The EchoPlex Preamp emulates the input stage on the old EchoPlex EP-3. It provides up to 11dB of gain and is mostly used as an always on pedal to sweeten the user's tone. If you want to add the volume control, use a 500k pot and connect lug 1 at the junction of the 100n cap, 220k and 100k resistors, and run lug 2 to ground. This also works really well when running at 18v. Schematic for reference can be found here.

Inserat an Reverb melden

DBX 676 Tube Microphone Preamp Channel Strip We at dbx Professional Products are proud to introduce the all new 676 Tube Mic Pre Channel Strip. The 676 represents all of the best of dbx’s more than 40 years of dynamics processing. The 676 offers a pristine high-voltage, Class-A tube preamp section that runs on 250 volts, so your signal can be as crystal clean or dirty as you need it to be. The 676 also incorporates the compressor/limiter design from the highly-sought after dbx162SL, as well as a 3-band parametric EQ with sweepable mids. The 676 provides audio professionals with the perfect channel strip for recording and live applications alike with its military-grade build and vintage-inspired controls, VU metering and state-of-the-art optional digital output card. Key Features Class-A Vacuum Tube Preamp with High Voltage Gain High-Visibility Vintage VU Meter Compressor designed from the dbx162SL 3-Band Semi-Parametric EQ 1/4” and XLR Inputs and Outputs Front Panel Instrument Input Side Chain Insert Technical Specifications Mic Preamp Connector Female XLR Pin 2 Hot; Electronically balanced/unbalanced Mic Preamp Input Impedance 1.9 kΩ CMRR >85 dB from 20 Hz to 3 kHz, >70 dB from 3 kHz to 20 kHz Instrument Input Connector Tip-Sleeve ¼” Jack Input Type (instrument) Unbalanced Instrument Input Impedance 500 k Ω Max Input (instrument) +21dBu unbalanced Preamp Insert Connector Tip-Ring-Sleeve ¼”, RF filtered Preamp Insert Type Unbalanced, Tip = send, Ring = return Line Outputs (Preamp & Compressor/Limiter) Connector Male XLR and Tip-Ring-Sleeve ¼” (Pin 2 and Tip hot) Line Outputs (Preamp & Compressor/Limiter) Type Servo-balanced/unbalanced Line Outputs (Preamp & Compressor/Limiter) Impedance Balanced 30 Ω, unbalanced 15 Ω Line Outputs (Preamp & Compressor/Limiter) Maximum Output Level > +21 dBm (into a 600 ohm load) Compressor Sidechain Insert Connector Tip-Ring-Sleeve ¼”, RF filtered Compressor Sidechain Insert Type Unbalanced, Ring = output, Tip = input Compressor Sidechain Insert Impedance 1 kΩ (output), 50 kΩ (input) Vacuum Tube Type 12AU7A / ECC82 Vacuum Tube Grid Power Supply +250V DC Vacuum Tube Heater Power Supply +12V DC Frequency Response (Mic Input) 20 Hz to 50 kHz, +0/-1dB, 40 dB gain Frequency Response (Instrument Input) 30 Hz to 70 kHz, +0/-1dB, unity gain THD + Noise (Mic In to LIne Out) 0.25% typical at 0 dBu out, 1 kHz, 40 dB gain THD + Noise (Instrument In to Line Out) 0.2% typical at 0 dBu out, 1kHz, unity gain Equivalent Noise Level Typically > -123 dBu with a 150 Ω source load, 22 Hz to 22 kHz Noise Floor Mic Insert to Comp Output:

Elevate Your Audio Experience Discover the XDUOO MP01 Tube Phono Preamp & Headphone Amplifier, a versatile device designed to amplify and enhance your music listening. With its exceptional features and high-quality components, this amplifier takes your audio experience to new heights. Functionality of the Phono Amplifier The MP01 Tube Phono Preamp & Headphone Amplifier serves two primary functions: Signal Amplification The output level of the phono out is typically very small, around 3mv. To transmit the audio signal to the power amplifier with high fidelity, it needs to be amplified multiple times. The MP01 does this effortlessly, providing a robust and clear audio signal for an immersive listening experience. Compensation Frequency Long-term use and other factors can lead to low-frequency and high-frequency attenuation in LP production. The phono amplifier compensates for this attenuation, restoring the full frequency range of your music and ensuring every detail is faithfully reproduced. Delicate and Smooth Sound with Tube Phono Amplifier Experience the unparalleled analog warmth and smoothness of LP playback with the MP01 Tube Phono Amplifier. Its double tube amplification design, utilizing two 6N3 tubes for front-stage amplification, delivers a soft and delicate sound signature. The pluggable design allows for easy tube replacement, giving you the flexibility to experiment with different sound styles using tubes like 6H3N and JAN-5670W. Bass and Treble Compensation The MP01 features independent treble and bass adjustment knobs, allowing you to compensate for any loss in the high or low frequencies of your recordings. Fine-tune the audio output to suit your preferences and enjoy a balanced and immersive sound experience. Headphone Output for Personalized Listening The built-in headphone output lets you enjoy the unparalleled charm of the LP player with your favorite headphones. Experience the rich and dynamic sound directly through your personal audio devices and delve into the intricacies of your music. Wide Compatibility with Various Audio Devices The MP01 is not limited to phono inputs; it also features an AUX input. This versatility allows you to connect various audio devices such as MM/MC phonographs, computers, mobile phones, CD players, TVs, DAC decoders, MP3 players, and more. Experience high-quality audio reproduction regardless of your source device and cater to the diverse needs of modern music enthusiasts. Premium Components for Superior Sound The MP01 incorporates high-quality components to deliver a superior sound experience: Enthusiast Capacitances: The amplifier adopts Japanese Rubycon and ELNA capacitors as the main filter and coupling capacitors, ensuring a smooth and warm sound reproduction with splendid high-frequency response. Durable and Interference-Resistant Design The MP01's sandblasted texture panel and solid aluminum alloy case provide an elegant and durable construction. Not only does it exude a high-end atmosphere, but it also effectively resists external interference, ensuring the integrity of your audio signal.

The black Shure SM7dB is an updated version of the SM7B, featuring a built-in preamp for a more robust output level, eliminating the need for...

Using the most appropriate microphone and microphone preamp they will record vocal tracks at the Supertone Studio and send it back to you in whatever format and resolution you need (maximum 24Bit/96KHz). This isn't a co-writing situation, they will sing your lyrics and melody,

Unfortunately having to trim down my Buchla modular system, so I’m letting go of a few modules, including this mixer/preamp model 207.Module is in excellent condition and everything works as expected.

This one just traced over on FSB. It's essentially a modified Wampler Plexidrive with an added bass control. Unless you're really sure any through-hole J201s you have on hand are in spec/authentic, I'd suggest using MMBFJ201s, which are the SMD version which are still in production and much easier to get in spec than the discontinued through-hole version. SMD to through-hole conversion boards here. Update August 19, 2019: Corrected a few values that have now been confirmed by Benson. The traces haven't changed however.

The black Shure SM7dB is an updated version of the SM7B, featuring a built-in preamp for a more robust output level, eliminating the need for...

1 low noise tube) 12AU7A GE NOS 1963 (warm / smooth / sweet sound, not bright) 1 section) 8.9ma Gm=2000 1 section) 10.2ma Gm=2200   Tested on Amplitrex   - Unison Research - Head-Direct EF1 preamp - Allen & Heath VF-1 compressor - Ray Samuels - Eastern Electric DAC - Lexicon Signature 284 - Bravo

This product is in stock and in a new condition from Ampeg. SGT-DI The SGT-DI preamp and DI gives modern bassists an entire rig in a single stompbox. It delivers an enhanced Super Grit Technology overdriv... . This awesome Bass Guitar Effect Pedal is made by Ampeg.and is priced to sell at £313.19, (+postage 0.00 USD) - read more details..

Brand JHS Model Colour Box V1 Finish Hand Painted White Year 2014 - 2018 Made In United States Categories Overdrive and Boost Pedals Preamps Pedal Format Standard Show More

12-Channel Analogue Studio Mixer Balanced signal routing throughout with +27dBu headroom (except headphones) 12 Channels (4 mono, 4 stereos) 4 SuperAnalogue Mic Preamps with +48V/75Hz HPF 4 Stereo channels with Hi-Z impedance switch (1 MOhm) Mono channels: 3-band EQ with switchable HF/LF characteristics, SSL compressor and balanced insert Stereo channels: SSL 3-band EQ Peak response LED indicators 16-Channel AD/DA converter with USB-C interface for recording 18-Channel stereo SuperAnalogue summing Summing bus with balanced insert path SSL Bus Compressor (simplified version) 100 mm Fader Stereo mix bus summing for cascading mixers Two stereo cue sends Monitoring section with talkback, local monitoring, 2 stereo cue feeds 2 Headphone outputs with separate source selection Variable B-bus/mute circuit for simple overdubs "Listen Mic Compressor" with flexible routing Dimensions: 489.4 x 390.2 x 141.2 mm Weight: 6.8 kg 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds Januari 2022 artikelnummer 526872 verkoopseenheid 1 stuk Simultaneous channels 12 Mic-In 4 Mono Line-in 4 Stereo-In 4 Hi-Z Input 4 Phantom Power 48V Master Out 6,3 mm bal. Aux Ways 2 max. Pre Aux Channels 2 PC Interface USB-C Interface Input 0 Interface Output 0 Multitrack-Recording No USB/SD Direct Recording No Rec Out (Analog) No Low Cut Yes Inserts Yes Direct Out No Parametric EQ No Compressor Yes Panorama Yes PFL Yes FX Processor 0 USB Playback No Bluetooth Playback No Lamp connection No Footswitch No Bag No Matrixmixer No Zones 0 19" Rackmount Optional Weight 6,8 kg Rackmount No Toon meer

The vintage BOSS CE-1 Chorus Ensemble and RE-201 Space Echo are legendary for their inspiring and influential effect sounds. But they’re also loved for their variable analog preamp circuitry, which instantly infuses any guitar tone with character, body, and richness. With the BP-1W, you can now access these two classic preamp tones in a premium Waza Craft pedal, along with a natural, clear voice that functions as a standard clean boost. Features Waza Craft innovation for a premium analog tone experience Premium booster and preamp pedal with analog circuitry derived from legendary BOSS and Roland effects Versatile design with three selectable modes CE mode reproduces the bright, bell-like preamp sound of the BOSS CE-1 Chorus Ensemble RE mode reproduces the fat, warm preamp sound of the Roland RE-201 Space Echo NAT mode provides a natural clean boost with minimal sound coloration Gain knob controls the amount of saturation introduced into the signal Level knob for controlling the overall volume and driving the inputs of amps and other pedals Selectable standard or vintage input buffer with different tone and response characteristics Made in Japan BOSS five-year warranty   Magical Enhancement For generations, savvy guitarists have relied on key pieces of analog gear to enhance their core tone. Though discontinued over 30 years ago, the CE-1 and RE-201 remain widely used by many players for their characterful preamps as much as their famous analog effect sounds. These “secret weapons“ make the sound richer, fuller, and more satisfying to play, even when their effect processing is bypassed. The BP-1W lets you integrate the magical tone-shaping properties of these legends into your own rig—without having to seek out rare and expensive vintage originals. Versatile Analog Sound Shaping The BP-1W is one of the most flexible boost pedals available, offering three unique operation modes in a single compact stomp. Along with CE and RE vintage modes, a third mode provides a pristine clean boost when you want to pump the volume without added color. The Gain knob allows you to dial in a range of saturation and drive tones unique to each mode, while the Level knob lets you balance the effect/bypass sound or push downstream pedal and amp inputs for further tonal enhancement. Choose Your Tone Color CE—This mode reproduces the CE-1 preamp tone, known for its bright, bell-like character and tight low-end response. Tweak the Gain knob to conjure an array of pleasing tones, from mild to aggressive.RE—This mode reproduces the unique color and response of the RE-201 preamp circuitry. It adds fatness and warmth even at the lowest Gain settings, with increasing saturation as the knob is turned up. You can achieve powerful driven sounds with rich analog compression characteristics, providing foundational vintage color to feed pedals and amps.NAT—Produces a punchy, natural voice with minimal coloration. The modern analog Waza Craft circuitry provides a wide boost range, delivering top performance for any standard clean boost application. Two Premium Buffers The BP-1W features high-quality buffer circuitry with two selectable types. Slide the rear panel switch to choose between the pure signal of a standard buffer or a vintage buffer with lower input impedance. The vintage type produces a warmer tone and a smooth dynamic response, with maximum benefits achieved by connecting a guitar with passive pickups directly to the BP-1W’s input. The standard buffer is always engaged for signal conditioning when the pedal is bypassed, regardless of the buffer switch setting. Waza Craft: The Art of Superior Tone Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. This enthusiastic spirit continues with the Waza Craft series, bringing you exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail. In Japan, “Waza“ is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship.

1 tube slightly microphonic) 6SN7GT Brimar UK NOS slightly microphonic 1960 era in whit ebox 6.8ma Gm=2500 7.8ma Gm=7800   - low microphonics; only when tube is tapped on   - Deja Vu Audio Type 45 amp - Cary preamps and amps - Singlepower - Ultraverve - Wyetech Topaz 572B SET amp - Cary / AE-3 DJH preamp

An audio icon is reborn – the Shure SM7dB has the sound you’ve loved for years, but with the convenience of a built-in preamp providing all the extra gain you’ll ever need. The latest iteration of this legendary XLR dynamic microphone makes it easier for podcasters, streamers and musicians to get perfect vocals from any recording setup. DETAILS Built-in Preamp. Built on Legacy. The SM7dB is a dynamic vocal microphone with built-in preamp providing up to +28 dB of low-noise, flat, transparent gain ideal for almost any interface and simplified audio chains. Selectable preamp boost of either +18dB or +28dB of extra gain Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech Preamp bypass switch deactivates the preamp to revert to original SM7B performance Bass roll-off and mid-range emphasis (presence boost) EQ controls Superior rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors Internal “air suspension” shock isolation virtually eliminates mechanical noise transmission Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position Classic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound Rugged construction and excellent cartridge protection for outstanding reliability IN THE BOX 1 SM7dB 1 Close-Talk Windscreen 1 3/8” Thread Adapter HOW IT WORKS The SM7dB has a built-in Shure-designed preamp, giving it enough oomph to work with any XLR interface. Providing up to +28 dB of gain, the preamp preserves the mic’s frequency response for that iconic sound. All you need is an interface or mixer offering +48V of phantom power to operate the preamp. Don’t need the preamp Flick the switch to the left to “bypass” and get original SM7B performance. WHY IT'S BETTER All the gain you need. Never again worry if an audio interface might lack the necessary gain for great results. The SM7dB frees you from clunky in-line preamps and other accessories, while ensuring you get that classic SM7 tone no matter where you’re recording. The sound you always wanted. Excellent rear-rejection and textbook cardioid pick-up pattern isolates your voice from background noise, ideal for less-than-ideal recording spaces. Boost, or no boost. Miking loud sound sources like a guitar cab Use +18dB or bypass the preamp. Podcasting or recording quiet vocals Select the full boost of +28dB. QUALITY THAT’S IN THE DETAILS Shure engineers have painstakingly ensured that it has the same sound signature as the original SM7B. Whether you’ve activated the preamp or not, you’ll get the same great detail in your recordings from a proven dynamic cartridge and frequency range of 50 to 20,000Hz. Hear all the highs and lows for truly natural-sounding audio. The SM7dB includes a custom Shure-designed built-in preamp with technology licensed from Cloud. The preamp has been created from the ground up and tuned by Shure’s expert engineers specifically for the SM7dB to ensure the iconic SM7 sound is able to live on inside the SM7dB; unchanged, unaltered and here to stay for generations to come.

Item specificsCondition

12-snarige westerngitaar APX-serie Met cutaway Massieve sparrenhouten top Nato body Palissander fretboard (Dalbergia latifolia) Dot fretboardinlays Creme/zwarte bodybinding Palissander brug (Dalbergia latifolia) 22 fretten Scale: 634 mm Preamp "System 64 1-way A.R.T." Contactpickup binnen in body Verchroomde Yamaha Diecast mechanieken Finish: naturel 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds April 2011 artikelnummer 259612 verkoopseenheid 1 stuk Design APX Top Spruce Back and Sides Nato Cutaway Yes Fretboard Rosewood Nut width in mm 43,00 mm Frets 22 Pickup System Yes Colour Natural Incl. Case No Incl. Gigbag No

E83F=6689 Siemens made in Holland NOS gold pins 1966 8.5ma Gm=8700 Tested on Amplitrex   Good Ma 8-10ma Good Gm 8000-9000   (10,000+ hour low noise Pentode) - Telefunken v76 preamp

For sale a new Washburn Festival EA55 with Barcus Berry LX-4 preamp. Has a Koa top, mahogany neck . These guitar were designed to address the needs of the performing musician and was the standard on MTV‘s “Unplugged” and are the best selling and most copied on the market. This series sounds and plays great. If you have any questions feel free to contact me.

Algemeen In 2003 introduceerde Rode de eerste betaalbare studiomicrofoon: de NT1. Twintig jaar later zet Rode opnieuw de studiowereld op stelten met de inmiddels vijfde generatie NT1. De NT1 5th gen is een grootmembraan condensatormicrofoon met een extreem groot dynamisch bereik en zowel xlr als usb aansluiting. De microfoon wordt geleverd met een SM6 shockmount met geïntegreerde popfilter, een xlr kabel en een usb-C kabel. Resolutionair Met slechts 4 dB A aan eigen ruis is de NT1 5th gen op het moment van schrijven de stilste grootmembraan condensatormicrofoon op aarde. Om optimaal gebruik te kunnen maken van het enorme dynamisch bereik is er ook niet beknibbeld op de interne preamp. De Rode Revolution preamp klinkt volkomen clean en punchy en is helemaal vrij van ruis. Een ander opzienbarend feit aan de NT1 5th gen is de resolutie. Als je de microfoon via usb gebruikt kun je opnames maken met een resolutie van 192 KHz bij 32 bit floating point. 32 bit floating point betekent dat het praktisch onmogelijk is om je opnames te oversturen. XLR en USB Trouwens, Rode heeft tussen de bedrijven door even een nieuwe connector uitgevonden: de Rode Dual Connect connector; een combinatie van xlr en usb-C. Tot nu toe was het namelijk zo dat je een keuze moest maken als je een microfoon ging kopen. Of je kiest voor een microfoon met een xlr connector die op een mixer of audio interface kunt aansluiten, of je kiest voor het gemak van een usb microfoon die je direct op je computer kunt aansluiten. De Rode NT1 5th gen kan het allebei. Van het oude euvel dat je maar één usb microfoon tegelijk kunt gebruiken is overigens ook geen sprake meer. Sluit meerdere NT1 5th gen microfoons aan op een usb-hub en ze worden samen herkend als één audio interface. Tips of opmerkingen over dit product Let op: Bij Rode-microfoons is het normaal dat één van de XLR-pinnen (de aarde) een stukje uitsteekt.

Plugin bundle (download) Bevat de volgende plugins: Kramer HLS Channel Kramer Master Tape Kramer PIE Compressor Systeemeisen Versie: 15 Verzendmethode: E-mail Licentie geldigheid: Onbeperkt Kopie bescherming: Online activatie Gelijktijdige activaties: 1 / 2 met actief Waves Update Plan Windows: vanaf 10 (64-Bit) Mac OS (64 Bit): vanaf 12 CPU min.: AMD Quad Core, Apple Silicon, Intel Core i5 RAM min.: 8 GB Harde schijf opslag min.: 16 GB Scherm: 1024 x 768 extra Systeemeisen: Internetverbinding voor installatie en activatie Ondersteunde formaten AAX native 64-Bit AU 64-Bit VST2 64-Bit VST3 64-Bit Leverbaar sinds Oktober 2016 artikelnummer 387815 verkoopseenheid 1 stuk Los artikel / bundelartikel Bundle Delay No Dynamics Yes Effect Filter No Encoder/Decoder No Equalizer Yes Guitar amps/-effects No Channel Strip No Metering / Analysis / Correction No Modulation Effects No Multieffect / Plugin-Host No Overdrive/Distortion No Preamp / Saturation No Psychoacoustic tool / Enhancer / Exciter No Restauration No Reverb No Special FX No Summer / Mixing Consoles No Tape Simulation Yes Pitch Shifter / Harmonizer / Timestretching No Transient Processing No Vocoder / Vocal effect No Mastering Tools Yes Hardware Controller No Download 1

Sharing the simple mic preamp design of the original Focusrite ISA 110 module from the Focusrite Studio Console, ISA 828 MK2 incorporates eight of Focusrite's...

A lovely 93' Takamine with an awesome inbuilt preamp featuring 3 band EQ and gain control. Some knocks and bumps but it is full of mojo. Found Sound Australia Pty Ltd. 110 Albert St Brunswick East, VIC 3057 Australia

Brand Fishman Model AFX Pro EQ Mini Finish Brown / Silver Year 2023 - 2024 Made In China Categories EQ Pedals Preamps Pedal Format Mini Show More

lava music presents the 'lava me 2', an easy-to-play hybrid guitar with advanced technology features that produce a full crisp sound, unaffected by heat or humidity.

Westerngitaar met Pickup Ontwerp: dreadnought met cutaway Body: mahonie Bovenblad: massief sparren Hals: mahonie Fretboard: ovangkol Scale: 643 mm (25,3") Topkambreedte: 43 mm (1,69") 20 Frets Cort CE304T EQ preamp Brug: ovangkol Die-cast stemmechanieken Voorgemonteerde snaren: D'Addario EXP16m Finish: open pore Kleur: Naturel 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds Mei 2022 artikelnummer 544387 verkoopseenheid 1 stuk Top Spruce, Solid Back and Sides Mahogany Cutaway Yes Fretboard Ovangkol Nut width in mm 43,00 mm Frets 20 Pickups Yes Colour Natural Case No Incl. Gigbag No

This guitar is hand made for you with love and passion! The current building time is 9-12 months.

Pedale Boost e Preamp Coppersound Strategy V1 usato in ottime condizioni.

Brand Xotic Model BB Preamp Finish Red Year 2010s Made In United States Categories Overdrive and Boost Pedals Preamps

Ibanez Bass Preamp EQ 3EQ1MC0002Preamp: Bartolini MK-2, 3 band EQFor BTB Basses (Models: BTB470,BTB475,BTB670,BTB675,BTB676,BTB770PB,BTB775PB,BTB780CM,BTB785CM)

One Valov Siemens ECC81 / 12AT7 Preamp TubeNOS / NIBCode: VF4 = ECC81Code: ‡7H = Siemens 1967Small O Halo GetterBMV+dg 468 Stamp on GlassThis tube has matched sections and is considered a balanced tube Good Gm Range: Minimum 3,500 and average new 5,400This tube tested at 4100/4100 Gm and 7.6/7.6 mANo noise, leaks or shortsGoes Great With:Fender Super Reverb - Super Reverb Phase Inverter position V6Ensemble Evocco Integrated amp 1998Fender 65 Twin ReverbInv. 7-1 77341715

HARMONIE folk/blues parlor guitar electro-acoustic by 3 piezo pickups inside the body - jack output at the strap. No preamp, plugs directly into the amp. Made in Germany in the 60s (in MARKNEUKIRCHEN). Parlor format (smaller Martin 00-style size) (see measurements below). Beautiful sound, warm, full sound with fine harmonics. Spruce top (2 layers)Solid maple back and sidesBrass tuning machines Head nut width: 44mmBody width: 333mmString length: 620mm A few traces of wear, small surface cracks on the restored joint, replaced B-string headstock, but in (very) good condition considering its age.Straight neck, frets in good condition. Secure home shipping all over the world

Second preamp I’m selling, just received 4 but only keeping two. This is new in box.

Brand Focusrite Model ISA One Desktop Mic Preamp Finish Blue Year 2008 - 2024 Made In United Kingdom Categories Microphone Preamps

Smokin Amps Co. Preamp + Boost!From Smokin Amps: "Our Preamp+Boost is the fantastic, now discontinued DOD FX10 Bi-FET preamp. This pedal is suitable for any instrument, giving you up to 17 dB of clean boost and a tone control that functions as a bass boost when left of center or a treble boost right of center."No power supplyNo offers or tradesShips with insurance

NUX Stageman Floor is an analog acoustic preamp with digital effects and looper function. Its preamp, featuring a highly sensitive 3-band EQ with MID scoop toggle switch, an adjustable notch filter, and input gain control, provides ginormous headroom and delivers the sound all natural. Improved Clarity It is equipped with Chorus and Reverb effects, and each effect is designed to be controlled by only one knob. Tweaking the chorus or reverb knob from 0 to 10 will adjust multiple parameters coordinately. When you push and hold the Chorus switch, it will activate the freeze effect until you release it. High-Quality Effects, Easy Control null null Large stage volume can easily cause the acoustic guitar to feedback, which makes a lot of unwanted noise. Using the notch filter on the Stageman Floor can help you to cut the resonating frequency and make it more comfortable to play on stage. But remember that some other stage conditions can also cause signal feedback - please also check the guitar and speaker (or monitor) position, and guitar mic(s). And make sure to set everything correctly to lower the chance of causing signal feedback. And usually a guitar pick or your fingernail causes some high-frequency noise. You can use the Notch Filter to get a much better clean sound. Notch Filter null There are Gain and 3-band EQ controls on the pedal. Depending on the amplifier/speaker characteristic, playing style and acoustic guitar's body type, you can tune your sound the way you like by using the Gain knob, Bass, Middle and Treble control. You can optimize the preamp input according to your guitar pickup type by selecting Piezo or Magnetic for better signal processing. It has a built-in FX Loop that allows you to insert external effect units to the Stageman Floor by using a TRS cable. It also works great for various acoustic instruments like the violin, mandolin, banjo and many more. Versatile Preamp null null Push both the Chorus and Preamp footswitches to turn the Stageman Floor into a looper pedal with 60 seconds recording capacity and unlimited overdubs. It's ready to jam at anytime, anywhere! In Looper mode: Preamp Footswitch controls the looper functions; Record/Play/Stop and Overdub Reverb Knob controls the Loop volume level. Record, Jam, Create! null Stageman Floor has all useful input/output connections.

Experience Orange Acoustic Tone The Orange Acoustic Pedal takes all the know-how of our acclaimed Acoustic Pre TC preamp and Crush Acoustic 30 amplifier, cramming it all into a do-it-all, compact preamp pedal. Whether you need to win the battle against feedback, handle complex effects chains, brighten up a dull instrument, or just plug into a PA, the Acoustic Pedal has you covered – in top-notch Orange style. With a low-noise JFET circuit design, surgical-yet-flattering EQ, XLR and 1/4″ outputs, and a buffered FX Loop, all situations are taken care of. This high-headroom, high-quality pedal keeps your setup simple and controlled, leaving you free to do what you do best. Play. EQ With Notch Control Acoustic instruments can be tricky. When dealing with feedback, finnicky pickups and finding a place in the mix, you need an EQ that is both powerful and simple. The Middle knob works in conjunction with the Notch and Q Factor controls to subtly sculpt your sound or tackle feedback with precision. Fixed-frequency Bass and Treble knobs give you much-needed control over the “body” and “sparkle” of your instrument. High-Headroom, Low noise The Acoustic Pedal uses a single-ended JFET circuit design to guarantee insanely low levels of background noise. No hiss, even with the Treble control maxed! Super-high headroom comes courtesy of the 18V power supply, guaranteeing the cleanest, clearest acoustic tone we could give you. Balanced XLR Output Connect straight to the P.A. with no need for a D.I. box. Our studio-grade, balanced XLR output will drive long cable runs with noise-free, high-fidelity performance. The built in phase flip enables eradication of phase cancellation issues at the press of a button, while the additional 1/4″ mono jack output can be used simultaneously for ultimate flexibility. Buffered FX Loop Effects aren’t just for electric guitarists. In the world of the modern acoustic player, where loopers, reverbs and delays are just as important as the instrument itself, creating the perfect signal chain is essential. Our highly-transparent, buffered FX Loop gives you the freedom to build your dream acoustic rig, without compromise. Features: Low Noise Jfet Preamp, Eq With Notch Control, Buffered Fx Loop, Balanced Xlr Output With Phase Reverse Switch Controls: Bass, Xlr Phase, Treble, Notch, Middle, Q Factor, Volume Power: 18v Centre Positive Unboxed Dimensions (W X H X D): 10.5 X 6 X 13.7cm (4.1 X 2.4 X 5.4″) Unboxed Weight: 400g (14.1oz)

Brand Audix Model M1280B Miniature Cardioid Condenser Microphone Finish Black Year 2010s Categories Microphones Electronics Analog Solid State Microphone Type Small-Diaphragm Condenser Polar Pattern Cardioid Wired/Wireless Wired Show More

1-in/3-out USB 2.0 Recording Interface with Variable Instrument Impedance Active/Passive Pickup Switches Mic Preamp and Included Control Software.

This guitar is hand made for you with love and passion! The current building time is 9-12 months.

IMMEDIATE SAME DAY SHIPPING Double NFP Preamp The NFP is a filter preamp alike the ones seen on basses like the Alembic or Wal. Being a low pass filter, it lets all bass frequencies pass through up to 4Khz where it starts cutting. The cutoff point has a resonant peak that can be boosted by pulling-up on the potentiometer. The potentiometer also allows you to sweep the cutoff point(resonant peak) within a range of 100Hz to 4khz on the Neck and 220Hz to 4Khz on the Bridge. The Double NFP has one filter per pickup ,offering more tone shaping options, that are actively mixed through the pan/blend potentiometer and into a Master volume potentiometer. WORKS WITH PASSIVE & ACTIVE PICKUPS.Operation: 9 to 27volts Current Draw: +- 4.5 mAh Dimensions: Filter boards x2: W: 3.3cm; H: 2.3cm; D: 1.7cm Potentiometers:: Hole size is 6.5mm, and bush height is 10m, (use with 6.4mm knobs) Blend board x1: W: 3.9cm; H: 2.5cm; D: 1.3cm MSRP : $309.00 Lusithand PREMIUM CUSTOM KNOBS now available, check out my other listings.For lots of great videos of LUSITHAND high end products, go to YouTube.

Boss CE-1 Preamp Classic preamp loved by many, like frusciante