This dark twist in art by Jeff Huntington, shows the multi-faces of humanity, which we like in art. The smooth yet quick brush storks give the work its arty feeling, nonetheless keeps it in a weak …
Split face self portrait art is a wonderful all-about-me activity that can be done with kids of all ages (preschool, kindergarten and up).
self portrait - cube template View folded View On Black
This easy step-by-step art lesson teaches your kids how to draw a self portrait. Stop by for a free tutorial or watch the video lesson.
L’artiste Tyler Spangler travaille sur des photos retro qu’il interprète en ajoutant des touches psychédéliques très personnelles. Quand les deu
I started a new photographic project and I'd like to share it with you. The series is called "Photographic Portraits Behind The Canvas".
To begin class, we talked about the basics of portrait drawing: your eyes are in the middle of your head, your head is 5 eyes wide, your neck is as wide as your pupils, etc. I had the students make…
Black and White Portrait Photography can give certain scenes unique, ageless quality. Not every shot will undoubtedly work in B&W photography
0 Artworks by sage -, Saatchi Art Artist
[b]Check our isolated expression sets here[/b] //www.istockphoto.com/file_search.php?action=file&lightboxID=8085717][img]http://www.zonecreative.it/res/istock_lb/lb_collections_faces.jpg[/img][/url]...
One could easily devote a long, joyful lifetime to cataloging the differences between men and women without pausing once to consider the significance of those differences. That would certainly be the safest way to do it. But as the astute Goethe noted, "Nothing is harder to take than a succession of fair days," and every once in a while (usually at the end of a year in which one hasn't met his full quota of foolhardy behavior) a person will deliberately risk life and limb by exploring the significance of those differences out loud. It is in that spirit that I set out today to consider why it is more difficult to draw women's faces than men's faces. Artists quickly learn that men's faces are easier to draw because men have bone structures and muscle groupings that are more pronounced than women's. Male heads are generally more blocky and angular; they tend to have stronger jaws, square chins and prominent brows. These features provide artists with easy opportunities to employ distinctive lines, strong shadows and recognizable shapes to achieve a resemblance. From the Famous Artists School course materials, "Constructing the Head and Hands." Women's faces, on the other hand, tend to be smoother and softer, with rounder shapes and subtler, more delicate features which require greater restraint. Another difference that makes men's faces easier to draw is that, "as the man matures he develops larger, deeper wrinkles while the woman develops smaller ones because her skin is finer textured and her bones and muscles are less prominent." If an artist wants to capture a likeness using lines, it is much easier if the subject has lines that were already mapped by nature. Note in the following examples how men's sharper angles, prominent facial muscles and deeper wrinkles have provided artists with more tools for describing a form. Here, Mort Drucker sculpts the male face, but on the woman's face he stops with just the outline. Her features can't be rendered effectively using the same kind of approach, and must be implied instead. Here, Leonard Starr puts a strong chin, nose, cheekbones and brow on the man (while making it clear from facial expressions that the woman has the stronger mind). Here, Norman Lindsay tries to deal with the difference between men and women by using small dots to convey the woman's features, while using lines for the man. The special challenge of a woman's face is that it compels artists to describe subtler forms with fewer lines and less obvious shapes, depriving artists of some of the most fundamental tools in their tool kit. In the following image, Leonard Starr limits himself to little more than an outline of the face but nevertheless gives us important information about the contour of her cheek simply by leaning more heavily on his brush on portions of the right side of her face. So what is the larger significance of these observations about the differences in drawing the faces of men and women? Part of the magical power of drawing is that it can lead us unexpectedly to larger truths. The principles we encounter in drawing the faces of men and women often seem rooted in fundamental realities about the sexes: Like their faces, men's personalities are more easily reduced to a line than women's personalities. Like their facial features, men tend to be more obvious than women. (Artists frequently bear witness to such triumphs of physiognomy!) Women, on the other hand, are sometimes best understood implicitly and indirectly; the discipline of describing form without heavy reliance on lines requires subtlety, appreciation and restraint but you can sometimes achieve a far better likeness that way. Regardless of whether these larger principles resonate with you, I am sure we can all agree that if an artist lacks the patience for the complexity of ambiguity, you can't compensate for that lack by substituting more (or more emphatic) lines of the type that you use for a man's face. In such situations, "more" will invariably turn out to be "less."
Amazing new Photoshop tutorials that will improve your design, enhance and retouch skills. These Photoshop tutorials, techniques and tips are very helpful to
That is what happens when you visit too many times a museum with your favourite artist : Sorolla. At least that is what happens to me.
BOSTON - Without a whole lot of anagrammatical labor, "modern master," which is a term most people in the art game apply to Lucian Freud, becomes "monster dream," which might well describe - to some, anyway - both the artist and his art. Freud might actually like that. Lucian Freud's biography makes bad boy Paul Gauguin - whose life and work I just dove into in these pages - look like a choirboy. A choirboy in a dark religion, admittedly, but still . . .
Kids Learn about Andy Warhol and Pop Art by recreating his art using this fun and simple activity. Add to your child's knowledge of Art History in a fun way!
Tuts+ has the honor to present to you a vector tutorial from a true legend, Wedha Abdul Rasyid. Wedha, originally from Indonesia, created his art work in traditional mediums early in the 1990s,...
We kickstarted World Face project in April to celebrate the incredible diversity of the world around us and unite people through photography. We have challenged ourselves to photograph people from every nation in the world. Here are new images for the collection.
Clear Frame Portrait Paintings