We're always on the lookout for blooming designers who manage to create inspirational concepts and renders! Though these concepts may not always see the light o
We're always on the lookout for blooming designers who manage to create inspirational concepts and renders! Though these concepts may not always see the light o
Seeking a balance between form and function, and blurring the lines between craft and industrial design, Berlin-based artist Adina Burlacu produces an eclectic series of handmade objects such as chairs and plates. Created as and when inspiration arises, rather than as a part of a fixed production schedule.
#Philippe Starck #designer http://www.starck.com/
FREE US SHIPPING. WE NOW OFFER FREE SHIPPING TO MOST COUNTRIES. IF YOU ARE AN INTERNATIONAL CUSTOMER AND FEEL THAT YOUR SHIPPING RATE IS TOO HIGH PLEASE CONTACT US DIRECTLY FOR A CUSTOM QUOTE. WHEN PLACING YOUR ORDER PLEASE ONLY CHOOSE A FRAME COLOR IF YOU ARE PAYING FOR A FRAME. IF YOU DO NOT WANT TO PAY FOR YOUR PRINT TO BE FRAMED THEN CHOOSE "NO FRAME" FOR FRAME COLOR. Poster text reads: The Seagram Building Luwig Mies van der Rohe The International Style Common characteristics of the International Style include: a radical simplification of form, a rejection of ornament, and adoption of glass, steel and concrete as preferred materials. Further, the transparency of buildings, construction (called the honest expression of structure), and acceptance of industrialized mass-production techniques contributed to the international style’s design philosophy. Maisey Design Office of Enlightenment / PSA #52 Framed or Unframed Poster with museum-quality paper and an option for a beautiful wooden frame. - 200 gsm / 80 lb semi-glossy (silk) paper - Thickness: 20-25 mm /0.79"–0.98" and for the USA market thickness is 1.9 cm/0.75" - Shatterproof, transparent plexiglass. - Includes a hanging kit, to hang in both portrait and landscape orientations. - For indoor use - Ready-to-hang, poster is placed within the frame. The end recipient can hang it directly on the wall. Free US shipping! Please contact us for custom framing or artwork options. We're happy to accommodate.
De Rivet Shelf van FRAMA, ontworpen door Jonas Trampedach, onderzoekt de fundamentele opslagfacetten binnen één vorm en functioneert tegelijkertijd als opslag- en displayplatform. Ze maken gemoedelijke moderne metalen meubelen, waarbij rijke materialen en minimalisme hand in hand gaan. Het ontwerp van de plank is een symbiose tussen vakmanschap en industriële productie, en bovendien een viering van de zuiverheid van het aluminiummateriaal dat onbehandeld blijft met de eerlijkheid van het materiaal in gedachten. Bekijk ook de Rivet Side Table and Rivet Box Side Table.Lees ook onze blog over Frama's Rivet Serie: industriële verfijning en innovatief design.
Hello, it's Chou-Tac, Today we travel to South Korea! Let's meet up with JONGHO LEE! I am glad he accepted today's interview as he has a precious point of view about Why you should become
Karim Rashid stands out as one of the most prolific designers of his generation, with an impressive track record that
Industrial Design Portfolio 2016
“Study nature, love nature, stay close to nature. It will never fail you,” said Frank Lloyd Wright. Being acquainted with his work in organic architecture, we k
Industrium | Industry & Factory WordPress Theme We are living in a world where businesses that focus on different industries: industrial, factory, construction, robotics technology, metallurgy, manufacture, engineering, chemical, industrial machinery should have their own presence on the internet. In fact, online presence can help such businesses to experience a variety of great new opportunities. If you are engaged in the process of designing a website for an industrial-related business, you can start using the Industrium WordPress theme. What is Industrium WordPress theme? Industrium WordPress theme is a perfect theme available for the websites of industrial corporations. The theme offers all essential elements that can be usefu
Made from a single piece of flat stainless steel, the One-Piece Knife is exactly that. Minimalism at its best, the knife is strong and features a flat blade tha
Most designers start out with one goal in mind, to create innovative and aesthetic designs that will totally blow our minds! However, industrial designer Kateri
The standing appointment of the inspiration blog to start your creative week! This series includes a mix of the best graphics & all other design fields artworks
In keeping with our current theme of posting working sketches by the great illustrators, today let's look at some unpublished drawings by Austin Briggs. It is a shame that Briggs does not get much attention today; for decades he was one of the most highly regarded illustrators in the country. An excellent painter, Briggs was especially known for the great subtlety and sensitivity of his drawing with a lithography crayon, charcoal or similar tools. Despite the free and spontaneous look to his drawings, Briggs' sketches and preliminary drawings show that he was a disciplined and skilled draftsman. He drew numerous preparatory sketches... ...sometimes with great precision (especially earlier in his career, when his style was tighter): To plan his more complex illustrations, Briggs would do numerous preliminary sketches: Briggs wrote a note to an art director in the margin of one of these sketches, saying "If you don't like this one, I've got a dozen others on the floor of my studio." The following drawing is not a sketch, but a finished, published illustration. Drawing with corrective patch However, the original version was never published: Drawing without corrective patch We forget today that Briggs was at the forefront of artists introducing a more realistic informality into illustration. Previous illustrators focused on the one key moment or reaction shot, where the subject's eyes were widest or their expression was the broadest or their leap was at its height. Norman Rockwell Briggs took a different approach and began focusing on moments that looked less staged. His sketches reveal a deliberate search for offbeat moments, where a subject might be looking away or checking their watch or other things more integrated into daily life. It may seem crazy to us today, but in the 1950s art directors sometimes choked on this radical approach. In the two drawings compared above, the art director instructed Briggs to change his drawing to make the man sit up straight. Briggs glued the correction on with rubber cement, causing the stain. Today's illustrators should be grateful to Briggs as a bold and principled pioneer who left the field with more artistic freedom than it had when he began.
