As I started typing this post, I realized that I had not named this quilt I've made for my daughter and son-in-law. It's the colors of the ocean and looks like waves, so it will be called "Ocean Waves". Ocean Waves is finished! This pattern is "Canyon Dance" and this is the fourth or fifth quilt I've made with this pattern. I love it! (It is square... the photo is wonky!) My daughter loves these colors, as do I. It was fun playing with all of these batiks. I started not to use this photo, but it's like the sun shining on the water. It's a queen size quilt, so it's a bit difficult to photograph. Nothing to match but the block corners on this one. And the curves are easy.... honestly!! The backing is from my stash and leftovers from the quilt! I hope to have one more finish for 2019, but this may be it. Not a bad way to finish the year if it is! Happy Quilting All!

Sewist’s Name: Carrie Brooks from Olathe, Kansas Type of Project: Garment Pattern: Quilted Hugs Project Pattern (click here) Featured Date: 11-15-23 Hello! My name is Carrie Brooks, I live in Olathe, KS. I’ve been sewing since Home Ec class, and was also mentored by my Mom, who was an expert seamstress. She taught me to...

Learn how to measure button sizes with this beginners 101 guide. Also, ownload the free printable button sizes guide (mm and inches).

SPECIFICATIONSBrand Name: NoEnName_NullHandbags Type: Shoulder BagsTypes of bags: Shoulder & Crossbody BagsMain Material: nylonLining Material: nylonShape: Casual TotePlace Of Origin: GUANG DONG ProvincePlace Of Origin: GUANG DONG ProvinceOrigin: Mainland ChinaCN: GuangdongHardness: SOFTPattern Type: SolidInterior: Interior Zipper PocketDecoration: noneExterior: noneOccasion: VersatileClosure Type: zipperGender: WOMENStyle: fashionNumber of Handles/Straps: Single

The “spring” weather in New England hasn’t been kind. It’s been cold, rainy, and very windy, making quilt photos extra challenging. I finally got some pictures that are dece…

This organizer is great to use for stories such as: -The Keeping Quilt -The Josefina Story Quilt -Sweet Clara and the Freedom Quilt -The Patchwork Quilt -The Name Quilt -The Quiltmaker's Gift, The Quiltmaker's Journey -Little House on the Prairie Series OR, during any type of "Pioneer Days" unit! Allow students to color or trace the organizer and create a beautiful display by placing each students' organizer side by side in "quilt-fashion". I've done this on bulletin boards and on my classroom door and it looks beautiful!

My Stack-n-Whack quilt named "Salsa". Freehand quilted on my A-1 longarm machine with swirls and leaves using Rainbow Superior Threads.

Corticelli, once upon a time, was The premier silk thread company. Corticelli silk was known around the world, and even now – though the company no longer exists – their threads are still well known by name. The Corticelli silk company has an interesting history, which began in Florence, Massachusetts, in 1838, in an area ...

Remember this little goodie? Well, from the beginning there was interest in a pattern but I just didn't have the time to get it together. Is this a good time to mention that when I make an original pattern, I generally don't make a copy of it? Since most of my patterns are hand-drawn rather than generated on a computer, once I make the pattern, it's gone. I'm thinking that might need to change...... Anyway, apparently this has been making the rounds on Pinterest and there have been a number of new requests. As a thank you to everyone who comes by my little blog for a visit, I finally wrote up a pattern! Paper-pieced Sewing Machine Pattern It's not slick or fancy and it does assume that you know the basics of paper-piecing. But I hope a few of you find it a fun little project. ***Edit: For those of you who have commented or emailed that you're able to access the instructions but not the pattern - the pattern is on the instruction sheet. There is only one page and it's all there. Really! :-) Now that the kids are back in school, I'm finding a little bit of extra time to be creative. What are you working on right now?

Corticelli, once upon a time, was The premier silk thread company. Corticelli silk was known around the world, and even now – though the company no longer exists – their threads are still well known by name. The Corticelli silk company has an interesting history, which began in Florence, Massachusetts, in 1838, in an area ...

Brand Dean Model EQABA-GN Exotica Quilt Ash Acoustic Bass with Aphex Electronics Finish Gloss Natural Year 2010s Categories Acoustic Bass Guitars Active / Passive Pickups Active Pickups Active Preamp Active Preamp Body Shape Single Cutaway Color Family Brown Natural Fretboard Material Rosewood Number of Frets 21 Number of Strings 4-String Right / Left Handed Right Handed Show More

Mountain Mist New York Beauty, c. 1930. Whenever I talk about my "New York Beauty" collection, I tell the story about how these quilts came to be recognized primarily by that name. It's actually a family of pattern variations, a genre, inclusive of many pattern names. These quilts have been made since the middle 19th century and originated in the southeastern United States. The pattern had many names such as Sunrise/Sunrise in the Pines, Surveyor, President Polk in the White House, Rocky Mountain/Rocky Mountain Road/Rail Through the Mountains, and Crown of Thorns - to name just a few. This 1880s pieced quilt is an early pattern variation. Because this pattern was among the most difficult to make, it was most often a "best" quilt. Any pattern name associated with a quilt would've had great meaning to the maker. Crown of Thorns, for example, was thought to be a reference to the Crucifixion. The Rocky Mountain group of names was thought to refer to exploration and westward migration. Early names and meanings were maintained in oral histories and rarely, in written documents. Around the last decade of the 19th century, published patterns started to appear as interest in quiltmaking spread. But as we would realize many decades later, histories provided by pattern makers and mass media sources were not always the most reliable accounts. Mountain Mist New York Beauty pattern, c. 1930 The name New York Beauty was not in use until 1930, when Mountain Mist released a pattern by that name. So, why THAT name? At first, it just doesn't make sense to call a Southern quilt by a distinctly Yankee name. These quilts didn't originate in New York. But there were several important events in 20th century quilt history that led to New York Beauty becoming the most popular and widely used name. First, there was the pattern, itself. To really understand this part of the equation, you must read the description and "history". Click the photo to enlarge it, and see if you can believe what you read. The history includes romanticized notions of the pattern's origins. Quilt history, not being quite the well-oiled machine it is today, included a mix of early published patchwork designs, written documents, oral histories, and romanticism. Today, the notion that the New York Beauty originated in 1776 is absolutely ridiculous. It's laughable, an embarrassment. During lectures, I quip about it, rolling my eyes, and the audience always laughs along. Back in the 30s, enough people must've believed it, because New York Beauty soon became the most widely used name. Pages 52-53 from "Patchwork Souvenirs of the 1933 World's Fair" Rose Tekippe and her New York Beauty quilt The Mountain Mist name for the pattern spread quickly through quilting circles. It even reached non-quiltmakers when a New York Beauty was exhibited at the 1933 Chicago Century of Progress Exposition as one of the award winners in the Sears National Quilt Contest. The quilt, pieced by Rose Tekippe using the Mountain Mist pattern and quilted by the Twelve Faithful Quilters of Fort Atkinson, Iowa in 1932, won third prize in the Minneapolis regional contest. Pages 60-61 from "Patchwork Souvenirs of the 1933 World's Fair" Leila Rawls Porter and her quilt Interestingly, there was another variation on the pattern in the mix, a Crown of Thorns, also called Rocky Mountain, made by Leila Rawls Porter of Hollins, Alabama in 1933. According to the story in "Patchwork Souvenirs of the 1933 World's Fair" by Merikay Waldvogel and Barbara Brackman, Porter won a green merit award ribbon, but no cash prize. Since Rose Tekippe's quilt was exhibited in the Sears Pavillion at the World's Fair, it was seen by many more people and received far more recognition than Porter's quilt. That certainly boosted the name recognition of Mountain Mist's pattern name, but there were other factors worth considering. Chrysler Building, New York, completed in 1930 In the 1930s, the name New York Beauty may have seemed more appropriate to the design than some of the earlier, lesser known names. New York Beauty conjured images of the crown of the Statue of Liberty, and the crown ornamentation on the Chrysler Building, which was completed in May, 1930. These landmarks of the New York City skyline and the American urban landscape - one neoclassical and the other art deco - both seemed related to the graphic design in the quilts. Both became associated with the pattern's lore. Another significant event that boosted the name recognition of the New York Beauty was a cover feature in the April 1981 issue of Quilter's Newsletter Magazine. The cover quilt was a Mountain Mist New York Beauty, c. 1935, from the collection of Bryce and Donna Hamilton of Minneapolis, Minnesota. According to Shelly Zegart's book "American Quilt Collections: Antique Quilt Masterpieces" the Bryce and Donna Hamilton collection included four best-of-kind nineteenth century examples of the pattern known as New York Beauty. Two of those appear in the Quilter's Newsletter article, which was penned by Louise O. Townsend. If you haven't read the article, it's a must, because it includes much speculation about the pattern's origins and other enlightening commentary about the quilts. Here are a few snippets. "Most existing examples of this classic American quilt design have been acquired by collectors and museums, and it is a rare treat to see one. Yet nearly all of us recognize the design when we see it because of the strikingly bold colors and intricate piecing. It is a dramatic design which commands respect- one that is hard to forget." "...the New York Beauty has a very sketchy history. Although the pattern probably first appeared in New England in the early 1800s, there are examples as well as name and color variations during the 19th century which suggest that it moved quickly to the southeastern United States, and farther west to Texas." "Most well-known examples of New York Beauty quilts date from the last century or the early 1900s, possibly because the intricate piecing and elaborate quilting that are so characteristic of this classic design require much time- a commodity that we are often lacking in our modern, fast-paced world." "...the Stearns & Foster Company took its New York Beauty pattern from a red, white, and blue original which it dated from 1776." "...whenever we see one in a museum or at a quilt show, the New York Beauty is truly awe inspiring and spectacular, and we are likely to pause for a long time to admire it. It was, and is, a masterpiece quilt pattern- an American quilt classic." 1870s variation by Florence Caldonia Corley Shealy of Saluda County, South Carolina. No pattern name was passed along with the quilt's history. It's interesting to read this article knowing what we know today, but much of it was actually known in 1979, when Barbara Brackman released her first edition of the Encyclopedia of Pieced Quilt Patterns. The Quilter's Newsletter article included a reference in Brackman, the Modern Priscilla "Sunrise" quilt, and one from a 1931 Capper's Weekly, the "Springtime in the Rockies" pattern. Quilt from the Shelburne Museum (left) and one from Mississippi (right) Unfortunately, the article went down the wrong path with three important presumptions: first, that the Mountain Mist history dating their original inspiration quilt to 1776 was true; second, that the quilt pattern originated in New England; and third, that the quilt from the Shelburne Museum collection, found in Seatauket, New York (page 12), supported a mid-19th century use of the name New York Beauty. Around the same time as the Quilter's Newsletter article, the first statewide quilt documentation project was underway in Kentucky - a state where they would find important early examples of the pattern. Until quilt history caught up, some of those quilts would be called New York Beauties. Pages from Award Winning Quilts & Their Makers, AQS, Vol. 1 1985-1987 Six years after the Quilter's Newsletter article, Martha B. Skelton of Vicksburg, Mississippi won first place in the Traditional Pieced pro category of the 1987 AQS Show and Contest with a quilt she called New York Beauty. "This is a very old design with many variations," said Skelton, whose quilt is now in the AQS collection at the National Quilt Museum in Paducah. Skelton's prizewinning quilt brought even more name recognition for the pattern known as New York Beauty. In the 1990s, artists Karen Stone and Jean Wells were highly influential in revolutionizing the genre and promoting the New York Beauty's already widespread name recognition. An article called "New York Beauties" by Jean Wells appeared in the fall, 1992, issue of American Quilter; and Karen Stone's New York Beauty book was released in 1995. These artists introduced foundation piecing to the genre. During the remaining period leading up to today, there have been more books- Stone's "Karen K. Stone Quilts" (2004), which included the daunting Cinco de Mayo quilt; Valorie Wells' Radiant New York Beauties (2010); Linda Hahn's New York Beauties Simplified (2010); and Hahn's recently released New York Beauties Diversified (2013). All of these publications have promoted the name recognition of New York Beauty. Cinco de Mayo, 2008, by the Buda Bee Quilters, Texas Of the early names for the pattern, two seem to jump out- Rocky Mountain Road and Crown of Thorns. These patterns first appeared in turn-of-the-century publications such as Modern Priscilla, but the true origins remain a little murky. Some clues may be revealed by oral histories and written documents by earlier quiltmakers such as Dorinda Slade Moody and Talula Gilbert Bottoms. However, given the many events that led to the widespread name recognition of New York Beauty, it's doubtful any new information about the other pattern names would override the most commonly used term for the genre. a variation from Kentucky made in 1868 That leaves quilt historians with some problems to resolve. What do we call the older quilts? In the case of the 1868 example from Kentucky (block detail pictured above), there was a record on the Quilt Index that needed updating. The quilt had been called a New York Beauty, and if that name really originated in 1930, it wasn't the most historically accurate name we could use. The question was, what name would we use? With the help of Beth Donaldson, the record was updated last week, and now includes a new full-view image and information about my ownership and previous owners. Although we know the name of the maker's family, we do not know the specific maker or what the maker called the quilt, so it is listed as an unknown pattern. In the record, it is noted that the pattern was later called Rocky Mountain Road, Crown of Thorns, and New York Beauty. When you search for any of the above names, the record will appear. The record includes one additional name, Kentucky Beauty. It's one of my nicknames for the quilt, because a picture of the quilt appeared in the book Kentucky Quilts. The name appears under "owner's name". Most often, I call it the MacMillan Family Quilt, because that's what it really is. an early variation, c. 1860, from Kentucky There are a few quilt historians who would disagree, but what is known about regional trends in quiltmaking of the nineteenth century does not support the idea of assigning pattern names to old quilts made with this pattern. There's not much information to support when the other names came into use, and there aren't enough early examples with provenance to provide good data. On a personal note, I feel it is the job of a quilt historian to understand what has transpired with the nomenclature, rather than trying to revise it. I'm not the one who decided what the genre would be called, but given the history, I can certainly understand why it happened the way it did. There's much more to it than what I've outlined in this blog post, but I think there's enough information here for people to get the point. A 1940s example with unusual Nine-Patch cornerstones My exhibit of "New York Beauty" quilts will be on display at the San Jose Museum of Quilts and Textiles in San Jose, California, from July 31 to October 27, 2013. The exhibit will include many examples from the family of patterns, made between 1850 and 2011, representing the life story of the genre. For more information about the San Jose Museum of Quilts and Textiles, including directions and hours, click here.

It’s Wednesday and that means it’s another Block Heads day!

In September I shared this quilt finish. For want of a name, it's my "Selvedges Quilt" that finished at 59" X 72". I designed the block. Several blog-followers let me know they'd like a tutorial to make this quilt, so here you are! Supplies Lots and lots of selvedges! I used approximately 560 selvedge strips - only the parts with color, text, and color windows - to make 80 rectangle units, 5" X 9½" (unfinished). Scrap fabrics, approximately 3½" X 6" for print pinwheels Solid white fabric: 12 - 5" X 5" squares 18 - 5" X 9½" rectangles 60-degree ruler card stock, for a template Assuming you've never cut and saved fabric selvages... Each selvedge strip should be cut 1/2" beyond where the selvedge ends and the print begins. So most of my selvedges are approximately 1"-wide strips. I've saved them for years - more than 15 years - so I had (and still have) lots to work with. Prepare Selvages If needed, press selvedges. Sort by color. Six to 8 selvages are needed for each rectangle-shaped unit, so 24 to 32 selvages for one four-unit pinwheel. Lay the selvedge strip on a cutting mat and select the section with the most color, text, or color windows (those little round circles of color). Cut roughly 10" to 10½" long until you have a total of 24 to 32 selvedges of one color family. This color range runs from pinks to rose. Sew Selvedge Strips With the finished side of a selvage strip on the left, position the finished side of another selvedge strip on top, leaving approximately ¼" print showing on the under strip. Using a straight sewing machine stitch, edgestitch along the left side of the upper strip to join two strips. With the finished side of a selvage strip on the left, position a third selvedge strip on top of the right selvedge strip, again allowing ¼" of print to show. Stitch along the edge of the third selvedge to join. Continue to add strips to create a rectangle of selvedges that's 5" to 5½" wide. Press. Trim the unit to measure 5" X 9½". Note: If necessary, it's perfectly acceptable to piece together two selvedge pieces to come up with a 10" to 10½" length. Make Selvedge-Triangle Unit Position a 60-degree ruler along the bottom edge of the selvedge rectangle. Align the left side of the ruler with the left corner. Note that I chose to arrange all my rectangles "left-readable." It probably doesn't matter which direction you position your selvedges; just be consistent. Cut. The triangle piece that's removed can be your template to cut the print fabric that will become one-fourth of a color-coordinated center pinwheel. Cut print fabric flush with the bottom and right side of the selvedge triangle, but be sure to add 1/4" along the top/long side. After making one like this, I got smart and made a paper template that I taped to the back of my ruler. I used this template to cut the bottom and right sides... ... and made a second paper template, positioning it to a ruler to align the top/long side of the unit with the ruler's edge. This sure made cutting easier. The selvedge-triangle unit is pieced this way. With right sides together, align the raw edges of the cut selvedge piece and print triangle. Allow 1/4" overlap at the top and bottom of the seam. Use a ¼" seam to join. Press seam allowance toward triangle. The selvedge unit should have a ¼" seam allowance at the triangle end. Completed selvedge unit measures 5" x 9½". Choose selvedge colors to continue making four selvedge units using four different prints for triangles. When you have enough units to begin playing on your design wall, you'll quickly see that though this is the layout you want... ... the actual block to be sewn together looks like this. At this point, I auditioned different solid fabrics as center squares: two grays. I settled on white. Piece Blocks With Inset Seam Assemble the block in counter-clockwise order. Refer to diagram below. On the 5" X 5" center square, mark one corner 1/4" from two raw edges. Position selvedge Unit 1 in the "readable" (horizontal) direction, with the triangle at the right end. With right sides together, place the 5" x 5" square along the lower left sides of the non-triangle end of the selvedge unit, aligning the square with the left and bottom of the selvedge unit. With the square on top, stitch from the 1/4" mark to the end of the block. Press seam allowance toward selvedge Unit 1. With right sides together, position Unit 2 along seam 2 of the square, aligning the triangle end of Unit 2 with the edge of Unit 1, and the bottom end of Unit 2 with the bottom of the square. Sew a 1/4" seam along the length of Unit 2. Press seam allowance toward Unit 2. In the same way, add Unit 3 to side 3 of the square. Press seam allowance toward Unit 3. Add Unit 4 to side 4 of the square, being sure to move Unit 1 away from the seam. Do not sew over Unit 1. Press seam allowance toward Unit 4. Sew the short 5th seam to join Unit 4 to Unit 1. Press seam allowance toward Unit 1. From the back, the block looks like this, with seam allowances pressed toward selvedge units. Each block is 13½" X 13½" with a plain square center that finishes at 4½". Plain Rectangles I could have finished the quilt layout with more selvedges, adding 5" by 5" selvedge squares to the outside edges, but instead chose to add plain rectangles so the design seemed more "floaty." In the same manner as piecing blocks, mark ¼" on two ends of a solid 5" X 9½" rectangle. Sew inset seams to join. Join blocks to complete the quilt top. Press seams open. I chose to pin-baste my quilt, using rulers for domestic machine quilting, and embellishing with big stitch hand quilting. I used my favorite binding technique: No Tails Binding: Mitered Corners by Machine - found here, and here, and a PDF here - to complete my quilt. I hope you enjoy this tutorial, and making something fun with your collection of selvedges. Be sure to let me know how it goes! Linda Note: Measurements for the finished block size was updated September 20, 2021.

My name appeared on two quilts in this year’s Quilt Con show. Both quilts were made in a group. This one, Mistwraith, is just about my favorite thing that I had my hand in last year! Here’s the sign that went along with it! The author I mention has written a lot of books, perhaps…

Best glossary of fabric names to help you search for the different types of fabric. 83 types of fabric material with pictures!

We offer only high quality 100% quilting cottons unless otherwise indicated. Enjoy! No refunds or returns on fabrics, books, and patterns including fat quarters and precuts. Thank you for your understanding. Half (1/2) Yard (18 x 44) $6.50 ***Multiples will be a continuous cut unless otherwise requested at time of purchase.*** **** Moda Fabrics Description: 100% Premium Cotton Type: 42"-45" Wide Designer: Jo Morton Collection Name: Hopewell Pattern/ Collor: 38117 29

Ihomed Taffel Velvet Duvet Cover, Super Warm, Solid Comforter Cover, Blanket, Double Bed, No Sheet and Pillowcase, Winter,1Pc Style: Modern StyleUse: HOTELUse: homePattern: Plain Dyedis_customized: YesPattern Type: SolidFabric Count: 60Technics: jacquardWeight: 1.2-2.2kgsGrade: Grade AAge Group: AdultsName: Flannel Fleece duvet coverMaterial: Flannel FleeceDuvet Cover Size: 150*200cm, 180*220cm, 200*230cm, 220*240cm Taffel Velvet Duvet Cover For Winter Autumn Super Warm Solid Color Comforter Quilt Cover Blankets Covers For Double Beds(without sheet pillowcase) Name: 1pc Duvet cover Size: 150*200cm /59*79inch180*220cm /71*87inch200*230cm /79*91inch220*240cm/87*94inch NOTE:1.Please allow 1-3cm error due to manual measurement. pls make sure you do not mind before you order.2.The colors may have different as the difference display,pls understand.thanks

Bereid je kind voor op elk seizoen met trendy outerwear items die elk outfit een coole touch geven. Geweven stof heeft een opvallende, gekruiste en lichte structuur voor een frisse en klassieke look. - Producttype: gewatteerde jas - Hals: O-hals -Mouwen: lange mouwen (L/S) - Sluiting: Knoopsluiting - Vulling: medium isolatie

Here you'll learn how to make a Tunisian (also known as Afghan) Crochet fabric using the basic Tunisian Simple Stitch. Let's get started!

Hand stitches have many uses. Before the sewing machine, garment-making was done exclusively by hand. However, in today’s home sewing world of sophisticated sewing machines and sergers, few garments are made entirely by hand.But, many home-sewn and custom-made garments continue to have some type of hand stitching used primarily as finishing techniques (hemming, securing fasteners, etc.). Thus, knowing and understanding the proper stitch to use is important to the item’s appearance.

Signed copy of Urban Quilting by The Weekend Quilter (Wendy Chow) Signed message will be customised. At checkout, type in name of recipient in 'Add a note to your order' text box. About the book:  A comprehensive guide for both first-time quilters and those looking for a refresher course, Urban Quilting teaches you everything you need to know about this timeless craft. Each pattern contains instructions for three different quilt sizes, with designs that feature bold colors and geometric shapes that will stand out and look stunning in your home. What's inside: 10 modern quilt patterns for the modern home Each pattern comes with 3 different sizes, such as wall hanging, baby, throw and queen Detailed step-by-step instructions for beginners and seasoned quilters Insight into inspiration, quilt history and how today's quilters are modernizing the craft Colorway inspirations and suggested fabrics by Kona Cotton and Hawthorne Supply Co.  Hardcover, 155 pages For more photos of the designs from the book, search #urbanquiltingbook on Instagram.

SPECIFICATIONS Brand Name: Boxtoday  is_customized: YesFabirc Construction: 100gsmProcess Technique: QuiltingMaterial: Cotton（Main Fiber beyond 60%)Type: Duvetcover&2pcs Pillowcase&1sheetFabirc Style: BrushedSuitable Region: Northern EuropeStyle: CartoonQuantity: 4 pcsWeight: 1.6kgApplication Size: 1.5m (5 feet)Application Size: 1.8m (6 feet)Application Size: 2.0m (6.6 feet)Application Size: 2.2m (7 feet)Color Fastness (Grade): 3-4  Product Description:100% Brand New and High QualityProduct Name: Washed Cotton Towel Embroidery Set of Four PiecesMaterial: washed cottonProduct Process: Reactive Printing and DyeingPackage Include: Duvet Cover, Bed Sheet, PillowcaseSize Details:>>Twin Size 4pcs1x Duvet Cover 150*200cm1x Bed Sheet 230*230cm2x Pillowcase 48*74cm>>Full Size 4pcs1x Duvet Cover 180*220cm1x Bed Sheet 230*250cm2x Pillowcase 48*74cm>>Queen Size 4pcs1x Duvet Cover 200*230cm1x Bed Sheet 230*250cm2x Pillowcase 48*74cm>>King Size 4pcs1x Duvet Cover 220*240cm1x Bed Sheet 230*250cm2x Pillowcase 48*74cm

Item Details: ➳ Collection: Midnight In Garden  ➳ Designer: Sweetfire Road ➳ Manufacturer: Moda ➳ Weight: Quilting ➳ Material: 100% Cotton ➳ Width: 44/45” All yardage is cut in 1/2 YARD Increments straight from the bolt in a continuous length. 1 = 1/2 Yard 2 = 1 Yard 3 = 1.5 Yard 4 = 2 Yards ect...

Blog of Susan Elliott where she shares her life through her needlework and photography.

SPECIFICATIONSBrand Name: NoEnName_Nullis_customized: NoFabirc Construction: 100TCProcess Technique: QuiltingMaterial: 100% PolyesterType: Duvetcover&2pcs Pillowcase&1sheetFabirc Style: plainSuitable Region: Northern EuropeStyle: CartoonOrigin: Mainland ChinaCN: ZhejiangQuantity: 4 pcsWeight: plainApplication Size: 1.0m (3.3 feet)Color Fastness (Grade): 4Lining material: polyester (polyester fiber)pattern: solid colorapplicable population: universalapplicable season: unlimited seasonapplicable scenarios: Home, rental house Material:Polyester Type: Duvet Cover Duvet Cover Size:150X200CM / 180X220CM / 200X230CM /220X240CM Pillowcase Size:48X74CM Easy to care and bring you a comfortable experienceCancellation is not allowed 24 hours after the order is placed, otherwise we will charge you a cost fee>>Single 3pc:------ Duvet Cover- 150x200cm  *1pc------ Bedsheet- 160x230cm  *1pc------ Pillowcase- 48x74cm  *1pcs>>Twin 4pcs big sheet:------ Duvet Cover- 150x200cm  *1pc------ Bedsheet- 200x230cm *1pc------ Pillowcase- 48x74cm  *2pcs>> Full 4pcs :------ Duvet Cover- 180x220cm *1pc------ Bedsheet- 230x230cm  *1pc------ Pillowcase- 48x74cm *2pcs;>> Queen 4pcs :------ Duvet Cover- 200x230cm *1pc------ Bedsheet- 230x230cm  *1pc------ Pillowcase- 48x74cm *2pcs>> King 4pcs :------ Duvet Cover- 220x240cm  *1pc------ Bedsheet- 230x250cm  *1pc------ Pillowcase- 48x74cm *2pcs

In 2012 I received an email from a quilter named Ria Mille who was interested in attending my Maine summer quilt retreat. This wasn’t an unusual occurrence. What caught my eye, besides her ch…

Shipping: Worldwide Express Shipping Available Delivery time: 🚚7-15Days Fast Shipping Returns: Fast refund,💯100% Money Back Guarantee. SPECIFICATIONS Brand Name: NoEnName_Null Material: 100% Polyester Origin: Mainland China CN: Zhejiang Type: Thread Blanket/Towel Blanket Grade: Grade A Shape: Rectangle Age Group: Adults Feature: waterproof Feature: Heated Feature: Anti-Pilling Feature: Electric Feature: disposable Feature: Portable Feature: Wearable Feature: Flame Retardant Season: Winter Style: Jacquard Set Type: YES Color Fastness (Grade): 4 Use: Picnic Use: Travel Use: Military Use: Hospital Use: Home Use: HOTEL Use: Airplane Pattern: PRINTED Wash Style: Hand Wash Pattern Type: Plaid Technics: Woven Weight: 3kg

Sweet/darling/gorgeous ATT Readers! It’s me Beth from Sawdust and Embryos! I’ll have you know that Brooke and I fiiiiiinally met in person a few weeks ago at Haven (despite being BFF’s for many moons... I