The deliverables produced by UX designers vary according to their role in the design team, their chosen methods, and tools. Here's an overview of some of the most common deliverables in the industry.
Season 1 and 4 sketches :D
Heuristic evaluation is a process where experts use rules of thumb to measure the usability of user interfaces in independent walkthroughs…
YES!
Alphonse Mucha in 1906 photo by George R. Lawrence Co., Chicago Alphonse (Alfons) Mucha (1860 – 1939) was a Czech painter and decorative artist born in 1860 born in the town of Ivančice, Moravia. He is best known for his luxurious poster and product designs, which encapsulate the Art Nouveau style. Contemporary interest in his work was revived in 1980 after an exhibition at the Grand Palais in Paris. For biographical notes on Mucha see part 1. For earlier works see parts 1 and 2. This is part 3 of a 12-part series on the works of Alphonse Mucha. 1897 Poster for 'Bières de la Meuse' lithograph 154.5 x 104.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Peonies ink and watercolour 79.5 x 95 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Chocolat Ideal' lithograph 117 x 78 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'La Trappistine' lithograph 206 x 77 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'La Samaritaine' Sarah Bernhardt at the Theatre de la Renaissance, Paris lithograph 58.3 x 173 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Los Cigarillos Paris' lithograph © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Monaco - Monte-Carlo' P.L.M. Railway lithograph 110.5 x 76.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Salon des Cent Mucha Exhibition June 1897' lithograph 66.2 x 46 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Vin des Incas' lithograph 13.6 x 36 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Bleu Deschamps' lithograph © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Nestlé's Food for Infants' lithograph 72 x 34.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Société Populaire des Beaux Arts' lithograph 61.5 x 45 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster of Sarah Bernhardt for 'La Plume' Magazine lithograph 69 x 51 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Salome lithograph 41 x 31 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris c1897 Poster for 'Job' cigarette papers lithograph 152 x 102 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Calendar of 'Cherry Blossom' lithograph © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'Vers Sacrum' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Cover of 'Au Quartier Latin' lithography © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Cover of 'The West End Review' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'Waterlily' postcard © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Cover of 'La Plume' Literary and Artistic Review © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster for 'Bénédictine' lithograph 205.7 x 77 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster for 'Médée' Sarah Bernhardt at the Theatre de la Renaissance study © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster for 'Médée' Sarah Bernhardt at the Theatre de la Renaissance lithograph 206 x 76 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster for 'Waverley Cycles' lithograph 80 x 101 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster for 'F. Champenois Imprimeur-Éditeur' printing business © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster to promote the works of Mucha at 'La Plume, Paris' study © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster to promote the works of Mucha at 'La Plume, Paris' lithograph 63.5 x 45 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Dance' study pencil and watercolour 56 x 34.8 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Dance' lithograph 60 x 38 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Music' study pencil and watercolour 56 x 34.8 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Music' lithograph 60 x 38 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Painting' study pencil and watercolour 56 x 34.8 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Painting' lithograph 60 x 38 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Poetry' study pencil and watercolour 56 x 34.8 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Poetry' lithograph 60 x 38 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 The Flowers © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Carnation' lithograph 103.5 x 43.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Carnation' pen and ink 22 x 53.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Lily' lithograph 103.5 x 43.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Iris' lithograph 103.5 x 43.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Iris' pencil and ink wash 22.3 x 53.3 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Rose' lithograph 103.5 x 43.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898-99 The Abyss pastel © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898-1900 'Femme à Marguerite' cotton weave screen printed 70.5 x 77.2 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Cocorico magazine No. 1 masthead © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Cocorico magazine No. 1 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1899 Cocorico magazine 'The Twelve Months - November' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1899 Cocorico magazine No. 19 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1899 Cocorico magazine No. 24 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1899 Cocorico magazine No. 4? © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1900 Cocorico magazine No. 42 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 Cocorico Magazine lithography No. 62 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'Menus et Programmes Illustrés' cover lithograph 22 x 32 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris c1898 Sarah Bernhardt chalk on paper 49.7 x 41.4 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris
161006 - My favorite method of remembering Mandarin vocab! This is honestly so effective and useful for other languages too~
Innovation is all about creating "the new", but if you hang around innovators long enough you begin to get the feeling that while lots of "new" things are being brought to market, innovators continue to use "old" approaches to do this! Recently, however, Arthur D. Little published a study on [...]
The Root center represents life fuel, momentum adrenaline, stress and pressure. Associated with the adrenal system and stress hormones.
With all the projects we are constantly juggling, we're sharing a timeline in the form of a gantt chart including our product lines!
Amazing poster for teaching volume! *Now available in color AND black and white!!* Terms of use: You may use this in your classroom or digitally with your students. You may NOT resell these products as your own or use these products for commercial use. Backgrounds from: https://www.teacherspayteachers.com/Store/Alina-V-Design-And-Resources and https://www.teacherspayteachers.com/Store/Lovin-Lit Fonts from: https://www.teacherspayteachers.com/Store/Amy-Groesbeck
We are so excited to review these beautiful products. They are human organs, glands and more.
We can't wrap our heads around how crowded Kowloon Walled City was.
We talk about the many ways products can fail, how to tackle those risks systematically, and how UXPin has done so over the years.
Anni Albers is one of the best-known textile artists of the 20th century. She was essential in the development of contemporary textile art.
In this article, I’d like to show you that by learning about technical limitations & development aspects, you’ll be able to include a valuable additional layer to your design work & to collaborate…
When to apply which design method? How to connect the dots and use your knowledge efficiently? This mind map may help.
The list of inventions that are credited to the ancient Chinese is long and note-worthy. Several great series of picture books dramatize these moments of invention and are great books for inspiring your young inventors and artists. Books on Chinese Inventions by Ying Chang Compestine Chinese-American author Ying Chang Compestine has written a series of books about Chinese inventions. Each book features the Kang family: Mama, Papa, and three boys, Ting, Pan, and Kùai. Kids will love seeing how the antics of the three boys fits with these inventions. The Story of Chopsticks (2001) imagines the circumstances surrounding the invention of chopsticks. The three Kang brothers, Ting, Pan, and Kùai, are all hungry, growing boys. Kùai, the youngest, is frustrated by having to wait for food to cool down until it was safe to eat with your fingers. A few twigs later, he invents the first chopsticks! But when the boys bring their new invention to a wedding feast, they find themselves at odds with the elders. The Story of Noodles (2002) Though it seems unlikely that noodles were invented because, "'We wanted a food that is easier to clean up after food fights,'" kids will enjoy this story of how an accident with dumplings leads to the possible invention of noodles, which had originated in China by the first century. The Author's Note explains some of the history and customs of noodles and includes a recipe for Long-Life Noodles. The Story of Kites (2003) In this story, the poor Kang brothers are tired of constantly having to scare the birds away from their rice crop. First, they decide to try making their own wings, with predictably disastrous consequences, but eventually their designs lead them to the first kites. Kite-flying has been documented in China more than twenty-four hundred years ago. The book ends with an Author's Note and directions on how to make and fly your own kites. The Story of Paper (2003) The Kang boys are not doing well in school and are blaming the bugs and insects that distract them as they are practicing their writing in the dirt. After much experimentation, they hit upon paper. The Author's Note includes a detailed description of the oldest paper and its introduction to the Chinese emperor, as well as directions for making homemade "garden" paper. Books on Chinese Inventions by Virginia Walton Pilegard The Warlord's Puzzle (2000). An artist brings a beautiful blue tile before the Warlord, but it drops, breaking into seven pieces. When no one can put the tile back together, the Warlord agrees to hold a contest. This accident becomes the invention of the tangrams, so named for their connection to the Tang dynasty. The Warlord's Beads (2001). The peasant and his young son now live in the warlord's palace, but the father has been tasked with counting the warlord's vast treasure. Worried that they keep losing count spurs his son, Chuan, to invent the first abacus. The Author's Note describes the first documented use of the abacus in 14th century China and includes directions for making your own abacus. The Warlord's Fish (2002). The artist and his young apprentice, Chuan, are kidnapped by a group of traders and taken out across the wilds and into the vast desert (along the Silk Route and through the Takla Makan, though the names are not used). When a sandstorm blocks the sun and clouds block the stars, Chuan convinces the artist to use his south-pointing fish to help them find their way to the oasis. The Author's Note explains that the Chinese invented a south-pointing compass made of a magnetic spoon by the third century BC(E) and includes directions for making your own floating compass. The Warlord's Puppeteers (2003). Chuan tries to help a group of traveling puppeteers, after a bandit raid seizes their puppets. This book focuses on introducing children to the concepts of proportion and includes directions for making your own sock puppets. The Warlord's Kites (2004). Chuan and his friend Jing Jing are concerned about the approach of an enemy army and conceive of the idea of using flutes attached to kites to frighten them off. In this story, Jing Jing takes a starring role as the inventor and quick-thinker. Directions are include for handmade kites. The Warlord's Messengers: a mathematical adventure (2005). Young Chuan and Jing Jing are concerned when an invitation arrives for the warlord, but he will not receive the message in time. The friends brainstorm a faster way to travel and invent a wind-driven carriage. These "sailing carriages" were mentioned in Chinese literature 1500 years ago. The book ends with directions for creating a wind sock (another Chinese invention). The Warlord's Alarm (2006). This story seems to take place immediately following The Warlord's Messengers. Chuan and Jing Jing are accompanying the warlord on his trip to visit the emperor, but in order for the warlord to arrive exactly when the gates of the city open, they need to figure out a way to keep track of time during the night, when a sundial is useless. The invent a water clock, and the Author's Note describes some of the complicated water clocks used by the Chinese. There are also directions to make your own dripping water clock. The Emperor's Army: a mathematical adventure (2010). A bit of a departure from the rest of the series, this book tells the story of a father and son in court of Chinese emperor Qin Shi Huang who are forced into hiding by the emperors proclamation against books and scholars. This leads them to discover the building of the emperor's famed terracotta warriors, and the Author's Note includes information about their eventual re-discovery.
Business Design (BD) is a human-centred approach to management consulting which is simultaneously focused on the needs of customers/colleagues and key business imperatives. To be an effective…
Shop Catholic Bible study and prayer book collection of Blessed Conversations Study on the Catechism at Blessed Is She. Deepen your faith with our resources.
Image dimensions: 91.3x65.9 cm. Automne is a superb colored lithograph realized by Sonia Delaunay in 1965 ca. It can be considered for sure one of her most beautiful and important graphic works either for its wonderful use of colors or for its giant size as graphic work. Hand-signed by the artist on the lower right. Numbered on the lower left. From an edition of 75 prints. Frame included. Sonia Delaunay (Sofia Ilinitchna Terk) (Gradizhsk, 1885 – Paris, 1979) was a Russian painter, illustrator, and designer. She studied drawing in St. Petersburg and then in Germany. In 1905, she moved to Paris, where her work was influenced by Post-Impressionist and Fauvist artists. After some years, she married the artist Robert Delaunay, and together they created a particular painting expression, inspired by Cubism, the so-called Orphism. Delaunay's artworks are characterized by Expressionist pure colors. Sonia applied Orphist characteristics to design and fashion production. During the 1920s, her clothes influenced international fashion. During the 1930s, she focused on painting and became a member of the artistic group “Abstraction-Création”. Sonia and her husband Robert realized several artworks for public projects, and collaborated on several murals for the Paris Exposition in 1937. After Robert's death, Sonia continued to produce art and to exhibit it in the most famous museums in the world. In 1964, she was the only woman who exhibited at the Louvre Museum of Paris., Automne, Sonia Delaunay
Compiled by Good's Furniture, this infographic provides a snapshot of the looks and characteristics that came to define furniture, from 3000 BC to the present.
When to apply which design method? How to connect the dots and use your knowledge efficiently? This mind map may help.
Le designer anglais Anthony Dickens a développé un prototype de lampe inspiré des lanternes de papier japonaises traditionnelles. Le modèle, appelé « Tekio », du japonais « adaptation », est suffisamment souple pour s’adapter à tous les intérieurs et sa capacité à transformer les espaces n’est limité que par votre imagination.
Become a patron of Aligned Interiors Co. - Jen Allen today: Get access to exclusive content and experiences on the world’s largest membership platform for artists and creators.
A new book documents the lives of the women who trained at the innovative German art school
Ace your BAR exam preparation with our comprehensive and meticulously crafted “Criminal Law Outline”! This digital product is tailored specifically for aspiring lawyers preparing for the BAR Examination, focusing on the essentials of Criminal Law. Our outline is created by experts with a deep understanding of the BAR exam’s requirements. It distills complex concepts into clear, concise points, ensuring you grasp the subject with ease and feel confident covering every topic. It’s a strategic tool designed to enhance your understanding and retention of Criminal Law principles. Each section is structured to facilitate quick learning and recall, making your review sessions more effective and less overwhelming. Efficiently organized into 14 pages, this outline covers all key aspects of Criminal Law, making your study sessions productive and focused. Enjoy the flexibility of a digital PDF document. Print it out for a tangible study guide or use it digitally for on-the-go learning. Whether you’re in a study group or preparing solo, this outline serves as an excellent reference and revision tool, keeping you on track and confident. DOWNLOAD INSTRUCTIONS: Once your payment has been processed, go to the “Purchases and reviews” section in your Etsy account where you will be able to download files. Then, proceed to download. IMPORTANT INFORMATION: Please note: You are purchasing a digital product. No physical item will be shipped. Upon purchase, you'll receive instant access to download your digital files. Enjoy the convenience of a quick, eco-friendly transaction with no waiting time for shipping! Due to the nature of digital products, refunds are not available. However, please contact me if you experience any problems with the order.
