Rembrandt Van Rijn : Christ In The Storm On The Sea Of Galilee (1633) Canvas Gallery Wrapped Giclee Wall Art Print Rembrandt Van Rijn's ''Christ In The Storm On The Sea Of Galilee'' canvas print. Types: ➤Archival Paper Print (rolled) ➤Canvas Print, Gallery wrapped (mirrored edges) on 2cm depth pine wooden frame (stretched), rolled in a tube, or framed (wood floater frame). Options: ➤Archival Paper Print (rolled) ➤Rolled Canvas Print ➤Stretched and Ready to Hang 1 Panel Canvas Print ➤Stretched and Ready to Hang 3 Panel Canvas Print ➤Canvas in Black, Brown or White Wood Floating Frame (2'' | 5cm thick) ★★★WHAT'S THE DIFFERENCE BETWEEN A ROLLED CANVAS PRINT AND AN ARCHIVAL PAPER PRINT? ★★★ Whereas our canvas prints come with that typical characteristic texture own to canvas, our archival paper prints come on cotton rag paper without texture. A rolled canvas print is normally stretched on wood stretcher bars, whereas archival paper prints are not. Additionally, a stretched canvas can be framed, but it doesn't need to be. Thus, our rolled canvas prints come in their advertized size + mirrored edges by default for easy stretching. Prefer a cut to size rolled canvas print instead, because you want to frame it in a traditional fine art frame behind glass? Then just type ''cut to size'' in our personalization box (listing top right ''add your personalization''). Note that our rolled canvas prints do not come with stretcher bars or frames. Either take it to your local framer, or stretch/frame it yourself. Other sizes than listed in our drop-down menu available upon request! Have something in mind that you don't see in our shop? Anything at all? We've got your back! Here you can order anything you'd like: https://www.etsy.com/listing/1528183805 Our high quality images are environmentally friendly printed on museum grade canvas, with high quality inks that will last for over 200 years. Our canvas prints are odorless and stable to UV-radiation. Please note that our standard processing time is 3-5 days. Our actual canvases may slightly differ from the pictures shown, as every item that we sell is created especially for you. Our canvas prints actually look BETTER in real life. Please note: all watermarks shown will not be seen on the actual product. **All images and advertized text courtesy of VNTGARTGallery. All offerings have been fully digitally remastered (updated, restored and retouched to perfection). Text and photos may not be used without written permission.**
Rembrandt Harmenszoon van Rijn (1606-1669) mostra em suas obras o que foi a era de ouro holandesa. Suas pinturas são admiradas por uma representação excepcionalmente realista de emoções e sentimentos humanos, com todas as suas nuances e um brilhante uso de luz e sombra. O pintor holandês produziu mais de 300 obras. Separamos 10 das mais importantes para você conferir abaixo.
Автор - lomovolga . Это цитата этого сообщения Old masters. Beautiful painting Details \5\ lomovolga Girl with a Pearl Earring detail, 1665, Mauritshuis, The Hague, Johannes Vermeer Corelli *Sonate 5 in G minor 4 для скрипки и клавесина.Vivace* Rembrandt, Harmensz van Rijn Artemis,…
Het Rijksmuseum in Amsterdam toont al zijn Rembrandts, schilderijen én tekeningen. Hij was een meester van licht en verhaal, maar ook een eenzame, gekwelde man.
Rembrandt techniques serve as inspiration for thousands of artists who aspire to learn from Rembrandt. Here are 5 tips from one of the greatest Old Masters.
The story behind a hidden painting underneath one of Rembrandt's masterpieces
Rembrandt, Dutch Baroque painter and printmaker, one of the greatest storytellers in the history of art, possessing an exceptional ability to render people in their various moods and dramatic guises. Rembrandt is also known as a painter of light and shade and as an artist who favored an uncompromising realism.
Rijksmuseum, museum of the Netherlands, in Amsterdam. Dutch art and history from the Middle Ages to the present day.
If Judaism’s idea of art is one that can truly represent our frail, fallible humanity, then Rembrandt, who captured faces “without any attempt to beautify them,” is the artist for Jews.
Bestel Het hoofd van een oude man in een kap, Rembrandt als print. Kies zelf de maat en het materiaal. Snel geleverd, hoge kwaliteit.
Автор - Диаскоп . Это цитата этого сообщения СольноАукционноЖенскоПортретное.. Follower of Rembrandt van Rijn Portrait of a Lady Wearing a Velvet Cap and Pearl Earring *кликабельно Оригинал записи и комментарии на LiveInternet.ru
Rembrandt painted people just as he saw them, using light and shadow to show their wrinkles and the tiniest of flaws. Learn more within!
El claroscuro es probablemente el mejor ejemplo para demostrar el uso de la luz en la pintura. En muchas de estas obras, la impresión es que hay alguna fuente
In imagining the artist as a cinematographer, this exhibition misses the bigger picture – and in any case, his love of murk would make him a terrible filmmaker
Detail of a self portrait at the exhibition 'Late Rembrandt' in the Rijksmuseum Amsterdam.
No other well-known work of art claiming to reflect the idea of freedom seems to withstand a real competition with The Night Watch.
Though the identity of the girl is uncertain, it is thought she was a family servant. Some find this questionable in view of the gold chains around the model’s neck and view it as more likely to be a tronie, or figure study, showing a stock character in costume. Originally rectangular in format, this painting was most likely cut down and given an arched top at the end of the seventeenth century. During the recent conservation of the painting, the discoloured varnish was carefully removed, revealing an astonishingly bold mixture of colours in the model's face that would not seem out of place in a twenty-first century portrait. Cleaning also permitted a clearer appreciation of Rembrandt's confident sweeps of the brush and thickly applied 'impasto' paint. __________ Rembrandt Harmenszoon van Rijn (1606 – 1669) painter and etcher of the Dutch Golden Age. One of the greatest painters and printmakers in European art history and the most important in Dutch history. Dulwich Picture Gallery, London
Walk into the Oval Room at the Frick to experience the shock of the uncanny—Girl With a Pearl Earring, Johannes Vermeer’s 1665 painting, is that familiar. You know this face, the blond girl’s bird-…
Based on the famous painter work and Chris Knight photos
En photographie de portrait, il existe quatre schémas d’éclairage de base qui sont utilisés depuis toujours. Ces quatre plans d’éclairage sont donc des méthodes établies pour éclairer un visage qu’il est très utile de connaître. Ces modes...
Rembrandt Van Rijn - Christ In The Storm On The Sea Of Galilee, Christus in de Storm op het Meer van Galilea Canvas Print-Klaar om op te hangen!-Museumkwaliteit canvas-Geurloos & UV-bestendig-Duurzaam (FSC gecertificeerd hout)
Rembrandt techniques serve as inspiration for thousands of artists who aspire to learn from Rembrandt. Here are 5 tips from one of the greatest Old Masters.
Rembrandt Harmenszoon van Rijn (1606 – 1669) painter and etcher of the Dutch Golden Age. One of the greatest painters and printmakers in European art history and the most important in Dutch history. 60 x 48 cm Public collection _________ Slight image restoration.by plumleaves
El claroscuro es probablemente el mejor ejemplo para demostrar el uso de la luz en la pintura. En muchas de estas obras, la impresión es que hay alguna fuente
Leffel’s paintings have, for more than five decades, maintained a conversation with Rembrandt.
Over time, a beautiful art collection can lose some of its visual impact due to dust, cobwebs, dirt, water stains and other wear and tear. Fortunately, there are a few strategies for cleaning paintings on canvas that will not damage the paint and will keep an art collection looking its best.
Rembrandt 1628-30c Self-Portrait oil on panel 38.2 x 31 cm Germanisches Nationalmuseum, Nuremberg Rembrandt Harmenszoon van Rijn (1606 – 1669) is considered one of the greatest painters and printmakers in European art and the most important in Dutch history. Having achieved youthful success as a portrait painter, Rembrandt’s later years were marked by personal tragedy and financial hardships. Yet his etchings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters. His greatest creative triumphs are exemplified especially in his portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible. His self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity. This is part 2 of a 14 - part post on the works of Rembrandt. For full biographical notes see part 1, the introduction. Rembrandt 1624-25 The Operation ( Touch ) oil on panel 21.5 x 17.7 cm Private Collection 1624-25 The Operation Rembrandt painted the picture at the age of about 17 years in his native city Leiden, the cradle of Dutch paintings in the 17th century. The painting was originally part of a series of five small paintings with the theme of the Five Senses. Two of the three remaining preserved paintings “The Operation” (Touch) and “The Three Singers” (Hearing) are located in a private collection in New York. The third piece “The Spectacle-Pedlar” (Sight) is now maintained as a Dutch cultural heritage piece. Rembrandt 1624-25c The Three Singers ( Hearing ) oil on oak panel 21.6 x 17.8 cm Private Collection Rembrandt 1624-25 The Spectacle-Pedlar ( Sight ) oil on panel 21.5 x 19.5 cm Museum De Lakenhal, Leiden, Netherlands Rembrandt 1624-28 Circumcision etching on paper 21.3 x 16.7 cm Rembrandt 1624-28 Rest on the Flight into Egypt etching on paper 21.2 x 16.4 cm Rembrandt 1625 The Stoning of Saint Stephen oil on panel 89.5 x 123.6 cm Musée des Beaux-Arts de Lyon, France Rembrandt 1625-26c Oriental Ruler on Horseback pen and bistre 16 x 12.6 cm Rembrandt 1625-26c The Triumph of Mordecai pen and brush in bistre, and wash 21 x 26.4 cm Kunsthalle, Bremen, Germany Rembrandt 1625-31 Bust of a Man with a Cap etching on paper 4.9 x 3.8 cm ( plate ) Rembrandt 1625-31 Self-Portrait with Fur Hat etching and engraving on paper 6 x 5.6 cm Rembrandt 1625-35 Grotesque Profile of Man with High Hat etching on paper 3.8 x 2.6 cm ( plate ) Rembrandt 1625-35 Man in Hat with Earflaps etching on paper 5 x 3.8 cm ( plate ) Rembrandt 1625-35 Self-Portrait with Hat and Dark Cloak etching on paper 6.6 x 6 cm ( plate ) Rembrandt 1625-36c A Woman and Child Descending a Staircase ink and wash sketch 18.7 x 13.2 cm Pierpoint Morgan Library, New York Rembrandt 1625-50 Portrait of the Actor William Bartholsz Ruyter pen in brown, white body colour on light brown prepared paper 13.9 x 17.4 cm Rembrandt 1625c Bust of an Old Man with Turban oil on panel 26.5 x 20 cm Pinacothèque de Paris Rembrandt 1626 Balaam and his Ass oil on oak panel 63.2 x 46.5 cm Musée Cognacq-Jay, Paris Rembrandt 1626 Christ Driving the Money Changers from the Temple oil on oak panel 43.1 x 32 cm Pushkin Museum, Moscow Rembrandt 1626 History Painting oil on panel 90.1 x 121.3 cm Stedelijk Museum De Lakenhal, Leiden Rembrandt 1626 Musical Company oil on panel 63.5 x 48 cm Rijksmueum, Amsterdam Rembrandt 1626 The Baptism of the Eunuch oil on panel 63.5 x 48 cm Catharijne Convent, Utrecht Rembrandt 1626 Tobit and Anna with the Kid oil on panel 39.5 x 30 cm Rijksmueum, Amsterdam Rembrandt 1626 Two Studies of the Head of an Old Man pen and brown ink on paper 9 x 14.9 cm J. Paul Getty Museum, Los Angeles, CA Rembrandt 1626-27 Bust of a Man in a Gorget and a Feathered Beret oil on oak panel 40 x 29.4 cm Rembrandt 1626-30 Beggar etching on paper 12.2 x 9.5 cm Rembrandt 1626-30 Self-Portrait Leaning Forward etching on paper 6.4 x 5 cm ( plate ) Rembrandt 1626-30 Self-Portrait with Wide Nose etching on paper 7.1 x 5.9 cm Rembrandt 1626-30 Self-Portrait, Listening, Leaning Forward etching on paper 6.5 x 5.2 cm Rembrandt 1626-32 Bearded Old Man with High Forehead etching on paper 8.7 x 7.3 cm Rembrandt 1626-35 Man with Beard and Hat etching on paper 5 c 4.1 cm ( plate ) Rembrandt 1627 David, Presenting the Head of Goliath to King Saul oil on panel 27.5 x 39.5 cm Kunstmuseum, Basel Rembrandt 1627 Parable of the Rich Man oil on oak 31.9 x 42.5 cm Staatliche Museen, Berlin Rembrandt 1627 St. Paul in Prison oil on panel 72.8 x 60.2 cm Staatsgalerie, Stuttgart Rembrandt 1627-28 Outskirts of a Town with Walls and a Doorway pen and indian ink and brown wash on paper 15.2 x 14.3 cm Fitzwilliam Museum, Cambridge, UK Rembrandt 1627-28 Simeon in the Temple oil on panel 55.4 x 43.7 cm Kunsthalle, Hamburg Rembrandt 1627-29c Soldier on Horseback Blowing a Trumpet pen and bistre and grey washes 28 x 22.8 cm Rijksprentenkabinet, Amsterdam Rembrandt 1627-31 Beggar with Deformed Hand, Leaning on a Stick etching 9 x 4.2 cm Rembrandt 1627-31 Kneeling Hieronymous etching on paper 38.9 x 33.2 cm Rembrandt 1627-31 Peter and John Healed a Lame Man at the Temple Gate etching on paper 22.1 x 16.9 cm Rembrandt 1627-31 Self-Portrait with Fur Hat etching on paper 6.2 x 5 cm Rembrandt 1627-31 The Blind Tobias etching on paper 7.8 x 5.5 cm Rembrandt 1627-31 The Small Lion Hunt etching on paper 15.8 x 11.8 cm Rembrandt 1627-32 Head of a Man with Fur Hat, Shouting etching on paper 3.5 x 2.8 cm Rembrandt 1627-35 Head of an Old Woman etching on paper 3.5 x 4.3 cm Rembrandt 1627c Man Pulling a Rope red chalk 27.3 x 17.6 cm Graphische Sammlung, Munich, Germany Rembrandt 1627c Self-Portrait oil on wood 24 x 17 cm Staatliche Museen, Kassel Rembrandt 1628 Self-Portrait oil on panel 22.6 x 18.7 cm Rijksmuseum, Amsterdam Rembrandt 1627c Study of an Archer red chalk heightened with white 27.7 x 17.7 cm Graphische Sammlung, Munich, Germany Rembrandt 1627c Study of an Archer red chalk heightened with white 30.6 x 16.2 cm Kupferstichkabinet, Dresden, Germany Rembrandt 1628 Blind Man Leaning on a Stick pen and bistre 13 x 11.5 cm Rembrandt 1628 Rembrandt's Mother etching on paper 6.3 x 6.4 cm Rembrandt 1628 Rembrandt's Mother etching retouched with black chalk on paper 6.5 x 5.8 cm Rembrandt 1628 Rembrandt's Mother etching on paper 6.5 x 6.3 cm Rembrandt 1628 Samson and Delilah oil on panel 59.5 x 49.5 cm Gemäldegalerie, Berlin Rembrandt 1628 The Artist in His Studio oil on panel 25.1 x 31.9 cm Museum of Fine Arts, Boston, MA Rembrandt 1628 Two Old Men Disputing ( Peter and Paul? ) oil on oak panel 72.4 x 59.7 cm National Gallery of Victoria, Melbourne, Australia Rembrandt 1628-29 Self-Portrait sketch on paper 12.7 x 9.4 cm Rijksmuseum, Amsterdam Rembrandt 1628-29c A Scholar by Candlelight oil on copper 13.9 x 13.9 cm Collection of Isabel and Alfred Bader, Milwaukee Rembrandt 1628-29c Beggar Couple with a Dog pen and bistre 16.5 x 14.5 cm Rembrandt 1628-29c Beggar Woman Leaning on a Stick pen and brush 13.5 x 12 cm Rembrandt 1628-29c Man in a Flat Cap pen and bistre 14.4 x 10.8 cm Kupferstichkabinett, Dresden, Germany Rembrandt 1628-29c Oriental pen and brush in olive brown bistre 17.3 x 10.8 cm École des Beaux-Arts, Paris Rembrandt 1628-29c Rembrandt's Mother pen and brush 12 x 10.5 cm Rembrandt 1628-29c Standing Beggar Turned to the Right 29.2 x 17 cm Rijksprentenkabinet, Amsterdam Rembrandt 1628-29c Young Worker Leaning on a Spade pen and bistre 14.4 x 8.6 cm Rembrandt 1628-30 Head of an Old Man ( in a Cap ) oil on oak panel 24.3 x 20.3 cm Agnes Etherington Art Centre, Kingston, Ontario, Canada Rembrandt 1628-31 Bust of a Bald Man with a Fur Coat etching on paper 6.6 x 5.8 cm Rembrandt 1628-31 Self-Portrait with Shaggy Hair etching on paper 6 x 5.6 cm Rembrandt 1628-32 Beggar in a High Cap, Standing and Leaning on a Stick etching on ivory laid paper 15.3 x 10.8 cm ( sheet ) Art Institute of Chicago, IL Rembrandt 1628-32 Beggar Warming Hands at a Brazier etching on paper 7.7 x 4.6 cm
www.khm.at en.wikipedia.org/wiki/Kunsthistoriches_Museum
Portrait of Johan Wtenbogaert, detail, Rembrandt van Rijn (1606-1669), 1633, oil on canvas Canon 7D
