Revamping a boy's bedroom can be an exciting adventure, filled with endless possibilities and creative themes. Whether your little one dreams of exploring

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If you are looking for the perfect accessory or gift for a Sci-Fi fan then look no further. This unique Sci-Fi inspired 3D door lock Control Panel would be a perfect addition to any futuristic spaceship themed bedroom, games room, home cinema, man cave or she shed. The prop panel is made from different thickness's of MDF to create the 3D effect, and is designed to look like a door entry control panel that you might find in a sci-fi movie with the turn handle on the right, a number pad and a display with a speaker / microphone section too There are various gloss and metallic paints used to sell the realism of the piece with the screen and buttons being made from laser cut and engraved acrylic pieces to really make this piece stand out The panel measures 160 x 290mm and is supplied with 3M command strips for fixing to the wall We also offer different Sci-Fi inspired items which you may like in our Etsy store, please click the links below to check them out: https://etsy.me/3Mq5iRj Please note this item is not designed for exterior use All our items are designed, made, painted and despatched all from our workshop in the UK with great care to produce high quality workmanship we are proud of. Because of this we are happy to discuss variations to our products that you may want, don’t be afraid to send us a message and we’ll see if we can help!

I am currently building a level as part of a class assignment, however I don't have time to concept it.

A functional, purpose-built office-space for Panasonic that included a clever design with bespoke elements

Explore the best new sci-fi books to read. Read the highest-rated sci-fi books, modern sci-fi novels, & YA sci-fi books for teens & adults.

Star ship, spaceship Sci-Fi futuristic door. Armoured military entrance, gates, airlock, bunker. Peel & stick removable vinyl mural for man cave, skin, cover, wrap, decal, poster, cling. Home design idea for boy room The door handle will not be printed. It's for illustrative purposes only. Made in Europe. German and Italian materials. Comes rolled in a durable tube. All STANDARD door sizes. Single piece. If you need custom size, please, contact us. It can be installed to any smooth surfaces: walls, doors, fridges, windows. Works on flat panelled doors with grooves but without ledges. If you are placing a mural in a wet environment, including a bathroom or outdoor entryway, it is best to select DURABLE sticker. A layer of laminate foil prevents the poster from scratching and makes cleaning simple. Durable skins are extra waterproof for your convenience. All the stickers are: - ecology friendly, - washable, - fire rated, - UV resistant, - removable without damaging the surface. Buyers from EU, Canada and Australia are responsible for possible customs duties incurred. Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding/buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up do not confuse them for additional shipping charges. When you are looking to spice up your home decor, you must get creative and uncover the latest trends. The newest type of interior decoration is a self-adhesive door wrap. It is a wonderful way to add beauty and interest to a room. Each item takes minutes to apply and provides a focal point in any space. Take advantage of our prints and enter the gateway to endless decorating possibilities. Short instruction: After peeling away the back, it will stick to any smooth surface. When you are ready to remove your themed decal, no residue will be left behind. Before applying a wrap, your door's surface must be thoroughly cleaned of all debris, and its handle must be removed. After your door is measured, the cover is spread out and cut to size. When the mural is ready to be placed, the backing can be gently removed. It is best to start at one corner and work down until the entire sticker is in position. It is recommended to apply even pressure so that bubbling is kept to a minimum. After the image is secured, your door's handle can be reinstalled. The photo may slightly different from actual item in terms of color due to the monitor's display.

How to Write Gallifreyen: Many people watch doctor who, whether they are fans or not. In this instructable, I will show you the basics of writing Circular Gallifreyen.So keep reading and enjoy ;)

As a sci-fi buff myself I can understand the draw to the genre. Having more than a few sci-fi favorites that are close to my…

With a vintage feel, this poster is a striking addition to any wall. It features a space adventure, complete with stars and planets, and is suitable for the space fan and sci-fi fan alike. This stunning vintage poster is a great way to add style to any room.

Super Sci-Fi Rocket Fueled Jet Pack--Upcycled Craft DIY I love upcycled crafts. There is nearly nothing better than taking s...

The film, Star Wars, premiered on May 25, 1977. Today, on its 36th anniversary, I’m examining the evolution of the film’s logo. During the film’s pre-production, a decal (below) was produced. In the first Official Star Wars Fan Club newsletter, reprinted in the Star Wars Scrapbook (Chronicle Books, 1991), there was an explanation about the decal by Ralph McQuarrie, who did the art: ...“It was done as a symbol for the film—to go on film cans and letters. George [Lucas] had had one for American Graffiti, and wanted one for Star Wars.” ...“It was done while we were working on costumes,” said McQuarrie. “This was how we first pictured Han Solo. It could be a sort of Luke character, but I think it’s more like Han. Anyway, George decided that Han Solo should be a more relaxed character, and his costume was changed. But this decal was designed before the change.” At the time the original title was The Star Wars. To my eye, the font on the decal is Futura Display. Below is a detail from a page in the Photo-Lettering’s One Line Manual of Styles with samples of Furtura Display and Futura Display Open. The letter “T” was modified to close the gap with the “H” and “A”. On the corporate letterhead, the film title dropped the article and a new logo had been created. In the Star Wars Scrapbook, it was revealed that Joe Johnston did the title lettering which was based on the Precis font family. (Thanks to eagle-eyed Ferran Delgado for finding the font.) 1976 San Diego Comic Con; the text credits Joe Johnston for the lettering From the book, The Art of Star Wars (Ballantine Books, 1979), are some of McQuarrie’s concepts for the film poster with the Johnston logo. Art by Howard Chaykin In December 1976, a novelization of Lucas’s screenplay, ghost-written by Alan Dean Foster, was published by Ballantine Books. The cover art was by McQuarrie and the cover fonts are from the Helvetica family. A full-page advertisement for Del Rey books appeared in Starlog #7, August 1977. Included was the Star Wars novel with a photograph on the cover. The book with this cover was not published. In place of the photograph would be an illustration with a logo, which I have included. As mentioned earlier, the original title was The Star Wars. Below is a storyboard panel, by Alex Tavoularis, of the opening crawl reproduced in The Art of Star Wars. Lucas referred to the crawl used in the Flash Gordon and Buck Rogers serials. The same crawl was used in The Green Hornet serial. Universal Pictures, 1936 Universal Pictures, 1940 Dan Perri designed a logo, with a vanishing point, for the opening crawl, but it was not used. Instead, it appeared in print on posters and advertisements. 1977 movie poster People Weekly, September 4, 1978 The New York Times, March 24, 1985 Lucas turned to Suzi Race to design a new Star Wars logo. She wrote about her involvement in a two-part post on her site: part one and part two. The Star Wars Poster Book (Chronicle Books, 2005) had a short account of her role: ...Though the poster contained no painted imagery, it did introduce a new logo to the campaign, one that had been designed originally for the cover of a Fox brochure sent to theater owners….Suzy Rice, who had just been hired as an art director, remembers the job well. She recalls that the design directive given by Lucas was that the logo should look “very fascist.” “I’d been reading a book the night before the meeting with George Lucas,” she says, “a book about German type design and the historical origins of some of the popular typefaces used today—how they developed into what we see and use in the present.” After Lucas described the kind of visual element he was seeking, “I returned to the office and used what I reckoned to be the most ‘fascist’ typeface I could think of: Helvetica Black.” Inspired by the typeface, Rice developed a hand-drawn logo that translated well to the poster campaign, and ultimately to the movie itself. “I did have the screen in mind when I drew the logo originally,” explains Rice, who “stacked and squared” the words to better fit the brochure cover. It was an aesthetic choice that has lasted nearly three decades. The now-familiar “S” ligature extensions that Rice drew were modified a bit after Lucas “remarked that it read like ‘Tar Wars,’” says Rice. “He asked me to make some revisions on the leading and concluding ‘S’” Brochure cover with Rice’s logo Detail from the brochure Mylar poster with Rice’s logo A caption in The Star Wars Poster Book explained how Johnston revised the Rice logo: The second version of the Advance poster on regular paper features the standardized “W” used today. The modification was made by ILM conceptual artist Joe Johnston after it was decided that the original didn’t work well in the pan shot that was initially planned for the opening credits. Poster with Johnston’s logo revisions Above are the Rice logo (top) and the Johnston revised logo (bottom). Johnston redesigned the “W”, widen the other letters and increased the letter-spacing. His version of the Rice logo was used in the film. Rice’s original logo was used in a 20th Century Fox brochure promoting its upcoming films in Variety, January 6, 1977. The logo was also used in some consumer magazines and books, which were in production months before the film’s release. Rolling Stone, June 2, 1977; Rice logo in perspective; advertisement font is Serif Gothic U.K. edition paperback Starlog #7, August 1977 Science Fantasy Film Classics, December 1977 Meanwhile, Marvel Comics was preparing their adaptation of Star Wars by writer Roy Thomas and artist Howard Chaykin. Sometime in 1976 or early 1977, letterer Jim Novak was tapped by Stan Lee to rework the logo. Novak explained how it happened in an interview with David Anthony Kraft in Comics Interview #1, February 1983. DAK: You’ve been credited as letterer of almost every series Marvel publishes, at one time or another, Jim. What are some of your uncredited works? Jim Novak: The Spider-Man newspaper strip, various logos such as Power Man & Iron Fist (that’s one I remember doing that I felt proud of). The Star Wars logo has kind of an unusual story behind it. They brought in their logo from the studio and Stan Lee wasn’t crazy about it—the “W” was a little bit different looking and the letters weren’t Marvel-style. So I ended up re-doing it. It was way before the movie even came out. I didn’t even know what Star Wars was, at that point. DAK: No one had any idea. Jim: At the same time, we were working on the comic adaptation. I lettered the first issue, and I had no idea what that was about, either. The next thing I knew, the Star Wars logo was being used everywhere, from newspaper ads to some of the promotion and merchandizing materials. DAK: You did that logo for Marvel and it ended up on all the Star Wars stuff? Jim: Yeah. It was kind of a surprise to me, because I didn’t give it much thought. I was either working on staff or just there that day. I made a few significant changes, but it was basically their design and I Marvelized it, let’s put it that way. DAK: Which one do they use now on posters? Jim: I think it’s my logo. I don’t recall seeing the one they probably spent a couple thousand dollars on. DAK: And you did yours for... Jim: Twenty-five dollars. Things have changed since then. Now the financial situation is a lot different…. In the interview, I believe Novak was referring to the Rice logo. In the first Star Wars issue, all the letters are separated and bolder in stroke width. The major change was the design of the letter “W”. In the next issue, the horizontal strokes of the “ST” and “RS” were reconnected (Return of the Ligatures), as Rice had originally designed. That was done, I believe, for trademark reasons. Splash page from the first issue Splash page from the second issue Novak said “...I made a few significant changes, but it was basically their design and I Marvelized it, let’s put it that way.” On closer examination, I compared his logo to the logos on the Ballantine Books mass market paperback and the mylar poster (all below). As you can see, the paperback and poster logos are essentially the same, with the exception of the W and weight of the outline. Someone drew a new “W” to replace the original one by Rice. Apparently, only the “W” was influenced by Novak’s logo. His logo, as far as I can tell, was never used outside of the comic book. From the Star Wars Scrapbook was this comp of an unused advertising concept with the revised Rice logo. It’s clear that the revised Rice logo was applied to some merchandising, mainly in publishing. Dust jacket The Del Rey dust jacket has two versions of Rice’s logo; artist John Berkey made Luke Skywalker and Darth Vader left-handed. Below are the Science Fiction Book Club edition and its newsletter, Things To Come, which disregarded the logo altogether. The Del Rey mass-market paperback with Berkey’s art flopped, so Skywalker and Vader are right-handed. Rice’s original and revised logos were used on the cover and inside. The novel was followed by many more books published by Ballantine Books who had the exclusive license. The Star Wars Sketchbook, Ballantine Books, 1977 The Star Wars Portfolio, Ballantine Books, 1977 Star Wars Blueprints, Ballantine Books, 1977 The Star Wars Iron-on Transfer Book, Ballantine Books, 1977 The Star Wars Album, Ballantine Books, 1977 Star Wars, Original Motion Picture Soundtrack, Reel-to Reel Tape, 1977 The 1978 Star Wars Calendar, Ballantine Books, 1977 The 1979 Star Wars Calendar, Ballantine Books, 1978 The Art Star Wars, Ballantine Books, 1979 The 1980 Star Wars Poster Art Calendar, Ballantine Books, 1979 The Rice logo was used in the comic strip and, modified again, for the 20th anniversary release of the Star Wars Special Edition. Los Angeles Times Syndicate; Sunday page Poster The film logo was also used in merchandising and promotion. Souvenir program Detail of record album cover Music book Detail of record album cover Trading cards Poster Playbill, December 1977 Advertisement, 1981 The 1980 Star Wars Poster Art Calendar; logo in Superman perspective Later, the film logo was used as a frame around the logos of The Empire Strikes Back and Return of the Jedi. Advertisement Program In 1998, a Star Wars manga adaptation by HisaoTamaki was published. Currently, Dark Horse has the license to publish the Star Wars comic books. Poster for the 1978 re-release MAD Magazine, January 1978 Credit for the Star Wars logo belongs to Suzy Rice. First there was her original design. Second, Joe Johnston revised her logo for the film. And third, there was her original logo with the revised “W”, which can be traced to Jim Novak, whose contribution, although minor, was significant. The research for this post was made easier by the chronology and treasure trove of images at Star Wars Pre-Release Collectibles. Special thanks to my brother, Allen, for use of his Star Wars collection. (Next post May 28: Morrie Kuramoto)

Ausmalen von Bildern. Für Liebhaber dieser entspannenden Aktivität bietet die Malvorlagen-Website (Freude Kinder) eine Fülle von Bildern und Vorlagen für jedes Alter und jede Vorlieber. Freude Kinder, die eine Vielzahl von Malvorlagen für verschiedene Themenbereiche anbietet. Von niedlichen Tieren über faszinierende Landschaften bis hin zu detailreichen Mandalas gibt es für jeden Geschmack und jede Stimmung

Knight's Resolve Canvas' portrays a knight in armor through a post-impressionist lens. This watercolor painting utilizes bold, visible brush strokes and slight abstraction to emphasize the emotional depth over realism. The restricted black and white palette intensifies the drama and intrigue of the medieval scene, making it a compelling and emotive piece for any art collection.

Framed Collection Size - 66" x 66" The 'Spaceman Series' features nine NYC set prints from the collection. The collection includes:  'Space Slice', 'Space Race', 'Space Ride', 'Space Underground', 'Space Snacks', 'Space Walk', 'Space Cab', 'Space Hide', 'Space Bridge'. Does not include 'Space Woods' or 'Space Rocks'. T

Immerse yourself in a captivating world of retro sci-fi with this striking UFO sunset art print. Featuring an alien desert landscape with hovering UFOs and a brilliant sunset, this artwork is perfect for fans of science fiction, fantasy, and unique decor. Add a touch of cosmic adventure and mystery to any space with this stunning piece. Product Ideas: Wall Art Print: Ideal for living rooms, bedrooms, and offices. Available in various sizes to suit any decor. Canvas Print: Enhance the sci-fi feel with a high-quality canvas print option. Poster: Great for dorm rooms, game rooms, or any area needing a touch of extraterrestrial adventure. Tote Bags: Carry the universe with you wherever you go with this stylish design. Throw Pillows: Add a bold, decorative accent to couches or beds with this vibrant sci-fi design on throw pillows. Greeting Cards: Perfect for sending a message to fellow sci-fi enthusiasts. Phone Cases: Protect your phone with style and showcase this unique UFO sunset scene.