Description Bronze sculpture, brass base Dimensions 30 × 20 × 18 cm Weight 11 kg Creation date 2018 Edition 8 editions, 4 artist's proofs Signature Signed artwork Certificate of authenticity The artwork is sold with a certificate of authenticity signed by the artist. Origin Erdeven, France | Ask for a private view

The wood sculpture made out of false kamani, explore the essence of fluidity and form through an abstract representation of the human body. The curves and twists of the wood mimic the graceful movements of the body, suggesting a sense of continuous motion and change. This piece is a reflection of my fascination with the human form and its ability to convey emotion and meaning through shape and texture. By sculpting the wood into a fluid and organic form, I aim to evoke a sense of introspection and contemplation in the viewer, inviting them to explore the beauty and complexity of the human body.

Geodheotron - Ultimate Mannequin Generations - Series by Daniel Arrhakis (2024) Geodheotron - Ultimate Mannequin Generations (2024) A creative abstract and futuristic series of Mannequins and architectural environments in a three-dimensional vision of sculptures and structures created by Daniel Arrhakis through artificial intelligence and other digital arts. Mannequins are not only a representation of the human body, but also a reincarnation of the social and professional life of the man of the future who has become a virtual being. An iconography of our three-dimensional avatars in an increasingly virtual world in which humanity is gradually losing the art of being and doing. __________________________________________________ Geodheotron - As últimas Gerações de Manequins (2024) Uma criativa serie abstrata e futurista de Manequins e ambientes arquitetónicos numa visão tridimensional de esculturas e estruturas criadas por Daniel Arrhakis através de inteligência artificial e outras artes digitais. Os manequins não são apenas uma representação do corpo humano, mas também uma reencarnação da vida social e profissional do homem do futuro que se tornou um ser virtual. Uma iconografia dos nossos avatares tridimensionais num mundo cada vez mais virtual em que a humanidade perde pouco a pouco a arte de ser e de fazer.

Der sogenannte "Würfelhocker" ist ein Statuentyp, der den menschlichen Körper in kubischer Form und charakteristischer Hockhaltung wiedergibt. Diese Art der Darstellung war männlichen Privatpersonen vorbehalten. Die Inschrift auf der Statue überliefert den Namen des hier verewigten Mannes: Merenptah, Priester aus dem Kult der Katzengöttin Bastet.

This small figurine is arguably the oldest representation of the human body yet discovered, the equivalent of a 35,000-year-old pin-up. Carved out of a mammoth tusk, she has greatly exaggerated breast, buttocks and genitals, but downplayed limbs and no head.

Rogério Timóteo é um escultor português nascido em Anços, Sintra em 1967. Conta já com 45 exposições individuais e mais de 300 exposições coletivas.

Geodheotron - Ultimate Mannequin Generations - The Secret Agent by Daniel Arrhakis (2024) Geodheotron - Ultimate Mannequin Generations (2024) A creative abstract and futuristic series of Mannequins and architectural environments in a three-dimensional vision of sculptures and structures created by Daniel Arrhakis through artificial intelligence and other digital arts. Mannequins are not only a representation of the human body, but also a reincarnation of the social and professional life of the man of the future who has become a virtual being. An iconography of our three-dimensional avatars in an increasingly virtual world in which humanity is gradually losing the art of being and doing. __________________________________________________ Geodheotron - As últimas Gerações de Manequins (2024) Uma criativa serie abstrata e futurista de Manequins e ambientes arquitetónicos numa visão tridimensional de esculturas e estruturas criadas por Daniel Arrhakis através de inteligência artificial e outras artes digitais. Os manequins não são apenas uma representação do corpo humano, mas também uma reencarnação da vida social e profissional do homem do futuro que se tornou um ser virtual. Uma iconografia dos nossos avatares tridimensionais num mundo cada vez mais virtual em que a humanidade perde pouco a pouco a arte de ser e de fazer.

Geodheotron - Ultimate Mannequin Generations - Our Lady With The Child by Daniel Arrhakis (2024) Geodheotron - Ultimate Mannequin Generations (2024) A creative abstract and futuristic series of Mannequins and architectural environments in a three-dimensional vision of sculptures and structures created by Daniel Arrhakis through artificial intelligence and other digital arts. Mannequins are not only a representation of the human body, but also a reincarnation of the social and professional life of the man of the future who has become a virtual being. An iconography of our three-dimensional avatars in an increasingly virtual world in which humanity is gradually losing the art of being and doing. __________________________________________________ Geodheotron - As últimas Gerações de Manequins (2024) Uma criativa serie abstrata e futurista de Manequins e ambientes arquitetónicos numa visão tridimensional de esculturas e estruturas criadas por Daniel Arrhakis através de inteligência artificial e outras artes digitais. Os manequins não são apenas uma representação do corpo humano, mas também uma reencarnação da vida social e profissional do homem do futuro que se tornou um ser virtual. Uma iconografia dos nossos avatares tridimensionais num mundo cada vez mais virtual em que a humanidade perde pouco a pouco a arte de ser e de fazer.

Choi Xooang è un artista coreano. Le sue sculture sono violente, così come violento è il messaggio che trasmettono.

Danseuse au Long Tutu (2016) by French artist Yann Guillon Bronze sculpture, 9.8 x 5.9 x 3.1 in., limited edition of 8 sculptures + IV AP Height with the metal stand : 17.7 in. Yann Guillon's favorite subject is the representation of the body of which he strives, in an expressionist approach, to translate sometimes the power or the sensuality. less

Anatomical Neon is a series of blown glass lights by North Wales-based artist Jessica Lloyd-Jones meant to focus attention on how energy is used by the human body. Describing the four pieces via her website she says: Brain Wave conveys neurological processing activity as a kinetic and sensory, physical phenomena through its display of moving electric plasma. Optic Nerve shows a similar effect, more akin to the blood vessels of the eye and with a front ‘lens’ magnifying the movement and the intensity of light. More

These Shapely Art Works by Sophie-elizabeth Thompson Evoke Movement

Rogério Timóteo é um escultor português nascido em Anços, Sintra em 1967. Conta já com 45 exposições individuais e mais de 300 exposições coletivas.

Anatomy For Sculptors® creates books and other content on anatomy for artists, with color-coded 3D and live models from various angles and more

French Artist Fanny Nushka Moreaux was born in Lille, France. She lives and paint in Paris and Southern France. She studied political science in Science Po and management in HEC Paris. She considers knowledge as a whole and beauty being part of it. Representation of the body is recurrent in the work of Nushka.

“What is fascinating is that the representation of the human body is at a level of detail and musculature that one doesn’t find again until the classical period of Greek art 1,000 years later.”

The first two humans are depicted with ideal bodies that recall ancient marble sculptures. The snake has a woman's face that resembles Eve's. In the Middle Ages Church scholars suggested that the devil may have induced Eve to listen to him because he took on the appearance of a young woman so that would be comfortable having a chat. During this period, women were often described as ignorant and untrustworthy, features which this story reflects. The primary visual source for the compostion is an engraving representing Adam and Eve by the German master Albrecht Dürer and dated 1504. Besides the figures, the engraving features a dense wall of forest foliage that has been taken over by the sculptor to create a rich backdrop in relief for his figures. The German master populated the underbrush with a variety of animals, which in the sculture have been greatly reduced in number. Nevertheless, there is one detail that has tantalized scholars. The tall plants with yellow heads of grain have been interpretated by some as corn or maize from the Americas. This would indeed be remarkably early for their inclusion in European imagery; nevertheless, recent techncal examinations have concluded that the passages where this appears to be the clearest is in fact a replacement from the 1800s. The incomplete inscription on the basesuggests that this is one of the many works of art made in Florence to celebrate the triumphal entrance of Pope Leo X, a member of Florence's Medici family, into the city on November 30, 1515. However this cannot be substantiated. The central coat of arms is the pope's. To the right is that of the Salviati family, and to the left is that of the Buondelmonti family, demonstrating their support of the pope. For several generations, the artists of the Della Robbia family in Florence were noted for the production of brightly colored, glazed terracottas, often produced for architectural settings. These are the first nudes in this new techniques.

Rogério Timóteo é um escultor português nascido em Anços, Sintra em 1967. Conta já com 45 exposições individuais e mais de 300 exposições coletivas.

Description Bronze sculpture Dimensions 20 × 27 × 12 cm Weight 4 kg Creation date 2018 Edition 8 editions, 4 artist's proofs Signature Signed artwork Certificate of authenticity The artwork is sold with a certificate of authenticity signed by the artist. Origin Erdeven, France | Ask for a private view

Art, design, and visual culture.

Archival print on museo paper Overall dimension with matte - 30” x 26” Image: 24” x 16”   Liberator is a representation of love pouring forth from the heart center – love that cuts through pain. The freedom to feel, the bravery to express, and the generosity to share and help others do the same are key to authentic connection. The model for this piece is a seasoned therapist who lives this reality and helps her clients do the same. From the Lick series, portraying human as sculpture – a multi media project documenting wounds and the potential beauty behind the healing process.   The portrait shows the wound in context, universal life experiences spilling from the body. The sculpture, a reliquary of the wound, focuses on good that results from purged suffering by highlighting those experiences as precious objects encased in vitrines.   Picture of Liberator sculpture for reference   Model: Victoria Heemstra Photo credit: Lucien Knuteson Lick is also a book, a catalog of the portraits paired with stories and poems written by a variety of authors to reflect the sentiment of each sculpture. More info on the project and contributors.

Details: Condition: New, Handmade in Greece. Height: 19 cm -7,5 inches Width: 10 cm - 3,9 inches Length: 3,5 cm - 1,4 inches Weight: 180 g Interesting terracotta idol from Beocia, figure of impasse between the schematic idols shaped bird, from Mycenaean tradition, and the great and famous representation of the human body in Greek sculpture. This still has arms like wings and body as a column (though more stylized and flat) but the head already has human form. AGAIN 454 ΒΟΙΩΤΙΚΟ ΕΙΔΩΛΙΟ - 9

bart hess slowly dips a model into a large tank of melted wax, using the viscous substance to explore the shapes and forms of the human body.

The London Science Museum's 3D printing exhibit will feature 3D-printed sculptures that range from realistic statues to fantastical creatures.

Designed by BIG in Montpellier,France BIG has been announced as the winner of an international design competition for the new Cité du Corps Humain (Museum ...

Details: Condition: New, Handmade in Greece. Height: 19 cm -7,5 inches Width: 10 cm - 3,9 inches Length: 3,5 cm - 1,4 inches Weight: 180 g Interesting terracotta idol from Beocia, figure of impasse between the schematic idols shaped bird, from Mycenaean tradition, and the great and famous representation of the human body in Greek sculpture. This still has arms like wings and body as a column (though more stylized and flat) but the head already has human form. AGAIN 454 ΒΟΙΩΤΙΚΟ ΕΙΔΩΛΙΟ - 9

Description Bronze sculpture, metal base Dimensions 120 × 60 × 80 cm Weight 80 kg Creation date 2013 Edition 8 editions, 4 artist's proofs Signature Signed artwork Certificate of authenticity The artwork is sold with a certificate of authenticity signed by the artist. Origin Erdeven, France | Ask for a private view