Powertex is een textiel verharder op waterbasis. U kunt er vele materialen mee verharden die absorberend zijn zoals: textiel, papier, karton, leer, bij voorkeur natuurlijke materialen. Powertex hecht aan alle materialen behalve plastic. Het werkt uitstekend door de Powertex te combineren met zelfhardende kleisoorten, steen, beton, hout en Stone Art.Voor het maken van schilderijen, beelden, decoratie, objecten en juwelen verleent Powertex zich uitstekend.Powertex is er in verschillende kleuren, maar u kunt ook met de Powercolor/Colortrix uw eigen gewenste kleur maken door deze te mengen met de Powertex transparant.Powertex droogt aan de lucht of om het proces te versnellen kunt u gebruik maken van een heat tool.Om uw project buiten te plaatsen dient u het waterafstotend te maken. Dit kan met de Easy Varnish. Let wel op dat u dit na vernissen 6 weken laat uitharden.
Bestel Emma als print. Kies zelf de maat en het materiaal. Snel geleverd, hoge kwaliteit.
Bestelle Abstrakte Rose von KW Malerei als Kunstdruck. Wähle Material und Größe selbst. Schnelle Lieferung, hohe Qualität.
Buste de mannequin avec tête peint de couleurs vives style pop art. Démontables, les mannequins sont facilement déplaçables et transportables, leur taille humaine est un "plus" qui leur permet de s' intégrer parfaitement dans toute pièce: hall, salon, salle d'eau, chambre. Un buste de mannequin comme "is it love?" peut être posé sur une table de nuit une console, il créera une mise en scène inoubliable dans votre interieur. Diese Arbeit ist ein einzigartiges Original Kunstwerk - Skulptur von Brigitte Dravet (Frankreich), Acryl auf Kunststoff. Seine Abmessungen sind 80x35 cm. Dieses Kunstwerk ist Teil der Galerie Mannequin'art sculpture.
Gedroogde moerbeiboomschors, kan rechtstreeks in Powertex worden ondergedompeld. Powertex goed in de vesels wrijven, opentrekken en aanbrengen op het gewenste oppervlak. Geeft prachtige structuren, texturen in schilderijen, op beelden en decoratieve objecten. Indien te stug, een beetje bevochtigen met water.
blog de partage à usage personnel et non commercial. Jaime customiser des objets et suis curieuse de toutes les techniques de loisirs creatifs.j'ai un faible pour les petites boîtes et les carnets qui font de jolis cadeaux à offrir.j'adoré partager.
Regelmatig nieuw werk! Alle sculpturen gaan naar de permanente verkoop-expositie bij Galerie Haamstede. Leukste Workshop van Zeeland!
Goedemorgen lieve luitjes, Met grote trots kan ik dan eindelijk mijn nieuwe website/shop aankondigen. CraftAddiction Ik heb n...
How to add colour to ivory or white fabric sculptures with Powertex products. Bister, acrylic inks and Powercolor pigments.
Stone Art heeft een unieke samenstelling die zorgt voor een leuk en natuurgetrouw steeneffect vooral in combinatie met Powertex Lood en Terracotta Gemixt met Powertex geeft Stone Art een zelfhardende klei. U kunt ermee boetseren of juwelen maken. Stone Art geeft structuren aan uw schilderijen. 2 kg / 10 L Bekijk de gebruiksaanwijzing voor meer informatie over het gebruik van Stone Art. Gebruiksaanwijzing Stone Art
Create a Powertex art series with Bister and Rusty Powder for textured art. These Powertex paintings by Kore Sage use limited supplies.
Metallic Abstract Art by Joanna Pierotti
Explore janet little jeffers' 2259 photos on Flickr!
About The Artwork By Disabled Visionary Artist, Dr Franky Dolan, EdD... THE STORY OF "BINDI": I am Bindi. As my eyes close, my third eye begins to see. I kiss the tip of my finger and point to the stars. The wet of my lips create a bond to hold a star, which calls my name. She calls me mother. I pull my hand back down and there my third eye can see the child who will now begin inside of me. She enters between my eyes, lighting imagination; gliding down my throat, she inspires song; she drips into my heart, stirring the milk to supple my breasts; and finally she lands in my soul, that place where I felt her all along. She entered spirit through my eyes, and she exits body through my thighs. I nurse her and call her my own. One day she will leave me, but she is never alone. She must make room for her brother in the sky. Don’t look too far son, for I am always right by. When they call for me, I will come running, for a mother’s power is ever so stunning. Stand high my children, on the shoulders of those before you. Never stop loving, and know that mother will always adore you. I am Bindi, and I am the mother for all. When you need me, point to the stars and call. DETAILS: -Size: 20 H x 16 W x 4 D in -Original artwork with separate printed story -Certificate Of Authenticity, signed by the artist -Custom wood crate for USPS Priority shipping ABOUT WALL SCULPTURES: These are visionary portraits, capturing the exact moment of beings emerging from another world into ours. They come with ethereal messages and a power so palpable, you can feel their impact every time that you walk by. See the details, note the finger strokes and rhythms in every sculpted piece. Each is a treasured one of a kind masterpiece of mind and spirit. ABOUT THE ARTIST, DR FRANKY DOLAN: All of this art is the culmination of a man who became bedridden and housebound for many years. Hours upon hours were spent alone and painfully ill, leaving the mind with only one option for survival. Franky went into a daily monk-like meditation, every single day for years. Overwhelming visions and messages were so strong, he could barely contain them in his body. So his partner, Randy, brought him paints and clay one day, and said, "create your visions." With no formal art training, Franky looked down at his hands, and began to sculpt and paint these psychic impressions, all from his bed or even on the floor. From this, they started FaeFactory.com, and use the sales of the various art creations to support treatment, outreach and advocacy. This art is more than just art; to Randy Ordonio and Dr Franky Dolan, it is life. --Thank you for your support, and please, join the mission! For detailed photos and full portfolio, go to www.FaeFactory.com Original Created:2015 Subjects:Women Materials:Canvas Styles:AbstractAbstract ExpressionismFigurativeFine ArtConceptual Mediums:ClayLiquid MetalsAcrylic Details & Dimensions Sculpture:Clay on Canvas Original:One-of-a-kind Artwork Size:16 W x 20 H x 4 D in Frame:Not Framed Ready to Hang:Not applicable Packaging:Ships in a Crate Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:United States. Have additional questions? Please visit our help section or contact us.
Kore Sage Art gallery of Powertex and mixed media paintings, including the Exit Strtegy series. All original abstract artwork on deep edged canvas.
If you are new to Powertex, here are 10 things about Powertex you should know to help you create unique Powertex art and craft.
Acrylbilder gestalten mit Risseffekten. Abstrakte Acrylmalerei. Anleitung für Risseffekte mit Powertex.
A native Californian, Richard MacDonald was educated at the prestigious Art Center College of Design and received a Bachelor of Professional Arts, Cum Laude.In the 30 years of his artistic career, Richard MacDonald has achieved international distinction for his sculpture, paintings, and drawings, and has been the recipient of many national and international awards.
figure, oil on canvas, 2006 - belongs to artist
2016 Topic 14: Colour Mixing Hi there, Ingrid here, sharing a few tips and tricks on colour mixing. Colour mixing can be a bit daunting, especially for beginners. There are many, many colour wheels, blog posts, books and other instructional material out there available for you to use, but until you actually give it a go and try it for yourself you will not get the hang of it. Practice makes perfect and in this case it is the only way you will learn once for all. There is a wonderful and very detailed blog post right here on the Paperartsy blog focused on the colour mixing written by Elizabeth Borer. Hat off to Elizabeth, she went into so much detail, there is no point me even going there again! I’m going to take a slightly different approach today and show you how it all works in practice and how you can create an abstract artwork with 5 of the wide range of Paperartsy Fresco Finish Chalk Paints. I prepared a canvas to show you how you can use these 5 colours in practice. Let’s start with the basic theory of colour mixing. We all love to say, ‘oh, I love the colours on your work’, but when you are referring to ‘colour’ there is more to it. For example, I love yellow. Do you know which yellow? There is more than one type of yellow. In fact, there are many. Let’s break it down a bit… There are a few aspects to consider when it comes to a COLOUR: HUE which is a name of a particular colour so when you I say I like yellow colour, I really mean yellow hue. VALUE which is a relative lightness or darkness of a colour. Imagine turning your photo into a black and white one. You will see anything from white and light grey to dark grey and black. The same applies to other hues. You can adjust value of any colour by adding white. CHROMA (also recognised as INTENSITY or SATURATION) is the purity of a colour which determines its brightness or dullness. You can adjust chroma of a colour by adding white (adjusting tint), adding gray (adjusting tone) or by adding black (adjusting shade). How many of you say ‘this is too bright, I need to tone it down’… well, what you really mean is you need to adjust chroma (tint, tone or shade of the colour). I don’t doubt that you have seen many colour wheels and it would be great for you to buy one. They are very handy. They are great if you are using true pigments also known as ‘artist paints’ where you can start with the three primaries, red, yellow and green and mix any colour you desire. But we’re not here to talk about those. So forget about the colour wheel for now, because PaperArtsy make it easy for you. They already mix and sell a huge variety of shades and tones of each colour that we really are spoilt for choice! You can find them all HERE. But what if… what if you don’t have any yet and don’t know which ones to buy first, but still wanted to use some in your artwork? I have a simple solution for you and today I want to show you how easy it is to mix your own neutral colours and various shades and tones by simply using 5 Paperarty paints. Three are very close to the three primaries, London Bus (red), Zesty Zing (yellow) and Blueberry (blue), and two are neutrals, Snowflake (white) and French Roast (grey). Here’s a basic graph of how our three equivalents to the primaries mix: You can see that each of the neutrals has a different warmth to it and this is achieved by adding more red. If you want your neutral to be earthier, add more green. If you want it cooler, simply add more blue. Easy! It is easy to adjust the value by adding white to any colour. I added Snowflake to London Bus, as shown below. Or to adjust chroma by adding a little bit of a French Roast to London Bus (we’re onto some recipe here. Now you learned the basics there is nothing stopping you. Just by mixing the three colours you already created all the colours you need for any artwork. Add more Snowflake to the neutrals you mixed up earlier and you can create skin tones. You can paint an entire landscape with rocks, mountains, grass, water, sky, flowers and anything that your imagination can produce just by following these basic rules or colour mixing. Is your colour too bright, add some French Roast. The trick is to add a tiny bit. Then more, if you need to. A little goes a long way. Is it now the right tone, but too dark? Add Snowflake to adjust value. If you keep practicing these basics you will be a pro in no time. Trick: always keep a little bit of the originally mixed colour before you add another to it. Take a little bit from it and place next to it, then mix your white or whatever else into it. Why you ask… if your new mix doesn’t work out you have the original one to use or to use as a reference when mixing more. You can also compare the two and decide what works better for your artwork. And so to my canvas: I collaged various papers, fibres, card, strings, sand and art stones, crackle pastes etc onto my canvas using a Mod Podge, white gesso and then covered everything in white gesso. I also used my favourite, Paperartsy Grunge Paste, and stamped into it whilst still wet using the gorgeous journaling stamps by Sara Naumann – Eclectica 03. I let everything to dry over night to ensure the gesso or anything else I used wouldn’t interfere with my paint. ESN03 I decided on a colour scheme and started with a basic wash. My base colour was Blueberry. By adding Snowflake, I adjusted the lightness of this colour. I applied the darker by the art stones and lighter towards the middle of the canvas which on its own created dimension. I also mixed London Bus, Zesty Zing and a small dash of Blueberry to create a brown colour. It was too warm and didn’t match my blue and grey background so I added more yellow to get an earthier look. It was too bright and needed to tone it down so I added French Roast and there it was. I was slightly diluting the colours as I went for an easy application. I needed another earthy, but slightly contrasting colour so I added a bit of French Roast to Zesty Zing and got a nice dull, almost grey yellow colour which was perfect as a source of light in my blue and grey artwork. It was a nice touch, but not too bright. I used a couple more stamps and Blueberry and French Roast paints to add some stamping. One of the stamps says ‘disappear here’ and I was totally getting hooked and enjoyed the play. Which is what it’s all about. It is fun to make discoveries and each time you mix up a colour it is a bit like that. A little discovery you get excited about. Once I was happy with the overall composition I highlighted everything with Snowflake. I dry-brushed it on which meant that only the raised areas were touched with the brush. I also added so white to the centre. It was at this point when I was fairly satisfied with the overall look, but it needed a contrasting colour to create focal points or shall I say, areas of interest. I mixed London Bus and Zesty Zing to create orange. You probably know that orange and blue are complementary colours. They complement each other meaning, they are creating an aesthetically pleasing colour contrast, they create a harmony. This is why we group them into Harmonious Colour Schemes. Monochromatic and Analogous colours also belong to this group. There are other key points to colour relationships, but I won’t go into this as this post would be very long. So now I had my lovely and bright orange it needed to be ‘toned down’. You guessed it, I added a tiny bit of French Roast. And then a bit more and did this until I had my perfect dull orange, almost a colour of a rust. I applied the first coat of this colour to the ridged areas of my canvas and lightly touched here and there, this time with a palette knife. By using the palette knife I was safe in knowing only the raised areas would be covered and I wouldn’t get paint where I didn’t want it. I then used this very dull orange colour and added a bit of Zesty Zing. I adjusted the brightness and saturation again! I applied with a palette knife over exactly the same areas. Then I repeated this step until I had a gradient from darker dull orange until a bright light orange. That was fun! Today my mission was to prove that YOU CAN use a few basic colours to create a vast variety of other colours, from bright to dull, from light to dark and from primaries (or in this case their equivalent or close enough to them) to neutrals… I have a few close ups of the finished canvas for you… I hope you find my post useful as well as encouraging to experiment with colour mixing. You never know what you might discover! ;) Stay creative! All the best, Ingrid xxx Blogs: Ingrid Kristina V Designs& Mixed Media World Socials: Twitter, Pinterest, Facebook, Instagram, Google+ Wow Ingrid, this is fabulous in its simplicity. We all know though that sometimes what appears minimal does in fact have a lot of work and layers involved, not to mention the careful thought and attention to colours and placement. Thankyou for all your hints and tips on mixing, this can be a confusing subject but you have shown how a stunning piece can be achieved with very few colours. We would love to see how you interpret this Colour Mixing topic by linking what you make to our 2016 Challenge #14: Colour Mixing, on this page HERE. All of our bloggers love to see your twist on their ideas, particularly if you were inspired directly by their post. All links go in the draw to win a £50 voucher to spend on products of your choice from the PaperArtsy online store. The Colour Mixing link will close 17:00 (London Time) Sunday, Aug 7th 2016. The winner will be announced 2 hours later at 19:00.
Find home projects from professionals for ideas & inspiration. The Ideal Minimalist Decor by Spacio Collections | homify
Have you got a bottle of Powertex in your craft supplies? Overwhelmed by the possibilities? Here are 5 Powertex projects for beginners.
