guard" ( after Frans Hals ) oil on canvas 63.5 x 58.5 cm Private Collection *see below 1880c Two Heads from "The Banquet of the Officers of the St George Civi Guard" ( after Frans Hals ) oil on canvas 58.4 x 64.5 cm Private Collection *see below Frans Hals 1627 "Banquet of the Officers of the St George Civic Guard Company" oil on canvas 179 x 257 cm Frans Hals Museum, Haarlem, The Netherlands 1880c The West Portals of Saint-Gilles-du-Gard graphite, watercolour and gouache on paper 24.8 x 33.1 cm Hood Museum of Art, Hanover, NH 1880c Venetian Canal, Palazzo Corner watercolour on paper 31.7 x 22.9 cm Private Collection 1880c Washerwomen oil on panel 30.5 x 40.6 cm Private Collection 1881 Dr. Samuel Jean Pozzi at Home oil on canvas 202.9 x 102.2 cm Armand Hammer Museum of Art, UCLA 1881 Edouard and Marie-Loise Pailleron oil on canvas 152.4 x 175.3 cm Des Moines Art Center, IA 1881 Mrs. John Joseph Townsend ( Catherine Rebecca Bronson ) oil on canvas 124.5 x 83.8 cm Private Collection 1881 Vernon Lee oil on canvas 53.7 x 43.2 cm Tate, London 1881 Violet ( sister of Sargent ) oil on canvas 69.8 x 57.1 cm Private Collection 1881-82 Gondolier oil on canvas 71.1 x 55.9 cm Private Collection 1882 A Venetian Woman oil on canvas 238.2 x 133 cm Cincinnati Art Museum, Ohio 1882 Study for "El Jaleo" watercolour on paper 30 x 20 cm Dallas Museum of Art, Texas 1879-82c Spanish Dancer ( study for "El Jaleo" ) oil on canvas Private Collection 1882 El Jaleo oil on canvas 237 x 352 cm Isabella Stewart Gardner Museum, Boston, MA 1882c Sketch after "El Jaleo" sepia ink on paper 22.9 x 35.6 cm Private Collection 1882 Sketch of a Dancer ink on paper 32.1 x 24.1 cm Private Collection 1882c Study for Seated Musicians for "El Jaleo" oil on canvas 61.3 x 81.1 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1882c Study for Seated Musicians for "El Jaleo" oil on canvas 65.4 x 81.3 cm Harvard Art Museums / Fogg Museum, Cambridge, MA 1882 Isabelle Valle ( Mrs. George Austen ) oil on canvas 132.1 x 81.3 cm Private Collection 1882 Lady with the Rose ( Charlotte Louise Burckhardt ) oil on canvas 213.4 x 113.7 cm Metropolitan Museum of Art, New York 1882 Le Roi s'amuse ink wash, watercolour and gouache on paper 32.4 x 22 cm Private Collection 1882 Madame Paul Escudier ( Louise Lefevre ) oil on canvas 129.5 x 91.4 cm Art Institute of Chicago, IL 1882 Mademoiselle Boussenet-Duclos oil on canvas 55.6 x 46 cm Private Collection 1882 Miss Beatrice Townsend oil on canvas 79.4 x 58.4 cm National Gallery of Art, Washington, DC 1882 Mr. And Mrs. John White Field oil on canvas 114 x 81.3 cm Pennsylvania Academy of Fine Arts, PA 1882 Mrs. Daniel Sargent Curtis oil on canvas 71.1 x 53.3 cm Spencer Museum of Art, University of Kansas, Lawrence, KS 1882 Pressing the Grapes, Florentine Wine Cellar oil on canvas 61.3 x 50.2 cm Beaverbrook Art Gallery, Fredericton NB, Canada 1882 Street in Venice oil on wood 45.1 x 53.9 cm National Gallery of Art, Washington, DC 1882 The Daughters of Edward Darley Boit oil on canvas 221.9 x 222.6 cm Museum of Fine Arts, Boston, MA 1882 The Sulphur Match oil on canvas 58.4 x 41.4 cm Collection Mr. and Mrs. Hugh Halff Jr. 1882 Venetian Onion Seller oil on canvas 95 x 70 cm © Thyssen-Bornemisza, Madrid 1882-83 Charles Stuart Forbes oil on canvas 73 x 61.6 cm Huntington Library and Art Gallery, San Marino, CA 1882-84c Madame Paul Escudier oil on canvas 73.2 x 59.5 cm Sterling and Francine Clark Institute, Williamstown, MA 1882-85 Francois Flameng and Paul Helleu oil on canvas 53.3 x 43.2 cm Private Collection 1882-85c Paul Helleu watercolour on paper 23.5 x 37.3 cm Private Collection 1882c Albert de Belleroche oil on canvas 61 x45.7 cm Private Collection 1882c Campo Behind the Scuola di San Racco, Venice oil on canvas 66 x 64.8 cm Private Collection 1882c Campo San Canciano, Venice watercolour on paper 35.6 x 50.8 cm Private Collection

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