Mário Oliveira, doutorando em Teoria de História da Arte na Udesc, aponta as relações entre o surrealismo e a fotografia.

Raoul Ubac 'Signe chinois' Original lithograph on Vélin de Rives paper, c1982 Edition of 1,500 Published by Maeght/DLM, Paris Printed by Mourlot, Paris Printed reverse as published Size: 15" x 11" Condition: excellent With gallery certificate of authenticity NOTE: Raoul Ubac (1910-1985) was a French painter, sculptor, photographer and engraver. He had irregular artistic training and travelled in Europe between 1928 and 1934, befriending Picasso, Matisse and others. He worked mostly on photography between 1934 and 1942, embracing Surrealism in Paris and taking photos for the magazine Minotaure. In 1937, he took the photo 'Tete du Mannequin', a photograph taken of a mannequin (created by André Masson) consisting of everyday objects LITHOGRAPHY Please note that a lithograph is not just an ordinary print. It is the most complicated and highest quality form of printing. Put simply, each colour is printed as a separate plate, meaning that the colour can be matched as closely as possible to the original colour used by the artist. Lithography is rarely used today because it is a far more expensive process. You can google 'lithography' for a more in-depth explanation. ----------------------------------------------------------------------- This beautiful piece of art is offered to you by Artello Gallery, a central London-based art dealership. Please feel free to ask any questions via the Etsy message system. RETURNS/REFUNDS We offer a full refund if you are not entirely happy with your purchase. And if you request a refund due to an error on our part, we also refund the return shipping. POSTAGE/SHIPPING All parcels are shipped using expedited services such as Fedex, DHL and UPS, with tracking and insurance. We are experienced at International packing and shipping. If you purchase more than one item, we combine the shipping and refund the excess shipping charge. Shipping is free of charge worldwide. GALLERY CERTIFICATES Each piece of art is accompanied by our gallery certificate of authenticity. The certificate adds significantly to the value of the art and will make it far easier for you to sell, if you ever decide to. MAILING LIST Please feel free to join our mailing list; we make special unadvertised offers available in our mailings. Just send us your name and email address. We will never share your details.

Raoul Ubac - Rythm - Original Woodcut Title: Rythm Dimensions: 32 x 24 cm Revue Art de France The painter-sculptor Raoul Ubac was born in 1910 in Malmédy (Ardennes, Belgium). He went to school there, then settled down in Paris in 1930. He joined La Sorbonne (Paris) to follow studies of letters, but changed his way and decided to frequent the Art Academies of Montparnasse. He discovered little by little his vocation for the art. He saw surrealists regularly and often participated in the exhibitions of this group between 1934 and 1940. Ubac liked the photography; he contributed with Camille Bryen to the realization of a work of poetry, went regularly from 1935 till 1938, to the Atelier 17 of Stanley William Hayter where he learnt the engraving and associated this technique to the photography. His art is deliberately non-representational. Ubac participated in very numerous collective exhibitions. Regularity, from 1951, the Gallery Maeght did exhibitions on his work. This gallery published engravings and lithographs of the artist. The review "Minotaure" published his photos-reliefs (solarisation). His "burnings" developped his art towards the lyric abstraction. He was member of the Cobra-group. Raoul Ubac’s commitment in his art is total, almost religious; his way got simplified, finding little by little the very pure way of the primitive arts. Meditative, the artist said in an interview: «I would wish a state of innocence which would reflect through the work the magnificence of the world ». In 1945, Ubac discovered the slate and created imprints where sculpture and engravings seemed to harmonize. Lines were pure, the works had a mystic character. In 1968, were organized retrospectives in France (Paris) and in Belgium (Charleroi, Brussels). Ubac created wall decorations, boxes for the tapestry, illustrations of numerous works, stained glasses, from monumental realizations to the size of a postage stamp. Raoul Ubac died in 1985 in Dieudonné.

Artist: Raoul Ubac Country: Belgium Title: Untitled Medium: Original Lithograph Marks: Not signed not numbered Paper size: Vellum paper 15 x 11 inch Provenance: Derriere le Miroir DM195 Condition: Fine - Pristine COA: Included Biography: Raoul Ubac (1910-1985) Belgium painter, sculptor and photographer. His interest in art was aroused on his first visit to Paris in 1928. In 1930 he settled in Paris and made contact with the Surrealist group. He attended the Faculté des Lettres of the Sorbonne briefly but soon left to frequent the studios of Montparnasse. About 1933–4 he attended the Ecole des Arts Appliqués for more than a year, studying mainly drawing and photography. His artwork will found in many museums across the world.

ORIGINAL EXHIBITION POSTER 1973 * By Fench artist Raoul Ubac * Promotional poster by Ubac’s art dealer Galerie Maeght * For his exhibition in Foundation Maeght * Gallery Quality Printed Offset Lithograph * Overall ready to frame size 52,7 cm x 76,2cm * Or 20.5" x 30" * Great Condition Raoul Ubac (1910 – 1985) was a French painter, sculptor, photographer and engraver. COLLECTING VINTAGE POSTERS Vintage lithographic exhibition posters have become collectible works of art in their own right. They are highly collectible fine art prints as they are designed and created especially for the occasion. 20th century Artists were very aware that these creations had to reach the widest audiences and so spent a lot of their energy and time on their design and quality. For more really interesting Artist Posters please follow this link: https://artandvintagestore.com/collections/original-vintage-posters Please note that the photos do not do the Artwork justice, as it much nicer in real life! They are watermarked for listing purposes. Please do not hesitate to mail us for more photos or descriptions as required. Also note that these Prints are Vintage and so they are not brand new. By their nature there may be signs of handling or in some cases slight foxing.

Artist: Raoul Ubac Country: Belgium Title: Untitled - DM08142b Medium: Original Lithograph Marks: Not signed, not numbered Paper: Vellum paper 15 x 11 inch Published: 1964 in France Provenance: Derriere le Miroir 1964 Condition: Very good COA: Certificate of authenticity is included   Derrière le Miroir is a French art and literary magazine published from 1946 to 1982 to provide a forum for discussing and distributing original graphics. The lithographs in the magazine might have printing and text on the back. Raoul Ubac (1910-1985) was a Belgian artist who settled in Paris, studied drawing and photography, and embraced Surrealism. He contributed photos to Minotaure magazine and also created a color lithograph.

Raoul Ubac (1910-1985). “Galerie Maeght, Ubac”, lithographic exhibition poster, Maeght editor imprimeur. 66 x 50 cm. Unframed.

Raoul UBAC MAEGHT Gallery 1980 original poster on matt poster paper unsigned and not numbered printed by : Arte in mint condition

Raoul Ubac Original Lithograph Published in 1971, Gallery Maeght, Paris. 38 x 27 cm. Very good condition. Ship worldwide with tracking and insured shipping. ** Raoul Ubac (1910– 1985) was a French painter, sculptor, photographer and engraver. Ubac participated in very numerous collective exhibitions. Regularity, from 1951, the Gallery Maeght did exhibitions on his work. This gallery published engravings and lithographs of the artist. He was member of the Cobra-group. In 1968, were organized retrospectives in France (Paris) and in Belgium (Charleroi, Brussels). Ubac created wall decorations, boxes for the tapestry, illustrations of numerous works, stained glasses, from monumental realizations to the size of a postage stamp.

Artist: Raoul Ubac Country: Belgium Title: Untitled - DM01155 Medium: Original Lithograph Marks: signed in the plate, not numbered Paper size: Vellum paper 15 x 11 inch Published: 1965 in France Provenance: Derriere le Miroir 1965 Condition: Very good COA: Certificate of authenticity is included   Derrière le Miroir is a French art and literary magazine published from 1946 to 1982 to provide a forum for discussing and distributing original graphics. The lithographs in the magazine might have printing and text on the back. Raoul Ubac (1910-1985) was a Belgian artist who settled in Paris, studied drawing and photography, and embraced Surrealism. He contributed photos to Minotaure magazine and also created a color lithograph.

French artist Raoul Ubac (1910-85) worked in a broad range of disciplines, including photography, sculpture, and painting. This giclée interpretation of his lithograph Composition is printed on archival paper and arrives matted, framed, and ready to hang.

Raoul UBAC MAEGHT GALLERY 1982 original lithograph poster on matt poster paper unsigned and not numbered printed by : Arte in mint condition

Medium: original woodcut. This original Raoul Ubac woodcut was issued in 1958 for the hard-to-find XXe Siecle (No. 10), published in Paris by San Lazzaro. Sheet size 12 3/8 x 9 1/2 inches (313 x 243 mm). Not signed. Condition: minor bumps to two corners of the sheet.

Artist: Raoul Ubac Country: Belgium Title: Untitled - DM03105 Medium: Original Lithograph Marks: Not signed, not numbered Paper size: Vellum 15 x 11 inch Published: 1958 in France Provenance: DDerriere le Miroir 1964 Condition: Very good COA: Certificate of authenticity is included   Derrière le Miroir is a French art and literary magazine published from 1946 to 1982 to provide a forum for discussing and distributing original graphics. The lithographs in the magazine might have printing and text on the back. Raoul Ubac (1910-1985) was a Belgian artist who settled in Paris, studied drawing and photography, and embraced Surrealism. He contributed photos to Minotaure magazine and also created a color lithograph.

Dans la boutique du Musée d'Art Moderne de Villeneuve d'Ascq rebaptisé Lam car il faut aujourd'hui une marque pour reconnaître un lieu (Mucem, Laac, Mamo (le plus ridicule...) il n'existe qu'une seule carte postale faisant un peu état de l'architecture remarquable de Monsieur Roland Simounet. On connaît par cœur cette impossibilité de croire que le visiteur ne saura pas choisir entre un foulard reproduisant mal une peinture de Picasso, un bidule pseudo-design pour accrocher les serviettes et une représentation digne de l'une des plus subtiles architectures françaises ! Il faut donc passer par une œuvre d'art contemporain à l'anglicisme ravageur pour qu'apparaisse derrière, seulement perçu comme un socle à cette déclamation, le travail de l'architecte. On passera donc aussi sur le fait que Monsieur Simounet est un fond pour une écriture. Après tout, son œuvre paye de sa modestie que d'autres enfoncent sans remord. Listen to your eyes... Qu'est-ce que cela veut dire ? Je veux dire, non pas en français, car ce niveau linguistique est saisissable par le premier venu dont je fais partie mais qu'est-ce que cela veut dire ici ? Serait-ce que nos yeux sont si trompeurs qu'il faille ne faire confiance qu'à nos oreilles ? Mon père me disait bien toujours dans les magasins de jouets "on touche seulement avec ses yeux." Oui, mon père était un poète. Ici, il faut donc suivre l'ordre (poétique mais ordre tout de même) de Maurizio Nannucci, l'artiste qui, en plantant son néon sur la façade agit comme un programme pour la visite. Mon monde, ma visite en furent, vous l'imaginez... chamboulés... Et, je renonce toujours aux injonctions. Je n'en garde qu'une, celle de Jules Verne reprise par Georges Perec : "Regarde, de TOUS tes yeux, regarde..." On passera une fois encore sur l'anglais. Un artiste italien posant une phrase sur un musée français pourrait avoir l'obligeance de nous faire partager sa langue ou de jouer avec celle qui l'accueille. Mais non ! Soyons internationaux, soyons neutres comme avait osé me l'affirmer un jour un "médiateur" auquel je signalais une vidéo en anglais non sous-titrée en français... On verra sur le site de l'artiste qu'il est coutumier du fait, collant ses poésies anglo-saxonnes, subtiles et déclamatives (Regardez moi moi moi moi) partout où on l'invite et surtout partout où on ne peut y échapper mais oublie de nommer l'œuvre de Villeneuve d'Ascq... Alors que penser de ce manque de représentation de cette architecture dans une boutique de musée ? Problème de droits d'auteur ? Public trop bête pour en saisir l'essence ? Absence de regard sur le lieu qui fonde l'espace du musée ? On notera d'ailleurs que l'éditeur, le Lam, nomme parfaitement l'œuvre de Maurizio Nannucci mais oublie complètement celle de l'architecte ! Il ne doit donc pas s'agir d'une œuvre... On pourra m'objecter que l'agrandissement réalisé par Manuelle Gautrand n'a pas droit non plus à une carte postale. Pourtant son travail a au moins le mérite d'être aussi particulier. L'architecture au Lam ne fait donc décidément pas œuvre. Je suis pourtant de ceux et j'ose croire que nous sommes nombreux à visiter le Lam autant pour le contenu que pour son extraordinaire contenant. Alors, il faut dans la boutique du musée se rabattre sur les livres. Bonne surprise on y trouve Roland Simounet à l'œuvre, architecture 1951-1996 en solde... Outre les très beaux dessins des carnets si fameux de l'architecte, les témoignages touchants de ses amis et collaborateurs, on y trouve un bel entretien réalisé avec Virginie Picon-Lefebvre. Je ne peux résister à vous en donner quelques extraits. Mais avant tout, il faut faire la visite. Et, faites donc comme moi : allez à Louvre-Lens le même jour ou le lendemain. Et vous comprendrez ce qui manque au second et ce en quoi l'architecture de Roland Simounet est œuvre et non démonstration d'images. Et puis la collection du Lam est somptueuse, somptueuse comme la parfaite lumière tombant dessus, parfaite également dans sa muséographie. La mise en relation de Poliakoff, Soulages et Raoul Ubac est un moment de pure délectation comme la collection d'Art Brut un peu mal servie, je trouve, par son lieu. Nous nous sommes régalés de la vidéo le Hameau de Bertille Bak ! Absolument poétique, dure, touchante. Il y a dans cette vidéo un loup très particulier que j'aimerais revoir ou croiser dans la forêt. Roland Simounet à l'œuvre. édition du Musée d'art moderne Lille Métropole, Institut Français d'Architecture. Sous la direction de Richard Klein. isbn-2-86961-060-2 5 euros en solde... achetez-le ! Offrez-le ! Lisez-le ! Quelques images de votre serviteur : une ardoise gravée de Raoul Ubac.

Ilse Bing selfportrait. 1931 Fernand Fonssagrives. NY. 1942 Heinz Von Perckhammer. Macao Female Nude. 1930 Alfred Cheney Johnston Andre de Dienes Bowie Raul Ubac. 1932 Niko

Artist: Raoul Ubac Country: Belgium Title: Untitled – DM03130d Medium: Original Lithograph Marks: Not signed not numbered Paper size: Vellum paper 15 x 22 inch, folded as published Provenance: Derriere le Miroir 1961 Condition: Fine – Pristine COA: Included less

Raoul Ubac, lithography published for the artist's monograph in 1970. This is an art reproduction printed in lithography, the signature is printed. Horizontal - landscape format. Size: 25.59 x 18.50 inches. Condition: like new. Please look carefully at all the photos which are an integral part of the description. This lithography comes unframed and is shipped rolled in a rigid protective shipping tube so it arrives to you in pristine condition. Raoul Ubac (1910-1985) is a Franco-Belgian photographer, painter, engraver and sculptor belonging to the "Nouvelle École de Paris" (New School of Paris) art movement. In 1940, he directed with René Magritte the review: L'invention collective. Jean Lescure introduces him to Jean Bazaine and his non-figurative friends with their research on shapes and colors. In the 1960s, his paintings on panels covered with amalgamated resins achieved a synthesis and development around the themes of plowing and furrows, which he continued until his death in 1985. He illustrated with his drawings, engravings and lithographs many books on texts by André Frénaud, Yves Bonnefoy, Christian Dotremont, Lucien Scheler or Claude Esteban. Thank you for visiting my shop! For other great finds, please click here. https://www.etsy.com/shop/MarieArtCollection abstract art, twistings,