Binding is the final step of quilting and it must be perfect. Otherwise, all your efforts will be wasted!
Are you new to machine quilting? You may have made tied quilts for a while and now want to explore machine quilting. I’ve seen a lot of advice given for how to machine quilt but I think mos…
Quilting with a sewing machine isn't an impossible task since quilting and sewing machines are mostly similar. The truth is, they are both sewing machines.
Hello all, Today i am going to continue my investigation into the Provençal Costume by talking about something which may be surprising in such a warm climate, namely, quilted clothing. Quilted clothing is extremely widespread, as far as China, being a practical way to produce warm clothing. There are three garments worn as part of this costume which are sometimes quilted, the corset or bodice, the petticoat, and the skirt. Obviously these are more commonly worn in winter, but the skirt especially is sometimes worn even in warm weather for special occasions, such as weddings. There are two types of 'corset' or bodice worn in Provençe, with a lace up front, or an overlapping front which is pinned shut. The peasant class, the Paisanne, often wears a laced bodice as the sole outer garment, made of a double layer of colored or striped cloth. The Artisanne and the Bastidanne most commonly wear the bodice or corset which is pinned shut across the front. The back has a fold with lacing to adjust the corset to the body and provide support for the torso. This type of bodice/corset is worn over the chemise and under the dress or jacket 'caraco'. The corset is usually white or off-white, made of a double layer of cloth, and often finely quilted. Here is a photo of such a corset. Another similar garment is the petticoat, which in cooler weather is quilted the same way. These garments are made with minimal wadding or none at all, and often show very elaborate geometric and/or floral designs quilted into them. Here are some examples. More surprisingly, perhaps is a skirt worn by the upper class, the 'Bastidanne', which is sewn and quilted just like a comforter, and is considered to be a very formal garment. The normal skirt averages about 4.5 m around, but the quilted skirt runs about 2.6 m. The regular skirt is called 'jupe', but the quilted skirt goes by the special name of 'Cotillon'. Here is a drawing by Lucille Armstrong showing this version of the Provençal Costume. This is more or less the upper class, Bastidanne Costume, except that the sleeves on the jacket are usually longer, and the fichu is normally of whitework. Here is another photograph of a Provençal wedding, with both the bride and groom in the Bastidanne Costume. It is very refreshing to see people maintain their own traditions instead of submitting to the cookie cutter white elephant wedding gown of standard western culture. The woman standing at the left and the man kneeling at the right are both in Paisanne Costume, while the two women standing and kneeling behind the groom are both in Artisanne Costume. If you look closely, you can see that the bride is wearing a quilted 'cotillon'. If the cotillon is made of a printed material, then usually the quilting is made up of a grid of diamonds over the body of the garment, with parallel lines of quilting on the bottom edge. Here are some examples. These skirts are made in a wide variety of colors and print designs. These skirts are made by putting the lining cloth on a stretcher, then placing the wadding on top, and the outer cloth is then quilted by hand on top. The bulk of the texture of the quilting shows on the outside, and the inside is relatively flat. There is a second type of cotillon which is made, in which the surface cloth is of a solid color, often a rich silk. A band of design is inserted between the diamond grid of the body of the cotillon and the parallel pipes of the hem. Here is a photo of the Bastidanne costume including such a cotillon. The solid color of the top cloth enables the quilted design to be seen and appreciated. Those who wish to make more ambitious quilted designs choose to do this. The inserted design varies significantly in width. Here are a couple more examples. Here are some examples of the types of designs which are inserted. Each horizontal band is a separate design. There is yet one more type of cotillon which is sometimes found. Occasionally a girl makes one specifically for her wedding. While the dress for the wedding may be of any color, this particular type is often white. The added design makes a very wide band, but instead of being arranged in bands, the design consists of various images symbolic of a wedding, fruit, flowers, arches, baskets, hearts etc. scattered around the band. Usually this includes the bride-to-be's initials, and can also include inscriptions such as short prayers or 'this skirt belongs to demoiselle X'. These are obviously a lot of work and are often handed down as heirlooms within the family. Here are a couple of examples. I found this tradition of handiwork surprising, and I hope that you find it interesting and inspiring. Let us make and wear things that are not the same as everyone elses. Let us look to the traditions of the past when everyone contributed to the development of traditions. Thank you for reading. Feel free to contact me with requests for research. I hope to eventually cover all of Europe and the Former Russian Empire/Soviet Union. I also gratefully accept tips on source materials which i may not have. I also accept commissions to research/design, sew, and/or embroider costumes or other items for groups or individuals Roman K. :[email protected]. Source Material: Mary Gostelow, 'The Complete International Book of Embroidery', New York, 1977 Rode de Basso Prouvenço, 'Le Costume Populaire Provençal', Aix-en Provençe, 1990 Andre Sainsard, 'Costumes Folkloriques Provinces Françaises', Paris, 1972 Royere, Gardilanne, Moffat et al, 'Les Costumes Regionaux de la France', New York, 1929 Charles-Brun, 'Costumes des Provinces Françaises', Paris, 1937 P. Leroux, 'Costumes Regionaux', Paris, 1940 Nicolette Tennevin & Marie Texier, 'Dances of France II. Provence and Alsace' from the series 'Handbooks of European National Dances', London, 1951
In quilting, the thickness of the thread will change how your quilt reads to the eye. Angela Huffman explains how thread weights will change your quilting.
Finished your quilt top and ready to quilt? Continue reading for 10 quilting designs for beginners perfect for your first quilt!
Find creative sewing ideas here! Discover free sewing instructions, downloads, and all the tips and tricks you want.
It has been a weird week. I am running up against the deadline for finishing the "Elements" pieces and I essentially lost two days this week. Monday morning I woke up with a stiff neck and by bedtime I was in a serious amount of pain. Did not sleep and by morning I was in such pain and fear of what might be causing it that I went straight to the Urgent Care Clinic near us. It was a strained trapezius muscle in my neck, making my neck impossible to move without screaming, hot pain and sending tentacles of pain winding up around my skull. The recommendation was rest and drugs and sleep and a soft cervical collar to support the weight of my head. So I lounged around all day on Tuesday reading and sleeping, felt a little better on Wednesday and much better today. So I was back in the studio this afternoon. "Water" should have been easy (that's why I left it for last), but I had a hard time settling on an idea. Close to my heart is the wetland area where we walk, so that began to take shape in my head. I started with an assortment of blue, gray and tan fabrics and fused some strips to form a base. At the end of today I had this: I think I am nearly there. A few additions, then I will trim it to size and bind it. Speaking of the wetland area, we had a surprise when we walked last week. Sofia was with us, and as we came around the corner near the Fanno Farmhouse, Beth and I were talking away and Sofia piped in "look at the turtle!" There, studiously digging in the dirt at the side of the trail, was a large turtle. I took its picture with my phone. That evening on the local news was a story of another turtle that was captured in a backyard several miles away. They are snapping turtles that have invaded the wetlands and creek. They are not native to the area and are thought to have been pets, originally, that were released into the creek and have bred there for years. This is the season when they come onto land to dig holes and lay eggs. They are quite destructive, eating the native fish, frogs, even baby ducks and can take a finger off if you are dumb enough to offer it to one. We found this one pretty interesting and were happy to have encountered it until we learned later what pests they are. If we see another we are advised to call the Parks department or Fish and Wildlife, who will come and take it away. Wish I had known. Now I am on the lookout when we walk.
How To Bind A Quilt by Machine is a step-by-step tutorial that teaches quilting beginners a simple way to bind a quilt by machine.
Want to give your quilting some added texture and depth? Try machine quilting with 12 wt. thread! It's not difficult, but there are 5 secrets you must know.
Straight line quilting is a great beginner quilting technique, but there's a right way and a wrong way. Continue reading to see if you are doing it right!
Learn how to bind a quilt with a sewing machine only. We're sharing our secrets and tips that yield great-looking binding every time!
Short answer is YES, you can quilt with a regular sewing machine. Learn how to master quilting with your sewing machine today!
Finished your quilt top and ready to quilt? Continue reading for 10 quilting designs for beginners perfect for your first quilt!
Ready to take your machine embroidery to the next level? Here's how to do couching on an embroidery machine giving your stitching a 3-D look.
In an unprecedented act of blogging fanciness I decided to make a video documenting how I create the woodgrain texture (so thoroughly photographed in my last post) with free-motion quilting. Warning:
machine finished hand applique workshop
Rahna Summerlin, machine quilting, machine quilting with a walking foot, quilting with a walking foot, quilting cables, Harriet Hargrave, quilt borders, Forty-Nine Cents, postage stamp, postage stamp quilt, Heirloom Machine Quilting, walking foot, Machingers,
Straight line quilting is a great beginner quilting technique, but there's a right way and a wrong way. Continue reading to see if you are doing it right!
Don't you hate it when your machine embroidery puckers? Well thankfully, there are a few steps you can take to help stop/prevent it! Click here to learn more
Continue reading for 5 meander practice exercises that will help you learn to put FMQ skills on autopilot so you can focus more on quilting.
Some of the best machine embroidery hacks are a bit unconventional, using tools and supplies not intended for machine embroidery.
You can use a regular sewing machine to add embroidery to garments. Learn how with this tutorial.
The best way to get perfect quilting is to transfer quilting designs onto the quilt top before stitching. Continue reading to see how!
Learning how to tie a quilt is a great way to give some hand quilted charm to your projects. Continue reading for 6 fun ways to try it out!
These machine embroidery projects will teach you new skills on your embroidery machine and include unique blanks and techniques!
As many of you know, I take July and August "off". What that really means is that I do not longarm for customers, but I do other projects. Some of those project include doing summer vacation things with my kid, but others are quilting projects that I don't have time to do during the school
Using a walking foot is the easiest and quickest way to quilt borders. Continue reading for 7 easy border quilting ideas using a walking foot.
Using a walking foot is the easiest and quickest way to quilt borders. Continue reading for 7 easy border quilting ideas using a walking foot.
Sometimes jumping into free motion quilting needs a baby step, and grid quilting is just the thing to do it! Create structured free motion quilting using these 9 grid quilting ideas to dip your toes in and get started!
Sometimes jumping into free motion quilting needs a baby step, and grid quilting is just the thing to do it! Create structured free motion quilting using these 9 grid quilting ideas to dip your toes in and get started!
Burst Block PDF Skateboard Appliqué PDF Pentagon Ball PDF BBQ Apron PDF Guitar/Camera Strap PDF Free Motion Basics PDF Action Figure Organizer PDF Sugar Skull PDF Needle Knowldge PDF Out of This World PDF 3 Dudes Quilt PDF Diamond Dreams PDF Bad Call Ball PDF Dog Bed PDF FMQ Straight Drill 2 PDF 60 Degree Ruler PDF FMQ Swoop Drill 3 PDF RAINBOW DRILL PDF Circle Drill PDF Coming Home PDF Superhero Cape PDF Drawstring Bag Toy Playmat PDF Beach Bag PDF Dancing Dots PDF Fabric Postcard PDF Gears Quilt PDF Trick or Treat Bag PDF Turkey Centerpiece PDF Coffee Kit PDF QuillowRead More →
Such a delicate touch and so easy to do. Choose your contrasting fabric and learn how to add a flange to your binding, giving just the right pop to your quilt!
Tutorial on my blog
This big list of things to embroider for gifts will show you my 30+ favorite machine embroidery gift ideas for Christmas and all occasions!
Metallic threads are so pretty to look at but they are a pain to stitch with. Here are my tips on how to use metallic embroidery thread.
I'm teaching a Free Motion Quilting class starting in April at my LQS, Heartstrings and Heirlooms. I finished up the class sample over the weekend. In the class the students will do larger samples, but I needed a small book of designs to advertise the class. As you can see in the above end view, I used three different types of batting for my sample book - Quilter's Dream 100% Cotton, Hobbs 80/20 (80% cotton and 20% polyester), and a 100% wool. I used a tutorial from a recent Quilting Arts Magazine issue (the February/March 2014 issue) to make my little book. The instructions involved drawing some lines on a piece of fabric, then sewing on the lines with a walking foot to make a larger sheet and baste the layers together. Then you quilt your designs and cut the "pages" apart. The tutorial in the magazine was very good. If you are interested in making a book like mine, I suggest you get a copy of the magazine. Below is a collage of designs I plan to cover in the class. Along the top of each page I wrote the name of the design, the batting type and page number from the book I will be using for the class. In case you are interested, I'm using the book Free Motion Quilting with Angela Waters. It has become my go-to book for quilting ideas as of late.
