Several months ago (January this year actually) I did a 2 inch postage stamp quilt that I really liked- such a great way to use up those scr...
Are you ready for more quilts? Here we go Well that's it folks, hope you enjoyed the partial tour ( there were plenty more quilts!)
Hi friends! Today I have a really special (long) post for you! Today I want to share a quilt that took me two years and about 85 hours to complete - my Postage Stamp quilt! I got so many questions on Instagram every time I posted pictures of this project so I will try to cover all the FAQ's here. First, let me start at the beginning... THE INSPIRATION My grandmother passed away in October 2019. She was the one who taught me how to quilt and who my pattern company is named after. After she passed, my mom and aunt asked if I would finish a couple of the quilts she had been working on so we could give them to family members. This red, yellow, and green 9-Patch quilt one was one of them. I don't know the name of the pattern but I know it came from a magazine. I remember her working on this quilt over the years and I know each individual square finished at 3/4". Can you believe that!?! The quilt top was finished many years ago so I just got it longarm quilted (with a Baptist Fan pattern) and then I bound it by hand. The back was white with colorful buttons and the binding is black with red and yellow flowers on it, as you can see here. The backing fabric was hanging with the quilt top in her closet and I believe I picked out the binding fabric from her stash. This quilt went to my aunt Janet and her husband Dave. The other quilt I finished at that time (I have 2 more I still need to finish!) was this little baby quilt. I think the squares finished at 1-1/4". My aunt and I chose the back and binding fabrics from my grandmother's fabric stash and then I had it longarm quilted with the Interlocking Orange Peel panto by Karlee Porter. This quilt went to one of my cousins. So after finishing both of those quilts made by my grandmother, I was inspired. I never thought I would make a Postage Stamp quilt; too intense for me! But I got the itch around that time to make something with tiny squares and a little while later I made my first blocks. CUTTING I cut 1-1/2" squares that would finish at 1" each. I did not do all my cutting at once. I found that I liked to cut batches of squares, both bright and white, whenever I was running low or got tired of the ones I had in my pile. It was a nice way to break up all of the sewing. When I was actively working on my Postage Stamp quilt I would keep piles of squares by my machine so I could easily grab and sew. I didn't put too much thought into what fabric went where. I just tried to space out colors to create balance. When I needed a break from that project I simply put the squares in a ziplock bag. They didn't get wrinkly so it was easy to pick up where I left off the next time I was ready to work on my quilt. FABRIC I used lots of different whites, creams and low volumes for my "whites". If you look closely at some of the following pictures you'll be able to tell. From far away, everything reads as white but the quilt still has a really scrappy feel to it. Plus it was a great way to use up scraps! As far as the brights go, I used alll the colors. My only requirement was there had to be enough contrast between the brights and whites. There are several fabrics of my grandmother's in this quilt. Including a few squares that have remnants of her embroidery! Those are my favorite! ASSEMBLY There are several ways to assemble a Postage Stamp quilt. You can strip-piece units together. But since I used scraps for all of my pieces I cut squares and sewed them together one-by-one. I didn't mind; in fact I preferred to do it that way so it would be extra scrappy! But of course, you could strip piece if you wanted. For the most part, I chain-pieced rows together to make regular, small 9-Patches (above). I made some that had brights in the corners and some that had whites in the corners. This was such mindless sewing and I quite enjoyed it! Immediate satisfaction! Then I sewed nine of those 9-Patches together to make big 9-Patches that had 81 squares in each block. I figured out it took me about 45 minutes to make a block (maybe about an hour with cutting). Towards the end of this project, I switched from making small 9-Patches to just chain piecing squares together to make a row for the big 9-Patches. I started by sewing tons of pairs of bright and white squares together. When I got bored I separated the pairs and then sewed them together to make units of 4 squares each. Once I had all those sewn together I sewed 2 of those units together plus one extra square to make a row of 9 squares. PRESSING After I made each block row, I pressed the seam allowances toward the dark/bright fabrics. After I sewed the rows together, I pressed the seams open. I pressed everything as I went. It may seem daunting but I honestly got faster the more I did it. It really wasn't too bad. I definitely recommend pressing as you go and pressing the seams open will help your quilt lay nice and flat. Quick side note here: I never pin when I piece. If you're really accurate in your cutting and piecing all of your seam allowances should be able to nest together nicely. I'm sure that saved me a lot of time while making this quilt. I have some tips saved in my Instagram highlight bubbles on precision piecing and cutting. Check it out @gigis_thimble. As I worked on this project, I found it helpful to set little goals for myself. I started by making two blocks and kept trying to double the number of blocks I had until I finished. One month I challenged myself to make 100 little 9-Patches and towards the end of this project, I challenged myself to make 1 big 9-Patch a day until I was done making all of my blocks. I always tell myself, "A little progress every day adds up to big results!" and that is definitely the case with a Postage Stamp quilt! Because there are a gazillion seams in this quilt, it is heavier than normal. The seams can start to stretch apart because of the weight and become harder to match up. So I would recommend that you make two halves of your quilt; press the row seams and then sew the 2 halves together to complete your quilt. Here I am at the halfway point: And here is the finished quilt top. An exciting moment! FINISHING I bound the quilt in this red and white gingham fabric that I had in my stash. I also had this rainbow fabric in my stash that I had bought recently for another project (that didn't turn out how I wanted so I gave it away). The fabric is 55218-20 from the fabric line Shine On by Bonnie and Camille for Moda. I used it for the back of my quilt and I love it. My friend Jen Ostler quilted it with the Scribble Hearts panto. She always hides an object in her quilting for her clients to find so this time she did a rainbow. It took me forever to find but I think it's darling. It's much easier to find from the backside of the quilt than the front! One of my Instagram followers sent me a picture of her Postage Stamp quilt that had been quilted with the Scribble Hearts panto and I thought it was sweet and fun so I decided to do the same on mine. I love the quilting community where we can all inspire and learn from each other! I've been buying custom quilt labels from Ever Emblem for the last couple of years. I get the 2" cotton fold-over, sew-in labels and I've been really happy with them. They're really inexpensive and a quick way to label your quilt. Well that's it! I think I addressed all of the FAQ's! Please let me know if I missed anything. Just to recap here is a quick breakdown of all of the details... DETAILS Finished size of individual squares: 1". Finished quilt size: 72" x 90" Total number of big 9-Patch blocks: 80 Layout: 8 x 10 blocks Total number of 1" squares: 6,480 Start date: December 27, 2019 Finish date: November 3, 2021 Longarm quilter: Jen Ostler in Highland, UT (@drycreekquilter on Intstagram) Quilt panto: Scribble Hearts Hidden object in the quilting: rainbow Backing: Rainbow 55218-20 by Bonnie + Camille for Moda Approximate time to make this quilt: 85 hours Batting: 100% cotton Machine pieced Hand-bound 1/4" seams I hope you enjoyed this post! Like I said, please let me know if you have any questions. I'd love to know what you think about this project and whether or not YOU might make a Postage Stamp quilt someday! Happy quilting!
The postage stamp is completed! I loved every minute of making this quilt. No strip piecing involved--each block has 32 pieces of a constant solid and 32 different scraps. The scraps include some of my mother and both grandmothers. You can read more about how it came together by clicking on the label postage stamp below. Measures 72 by 72 inches. Beautifully quilted with an all over floral pattern by Sue DiVarco. She worked very hard to keep it square. Bound with Kona Celery. The back is a lovely print from Jane Sassaman's first collection for Free Spirit. Hancock Fabrics was down the street, and when they had her fabric I would buy the whole bolt. I was talking to a friend this week about doing this and she said, "I never saw they carried her fabric." I said that was because I got there ahead of her every time. This was the last of my bolts. There are scraps of all of them remaining in my fabrics.
It was a charmed and delightful trip to Alabama and Tennessee! We laughed and laughed, made new "sisters," ate well, walked and sewed unti...
"Liliane, mag ik eens een projectje met jou delen waar ik stiekem al een tijdje mee bezig ben?" Met dit WhatsApp berichtje maak ik voor de eerste keer kennis met het geheime project van Lucy (klik)!! Het bericht bevat ook een aantal foto's van de quilt in wording. Ik zie prachtige blokken van allemaal aan elkaar gestikte kleine driehoekjes. Vele berichtjes volgen met steeds een update van haar driehoekjes- project. Binnen de kortste keren doe ik mee en werken we beiden aan een quilt met hetzelfde malletje en alzo ontstaat er tussen ons een "driehoeksverhouding" die 2,5 jaar zal duren. Ik begin met repen stof te snijden met een breedte van 5,25 cm. Van deze repen worden vierkantjes gesneden. Wanneer ik een grote stapel gekleurde en effen vierkantjes heb snij ik ze diagonaal door. Na het overzichtelijk sorteren van de gekleurde stofjes kan ik paartjes (gekleurd stofje tegen een effen stofje) beginnen uitleggen. Deze worden tegen elkaar gestikt. Zo ontstonden er lange slingers driehoekjes. Met zoveel vlaggenslingertjes leek het wel feest in mijn naaikamer. Na het strijken van de naadjes moesten alle vierkantjes op hun definitieve afmeting gesneden worden. Bij het uitleggen van de rijen let ik goed op dat er niet twee dezelfde stofjes naast elkaar liggen. Losse blokjes worden in rijen aan elkaar gestikt. Het moment is aangebroken om een definitieve beslissing te nemen ivm de layout van de quilt. Uiteindelijk beslis ik om 12 grote blokken van telkens 12/12 vierkantjes te maken. De volgende stap is het kiezen van een stofje voor de sashings. Er waren héél wat kandidaten voor deze selectieproef. Uiteindelijk kies ik voor dit lichtroze stofje omdat het zo mooi blend met de gekleurde driehoekjes. Nu deze knoop is doorgehakt kan ik met een gerust gemoed drie weken naar Namibië gaan. Het is dan september 2017. In april 2018 post ik deze foto op mijn blog. Mijn driehoekjes- project heeft lange tijd stilgelegen. Omdat ik vrees dat ik dit project steeds weer voor mij uit ga schuiven beslis ik om er een deadline op te zetten. Ik spreek met Lucy af dat we voor het einde van 2018 een afgewerkte quilt willen hebben. Er volgt een strak quiltschema. Uren, dagen, weken, maanden van quilten beginnen hun tol te eisen maar ook resultaat op te leveren. Wanneer zowat alles pijn begint te doen (vingers-handen-armen-schouders-goesting), en met een maand vertraging, wordt half januari het allerlaatste quiltsteekje gezet. Nu nog de binding eraan stikken en tegen naaien. Op 19 januari kan ik, na het aanbrengen van het label, een punt zetten achter dit quiltproject. Nu maar hopen dat ik met vlag en wimpel geslaagd ben voor onze "driehoekjes" challenge. Oordeel zelf maar -:)) De komende avonden zal ik, in het gezelschap van Michelle, heerlijk genieten van de warmte, de vriendschap en de herinneringen die achter het verhaal van deze quilt schuilgaan. Dankjewel "partner in crime", het was een hele eer dat je mij hebt toegelaten om dit quiltavontuur met jou aan te gaan. We kennen elkaar enkel via onze blogs en toch is er al jaren dat soulmate gevoel. Hier is weeral een bewijs geleverd van de verbindende kracht van quilts! Ik heb nu al binnenpretjes wanneer ik op een dag mijn kleinkinderen het verhaal van Lucy's geheimpje zal vertellen! "And the quilt tells a story and the story is our past." Groetjes Liliane
Hi friends! Today I have a really special (long) post for you! Today I want to share a quilt that took me two years and about 85 hours to complete - my Postage Stamp quilt! I got so many questions on Instagram every time I posted pictures of this project so I will try to cover all the FAQ's here. First, let me start at the beginning... THE INSPIRATION My grandmother passed away in October 2019. She was the one who taught me how to quilt and who my pattern company is named after. After she passed, my mom and aunt asked if I would finish a couple of the quilts she had been working on so we could give them to family members. This red, yellow, and green 9-Patch quilt one was one of them. I don't know the name of the pattern but I know it came from a magazine. I remember her working on this quilt over the years and I know each individual square finished at 3/4". Can you believe that!?! The quilt top was finished many years ago so I just got it longarm quilted (with a Baptist Fan pattern) and then I bound it by hand. The back was white with colorful buttons and the binding is black with red and yellow flowers on it, as you can see here. The backing fabric was hanging with the quilt top in her closet and I believe I picked out the binding fabric from her stash. This quilt went to my aunt Janet and her husband Dave. The other quilt I finished at that time (I have 2 more I still need to finish!) was this little baby quilt. I think the squares finished at 1-1/4". My aunt and I chose the back and binding fabrics from my grandmother's fabric stash and then I had it longarm quilted with the Interlocking Orange Peel panto by Karlee Porter. This quilt went to one of my cousins. So after finishing both of those quilts made by my grandmother, I was inspired. I never thought I would make a Postage Stamp quilt; too intense for me! But I got the itch around that time to make something with tiny squares and a little while later I made my first blocks. CUTTING I cut 1-1/2" squares that would finish at 1" each. I did not do all my cutting at once. I found that I liked to cut batches of squares, both bright and white, whenever I was running low or got tired of the ones I had in my pile. It was a nice way to break up all of the sewing. When I was actively working on my Postage Stamp quilt I would keep piles of squares by my machine so I could easily grab and sew. I didn't put too much thought into what fabric went where. I just tried to space out colors to create balance. When I needed a break from that project I simply put the squares in a ziplock bag. They didn't get wrinkly so it was easy to pick up where I left off the next time I was ready to work on my quilt. FABRIC I used lots of different whites, creams and low volumes for my "whites". If you look closely at some of the following pictures you'll be able to tell. From far away, everything reads as white but the quilt still has a really scrappy feel to it. Plus it was a great way to use up scraps! As far as the brights go, I used alll the colors. My only requirement was there had to be enough contrast between the brights and whites. There are several fabrics of my grandmother's in this quilt. Including a few squares that have remnants of her embroidery! Those are my favorite! ASSEMBLY There are several ways to assemble a Postage Stamp quilt. You can strip-piece units together. But since I used scraps for all of my pieces I cut squares and sewed them together one-by-one. I didn't mind; in fact I preferred to do it that way so it would be extra scrappy! But of course, you could strip piece if you wanted. For the most part, I chain-pieced rows together to make regular, small 9-Patches (above). I made some that had brights in the corners and some that had whites in the corners. This was such mindless sewing and I quite enjoyed it! Immediate satisfaction! Then I sewed nine of those 9-Patches together to make big 9-Patches that had 81 squares in each block. I figured out it took me about 45 minutes to make a block (maybe about an hour with cutting). Towards the end of this project, I switched from making small 9-Patches to just chain piecing squares together to make a row for the big 9-Patches. I started by sewing tons of pairs of bright and white squares together. When I got bored I separated the pairs and then sewed them together to make units of 4 squares each. Once I had all those sewn together I sewed 2 of those units together plus one extra square to make a row of 9 squares. PRESSING After I made each block row, I pressed the seam allowances toward the dark/bright fabrics. After I sewed the rows together, I pressed the seams open. I pressed everything as I went. It may seem daunting but I honestly got faster the more I did it. It really wasn't too bad. I definitely recommend pressing as you go and pressing the seams open will help your quilt lay nice and flat. Quick side note here: I never pin when I piece. If you're really accurate in your cutting and piecing all of your seam allowances should be able to nest together nicely. I'm sure that saved me a lot of time while making this quilt. I have some tips saved in my Instagram highlight bubbles on precision piecing and cutting. Check it out @gigis_thimble. As I worked on this project, I found it helpful to set little goals for myself. I started by making two blocks and kept trying to double the number of blocks I had until I finished. One month I challenged myself to make 100 little 9-Patches and towards the end of this project, I challenged myself to make 1 big 9-Patch a day until I was done making all of my blocks. I always tell myself, "A little progress every day adds up to big results!" and that is definitely the case with a Postage Stamp quilt! Because there are a gazillion seams in this quilt, it is heavier than normal. The seams can start to stretch apart because of the weight and become harder to match up. So I would recommend that you make two halves of your quilt; press the row seams and then sew the 2 halves together to complete your quilt. Here I am at the halfway point: And here is the finished quilt top. An exciting moment! FINISHING I bound the quilt in this red and white gingham fabric that I had in my stash. I also had this rainbow fabric in my stash that I had bought recently for another project (that didn't turn out how I wanted so I gave it away). The fabric is 55218-20 from the fabric line Shine On by Bonnie and Camille for Moda. I used it for the back of my quilt and I love it. My friend Jen Ostler quilted it with the Scribble Hearts panto. She always hides an object in her quilting for her clients to find so this time she did a rainbow. It took me forever to find but I think it's darling. It's much easier to find from the backside of the quilt than the front! One of my Instagram followers sent me a picture of her Postage Stamp quilt that had been quilted with the Scribble Hearts panto and I thought it was sweet and fun so I decided to do the same on mine. I love the quilting community where we can all inspire and learn from each other! I've been buying custom quilt labels from Ever Emblem for the last couple of years. I get the 2" cotton fold-over, sew-in labels and I've been really happy with them. They're really inexpensive and a quick way to label your quilt. Well that's it! I think I addressed all of the FAQ's! Please let me know if I missed anything. Just to recap here is a quick breakdown of all of the details... DETAILS Finished size of individual squares: 1". Finished quilt size: 72" x 90" Total number of big 9-Patch blocks: 80 Layout: 8 x 10 blocks Total number of 1" squares: 6,480 Start date: December 27, 2019 Finish date: November 3, 2021 Longarm quilter: Jen Ostler in Highland, UT (@drycreekquilter on Intstagram) Quilt panto: Scribble Hearts Hidden object in the quilting: rainbow Backing: Rainbow 55218-20 by Bonnie + Camille for Moda Approximate time to make this quilt: 85 hours Batting: 100% cotton Machine pieced Hand-bound 1/4" seams I hope you enjoyed this post! Like I said, please let me know if you have any questions. I'd love to know what you think about this project and whether or not YOU might make a Postage Stamp quilt someday! Happy quilting!
What I find wonderful about this quilt is I know all of the fabrics, I have memory of each one.
Pieces cut 1 1/2 inch squares, made into 64 patch blocks, with 32 each solids and scraps. I didn't do any strip piecing for this--all scraps from my shoebox of 1 1/2 inch squares and solids from my stash--most solids were Kona. It used a lot of thread!
Rahna Summerlin, machine quilting, machine quilting with a walking foot, quilting with a walking foot, quilting cables, Harriet Hargrave, quilt borders, Forty-Nine Cents, postage stamp, postage stamp quilt, Heirloom Machine Quilting, walking foot, Machingers,
Finally got around to getting photographs of some more of the quilts/quilt tops I have collected. Here is one of the very early ones. Now, as I see the photos of these collected quilts all in a d…
Hi friends! Today I have a really special (long) post for you! Today I want to share a quilt that took me two years and about 85 hours to complete - my Postage Stamp quilt! I got so many questions on Instagram every time I posted pictures of this project so I will try to cover all the FAQ's here. First, let me start at the beginning... THE INSPIRATION My grandmother passed away in October 2019. She was the one who taught me how to quilt and who my pattern company is named after. After she passed, my mom and aunt asked if I would finish a couple of the quilts she had been working on so we could give them to family members. This red, yellow, and green 9-Patch quilt one was one of them. I don't know the name of the pattern but I know it came from a magazine. I remember her working on this quilt over the years and I know each individual square finished at 3/4". Can you believe that!?! The quilt top was finished many years ago so I just got it longarm quilted (with a Baptist Fan pattern) and then I bound it by hand. The back was white with colorful buttons and the binding is black with red and yellow flowers on it, as you can see here. The backing fabric was hanging with the quilt top in her closet and I believe I picked out the binding fabric from her stash. This quilt went to my aunt Janet and her husband Dave. The other quilt I finished at that time (I have 2 more I still need to finish!) was this little baby quilt. I think the squares finished at 1-1/4". My aunt and I chose the back and binding fabrics from my grandmother's fabric stash and then I had it longarm quilted with the Interlocking Orange Peel panto by Karlee Porter. This quilt went to one of my cousins. So after finishing both of those quilts made by my grandmother, I was inspired. I never thought I would make a Postage Stamp quilt; too intense for me! But I got the itch around that time to make something with tiny squares and a little while later I made my first blocks. CUTTING I cut 1-1/2" squares that would finish at 1" each. I did not do all my cutting at once. I found that I liked to cut batches of squares, both bright and white, whenever I was running low or got tired of the ones I had in my pile. It was a nice way to break up all of the sewing. When I was actively working on my Postage Stamp quilt I would keep piles of squares by my machine so I could easily grab and sew. I didn't put too much thought into what fabric went where. I just tried to space out colors to create balance. When I needed a break from that project I simply put the squares in a ziplock bag. They didn't get wrinkly so it was easy to pick up where I left off the next time I was ready to work on my quilt. FABRIC I used lots of different whites, creams and low volumes for my "whites". If you look closely at some of the following pictures you'll be able to tell. From far away, everything reads as white but the quilt still has a really scrappy feel to it. Plus it was a great way to use up scraps! As far as the brights go, I used alll the colors. My only requirement was there had to be enough contrast between the brights and whites. There are several fabrics of my grandmother's in this quilt. Including a few squares that have remnants of her embroidery! Those are my favorite! ASSEMBLY There are several ways to assemble a Postage Stamp quilt. You can strip-piece units together. But since I used scraps for all of my pieces I cut squares and sewed them together one-by-one. I didn't mind; in fact I preferred to do it that way so it would be extra scrappy! But of course, you could strip piece if you wanted. For the most part, I chain-pieced rows together to make regular, small 9-Patches (above). I made some that had brights in the corners and some that had whites in the corners. This was such mindless sewing and I quite enjoyed it! Immediate satisfaction! Then I sewed nine of those 9-Patches together to make big 9-Patches that had 81 squares in each block. I figured out it took me about 45 minutes to make a block (maybe about an hour with cutting). Towards the end of this project, I switched from making small 9-Patches to just chain piecing squares together to make a row for the big 9-Patches. I started by sewing tons of pairs of bright and white squares together. When I got bored I separated the pairs and then sewed them together to make units of 4 squares each. Once I had all those sewn together I sewed 2 of those units together plus one extra square to make a row of 9 squares. PRESSING After I made each block row, I pressed the seam allowances toward the dark/bright fabrics. After I sewed the rows together, I pressed the seams open. I pressed everything as I went. It may seem daunting but I honestly got faster the more I did it. It really wasn't too bad. I definitely recommend pressing as you go and pressing the seams open will help your quilt lay nice and flat. Quick side note here: I never pin when I piece. If you're really accurate in your cutting and piecing all of your seam allowances should be able to nest together nicely. I'm sure that saved me a lot of time while making this quilt. I have some tips saved in my Instagram highlight bubbles on precision piecing and cutting. Check it out @gigis_thimble. As I worked on this project, I found it helpful to set little goals for myself. I started by making two blocks and kept trying to double the number of blocks I had until I finished. One month I challenged myself to make 100 little 9-Patches and towards the end of this project, I challenged myself to make 1 big 9-Patch a day until I was done making all of my blocks. I always tell myself, "A little progress every day adds up to big results!" and that is definitely the case with a Postage Stamp quilt! Because there are a gazillion seams in this quilt, it is heavier than normal. The seams can start to stretch apart because of the weight and become harder to match up. So I would recommend that you make two halves of your quilt; press the row seams and then sew the 2 halves together to complete your quilt. Here I am at the halfway point: And here is the finished quilt top. An exciting moment! FINISHING I bound the quilt in this red and white gingham fabric that I had in my stash. I also had this rainbow fabric in my stash that I had bought recently for another project (that didn't turn out how I wanted so I gave it away). The fabric is 55218-20 from the fabric line Shine On by Bonnie and Camille for Moda. I used it for the back of my quilt and I love it. My friend Jen Ostler quilted it with the Scribble Hearts panto. She always hides an object in her quilting for her clients to find so this time she did a rainbow. It took me forever to find but I think it's darling. It's much easier to find from the backside of the quilt than the front! One of my Instagram followers sent me a picture of her Postage Stamp quilt that had been quilted with the Scribble Hearts panto and I thought it was sweet and fun so I decided to do the same on mine. I love the quilting community where we can all inspire and learn from each other! I've been buying custom quilt labels from Ever Emblem for the last couple of years. I get the 2" cotton fold-over, sew-in labels and I've been really happy with them. They're really inexpensive and a quick way to label your quilt. Well that's it! I think I addressed all of the FAQ's! Please let me know if I missed anything. Just to recap here is a quick breakdown of all of the details... DETAILS Finished size of individual squares: 1". Finished quilt size: 72" x 90" Total number of big 9-Patch blocks: 80 Layout: 8 x 10 blocks Total number of 1" squares: 6,480 Start date: December 27, 2019 Finish date: November 3, 2021 Longarm quilter: Jen Ostler in Highland, UT (@drycreekquilter on Intstagram) Quilt panto: Scribble Hearts Hidden object in the quilting: rainbow Backing: Rainbow 55218-20 by Bonnie + Camille for Moda Approximate time to make this quilt: 85 hours Batting: 100% cotton Machine pieced Hand-bound 1/4" seams I hope you enjoyed this post! Like I said, please let me know if you have any questions. I'd love to know what you think about this project and whether or not YOU might make a Postage Stamp quilt someday! Happy quilting!
This might make a good hand-piecing project. I do have a lot of 2" squares Maybe a Trip Around the World Or one of these But then again there is so much that can go wrong... Miscounting Looks like she just gave up. Probably in everybody's best interests. Directionality, maybe Or maybe her greens faded to yellow. It's hard to analyze what went wrong here. Perhaps working in four squares and a little miscalculation in the final setting. It took a while to figure out what happened here. Not that I have it completely figured out. Stretching squares cut on the bias? Not a unique problem. Maybe I should adapt a more devil-may-care attitude. From the Pat Nickols collection at the Mingei Museum
HI Everyone!! Have you seen old quilts like this one? Tiny nine patches...really tiny! I love these quilts each time I see them in the quilts-for-sale booths, but wow, they are too pricey...so I am going to make one. Yep, I am going to make one...I tried one inch pieces, to make a 1.5 inch nine patch...it was just ridiculously little. Then I tried 1 1/4 inch strips...and the blocks look very small, but not so small that I cannot handle them. Just this morning, I was thinking of how to use up reproduction fabrics stashed, and decided to make teeny nine patches! I am psyched about this...now ask me about my enthusiasm on nine patch number 800, LOL!! I have seen this quilt in books before finding this picture on the web...please forgive me, as I do not know where I found it, due to my computer crashing about that time! I have a plan: Dear Jane Quilt Bonnie's new Mystery Teeny nine patches Fall Jacob's Ladder Plaid Jewel Box. The Dear Jane and nine patches are compulsory...the others are for pure joy! Not that I don't like working on the Dear Jane, but let's face it...some of those blocks are pretty dang hard to make, for me at least. But I love the quilt, and want to finish it, so here I go! Now, this inquiring mind wants to know...are you doing Bonnie's mystery quilt? I got my string box out, and sorted reds and blues according to what she has planned...so I am ready, I think! November 18Th is the date...go to Quiltville and see what she has in mind!! Have a great day, all!! Julie
Learn tips and tricks for a making a classic quilt with neat squares and perfectly matched seams with this postage stamp quilt tutorial!
Turn a bunch of fabric scraps into an adorable postage stamp quilted pillow. A cute fussy cut quilt project. A great beginner sewing project.
Hi friends! Today I have a really special (long) post for you! Today I want to share a quilt that took me two years and about 85 hours to complete - my Postage Stamp quilt! I got so many questions on Instagram every time I posted pictures of this project so I will try to cover all the FAQ's here. First, let me start at the beginning... THE INSPIRATION My grandmother passed away in October 2019. She was the one who taught me how to quilt and who my pattern company is named after. After she passed, my mom and aunt asked if I would finish a couple of the quilts she had been working on so we could give them to family members. This red, yellow, and green 9-Patch quilt one was one of them. I don't know the name of the pattern but I know it came from a magazine. I remember her working on this quilt over the years and I know each individual square finished at 3/4". Can you believe that!?! The quilt top was finished many years ago so I just got it longarm quilted (with a Baptist Fan pattern) and then I bound it by hand. The back was white with colorful buttons and the binding is black with red and yellow flowers on it, as you can see here. The backing fabric was hanging with the quilt top in her closet and I believe I picked out the binding fabric from her stash. This quilt went to my aunt Janet and her husband Dave. The other quilt I finished at that time (I have 2 more I still need to finish!) was this little baby quilt. I think the squares finished at 1-1/4". My aunt and I chose the back and binding fabrics from my grandmother's fabric stash and then I had it longarm quilted with the Interlocking Orange Peel panto by Karlee Porter. This quilt went to one of my cousins. So after finishing both of those quilts made by my grandmother, I was inspired. I never thought I would make a Postage Stamp quilt; too intense for me! But I got the itch around that time to make something with tiny squares and a little while later I made my first blocks. CUTTING I cut 1-1/2" squares that would finish at 1" each. I did not do all my cutting at once. I found that I liked to cut batches of squares, both bright and white, whenever I was running low or got tired of the ones I had in my pile. It was a nice way to break up all of the sewing. When I was actively working on my Postage Stamp quilt I would keep piles of squares by my machine so I could easily grab and sew. I didn't put too much thought into what fabric went where. I just tried to space out colors to create balance. When I needed a break from that project I simply put the squares in a ziplock bag. They didn't get wrinkly so it was easy to pick up where I left off the next time I was ready to work on my quilt. FABRIC I used lots of different whites, creams and low volumes for my "whites". If you look closely at some of the following pictures you'll be able to tell. From far away, everything reads as white but the quilt still has a really scrappy feel to it. Plus it was a great way to use up scraps! As far as the brights go, I used alll the colors. My only requirement was there had to be enough contrast between the brights and whites. There are several fabrics of my grandmother's in this quilt. Including a few squares that have remnants of her embroidery! Those are my favorite! ASSEMBLY There are several ways to assemble a Postage Stamp quilt. You can strip-piece units together. But since I used scraps for all of my pieces I cut squares and sewed them together one-by-one. I didn't mind; in fact I preferred to do it that way so it would be extra scrappy! But of course, you could strip piece if you wanted. For the most part, I chain-pieced rows together to make regular, small 9-Patches (above). I made some that had brights in the corners and some that had whites in the corners. This was such mindless sewing and I quite enjoyed it! Immediate satisfaction! Then I sewed nine of those 9-Patches together to make big 9-Patches that had 81 squares in each block. I figured out it took me about 45 minutes to make a block (maybe about an hour with cutting). Towards the end of this project, I switched from making small 9-Patches to just chain piecing squares together to make a row for the big 9-Patches. I started by sewing tons of pairs of bright and white squares together. When I got bored I separated the pairs and then sewed them together to make units of 4 squares each. Once I had all those sewn together I sewed 2 of those units together plus one extra square to make a row of 9 squares. PRESSING After I made each block row, I pressed the seam allowances toward the dark/bright fabrics. After I sewed the rows together, I pressed the seams open. I pressed everything as I went. It may seem daunting but I honestly got faster the more I did it. It really wasn't too bad. I definitely recommend pressing as you go and pressing the seams open will help your quilt lay nice and flat. Quick side note here: I never pin when I piece. If you're really accurate in your cutting and piecing all of your seam allowances should be able to nest together nicely. I'm sure that saved me a lot of time while making this quilt. I have some tips saved in my Instagram highlight bubbles on precision piecing and cutting. Check it out @gigis_thimble. As I worked on this project, I found it helpful to set little goals for myself. I started by making two blocks and kept trying to double the number of blocks I had until I finished. One month I challenged myself to make 100 little 9-Patches and towards the end of this project, I challenged myself to make 1 big 9-Patch a day until I was done making all of my blocks. I always tell myself, "A little progress every day adds up to big results!" and that is definitely the case with a Postage Stamp quilt! Because there are a gazillion seams in this quilt, it is heavier than normal. The seams can start to stretch apart because of the weight and become harder to match up. So I would recommend that you make two halves of your quilt; press the row seams and then sew the 2 halves together to complete your quilt. Here I am at the halfway point: And here is the finished quilt top. An exciting moment! FINISHING I bound the quilt in this red and white gingham fabric that I had in my stash. I also had this rainbow fabric in my stash that I had bought recently for another project (that didn't turn out how I wanted so I gave it away). The fabric is 55218-20 from the fabric line Shine On by Bonnie and Camille for Moda. I used it for the back of my quilt and I love it. My friend Jen Ostler quilted it with the Scribble Hearts panto. She always hides an object in her quilting for her clients to find so this time she did a rainbow. It took me forever to find but I think it's darling. It's much easier to find from the backside of the quilt than the front! One of my Instagram followers sent me a picture of her Postage Stamp quilt that had been quilted with the Scribble Hearts panto and I thought it was sweet and fun so I decided to do the same on mine. I love the quilting community where we can all inspire and learn from each other! I've been buying custom quilt labels from Ever Emblem for the last couple of years. I get the 2" cotton fold-over, sew-in labels and I've been really happy with them. They're really inexpensive and a quick way to label your quilt. Well that's it! I think I addressed all of the FAQ's! Please let me know if I missed anything. Just to recap here is a quick breakdown of all of the details... DETAILS Finished size of individual squares: 1". Finished quilt size: 72" x 90" Total number of big 9-Patch blocks: 80 Layout: 8 x 10 blocks Total number of 1" squares: 6,480 Start date: December 27, 2019 Finish date: November 3, 2021 Longarm quilter: Jen Ostler in Highland, UT (@drycreekquilter on Intstagram) Quilt panto: Scribble Hearts Hidden object in the quilting: rainbow Backing: Rainbow 55218-20 by Bonnie + Camille for Moda Approximate time to make this quilt: 85 hours Batting: 100% cotton Machine pieced Hand-bound 1/4" seams I hope you enjoyed this post! Like I said, please let me know if you have any questions. I'd love to know what you think about this project and whether or not YOU might make a Postage Stamp quilt someday! Happy quilting!
Blogged! www.mochistudios.com/patchwork-and-quilting/kawaii-scrapp...
After we left Handebeit haus we travelled about 6 1/2 hours to Tilburg where I had 2 days at Quilt it and Dotty How cute is this tea set which Dorry had specially made for her shop. I had a...
Well, it didn't quite take me a year like I predicted , but it did take some time. I finished the top in mid-July and then debated on wheth...
I first posted about the Postage Stamp Quilt in March 2011- knowing it would be a VERY long term project. It is a hand stitched quilt top of 1″ squares. After spending some time (OK, too muc…
Blogged at pitterputterstitch.blogspot.com/2014/02/finished-nordika-....
And finally I am back to blog about my second patchwork quilt that I talked about in my last post. We’ll gloss over the time-delay for now, as I want to get on with explaining how I made all …
Finally the first tutorial for the Postage Stamp Quilt-along! Yey! And technically, there is only one true 'tutorial' for this quilt-along...
Hi friends! Today I have a really special (long) post for you! Today I want to share a quilt that took me two years and about 85 hours to complete - my Postage Stamp quilt! I got so many questions on Instagram every time I posted pictures of this project so I will try to cover all the FAQ's here. First, let me start at the beginning... THE INSPIRATION My grandmother passed away in October 2019. She was the one who taught me how to quilt and who my pattern company is named after. After she passed, my mom and aunt asked if I would finish a couple of the quilts she had been working on so we could give them to family members. This red, yellow, and green 9-Patch quilt one was one of them. I don't know the name of the pattern but I know it came from a magazine. I remember her working on this quilt over the years and I know each individual square finished at 3/4". Can you believe that!?! The quilt top was finished many years ago so I just got it longarm quilted (with a Baptist Fan pattern) and then I bound it by hand. The back was white with colorful buttons and the binding is black with red and yellow flowers on it, as you can see here. The backing fabric was hanging with the quilt top in her closet and I believe I picked out the binding fabric from her stash. This quilt went to my aunt Janet and her husband Dave. The other quilt I finished at that time (I have 2 more I still need to finish!) was this little baby quilt. I think the squares finished at 1-1/4". My aunt and I chose the back and binding fabrics from my grandmother's fabric stash and then I had it longarm quilted with the Interlocking Orange Peel panto by Karlee Porter. This quilt went to one of my cousins. So after finishing both of those quilts made by my grandmother, I was inspired. I never thought I would make a Postage Stamp quilt; too intense for me! But I got the itch around that time to make something with tiny squares and a little while later I made my first blocks. CUTTING I cut 1-1/2" squares that would finish at 1" each. I did not do all my cutting at once. I found that I liked to cut batches of squares, both bright and white, whenever I was running low or got tired of the ones I had in my pile. It was a nice way to break up all of the sewing. When I was actively working on my Postage Stamp quilt I would keep piles of squares by my machine so I could easily grab and sew. I didn't put too much thought into what fabric went where. I just tried to space out colors to create balance. When I needed a break from that project I simply put the squares in a ziplock bag. They didn't get wrinkly so it was easy to pick up where I left off the next time I was ready to work on my quilt. FABRIC I used lots of different whites, creams and low volumes for my "whites". If you look closely at some of the following pictures you'll be able to tell. From far away, everything reads as white but the quilt still has a really scrappy feel to it. Plus it was a great way to use up scraps! As far as the brights go, I used alll the colors. My only requirement was there had to be enough contrast between the brights and whites. There are several fabrics of my grandmother's in this quilt. Including a few squares that have remnants of her embroidery! Those are my favorite! ASSEMBLY There are several ways to assemble a Postage Stamp quilt. You can strip-piece units together. But since I used scraps for all of my pieces I cut squares and sewed them together one-by-one. I didn't mind; in fact I preferred to do it that way so it would be extra scrappy! But of course, you could strip piece if you wanted. For the most part, I chain-pieced rows together to make regular, small 9-Patches (above). I made some that had brights in the corners and some that had whites in the corners. This was such mindless sewing and I quite enjoyed it! Immediate satisfaction! Then I sewed nine of those 9-Patches together to make big 9-Patches that had 81 squares in each block. I figured out it took me about 45 minutes to make a block (maybe about an hour with cutting). Towards the end of this project, I switched from making small 9-Patches to just chain piecing squares together to make a row for the big 9-Patches. I started by sewing tons of pairs of bright and white squares together. When I got bored I separated the pairs and then sewed them together to make units of 4 squares each. Once I had all those sewn together I sewed 2 of those units together plus one extra square to make a row of 9 squares. PRESSING After I made each block row, I pressed the seam allowances toward the dark/bright fabrics. After I sewed the rows together, I pressed the seams open. I pressed everything as I went. It may seem daunting but I honestly got faster the more I did it. It really wasn't too bad. I definitely recommend pressing as you go and pressing the seams open will help your quilt lay nice and flat. Quick side note here: I never pin when I piece. If you're really accurate in your cutting and piecing all of your seam allowances should be able to nest together nicely. I'm sure that saved me a lot of time while making this quilt. I have some tips saved in my Instagram highlight bubbles on precision piecing and cutting. Check it out @gigis_thimble. As I worked on this project, I found it helpful to set little goals for myself. I started by making two blocks and kept trying to double the number of blocks I had until I finished. One month I challenged myself to make 100 little 9-Patches and towards the end of this project, I challenged myself to make 1 big 9-Patch a day until I was done making all of my blocks. I always tell myself, "A little progress every day adds up to big results!" and that is definitely the case with a Postage Stamp quilt! Because there are a gazillion seams in this quilt, it is heavier than normal. The seams can start to stretch apart because of the weight and become harder to match up. So I would recommend that you make two halves of your quilt; press the row seams and then sew the 2 halves together to complete your quilt. Here I am at the halfway point: And here is the finished quilt top. An exciting moment! FINISHING I bound the quilt in this red and white gingham fabric that I had in my stash. I also had this rainbow fabric in my stash that I had bought recently for another project (that didn't turn out how I wanted so I gave it away). The fabric is 55218-20 from the fabric line Shine On by Bonnie and Camille for Moda. I used it for the back of my quilt and I love it. My friend Jen Ostler quilted it with the Scribble Hearts panto. She always hides an object in her quilting for her clients to find so this time she did a rainbow. It took me forever to find but I think it's darling. It's much easier to find from the backside of the quilt than the front! One of my Instagram followers sent me a picture of her Postage Stamp quilt that had been quilted with the Scribble Hearts panto and I thought it was sweet and fun so I decided to do the same on mine. I love the quilting community where we can all inspire and learn from each other! I've been buying custom quilt labels from Ever Emblem for the last couple of years. I get the 2" cotton fold-over, sew-in labels and I've been really happy with them. They're really inexpensive and a quick way to label your quilt. Well that's it! I think I addressed all of the FAQ's! Please let me know if I missed anything. Just to recap here is a quick breakdown of all of the details... DETAILS Finished size of individual squares: 1". Finished quilt size: 72" x 90" Total number of big 9-Patch blocks: 80 Layout: 8 x 10 blocks Total number of 1" squares: 6,480 Start date: December 27, 2019 Finish date: November 3, 2021 Longarm quilter: Jen Ostler in Highland, UT (@drycreekquilter on Intstagram) Quilt panto: Scribble Hearts Hidden object in the quilting: rainbow Backing: Rainbow 55218-20 by Bonnie + Camille for Moda Approximate time to make this quilt: 85 hours Batting: 100% cotton Machine pieced Hand-bound 1/4" seams I hope you enjoyed this post! Like I said, please let me know if you have any questions. I'd love to know what you think about this project and whether or not YOU might make a Postage Stamp quilt someday! Happy quilting!
I managed to get a block finished after I got home from meeting Melanie for lunch – I believe that makes 12 left to make! It is getting there. Part way and took a short break. Came back later – go…
Rahna Summerlin, Postage Stamp, postage stamp quilt, forty-nine cents quilt, #bloominginchintz, #rahnasummerlin, #postagestampquilt, #quilt, #quilting
Cut and stitched from the last remaining pieces of the scrap bag, Postage Stamp quilts and String quilts represent the ability of our quilting predecessors to be able to make wonderful quilts out o…
Made using Bonnie Hunter's instructions for a Scrappy Trip Around the World quilt at Quiltville.com. I used 2 inch strips from my scrap bin. Squares are 1.5 inches finished. The binding is from Denyse Schmidt's Chicopee line. Dimensions are 50" by 80". Completed February 2013. Blogged at coraquilts.blogspot.ca/2013/02/scrappy-trip-along-finishe...
Hi friends! Today I have a really special (long) post for you! Today I want to share a quilt that took me two years and about 85 hours to...
Hi friends! Today I have a really special (long) post for you! Today I want to share a quilt that took me two years and about 85 hours to...
Scrappy Irish Chain Quilt by Iva Steiner This Scrappy Irish Chain Quilt made by Iva Steiner of Schnig Schnag Quilts and More, The Pattern by Jessie Fincham, it's available for free. Full Post: Scrappy
The crumb quilt project was a great scrap buster. I got 2 quilts out of that project. But for some reason, after all the mess all over my sewing room, and working several months on those crumb quilts, I still had a huge pile of scraps!! They just seemed to multiply!!! So I decided to try scrap strips instead to see if I could lesson my scrap mountain. I put my scraps into piles strips that were about the same length. I had 6 or 7 piles of different lengths. I pulled two from the first pile (let's say they were 5 inch strips), and sewed them together, then without cutting strings, I sewed 2 together from the next pile (lets say they were 7 inch strips), and on down through all the piles. When I had sewn 2 together from each pile, I started back at the top. I picked one from the 5 inch pile and sewed that to the existing 5 inch strip, without cutting strings. I kept my nice big scissors near by, there was a lot of chopping at the machine. This was a donation quilt. So, I used a sheet for the back, and wrapped it around for the binding. I was careful to start and stop my quilting just 1 time because when you're carrying the backing around to the front, you can't just go running off the edge when you're quilting. Do you have a good way to get rid of scraps? I'd love to hear your ideas.
Rahna Summerlin, Postage Stamp, postage stamp quilt, forty-nine cents quilt, #bloominginchintz, #rahnasummerlin, #postagestampquilt, #quilt, #quilting
Explore ohthisnose's 132 photos on Flickr!
Show us what you're sewing! Bags, aprons, toys, clothes, or quilts--we'd love to see it! If you happen to know the name of the fabric, or if you're using a pattern, we'd appreciate the details, but they're certainly not necessary.
A scrap quilt that I finished about a month ago. It just sold, and I realized I hadn’t shown it here on the blog. I started cutting rectangles, 2.5”x3.5”. It’s a slightly different look than squares
Last year, I cleaned out and got rid of most of my fabric stash. (Read about that here). I didn't touch my scraps though. I can't bring myself to get rid of them because someday I'll make a postage stamp quilt or a string quilt or a scrappy something! (Maybe I'll design a quilt meant to use scraps...hmm...) In the ba
I went back over to my Guilds show today, Quilter's Unlimited 40th Anniversary show! I had coffee and a chat with one of the "In the Beginning" fabric designers and President of the DC Modern Quilt guild, Jessie Aller! I am hoping Jessie posts the photo SHE took of us as I was a slacker and didn't get one. I have SO MANY photos from the show, that I thought I'd just share a few of my favs.. then I'll share more another day.. ok? OK! I stopped into That Thread Shop that carries all the Aurifil thread.. I spotted...
Here she is, all 64 blocks and 96" square! She's the largest quilt I've ever made. It's made from Bonnie Hunter's excellent...
Make Postage Stamp Patchwork in no time with this quick patchwork tip! Turn your tiny patchwork squares into a pillow, baby quilt, or other project.
