ESQUEMA CUADRO CASA NAVIDEÑA Punto de cruz o petit point. Bonito cuadro para bordar a punto de cruz o petit point para estas navidades y decorar un rincón de tu casa.

PUNTO DE LIBRO DE ANIMALES FLORES MARCAPAGINA DE ANIMALES PUNTO DE LIBRO AVES FLORES PLUMA MARCAPAGINA WINNIE POOH MARCAPAGINA MIKEY Y MINNIE MARCAPAGINAS DE FLOR MARCAPAGINA DULCES

¡Echa un vistazo a esta maravillosa revista de punto de cruz, llena de diseños encantadores! Es una colección cuidadosamente seleccionada de patrones que seguro captarán tu atención y desatarán tu creatividad. Desde intrincados paisajes y delicados motivos florales hasta personajes animados y citas inspiradoras, esta revista ofrece una amplia variedad de proyectos para todos los gustos y niveles de habilidad. Explora cada página y déjate llevar por la belleza y la diversidad de los diseños. Hay algo para cada persona, independientemente de si eres una bordadora experimentada buscando un desafío o una principiante deseosa de aprender las técnicas básicas del punto de cruz. Los proyectos vienen acompañados de instrucciones claras y gráficos detallados, asegurando que tu experiencia de bordado sea tan placentera como gratificante. Te invito a sumergirte en esta colección, seleccionar el proyecto que más te hable y comenzar a trabajar en tu próxima obra maestra de punto de cruz. Esta revista no solo te proporcionará horas de entretenimiento y relajación, sino que también te permitirá crear hermosas piezas que podrás disfrutar tú misma o compartir como regalos significativos. ¡No esperes más para descubrir tu próximo proyecto favorito en esta preciosa revista de punto de cruz! Entrada más reciente Entrada antigua Página Principal

Finished up a couple of Blackwork bookmarks in July. We spent a couple of days at my In-Law's cabin on a lake. If I wasn't helping with meals or reading, I was stitching under the trees. It was such a relaxing couple of days. The basic pattern, for the bookmark above, is from my Blackwork Made Easy Book by Leslie Wilkins. The other bookmark shown below was a pattern I found on Pinterest. They just need a nice little backing and then will be put into my Bible. That's all for today. Until another time, have a happy stitching day!

Este precioso punto de cruz diseñado por Renato Parolin lo teníamos finalizado desde hace poco más de 2 años, pero estaba a la espera de la terminación final. Cuando terminamos el bordado, allá por el año 2017, no sabíamos qué hacer con él: un camino de mesa, un mantel navideño, un bonito cuadro para decorar nuestras paredes.... y lo guardamos en el cajón de siempre a la espera de uan idea brillante. Este año, allá por el mes de Octubre, abrimos el cajón y..... en cuanto lo vimos supimos que haríamos un bonito tapiz para colgar en las próximas navidades. "ROSSI BALOCCHI"

Annake's tutorial on simple blackwork on checked giham continues with Basic Blackwork, Part 2

Yesterday was the last day for my adult classes at Fleisher, and I thought I'd share some of my students fabulous work! It means a lot to me that there's such diversity in response to the projects I offer- meaning that they are not prescriptive, but generative in nature. I want my students to gain confidence in their own abilities to design and create works in fiber. So here we go: Betsy started off meticulously in this incredibly detailed yet tiny sampler piece (shown actial size here I believe). I didn't notice until just now seeing the image below in juxtaposition, but she has a strong and definite color sense. The piece below was in response to our map project, and is caught in progress. I can tell she was really opening and loosening up to experiment after her tight sampler project. I think it's very healthy for artists to experiment with modalities of process- controlled vs. spontaneous, monochrome vs multicolored, large vs small. It creates new possibilities. Fran has joined me for several sessions now. She's been taking cues from my project offerings, but she's really starting to use the class as studio time to develop her own work. Above is her blackwork project, which she has livened up with some surface painting and colored stitching. I love the expressiveness of her black mark in the tree trunk. Below is the beginnings of her map project. She usually places and pins everything down before basting and then stitching. She's becoming more selective in how her materials add to the meaning of a piece- note the fleur de lys ribbon and how that adds to this representation of a trip to New Orleans. Below is Gail's work in progress. She has an elegant minimalist approach to her work and a natural feel for materials. Below is handwoven steel core thread fragment appliqued over handmade Japanese paper affixed to taupe linen. She's started stitching her daily path across the "bridge", and I hope she'll share a picture when it's complete. I love the scroll-like abstraction of the landscape. Linda transformed the blackwork project. Inspired by Van Gogh's "Starry Night", she transferred the outlines onto black aida cloth and has been experimenting with a wide variety of stitches and colors. Some applique and shisha work as well as some woven wheels make the explosive stars, while the wind swoops by in patterns. The village houses are needlewoven, and I'm not sure yet how the Cypress trees will be completed. This piece makes me wonder how pared down one can take an iconic image and still hold on to its essence. Starry Night is sort of like the Mona Lisa in its ubiquity (see, it doesn't really need the quotation marks even!)- but this is definitely an intriguing and unique interpretation. Finally we come to Megan, who impressed us all with her incredible "stash" and craftsmanship. For her quote sampler in progress below, she took a quote from an 18th century gossip column stating "Women are armed with fans as Men with swords and sometimes do more execution with them". She makes working with metallics and rayon threads look easy. I'm very pleased with how the form and content of this piece became unified. The Piece de Resistance is Megan's blackwork sampler: It's a fabulous exploration of the transitions of patterns with an organic growth of composition. The only hard part was knowing when to stop! It includes some goldwork and pearl beads to add to its opulence. Now I take a well-earned breather from teaching duties to focus on paper writing... which no, I still haven't really started.