This is the first article in a new series we’re launching about quilt judge expectations and solutions to the most commonly cited areas for improvement.
How To Create An Award Winning Quilt That Judges Notice
You’ve just finished your latest quilt, are proud of your accomplishment and want to show it off. You first share it with your family, then with your small quilting “bee” and fina…
'Welcome to my Stash' quilt - Judges Merit Award A while ago I showed you all a half square triangle quilt I had been making and had long admired. Once it was finally finished, it was just in time to enter it into the annual Malvern Quilt show. When you spend so much time alone stitching it is always nice to share what you have done by displaying your work. Judges Merit Award - Malvern Quilts UK 2015 On arrival at the show I was delighted to see a rosette against my quilt - a Judges Merit Award. There was no feedback, but I think I am safe in saying that my quilt probably had the most variety of fabrics in it! LOL Half Square Triangle Quilt
Earlier in October I had a quilt schlepper’s view of judging a quilt show. My role involved moving piles of different categories of quilts to and from the tables used for judging, fanning the…
Loading… CLASS INFO HUB TRAVEL HUB SHOW INFO HUB EXHIBITORS HUB SPECIAL EXHIBITS PURCHASE TICKETS Loading… Long Beach A CELEBRATION OF COLOR 2023 JUDGED SHOW WINNERS This annual judged competition is open to quilters working in any style, and who liked to play with color to create a vibrant work! A $1,000 Best of Show […]
Stitching in the Ditch. Do you love it or hate it? Can you take it or leave it? It is not a requirement on any quilt, including quilt show entries, but the technique should definitely be in your wheelhouse if you intend to quilt competitively.
Scott Murkin learned about quilting from his grandmother and took it up as a hobby after she passed, now creating his own designs.
How can you tell from a photograph which T-shirt quilts are awesome and which ones are not? Look for these 6 things in photos of a T-shirt quilt.
I will have 2 blog posts this week, this one about judging, and another about my week (which will be delayed). I am excited to post these comments by Deborah Boschert who judged this year…
A quilt can be flawlessly constructed and beautifully designed, but if it arrives covered in cat hair or with an offensive odor it may not even make it to the judging room.
This calico print is only 34" wide and I'm guess from the 1970's judging by the colors and patterns. It is a "cheater" print looking like a quilt top. It has never been washed. Use this fabric to repair old quilts, for making smaller projects like tote bags and pillows or for making junk journal covers. It is pre-cut and each piece is half yard long by 34 inches wide. If you purchase more than one you will receive multiple pieces. Ships for free in the USA. For more fabrics check out my listings here: https://www.etsy.com/shop/Vintagepolkadotshop?ref=seller-platform-mcnav§ion_id=26046938
Brenda Gael Smith reports on judging the modern quilt and wearable art competitions at the Pacific International Quilt Festival 2018.
Today I am posting the rest of the QuiltCon winners. This show was so filled with inspiration that I’m going home excited, ready to start my next big quilting project. You can see the rest o…
It is with great relief that I can at last say this quilt, due to be entered into the UK Festival of Quilts, is finished. It’s the first time I’ve made a quilt that will be judge…
We have so many fascinating quilts to show you from the P.I.Q.F. 2012 that we can't wait to post them all ! You be the quilt show judge a...
This is the fourth article in our series about quilt judge expectations and solutions to the most commonly cited areas for improvement....
Deborah Hyde is the winner of the MI Great Artist regional competition. Charles Boike, Kim Fujiwara, Douglas La Ferle and Molly Landis are runners-up.
Once a T-shirt is in your quilt, it’s not coming out! Look for these 5 things when you are choosing your T-shirts.
Read more on Natalie's blog at greenleafgoods.wordpress.com/2011/07/29/i-won/ Entries were judged by Marny and Jill of Modern Quilt Relish. Visit their site at modernquiltrelish.blogspot.com/ Ann Arbor Modern Quilt Guild Robert Kaufman Kona Solids Challenge. Charm packs distributed March 30. Submissions due June 29. Challenge parameters: (1) charm pack per person, either pastel, dusty, bright or classic. Must use at least 30 charms. At least half of the charm must be used. Overall circumference must equal at least 120". May use up to (3) additional Kona solids. Entries must be bound, backed, and quilted (no quilt tops). If not all your own work (i.e. quilted by someone else), must credit.
How To Create An Award Winning Quilt That Judges Notice
Threads of Memory Block 1: Portsmouth Star by Becky Brown The first block in the 2104 block-of-the-month here at Civil War quilts is Portsmouth Star, a new block with an old-fashioned look, named for Portsmouth, New Hampshire. The coastal town was a place of refuge for Ona Judge Staines and uncounted other African-Americans looking for liberty. The townspeople, as John Whipple informed George Washington in 1796, were “in favor of universal freedom.” Threads of Memory Block 1: Portsmouth Star by Jean Stanclift The patterns were free online for two years but now I am offering them for sale in two formats at my Etsy shop. Buy a PDF or a Paper Pattern through the mail here: https://www.etsy.com/shop/BarbaraBrackmanShop On June 1st, 1796, a ship named the Nancy sailed into Portsmouth harbor near what is now the New Hampshire/Maine border. An African-American girl named Ona Marie Judge made her way from the ship to the town. Just fifteen, the runaway slave hoped to pass as a free black in Portsmouth's small African-American community. Ona's new life collapsed one day that summer when she passed an old acquaintance on the street. Elizabeth Langdon, eighteen-year-old daughter of New Hampshire's Senator, recognized the fugitive from visits to Ona's mistress's parlor. Elizabeth tried to say hello but Ona brushed by without a word, hoping the wealthy white girl would believe she'd been mistaken. Elizabeth was confident she knew Ona and word soon reached the Virginia slave owners that their property resided in New Hampshire. Ona's master and mistress wanted her back and knew they had constitutional rights to recover the runaway. Under the 1793 Fugitive Slave Act, Portsmouth's officials were obliged to arrest Ona and hold her. "Absconded from the household of the President of the United States, ONEY JUDGE, a light mulatto girl, much freckled, with very black eyes and bushy black hair..." Ona's master was quite familiar with the Fugitive Slave Act. As President, George Washington had signed the law. Washington pressured federal appointees to return the girl he called Oney. His correspondence, visible online at the Library of Congress, tells some of the story. When Ona was in her seventies she talked to two newspaper correspondents about her escape. Their articles tell the other side. When they moved to the new capital of Philadelphia the first family brought eight slaves from their Virginia plantation. At the age of ten Ona became Martha Washington's personal maid. Oney "was handy and useful…being perfect Mistress of her needle," wrote Washington. The President's House in Philadelphia. Ona came to work here in 1790. She recalled that her life in the President's household posed no hardships but she wanted freedom, particularly after she learned the Washingtons planned to will her to granddaughter Elizabeth Parke Custis. Ona apparently did not care for Eliza Custis, a few years her junior. She was determined "never to be her slave." Gilbert Stuart painted this picture of Eliza Custis the year Ona ran away. Between Ona's opinion and the portrait, we get an idea of Eliza's personality. Realizing Washington's presidency would soon be over, Ona made the most of her last weeks in Philadelphia. "Whilst they were packing up to go to Virginia, I was packing to go, I didn't know where; for I knew that if I went back to Virginia, I should never get my liberty. I had friends among the colored people of Philadelphia, had my things carried there beforehand, and left Washington's house while they were eating dinner." Ona's escape by ship took her from Philadelphia north to Portsmouth, New Hampshire. Captain John Bolles or Bowles Somehow she booked passage on the Nancy commanded by Captain John Bolles. "I never told his name till after he died, a few years since, lest they should punish him for bringing me away." Martha Washington with a slave By Edward Savage Like many slave holders, the Washingtons believed outsiders stirred up discontent. Martha was of the opinion that a deranged Frenchman had seduced Ona. Joseph Whipple, the New Hampshire official charged with returning Ona, explained that the escape was Ona's idea---her "thirst for compleat freedom…had been her only motive for absconding." An angry George Washington fussed, "I am sorry to give you, or any one else trouble on such a trifling occasion, but the ingratitude of the girl, who was brought up and treated more like a child than a Servant…." Letter from Whipple "I have ascertained the fact that the person mentioned is in this town." Whipple warned the Ex-President it would be difficult to persuade Ona and just as hard to kidnap her, despite the fact that New Hampshire still sanctioned slavery. "I am informed that many Slaves from the southern states have come to Massachusetts & some to New Hampshire, either of which States they consider as an asylum; the popular opinion here in favor of universal freedom has rendered it difficult to get them back to their masters." Washington instructed Whipple to use charm. "If she will return to her former service without obliging me to use compulsory means to effect it, her late conduct will be forgiven." Whipple should avoid violence, any measures that "would excite a mob or riot." Whipple's last letter on the topic, mailed right before Christmas 1796, announced the banns for Ona's marriage to Joseph Staines had been published. He was pessimistic he could act without causing the riot Washington hoped to avoid. Portsmouth Star by Becky Brown from my Ladies's Album reproduction collection for Moda--- in shops in March. Ona married sailor John Staines. A year passed in which she gave birth to daughter Eliza before she heard from the Washingtons again. Frustrated with Whipple's inaction, Washington sent nephew Burwell Bassett to retrieve her. Bassett tried persuasive lies, promising Ona that on her return the Washingtons would free her, something George Washington had actually dismissed as a bad example to the other slaves. Ona recalled her response to Bassett: "I am free now and choose to remain so." The Langdon's house, still standing, was a decade old at the time of the plot to kidnap Ona. Bassett returned to Portsmouth while John Staines was at sea, planning to take Ona and the baby by force. He sketched his plot to Elizabeth Langdon's father at whose home he was lodging. Senator John Langdon sent a messenger warning Ona to run. Senator John Langdon warned Ona of the Washingtons' kidnap plans. Portsmouth Star by Dustin Cecil in my Civil War Jubilee collection plus white. The story's end appeared in the newspaper account fifty years later: "She went to the stable and hired a boy with a horse and carriage to carry her to [the Jack's house] in Greenland [New Hampshire] where she now resides, a distance of eight miles, and remained there until her husband returned from sea." Washington Mourning Picture Published by Pember & Luzarder, 1800, from the Library of Congress Ona was unlikely to have mourned Washington's passing. Washington died late in 1799. "They never troubled me any more after he was gone." Ona and her husband raised two or three children in Portsmouth. After being widowed she returned to the house of her Greenland friends, the free black family of John Jacks. In the 1840s, newspapermen found her there, poor and ill but glad to tell her tale. Ona Judge Staines's story tells us of a network of help in the nation's early years, an Underground Railroad decades before that name or railroads of any kind appeared. Ona absconded on her own but she remained free due to the kindness of many people, among them friends in Philadelphia, ship captain John Bolles, Joseph Whipple who stubbornly refused to act in Washington's behalf, Senator Langdon who alerted her to flee and the Jacks family who took her in when she needed refuge. What We Can Learn About the Underground Railroad from Ona Judge's Story Officials often refused to enforce the slavery laws. Refugees like Ona could live out in the open because authorities did not enforce the laws. New Hampshire was a slave state in the 1790s and her owner had all the clout one could wish for, but officials like Whipple chose not to act. Others like Langdon surreptitiously assisted her. We can only guess their motives, but Whipple suggested that "popular opinion" in the town threatened civil disorder if Ona was arrested. You can find much more about Ona Judge Staines’s life by reading several primary documents online. Read two interviews by clicking on this link to a site about the President’s House in Philadelphia. http://www.ushistory.org/presidentshouse/slaves/oneyinterview.htm Read correspondence between George Washington and Joseph Whipple concerning Ona by clicking on this link to the website of the Weeks Public Library in Greenland, New Hampshire. http://www.weekslibrary.org/ona_maria_judge.htm See three of Whipple’s letters by going to the Library of Congress website American Memory. Type Joseph Whipple in the search box at the top right. When the results appear, click on the three letters in the George Washington Papers collection near the top of the first page (letters 2, 3 and 4). www.memory.loc.gov Read more about Ona Judge Staines at these sites: http://www.weekslibrary.org/ona_maria_judge.htm http://www.seacoastnh.com/blackhistory/ona.html http://www.ushistory.org/presidentshouse/news/images/senior_oney.pdf Portsmouth Star Dustin's All-Ticking Version This is real ticking---not a printed quilt-weight fabric. Options Make A Quilt A Month Set nine Portsmouth Star blocks together with a 3" border to create a 42" quilt. Alternate 5 blocks with one background and 4 with another for variety. Another Option You could rotate those smaller half-square triangles to create a layered look but it would require set-in seams (Y seams) in each corner. Calm down; you can do it.
Made by Kristine Calney of Washington; entered in the judged show (category: Art-Abstract, Small) at the 2007 Houston International Quilt Festival.
Threads of Memory Block 1: Portsmouth Star by Becky Brown The first block in the 2104 block-of-the-month here at Civil War quilts is Portsmouth Star, a new block with an old-fashioned look, named for Portsmouth, New Hampshire. The coastal town was a place of refuge for Ona Judge Staines and uncounted other African-Americans looking for liberty. The townspeople, as John Whipple informed George Washington in 1796, were “in favor of universal freedom.” Threads of Memory Block 1: Portsmouth Star by Jean Stanclift The patterns were free online for two years but now I am offering them for sale in two formats at my Etsy shop. Buy a PDF or a Paper Pattern through the mail here: https://www.etsy.com/shop/BarbaraBrackmanShop On June 1st, 1796, a ship named the Nancy sailed into Portsmouth harbor near what is now the New Hampshire/Maine border. An African-American girl named Ona Marie Judge made her way from the ship to the town. Just fifteen, the runaway slave hoped to pass as a free black in Portsmouth's small African-American community. Ona's new life collapsed one day that summer when she passed an old acquaintance on the street. Elizabeth Langdon, eighteen-year-old daughter of New Hampshire's Senator, recognized the fugitive from visits to Ona's mistress's parlor. Elizabeth tried to say hello but Ona brushed by without a word, hoping the wealthy white girl would believe she'd been mistaken. Elizabeth was confident she knew Ona and word soon reached the Virginia slave owners that their property resided in New Hampshire. Ona's master and mistress wanted her back and knew they had constitutional rights to recover the runaway. Under the 1793 Fugitive Slave Act, Portsmouth's officials were obliged to arrest Ona and hold her. "Absconded from the household of the President of the United States, ONEY JUDGE, a light mulatto girl, much freckled, with very black eyes and bushy black hair..." Ona's master was quite familiar with the Fugitive Slave Act. As President, George Washington had signed the law. Washington pressured federal appointees to return the girl he called Oney. His correspondence, visible online at the Library of Congress, tells some of the story. When Ona was in her seventies she talked to two newspaper correspondents about her escape. Their articles tell the other side. When they moved to the new capital of Philadelphia the first family brought eight slaves from their Virginia plantation. At the age of ten Ona became Martha Washington's personal maid. Oney "was handy and useful…being perfect Mistress of her needle," wrote Washington. The President's House in Philadelphia. Ona came to work here in 1790. She recalled that her life in the President's household posed no hardships but she wanted freedom, particularly after she learned the Washingtons planned to will her to granddaughter Elizabeth Parke Custis. Ona apparently did not care for Eliza Custis, a few years her junior. She was determined "never to be her slave." Gilbert Stuart painted this picture of Eliza Custis the year Ona ran away. Between Ona's opinion and the portrait, we get an idea of Eliza's personality. Realizing Washington's presidency would soon be over, Ona made the most of her last weeks in Philadelphia. "Whilst they were packing up to go to Virginia, I was packing to go, I didn't know where; for I knew that if I went back to Virginia, I should never get my liberty. I had friends among the colored people of Philadelphia, had my things carried there beforehand, and left Washington's house while they were eating dinner." Ona's escape by ship took her from Philadelphia north to Portsmouth, New Hampshire. Captain John Bolles or Bowles Somehow she booked passage on the Nancy commanded by Captain John Bolles. "I never told his name till after he died, a few years since, lest they should punish him for bringing me away." Martha Washington with a slave By Edward Savage Like many slave holders, the Washingtons believed outsiders stirred up discontent. Martha was of the opinion that a deranged Frenchman had seduced Ona. Joseph Whipple, the New Hampshire official charged with returning Ona, explained that the escape was Ona's idea---her "thirst for compleat freedom…had been her only motive for absconding." An angry George Washington fussed, "I am sorry to give you, or any one else trouble on such a trifling occasion, but the ingratitude of the girl, who was brought up and treated more like a child than a Servant…." Letter from Whipple "I have ascertained the fact that the person mentioned is in this town." Whipple warned the Ex-President it would be difficult to persuade Ona and just as hard to kidnap her, despite the fact that New Hampshire still sanctioned slavery. "I am informed that many Slaves from the southern states have come to Massachusetts & some to New Hampshire, either of which States they consider as an asylum; the popular opinion here in favor of universal freedom has rendered it difficult to get them back to their masters." Washington instructed Whipple to use charm. "If she will return to her former service without obliging me to use compulsory means to effect it, her late conduct will be forgiven." Whipple should avoid violence, any measures that "would excite a mob or riot." Whipple's last letter on the topic, mailed right before Christmas 1796, announced the banns for Ona's marriage to Joseph Staines had been published. He was pessimistic he could act without causing the riot Washington hoped to avoid. Portsmouth Star by Becky Brown from my Ladies's Album reproduction collection for Moda--- in shops in March. Ona married sailor John Staines. A year passed in which she gave birth to daughter Eliza before she heard from the Washingtons again. Frustrated with Whipple's inaction, Washington sent nephew Burwell Bassett to retrieve her. Bassett tried persuasive lies, promising Ona that on her return the Washingtons would free her, something George Washington had actually dismissed as a bad example to the other slaves. Ona recalled her response to Bassett: "I am free now and choose to remain so." The Langdon's house, still standing, was a decade old at the time of the plot to kidnap Ona. Bassett returned to Portsmouth while John Staines was at sea, planning to take Ona and the baby by force. He sketched his plot to Elizabeth Langdon's father at whose home he was lodging. Senator John Langdon sent a messenger warning Ona to run. Senator John Langdon warned Ona of the Washingtons' kidnap plans. Portsmouth Star by Dustin Cecil in my Civil War Jubilee collection plus white. The story's end appeared in the newspaper account fifty years later: "She went to the stable and hired a boy with a horse and carriage to carry her to [the Jack's house] in Greenland [New Hampshire] where she now resides, a distance of eight miles, and remained there until her husband returned from sea." Washington Mourning Picture Published by Pember & Luzarder, 1800, from the Library of Congress Ona was unlikely to have mourned Washington's passing. Washington died late in 1799. "They never troubled me any more after he was gone." Ona and her husband raised two or three children in Portsmouth. After being widowed she returned to the house of her Greenland friends, the free black family of John Jacks. In the 1840s, newspapermen found her there, poor and ill but glad to tell her tale. Ona Judge Staines's story tells us of a network of help in the nation's early years, an Underground Railroad decades before that name or railroads of any kind appeared. Ona absconded on her own but she remained free due to the kindness of many people, among them friends in Philadelphia, ship captain John Bolles, Joseph Whipple who stubbornly refused to act in Washington's behalf, Senator Langdon who alerted her to flee and the Jacks family who took her in when she needed refuge. What We Can Learn About the Underground Railroad from Ona Judge's Story Officials often refused to enforce the slavery laws. Refugees like Ona could live out in the open because authorities did not enforce the laws. New Hampshire was a slave state in the 1790s and her owner had all the clout one could wish for, but officials like Whipple chose not to act. Others like Langdon surreptitiously assisted her. We can only guess their motives, but Whipple suggested that "popular opinion" in the town threatened civil disorder if Ona was arrested. You can find much more about Ona Judge Staines’s life by reading several primary documents online. Read two interviews by clicking on this link to a site about the President’s House in Philadelphia. http://www.ushistory.org/presidentshouse/slaves/oneyinterview.htm Read correspondence between George Washington and Joseph Whipple concerning Ona by clicking on this link to the website of the Weeks Public Library in Greenland, New Hampshire. http://www.weekslibrary.org/ona_maria_judge.htm See three of Whipple’s letters by going to the Library of Congress website American Memory. Type Joseph Whipple in the search box at the top right. When the results appear, click on the three letters in the George Washington Papers collection near the top of the first page (letters 2, 3 and 4). www.memory.loc.gov Read more about Ona Judge Staines at these sites: http://www.weekslibrary.org/ona_maria_judge.htm http://www.seacoastnh.com/blackhistory/ona.html http://www.ushistory.org/presidentshouse/news/images/senior_oney.pdf Portsmouth Star Dustin's All-Ticking Version This is real ticking---not a printed quilt-weight fabric. Options Make A Quilt A Month Set nine Portsmouth Star blocks together with a 3" border to create a 42" quilt. Alternate 5 blocks with one background and 4 with another for variety. Another Option You could rotate those smaller half-square triangles to create a layered look but it would require set-in seams (Y seams) in each corner. Calm down; you can do it.
Jaime, Shawna and I have just spent the weekend at Quiltcon. We couldn't even believe all the inspiring quilts! Get ready for an epic quilt blog post, as I am going to share some of the stunning quilts from the show. We were excited to represent for Fancy Tiger Crafts and are so proud of Shawna, who had two quilts in the show—her quilt "Red Hot" even won Lisa Congdon's Judges choice! Here is Shawna with her quilt "Powder Blue" also displayed in the show. Nice work! Shawna also had a mini quilt displayed in this lovely spectrum of modern mini quilts in the Andover booth. Can you guess which one is hers? I was honored to have my "Cancer & Taurus (Constellation Quilt)" in the show! Before we get to the rest of the quilts in the show, there was a special exhibit that blew us away and I'd like to share some of it with you. Molly Upton was a quilter and artist in the 1970s, who sadly died when she was just in her 20s. Despite this, she made a substantial number of quilts in her short lifetime. A collection of her works were shown at Quiltcon. They were dark and stunning and I loved that these were on display. Here are a few of the Molly Upton quilts... Molly Upton - Watchtower - 1975 Molly Upton - Watchtower - 1975 Molly Upton - Nocturn Regalis - 1974 Molly Upton - Greek - 1974 Quiltcon always has an abundance of impressive, inspiring and mindblowing new quilts. I now invite you to take a photo tour of the show - what follows are many of the quilts that we saw over the weekend. If you weren't able to make it to Pasadena, sit back and enjoy these beauties! Melissa Averinos - My Brother's Jeans (Best in Show) - She rescued her brother's old jeans from a dumpster after he committed suicide and used them in this quilt as a remembrance. Jennifer Johnston - Handcrafted Triangles Nancy Purvis - F*ck The Quilt Police Sherri Lynn Wood - Score for Showing Up (Disco) Carson Converse - Inverted No.1 Carson Converse - Shift Chawne Kimber - The One For Eric Stephanie Ruyle - Embers Nancy Purvis - Fossil Nancy Purvis - Mesa Libs Elliott - Kill It with Fire Shannon Page - Jurgis and Ona Kerri Green - Graphics 1 Nicole Neblett - Red X Janice Smyth - Hemisphere Nancy Purvis - Blind Lorena Uriarte - I Have This Thing With Floors Kathy Greer - Bubble Gum Jacquie Gering - Aftermath Heidi Parkes - Night Flight No. 1 Allison Chambers - No Sleep Till Brooklyn Alexis Deise - Pineapple Variation Elisa Albury - Blueberries for Sal Alexis Deise - Kintsugi Medallion Yvonne Fuchs - Sunburst Andrew Steinbrecher - Line Study 1 Pam Rocco - House Plan Bailey Pike - Etude Riane Mendari - Windowsill Liz Harvatine - Hexie Beast Jane Davidson - You Are Not-aLone Star, Shine Maritza Soto - Floating Squares No. 2 Jenna Richardson - Hot Lava Heidi Parkes - Places Unfold Carolyn Friedlander - Everglade Gina Pina - Group Self Portrait Nancy Thornburg - Roundabout Rebecca Burnett - Every Little Hungry Schoolgirl's Pride and Joy Kim Eichler Messmer - Central Pivot Carolyn Freidlander - Ebb Karen Maple - Black Lives Matter Jenn Nevitt - 512 Selina Cheng - Swarm Katherine Jones - Facets Jenna Brand - Dunes Jessica Schunke - Fading Star Kirsty Cleverly - Wildfire Karen Duling - Catnado Leslie Tucker Jenison - Scrappy Side Trip Lee Chappel Monroe - Converging Hours Karin Jordan - Melon Wedding Ring Letitia Chung - Whimsical Logs Kristin Sheilds - Modern Improv Sampler Valerie Sheilds - Sinuous Nancy Purvis - Concordia Lindsey Sanders - Shattered and Mended Arianna Caggiano - 001 Arianna Caggiano - 002 Arianna Caggiano - 003 Sarah Band - Release the Geese II Melanie Tuazon - Flounce Matt Macomber - Overwhelming Unknown Tara Faughnan - Pine Burr Quilt Yara Greuter - Migration Quilt Tricia Royal - A Kiss For Paul Heather Black - Summer Sunset Amy Gunson - Trimmings 2015 The Cog Lysa Flower - Mixed Cassette Tapes Nydia Kehnie - Tessellation 4 Rebecca Burnett - Fish and Visitors Yvonne Fuchs - Triangle Transparency Tara Faugnan - Diamonds Quilt No. 2 Hillary Goodwin - Don't Look Back Timna Tarr - Holyoke 1938 Amy Ellis - Maverick Mary Menzer - Fruit Flavors Beth Shutty - Cut Diamonds Dawn Golstab - Shape Shifting Jennifer Johnston - Digital Waves Nancy Purvis - Reflection Thanks Quiltcon for another amazing event!
The Barton Cottage quilt is a modern interpretation of the original, Barton Park quilt. With its simple, yet stunning design, it makes a bold statement.
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