Lori Kennedy wants you to get over your fear of ruining your quilt with machine quilting. She highlights six ways to ruin a quilt and follows up with ways to avoid that ruination. I think we all want to avoid...
Tokyo Quilt Show 2009 - January 24th at Tokyo Dome City. Photos by Tempusmaster - Robots Dreams (www.robots-dreams.com)
Quilts in 2022 are back! And I have been lucky enough to attend these and teach.
52 of my favorite modern quilts from QuiltCon 2024.
And some of the subjects felt poignantly Japanese, and I was susprised when the artist wasn’t. (“Garden Nasturtium” by Jungsun Jung)
Double Pinwheel & Peeping Cats Quilt Blocks. Free Pattern and Tutorial
Learn about some bad quilting habits that Superior Threads recommends that you quit.
Learn how to make a wholecloth quilt with this step-by-step photo tutorial that includes tips for Kantha-style stitching!
May is here and finally is is nice to be outside. Our weather has gone from 40's to 70's in a matter of 2 weeks. It's pretty nice out the...
52 of my favorite modern quilts from QuiltCon 2024.
Drip is a unique show stopper. It utilizes curved piecing into something new and funky. Project Sizes: Wall Hanging 30" x 30", Throw 60" x 60", Bed 84" x 84", King 108" x 108". See #DripQuilt on Instagram for inspiration. Tone 1 is assigned to the bursts and dashes within the quilt top. The rest of the tones are assigned from the top down starting with Tone 2 being the top color within the quilt top. Optional acrylic templates are available through Cut Once Quilts. https://cutoncequilts.com/products/drip-template-set-by-taralee-quiltery This pattern is for one person use only. No copying, digitizing, or reselling of this pattern is allowed. Completed objects made with use of this pattern may be sold on a small independent scale and the pattern must be credited to Taralee Quiltery. © 2024 Taralee Quiltery
Oda Belle Blankenship showing her beautiful quilt for the 1972 National Geographic magazine featuring the people of Appalachia.
There is a wonderful pattern out there from V and Co. that I have and love. It gives good instructions and information about how much fabric to buy, etc. The only problem I faced with it, is that it called for a specific cutting tool, that I did not have, and didn't feel I could afford at the time. So, I improvised. I will touch on the rest of the instructions for putting this together, but frankly you can find it in so many places on-line, that it's a little redundant. Here are the points, after making this quilt at least 3 times and teaching it multiple times, that I find makes it easier. I will also help in figuring out how to change the size of blocks, because I like to choose what size to have my blocks, so I assume you might, too. (If you just need this part, skip down to the *). First, you cut your fabric into strips, two dark and two light (These are cut at 2-1/2", finished they will be 2"). Sew one dark to one light, press towards the dark. Repeat with the other pair. Then place those strips, right sides together, so the dark is on top of the light, and the light is on top of the dark. Match your edges and sew across the top and bottom. I'm sure I don't need to say this, but taking precise 1/4" seams is a must when making a quilt. Next you are going to cut isosceles right triangles from the strip set. I show this in several pictures to show there are many ways and tools to use that can help you make that triangle. To the right I have a ruler, specifically for making this kind of triangle. This is very nice because it doesn't take a lot of figuring to know that you got things lined up - there are lines that match the bottom, the seam and the top. You cut along the sides. But let's say you don't have a handy-dandy ruler like that. You can use a square ruler. Line up the ruler so that each diagonal side (that you will cut down) have the same number lining up with the bottom or bottom seam. You can have to top point hanging off the edge up to 3/8" according to the marking on the side of the ruler. By the way, that measurement of the edge that you cut is the size of the square. As you can see from these photos of the gray and white, the unfinished size of this square will be approximately 6". The black and white square will be 10-1/2". After cutting the first triangle, flip the ruler over and cut another, and another, and another until you have the desired number. Unpick the little bit of the seam on the tip on the triangle. *Now would be a good place to interject how to figure what size to cut your strips, and how to figure what size your final squares will be. If you like geometry, you would know the "a squared + b squared = c squared" would be the equation we need, though in this case, a and b are the same number. I will break this down for those that don't thrive on the math. Pull out your calculators and plug in these numbers. Let's say you want to have 1" finished stripes (be sure to add your seam allowances after doing the math). Here's how the figuring works: 1" x 4 (number of strips per square) = 4 4 xª (squared - or if easier do 4 x 4 = 16) 16 ÷ 2 = 8 8 √ = 2.82 (square root) This will be the size of the finished square using 1" strips. Plug in whatever size strip you want to cut: 2.5 x 4 = 10 xª = 100 ÷ 2 = 50 √ = 7.07 Remember to add in the seam allowance before cutting - this 2.5" strip finished needs to be cut 1/2" larger at 3". It can also go the other way. You know you want a 3" square finished. What size strips to you cut? 3 xª (or times by itself 3x3) = 9 9 x 2 = 18 18√ = 4.24 4.24 ÷ 4 = 1.06 (size strip to use) Confused? Click here for all the numbers figured out for you. Personally I prefer the first way, but it's good to have both methods. "But wait!" you say. "You didn't tell me how to figure how much material I need!" For this there's not the easy formula, but I will tell you this: Take the size of your strip (let's say it's 2.5" finished) and multiply that by 4. 2.5 x 4 = 10. That is the length of the seam at the bottom of the triangle. Doing simple math in your head, you can see that with 42" wide fabric, you are going to get 10 triangle bottoms across one side. The other side will have 3 with 2 partials left over. From there, you should be able to figure out what you need, or you can message me and ask if you need more help. We now return to our originally scheduled programming. Open up flat and iron the seam towards the dark fabric. Square it up, by lining up the center seam on the diagonal and trimming to the correct size. In this case, I'm trimming to 6". My preference (because I strive for perfection) is to trim all four sides to make it a perfect square. At this point, I cut the light and dark squares the size that matches the striped pieces. Then, with right sides together (and I find it works best to put the striped piece on the bottom because of the biased edges stretch more on top), I sew the squares together. I prefer to chain piece them, saves me time, thread and headaches of dealing with the little bird's nest of bobbin thread knotting on the bottom. As you can see, to form the majority of the pieces, the dark square and light square are sewn on the same side of the striped square. Then flip one around and make this layout. Match the center seams and sew. Then join those squares together in strips. You can choose to make long strips that you then sew together, or I prefer making larger squares and sewing larger and larger squares together. Personal preference. You can do it the way that is most comfortable for you. Continue to carefully match each corner seam. To help me with my chain piecing, I carefully stack the pieces up - two pieces together with edges matching. (Photo on left). I place the stack to the left of my sewing machine, then turn the stack so the edge that I'm sewing are next to the machine. (See photo on the right). I pick up the top piece and without turning it, put it under the foot to sew. It's already lined up and oriented correctly, and when there's a color scheme that has to keep things in the right order, it's taken care of. I don't have to sew individual blocks and put them back on the design wall (or lay it back out on the floor), because I know that they are going to come out of my machine still attached by the chain piecing and in the same order I put them into the machine. Keep sewing until it's all put together. Then quilt as desired. My preference is pin basting, even when I'm putting it on a quilt frame. This gray and white houndstooth I hand quilted around the colors so the houndstooth pattern would also appear on the back. As you can see in the photo, when I hand quilt, I look for a way to quilt continuously rather than have to tie off and start over again. For this quilt, it meant quilting in a rather zig-zaggy pattern moving from the bottom of the quilt frame, up. So, as I quilt with one thread and reach the top of the quilting area, I unthread the needle and move over to the next place where I quilt with a different thread. You can see the multiple threads all over the quilt. I discovered this method when I was quilting Sterling's large Bird's in the Air quilt and much prefer to not have to tie as many knots in the center of the quilt. The pink and gray, as well as the black and white, were both machine quilted on a long-arm. Meredith quilted the black and white. I don't know who did the pink and gray. At the end, don't forget to put a label on as to who made the quilt, date and any other important information. One thing I don't like about this pattern is that the squares made up of the stripes, have all the edges of the square on the bias. These you have to sew to squares cut on the grain. This makes it difficult to line up corners perfectly. And I prefer to be able to make it look as perfect as I can. Someday, I will figure out the pattern for this where all the squares can have the straight grain around the edges. . . but not today. ;-)
Cristina Arcenegui Bono discovered that she preferred the machine quilting to piecing quilts that opened a world of art to her.
In case you missed it, the Deco Quilt pattern is now available! If you haven't already read my initial blog post about the two-color Deco quilt that I made, be sure to check that out here. You'll find my inspiration, pattern sizes fabric requirements and other details about Deco. Okay! My last Deco quilt to share with you is quite possibly my favorite one! This was my last Deco quilt to design....mostly because I was really held up by choosing colors! I initially thought that I had my colors nailed down, then I got about halfway through sewing all of my blocks and I HATED it. It was nothing like what I envisioned in my head! I loved all of the colors individually, but they did not work well together at all. I was in a little bit of a time crunch, so I was really bummed that I changed my mind. I actually wasted a whole day contemplating whether or not I should start over. In the end, the colors weren't sitting well with me, so I decided to start over! Thankfully, I used my Kona color chips to find other fabrics, and I ordered some fabrics online with expedited shipping. Once they arrived, I was still a little bit skeptical that it would turn out how I wanted, but I jumped in and hoped for the best! . From top to bottom, the fabrics are: Magnetism, Smoke, Bellini, Rose, Deep Rose, Sienna. This is how I used them in this quilt: Color 1: Sienna - 1/2 yard Color 2: Deep Rose - 1/3 yard Color 3: Rose - 3/4 yard Color 4: Bellini - 1/2 yard Color 5: Smoke - 1/2 yard Background: Art Gallery Fabrics Magnetism - 3.25 yards We have quilt kits to create this exact quilt in our shop! I sometimes like to stick with only one fabric manufacturer per quilt, especially if I know that it's going to be on the cover of a pattern. But since I originally thought that I was going to use all Art Gallery Fabrics for the quilt, I kind of had my heart set on using AGF Magnetism for the Background. When the AGF colors didn't work out and I had to make the switch to Kona, I decided to keep the Magnetism background because it just felt right. I would say a comparable Kona option would be Gotham Grey...but it's slightly more
This exhibit at the quilt show in Houston was entitled “Yoko Saito Through the Years, My Quilt Journey”. Her quilts are absolutely stunning...
A quilt sizes chart visually showing standard quilt sizes and standard quilt batting. Use this quilt sizes infographic to fit standard beds.
Set the scene in your home with this stunning landscape quilt. The Free Wilderness Quilt features a striking mountain setting perfect for a mountain lodge or just dreaming of your next vacation. The Wilderness Quilt is perfect for a woodland theme kid’s room or nursery. The finished quilt size measures 60″ x 64″. The variety […]
Estimated reading time: 12 minutes Update October 2019: I am traveling again this year to the Houston International Quilt Festival and will be writing
Photos above © Quilty Love What a beautiful quilt (free pattern)! Night Stars Quilt - A bold star quilt pattern - Quilty Love. Bold and modern sawtooth star quilt pattern. Large throw size quilt. Ful
I was fortunate enough to check out the beautifully curated Modern Quilt Showcase, sponsored by the Modern Quilt Guild. This exhibit was part of the quilt show associated with the 2018 International Quilt Market and Festival in Houston, Texas. Members of the Modern Quilt Guild from around the world
How to hand quilt in 3 easy steps! In this blog and video tutorial I'll list out all of the supplies you need and show you how simple hand quilting is!
Looking for a quilted gift for Christmas? Try making one of these quilted casserole dish-sized hot pads. Free Pattern perfect for gifting!
Every year, thousands of quilters and quilt lovers descend on Houston, Texas for the International Quilt Festival and Quilt Market. This year, Quilt Festival is from November 2-5, 2023. Many attendees’ favorite part of their annual trip is seeing the Festival Judged Show presented by Quilts, Inc.
When making a quilt label, is it appropriate to include the name of the person who designed the pattern? And is it necessary to contact the designer of…
See how to finish binding on a quilt - the easy way!
Use your scrap fabric to make this free quilted sleep mask! Step by step instructions for a beginner-friendly tutorial.
This diagram shows how cutting up a 9 patch and rearranging, makes it look like you did lots of fancy piecing.
Handy video from quilt designer Patrick Lose gives you an easy way to make perfect corners when you bind a quilt. #quiltbinding, #quiltingforbeginners
Times are a-changing and nowadays it is easy to take our ability to vote for granted. However, it's really not that long ago since our grandmothers and great-grandmothers had to go through some serious abuse to win that right. Just a century ago, suffrage was a highly divisive and controversial issue in Western society.
Not all quilting borders are outdated! Get inspired by these modern quilt order ideas and use the quilt border designs for your next project!
Learn how to figure out how much yardage of backing fabric is needed when making a quilt.
Learn how to make a quillow, which is a quilt that folds into a pillow! Plenty of free patterns plus wonderful directions showing to to make and fold a quillow.
Have you ever thought about making a memory quilt from your child's baby clothes? We'll show how we stopped putting it off and got our memory quilts made!
We Quilt is about quilting, longarming, guilds, our machine and tools and Quilts of Valor. If you follow our journey...many thanks.
